Three hours later Mary, anxiously waiting, heard Stefan's step approach their bedroom door. Instantly her heart dropped like lead. She did not need his voice to tell her what those dragging feet announced. She sprang to the door and had her arms round his neck before he could speak. She took the heavy roll of canvases from him and half pushed him into the room's one comfortable arm-chair. Kneeling beside him, she pressed her cheek to his, stroking back his heat-damped hair. “Darling,” she said, “you are tired to death. Don't tell me about your day till you've rested a little.” He closed his eyes, leaning back. He looked exhausted; every line of his face drooped. In spite of his tan, it was pale, with hollows under the eyes. It was extraordinary that a few hours should make such a change, she thought, and held him close, comfortingly. He did not speak for a long time, but at last, “Mary,” he said, in a flat voice, “I've had a complete failure. Nobody wants my things. This is what I've let you in for.” His tone had the indifferent quality of extreme fatigue, but Mary was not deceived. She knew that his whole being craved reassurance, rehabilitation in its own eyes. “Why, you old foolish darling, you're too tired to know what you're talking about,” she cried, kissing him. “Wait till you've had something to eat.” She rang the bell—four times for the waiter, as the card over it instructed her. “Failure indeed!” she went on, clearing a small table, “there's no such word! One doesn't grow rich in a day, you know.” She moved silently and quickly about, hung up his hat, stood the canvases in a corner, ordered coffee, rolls and eggs, and finally unlaced Stefan's shoes in spite of his rather horrified if feeble protest. Not until she had watched him drink two cups of coffee and devour the food—she guessed he had had no lunch—did she allow him to talk, first lighting his cigarette and finding a place for herself on the arm of his chair. By this time Stefan's extreme lassitude, and with it his despair, had vanished. He brightened perceptibly. “You wonder,” he exclaimed, catching her hand and kissing it, “now I can tell you about it.” With his arm about her he described all his experiences, the fiasco of the Jensen affair and his subsequent interviews with Fifth Avenue dealers. “They are all Jews, Mary. Some are decent enough fellows, I suppose, though I hate the Israelites!” (“Silly boy!” she interposed.) “Others are horrors. None of them want the work of an American. Old masters, or well known foreigners, they say. I explained my success at the Beaux Arts. Two of them had seen my name in the Paris papers, but said it would mean nothing to their clients. Hopeless Philistines, all of them! I do believe I should have had a better chance if I'd called myself Austrian, instead of American, and I only revived my American citizenship because I thought it would be an asset!” He laughed, ironically. “They advised me to have a one-man show, late in the winter, so as to get publicity.” “So we will then,” interposed Mary confidently. “Good Lord, child,” he exclaimed, half irritably, “you don't suppose I could have a gallery for nothing, do you? God knows what it would cost. Besides, I haven't enough pictures—and think of the frames!” He sat up, fretfully. She saw his nerves were on edge, and quickly offered a diversion. “Stefan,” she cried, jumping to her feet and throwing her arms back with a gesture the grace of which did not escape him even in his impatient mood, “I haven't even seen the pictures yet, you know, and can't wait any longer. Let me look at them now, and then I'll tell you just how idiotic those dealers were!” and she gave her bell-like laugh. “I'll undo them.” Her fingers were busy at the knots. “I hate the sight of that roll,” said Stefan, frowning. “Still—” and he jumped up, “I do immensely want you to see them. I know you'll understand them.” Suddenly he was all eagerness again. He took the canvases from her, undid them and, casting aside the smaller ones, spread the two largest against the wall, propping their corners adroitly with chairs, an umbrella, and a walking stick. “Don't look yet,” he called meanwhile. “Close your eyes.” He moved with agile speed, instinctively finding the best light and thrusting back the furniture to secure a clearer view. “There!” he cried. “Wait a minute—stand here. Now look!” triumphantly. Mary opened her eyes. “Why, Stefan, they're wonderful!” she exclaimed. But even as she spoke, and amidst her sincere admiration, her heart, very slightly, sank. She knew enough of painting to see that here was genius. The two fantasies, one representing the spirits of a wind-storm, the other a mermaid fleeing a merman's grasp, were brilliant in color, line and conception. They were things of beauty, but it was a beauty strange, menacing, subhuman. The figures that tore through the clouds urged on the storm with a wicked and abandoned glee. The face of the merman almost frightened her; it was repellent in its likeness at once to a fish and a man. The mermaid's face was less inhuman, but it was stricken with a horrid terror. She was swimming straight out of the picture as if to fling herself, shrieking, into the safety of the spectator's arms. The pictures were imaginative, powerful, arresting, but they were not pleasing. Few people, she felt, would care to live with them. After a long scrutiny she turned to her husband, at once glorying in the strength of his talent and troubled by its quality. “You are a genius, Stefan,” she said. “You really like them?” he asked eagerly. “I think they are wonderful!” He was satisfied, for it was her heart, not her voice, that held a reservation. Stefan showed her the smaller canvases, some unfinished. Most were of nymphs and winged elves, but there were three landscapes. One of these, a stream reflecting a high spring sky between banks of young meadow grass, showed a little faun skipping merrily in the distance. The atmosphere was indescribably light-hearted. Mary smiled as she looked at it. The other two were empty of figures; they were delicately graceful and alluring, but there was something lacking in them—-what, she could not tell. She liked best a sketch of a baby boy, lost amid trees, behind which wood-nymphs and fauns peeped at him, roguish and inquisitive. The boy