When Parsifal turns slowly towards the meadow, a hymn of tender thanksgiving arises from the orchestra. The melody is played by flute and oboe, which muted strings sustain. In the development of this theme occur several figures—“Kundry’s Sigh,” the “Holy Supper,” the “Spear,” the “Grail” harmonies, the “Complaint of the Flower Girls,” which are all finally absorbed in the “Good Friday” melody. This pastoral is suddenly interrupted by the sound of distant bells, sounding mournfully from afar.

Gurnemanz and Kundry robe Parsifal. They set out for Montsalvat.

When Gurnemanz blesses Parsifal and salutes him king, horns, trumpets, and trombones play the “Parsifal” motive, which is developed imposingly and ends with the “Grail” theme, intoned by the whole orchestra fortissimo. A series of chords leads to the motives of “Baptism” and “Faith.”