The Cake Shop started the autumn season rather dully. Some of its Éclat had evaporated by the second year, and M. Paul was decidedly getting spoiled in the New World. His cakes were inferior in both quality and variety, and he demanded a sixty per cent rise in wages, which they felt obliged to give him. Another girl had drifted away during the summer, so that one lone Parisian maiden—and the homeliest of the trio—remained to "give an air" to the Cake Shop, and she, already corrupted by the free air of the west, gave it sullenly and with a Chicago heaviness. The shop itself was, of course, less fresh and dainty, having suffered from ten months of smoke, although they had spent a good deal in having it largely redecorated. Just as the cakes became heavier, tougher, more ordinary, as the months passed, so the whole enterprise suffered gradually from that coarsening and griming which seems an inevitable result of Chicago use. Much of the fine artistic flavor of Milly's conception had already been lost. It was becoming commercialized. Ernestine did not perceive these changes, to be sure, though Milly did in her less buoyant moments. What troubled Ernestine was the fact that the receipts were falling off, and the accounts were hard to collect.

She suspected that Milly had lost something of her enthusiasm for the Cake Shop. Milly certainly devoted less ardor to the enterprise. She continued to go out a good deal, more than Ernestine felt was good for her health or good for the business, and she often required the use of the house and the servants for elaborate luncheons or dinner-parties. This invariably put the machine out of order, although Milly always feed the employees liberally for their extra service. Ernestine did not like to complain, because it seemed selfish to deprive Milly of the social relaxation she craved. So she took her supper with Virgie in the latter's nursery. When she did demur finally, Milly, without a word, transferred her party to an expensive new hotel, which was not good for Milly's all-too-open purse.

Business picked up at the holiday season, but fell off again thereafter. They were not making much money this second winter, and Ernestine was becoming anxious.

"You're always worrying about something," Milly said, when Ernestine pointed out this fact to her. "If the Cake Shop fails, I'll think up something else that will put us right," she added lightly, in the rÔle of the fertile creator, and tripped off to the theatre.

But that wasn't Ernestine's idea of business. She got out the books and went through them again.

The play proved to be entertaining, and Milly returned home in good spirits. From the hall she heard the sounds of voices in altercation in the rear room where Ernestine had her desk. M. Paul's excited accent could be distinguished playing arpeggios all over Ernestine's grumbling bass. "Oh, dear!" thought Milly, "Paul's off the hooks again and I'll have to straighten him out...."

"See here, my man—" Ernestine growled, but what she was going to say was cut off by a flood of Gallic impertinence.

"Your man! Ah, non, non, non! Indeed not the man of such a woman as you! I call you 'my voman'? Not by—"

Here Milly intervened to prevent a more explicit illustration of M. Paul's contempt for Ernestine's femininity.

"She call me her 'man'!" the pastry-cook flamed, pointing disdainfully at Ernestine.

"The fellow's been thieving from us for months," Ernestine said angrily, and pointing to the door she said,—"Get out!"

"Oh, Ernestine!" Milly protested.

But M. Paul had "got out" with a few further remarks uncomplimentary to American women, and the damage was done. Ernestine could not be made to see that with the departure of the pastry-cook, the last substantial prop to Milly's fairy structure was gone.

"The beast has been selling our sugar and supplies," Ernestine explained.

"It makes no difference what he has done!" Milly replied with justifiable asperity.

The next morning she set forth to track the fugitive pastry-cook and wile him back to their service. She found him after a time at one of the new hotels, where he had already been engaged as pastry-cook. To Milly's plea that he return to his old allegiance, he orated dramatically upon Ernestine and la femme in general.

"You, Madame Brag-donne, are du vrai monde," he testified tearfully. "But that thing—bah! 'Her man'—canaille du peuple,"—etc.

Milly, touched by the compliment, tried to make him understand the meaning of her partner's remark. But he shook his head wrathfully, and she was forced to depart, defeated. It was some consolation to reflect that this time it had been Ernestine's fault. Milly thought there might be something in the Frenchman's criticism of Ernestine. Her good partner lacked tact, and she was indisputably "of the people." Milly philosophized,—"Servants always feel those things."

She walked across the city from the hotel in a depressed frame of mind,—not so much crushed by approaching disaster as numbed. She had something of the famous "artistic temperament," which is fervid and buoyant in creation, but apt to lose interest and become cold when the gauzy fabric of fancy's weaving fails to work out as it should. She passed the Cake Shop, where through the long front windows she could see the girls idling over the marble counter, and instead of turning in, as she had meant to do, she kept on towards the Avenue. The place gave her a chill these days. All the dazzling gilt was dropping from the creature of her imagination, and it was becoming smudged, like the sign, by reality. Ernestine had seriously suggested converting the Cake Shop into a lunch-counter for the employees of the neighboring office buildings! Milly saw a horrible vision of coarse sandwiches, machine-made pies, and Bismarcks (a succulent western variety of doughnut) on the marble tables instead of Paul's dainty confections; coffee and "soft drinks" in place of the rainbow-hued "sirops." Her soul shuddered. No, they would take down the pretty sign and close the doors of the Cake Shop before admitting such desecration into the temple of her dreams....

