The church at Arundel—of which we give a print of the interior from a drawing by Mr. Prout—is of very ancient date. For a series of years down to our own time, it was suffered to fall into decay; and age was gradually removing all tokens of its former splendour. The roof had disappeared from the chancel; and ivy had overgrown its carved pillars and mullioned windows; the few repairs to which it had been subjected had been carried out in bad taste; and for a long period it remained a discreditable evidence of the apathy of successive Dukes of Norfolk, rather than a monument to record the honours and glories of the race. It is now, however, in progress of restoration; its claims upon the noble family have been recognised; the inroads of time have been effectually arrested; and it is undergoing such necessary changes (at the cost of the present Duke) as are dictated by judgment and good sense. The church occupies an elevated position north of the town, and nearly opposite the principal entrance into the Castle. Its exterior has many traces of antiquity, and not a few remains of early beauty. Age, and the slovenly hands of stonemasons, have, however, materially injured its venerable character and imposing effect—its principal injury having been sustained by the addition of a wooden spire placed above a low square tower which rises from the centre of the edifice. The church is of large size, and consists of a double arcade, dividing the nave from The original ecclesiastical foundation was that of the alien priory, or cell, dedicated to St. Nicholas, established by Roger de Montgomery, Earl of Arundel, soon after the Conquest, and subjected to the Benedictine Abbey of Seez, or De Sagio, in Normandy. It consisted only of a Prior and three or four Monks, who continued to conduct the establishment for nearly three centuries, until the 3rd year of the reign of Richard II., when Richard Fitz-alan, Earl of Arundel, obtained a license to extinguish the Priory and to found a Chantry for the maintenance of a master and twelve secular canons with their officers. Upon this change, it was styled “the College of the Holy Trinity.” The Collegiate church being intended as the mausoleum of his family, the founder supplied ample means to enrich it with examples of monumental splendour. The tomb of his son Thomas Fitz-alan and his wife Beatrix, daughter of John, King of Portugal, was “The magnanimous hero, whose effigy is here beheld, and whose remains are deposited beneath this monument, was the Earl of this place, the last of a family deriving its lengthened descent from the son of Alan. His name was Henry, Lord and Baron Maltravers, Clunne and Oswaldestre, senior knight of the most noble Order of the Garter, only son and successor of William, Earl of Arundel, and the worthy representative of his father’s virtues. To Henry, Edward, Mary, and Elizabeth, he discharged the duty of Privy Councillor. Under the first, he was Governor of Calais, Marshal of the army at the siege of Boulogne, and afterwards Lord Chamberlain. At the coronation of Edward, he officiated as Earl Marshal; at that of Mary, as Lord High Constable. To the former, as to his father, he was Lord Chamberlain: to the latter, as well as to her sister, Queen Elizabeth, he was Lord High Steward, and President of the Council. “Thus, this man, illustrious in his descent, more illustrious in his employments, and deemed most illustrious both at home and abroad, rich in honour, but broken with labour and worn out with age, having attained his sixty-eighth year, calmly and piously fell asleep in the Lord, in London, on the 25th of February, 1579. “To the kindest of fathers-in-law, and the best of patrons, here interred, John Lumley, Baron Lumley, his affectionate son-in-law and executor, with many tears, and as a last testimony of his love, has consecrated this monument, and adorned it with his own armour, not for the sake of preserving his memory, which his virtues have rendered immortal, but for the sake of that mortal body, which is here deposited, in the hope of a happy resurrection.” There is one monument of a peculiarly striking character; it occupies an opening cut in the wall, between the chancel and the Lady’s chapel—the chapel which forms the subject of our principal engraving. They are divided by low arches. The tomb is an open feretrum or bier, carved in alabaster, and formerly painted, under which lies an emaciated figure extended on a shroud. Upon the upper slab is an effigy in plate armour, with a close tabard, emblazoned with Fitz-alan and Maltravers, quarterly, the feet resting on a horse. Two angels support the head. It represents John Fitz-alan, Earl of Arundel, who died at Beauvais of wounds received at the siege of Gerberoy, in 1435. He had selected this spot as the place of his interment; and although his remains were buried in the Cathedral of Beauvais, this singular monument was erected to his memory here. The church encloses several monuments in addition to those we have enumerated; and in the chancel are many brasses, containing epitaphs “in obsolete Latin and monkish verse” to masters and fellows of the college and to servants of the noble families—the Montgomeries, the Albinis, the Fitz-alans and the Howards—who have held sway over Arundel for centuries, for— “Since William rose and Harold fell, There have been Counts of Arundel; And Earls old Arundel shall have While rivers flow and forests wave.” The decorations of the church and its magnificent tombs were either seriously injured or destroyed by soldiers quartered in the church during the siege of the castle in 1643. The windows were formerly filled with richly stained glass, the eastern window containing a series of kneeling figures, male and female, in coat armour and mantles, with their respective armorial bearings. It is to the honour of the present Duke of Norfolk, that although a member of the Roman Catholic Church, he has deemed it his duty to restore this ancient and venerable edifice from the state of dilapidation in which it has for many years existed. |