was seated on the ground, fat and solemn, with round, tear-wet eyes. He was so lonely that Mary wanted to hug him; instead, she kissed Stefan. “What a duck of a baby, dearest!” she exclaimed. “Yes, he was a nice kid—belonged to my concierge,” he answered carelessly. “The picture is sentimental, though. This is better,” and he pointed to another mermaid study. “Yes, it's splendid,” she answered, instinctively suppressing a sigh. She began to realize a little what a strange being she had married. With an impulsive need of protection she held him close, hiding her face in his neck. The reality of his arms reassured her. That day they decided, at Mary's urging, to take the smaller studio at once, abandoning the extravagance of hotel life. In practical manners she was already assuming a leadership which he was glad to follow. She suggested that in the morning he should take his smaller canvases, and try some of the less important dealers, while she made an expedition in search of necessary furniture. To this he eagerly agreed. “It seems horrible to let you do it alone, but it would be sacrilegious to discuss the price of saucepans with a goddess,” he explained. “Are you sure you can face the tedium?” “Why, I shall love it!” she cried, astonished at such an expression. He regarded her whimsically. “Genius of efficiency, then I shall leave it to you. Such things appal me. In Paris, my garret was furnished only with pictures. I inherited the bed from the last occupant, and I think Adolph insisted on finding a pillow and a frying-pan. He used to come up and cook for us both sometimes, when he thought I had been eating too often at restaurants. He approved of economy, did Adolph.” Stefan was lounging on the bed, with his perpetual cigarette. “He must be a dear,” said Mary. She had begun to make a shopping list. “Tell me, absurd creature, what you really need in the studio. There is a model throne, you will remember.” “Oh, I'll get my own easel and stool,” he replied quickly. “There's nothing else, except of course a table for my paints. A good solid one,” he added with emphasis. “I'll tell you what,” and he sat up. “I go out early to-morrow on my dealer hunt. I force myself to stay out until late afternoon. When I return, behold! The goddess has waved her hand, and invisible minions—” he circled the air with his cigarette—“have transported her temple across the square. There she sits enthroned, waiting for her acolyte. How will that do?” He turned his radiant smile on her. “Splendid,” she answered, amused. “I only hope the goddess won't get chipped in the passage.” She thought of the dusty studio, of brooms and scrubbing brushes, but she was already wise enough in wife-lore not to mention them. Mary came of a race whose women had always served their men. It did not seem strange to her, as it might have to an American, that the whole labor of their installation should devolve on her. With her back turned to him, she counted over their resources, calculating what would be available when their hotel bill was paid. Except for a dollar or two, Stefan had turned his small hoard over to her. “It's all yours anyway, dearest,” he had said, “and I don't want to spend a cent till I have made something.” They had spent very little so far; she was relieved to realize that the five hundred dollars remained almost intact. While Stefan continued to smoke luxuriously on the bed, she jotted down figures, apportioning one hundred and fifty dollars for six months' rent, and trying to calculate a weekly basis for their living expenses. She knew that they were both equally ignorant of prices in New York, and determined to call in the assistance of Miss Mason. “Stefan,” she said, taking up the telephone, “I'm going to summon a minion.” She explained to Miss Mason over the wire. “We are starting housekeeping to-morrow, and I know absolutely nothing about where to shop, or what things ought to cost. Would it be making too great demands on your kindness if I asked you to meet me here to-morrow morning and join me in a shopping expedition?” The request, delivered in her civil English voice, enchanted Miss Mason, who had to obtain all her romance vicariously. “I should just love to!” she exclaimed, and it was arranged. Mary then telephoned that they would take the studio—a technicality which she knew Stefan had entirely forgotten—and notified the hotel office that their room would be given up next morning. “O thou above rubies and precious pearls!” chanted Stefan from the bed. After dinner they sat in Washington Square. Their marriage moon was waning, but still shone high and bright. Under her the trees appeared etherealized, and her light mingled in magic contest with the white beams of the arc lamps near the arch. Above each of these, a myriad tiny moths fluttered their desirous wings. Under the trees Italian couples wandered, the men with dark amorous glances, the girls laughing, their necks gay with colored shawls. Brightly ribboned children, black-haired, played about the benches where their mothers gossiped. There was enchantment in the tired but cooling air. Stefan was enthusiastic. “Look at the types, Mary! The whole place is utterly foreign, full of ardor and color. I have cursed America without cause—here I can feel at home.” To her it was all alien, but her heart responded to his happiness. On the bench next them sat a group of Italian women. From this a tiny boy detached himself, plump and serious, and, urged by curiosity, gradually approached Mary, his velvet eyes fixed on her face. She lifted him, resistless, to her knee, and he sat there contentedly, sucking a colored stick of candy. “Look, Stefan!” she cried; “isn't he a lamb?” Stefan cast a critical glance at the baby. “He's paintable, but horribly sticky,” he said. “Let's move on before he begins to yell. I want to see the effect from the roadway of these shifting groups under the trees. It might be worth doing, don't you think?” and he stood up. His manner slightly rebuffed Mary, who would gladly have nursed the little boy longer. However, she gently lowered him and, rising, moved off in silence with Stefan, who was ignorant of any offense. The rest of their outing passed sweetly enough, as they wandered, arm in arm, about the square.
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