HEVER CASTLE, KENT.

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Hever Castle is situated in that district of the County of Kent called “the Weald.” It was erected in the time of Edward III., by William de Hevre, who had obtained the King’s license to embattle his Manor-house; dying soon afterwards, the estate was inherited by his two daughters; one of whom married a younger son of the Lord Cobham, who purchased the remainder, and by whose grandson the whole was disposed of to Sir Geoffrey Boleyn, a wealthy mercer of London, who was Lord Mayor of the City in the 37th Henry VI. He was the founder of a family, whose short-lived power forms a brilliant but melancholy page in British History. His grandson, Thomas, the father of “the unfortunate Anne,” was created, by Henry VIII., Earl of Wiltshire and Ormond; but dying without issue male (his son having been executed during his lifetime), his remorseless son-in-law seized on the estates “in right of his late wife,” which in the 32nd year of

his reign, he granted, for her life, to Anne of Cleves, the wife he had then repudiated. Sir Thomas Boleyn is buried in the Church of Hever; his tomb is in the chancel; a fine relic of ancient splendour, which time and neglect have essentially impaired. After the decease of Anne of Cleves, Hever passed successively through the hands of the Waldegraves, the Humfreys, the Waldos, and the Medleys, in whose possession it is at present.

The Castle is still in good condition, and is kept in sufficient repair. A moat surrounds it, formed by the river Eden; over which a drawbridge leads to the principal entrance—a centre flanked by round towers, embattled and machicolated, and defended also by a portcullis. The inner buildings form a quadrangle, inclosing a court. Our view is taken from the entrance to the orchard, on the east side of the moat; thus presenting the east and north sides of the building.

A “great staircase” conducts to the several apartments and “the long gallery;” from

this gallery there opens a small recess, said to have been the council chamber of the eighth Henry during his frequent visits to the Castle. Our print exhibits also the trap-door, from which there is a narrow and gloomy passage to the dungeons and the moat. To this awful-looking place, so suggestive of sad thought, tradition has given the name of “the hunger hole.” A chamber, with which are associated feelings scarcely less painful, is the antechamber that leads to the bed-room of Queen Anna Boleyn. This suite is said to have constituted her prison after her “disgrace”—if the term may be applied

to the change of circumstances to which she was doomed by the inhuman despot to whose merciless keeping a stern fate had consigned her destiny. The Castle and its neighbourhood contain many traditions connected with the sad story of the ill-fated Anne. Hever was the residence of her earlier and happier years; in this Castle she was wooed by her King; from hence she was conducted in triumph to a throne. And from the lone chamber she here occupied, she was led to a still more fatal prison and the scaffold. In the immediate neighbourhood, a hill is pointed out, upon the summit of which it was the custom of King Henry to wind his bugle-horn in token of his approach, when, with his retinue, he drew near the dwelling of his “Lady-love.

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S. Rayner, Del?. on stone by W. Walton. M. & N. Hanhart, Lithog??.KNOLE, RETAINER’S GALLERY.

                                                                                                                                                                                                                                                                                                           

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