People seemed to be hurrying towards the Avenue, their heads tilted upwards, and a crowd had gathered on the steps of the Art Institute. Milly, whose mind fortunately was easily distracted from her troubles, joined the pushing, good-natured throng of men and women, who were staring open-mouthed into the heavens. It was the opening day of Chicago's first "Air Meet," which Milly had forgotten in the anxiety caused by M. Paul. Far above the smoky haze of the city, in the dim, distant depths of the blue sky there was a tiny object floating, circling waywardly, as free apparently as a lark in the high heavens, on which the eyes of the multitude were fastened in fascination. Milly uttered a little, unconscious sigh of satisfaction. Ah, that would be to live,—to soar above the murk and the roar of the city, free as a bird in the vast, wind-swept spaces of the sky! It filled her, as it did the eager crowd, with delight and yearning aspiration. She sighed again....

"It's a pretty sight, isn't it?" a familiar voice observed close behind her. With a start Milly turned and perceived, on the step below,—Edgar Duncan. His long face had an eager, wistful expression, also, caused perhaps by the aerial phenomenon above, as much as by the sight of his lost love; but the expression took Milly back immediately to the little front room on Acacia Street, when Duncan had stood before her to receive his blow.

"There!" Duncan exclaimed quickly, before Milly could collect an appropriate remark. "He's coming down!" Speechless they both craned their heads backwards to follow the aeroplane. The airman, tired of his lofty wandering, or having done the day's stunt required of him, had begun to descend and shot rapidly towards the spectators out of the sky. As he came nearer the earth, he executed the reckless corkscrew man[oe]uvre: the great winged machine seemed to be rushing, tumbling in a perpendicular line just above the heads of the gazing crowd. There was an agonized murmur, a prolonged,—"Ah!" It gave Milly delicious thrills up and down her body. When the airman took another leap towards earth, her heart stopped beating altogether. With only a few hundred feet between him and the earth the airman turned his planes and began circling in slow curves over the adjacent strip of park, as if he were judiciously selecting the best spot for alighting.

"It doesn't take 'em long to come down!" Duncan remarked, and Milly, with a swift mental comparison of the aeroplane flight and her own little fate, replied,—

"It never takes long to come down, does it?"

She looked more closely now at her former lover. Apparently his blow had not seriously damaged him. His figure was fuller and his face tanned to a healthier color than she remembered. He seemed to be in good spirits, and not perceptibly older than he was ten years before. They descended the steps with the moving throng and strolled slowly up the crowded boulevard, watching the distant flights and talking.

Edgar Duncan, she learned, had not spent the ten years nursing a wounded heart. He had doubled the acreage of his ranch, he told her, and thanks to the fatherly government at Washington, which had trebled the duty on foreign lemons, he was doing very well indeed. The big yellow balls among the glossy leaves were fast becoming golden balls. He was now on his way east to see his people and also to look after the interests of a fruit-growers' association in the matter of a railroad rate on lemons. He seemed very much alive. The blow had probably done him good, Milly concluded,—had waked him up.

There were a few hours between his trains, he explained to Milly, and so he had wandered over to the park to watch the aeroplanes, which were the first of the bird machines he had ever seen. It was almost time now for him to leave. But he lost that Washington train. For he walked home with Milly to see her little girl, stayed to luncheon, and was still at the house telling Virginia about real oranges on real orange trees when Ernestine came in. She was hot and tired, evidently much disturbed, and more than usually short with Milly's guest. Duncan left soon afterwards, and then Milly asked,—

"What's the matter, Ernestine?"

"I'd think you'd know!... If we can't get a cook, we might as well shut up the shop to-morrow."

Milly had forgotten all about the loss of the pastry-cook and the business in her surprise at meeting Edgar Duncan again and all the memories he had revived.

"All right!" she said promptly. "Do it."

"Give up the business?" Ernestine asked in amazement. She could not believe Milly meant to take her testy remark seriously. What had come over Milly!

"We might try it in Pasadena," Milly remarked after a time. "There are a lot of rich people out there."

This went beyond the bounds of Ernestine's patience.

"Pasadena!... Last time it was Palm Beach, and before that it was Newport. What's the matter with staying right here and making good?"

Milly did not reply. Ernestine's pent-up irritation overflowed still more.

"You ain't any business woman, Milly!"

"I never said I was."

"You always want to get in some society work—social pull! Rich folks!" Ernestine groaned with disgust. "That kind of furor don't last. They're too flighty in their notions."

"Like me," Milly interposed bitterly.

"Well, it ain't business to quit."

"Oh, business!" Milly exclaimed disgustedly. She felt like an artist whose great work has been scorned by the philistines.

"Yes, business!" Ernestine asserted hotly. "If you're going into business, you've got to play the game and play it hard all the time, too. Or you'd better marry and do the other thing."

"Perhaps I'll marry," Milly retorted with an enigmatical smile.

Ernestine stared at her agape. Was that what was the trouble with Milly? She had not meant to go so far.