 
| A Mother's Love, by Mary Neal, | 355 | | Appletons', | 380 | | Apron in Broderie en Lacet, | 363 | | Beauty, by Miss M. H. Butt, | 346 | | Border and Corner for Pocket-Handkerchief, | 361 | | Camilla Mantilla, | 289 | | Caps, | 362 | | Celestial Phenomena, by D. W. Belisle, | 315 | | Centre-Table Gossip, | 379 | | Chemisettes, | 362 | | Cottage Furniture, | 364 | | Crochet Tassel Cover, | 358 | | Dairy-House and Piggery, | 349 | | Don't Overtask the Young Brain, | 337 | | Dream Picture, by Mrs. A. F. Law, | 353 | | Dress--as a Fine Art, by Mrs. Merrifield, | 347 | | Editors' Table, | 366 | | Ellie Maylie, by Jennie Dowling De Witt, | 353 | | Enigmas, | 377 | | Eugenie Costume, | 292 | | Fashions, | 381 | | Godey's Arm-Chair, | 371 | | Godey's Course of Lessons in Drawing, | 323 | | I was Robbed of my Spirit's Love, by Jaronette, | 354 | | Jacket for Riding-Dress, | 364 | | Laces and Embroideries, | 379 | | Lady's Scarf Mantelet, | 357 | | Lady's Slipper, | 363 | | Le Printemps Mantilla, | 289 | | Letters Left at the Pastry Cook's, Edited by Horace Mayhew, | 334 | | Literary Notices, | 369 | | Management of Canary Birds, | 322 | | Mantillas, from the celebrated Establishment of G. Brodie, New York, | 290, 291 | | Manuel Garcia, the celebrated Singing-Master, | 366 | | Mrs. Murden's Two Dollar Silk, by The Author of "Miss Bremer's Visit to Cooper's Landing," | 317 | | Netted Cap, for morning wear, | 360 | | Our Practical Dress Instructor, | 357 | | Patterns for Embroidery, | 365 | | Receipts, &c., | 378 | | Singular Inscriptions on Tombstones, | 376 | | Some Thoughts on Training Female Teachers, by Miss M. S. G., | 336 | | Sonnets, by Wm. Alexander, | 352 | | Spring Bonnets, | 294 | | The Borrower's Department, | 377 | | The Elixir of Life, by Charles Albert Janvier, | 354 | | The Household, | 379 | | The Interview, by T. Hempstead, | 352 | | The Last Moments, by R. Griffin Staples, | 356 | | The Manufacture of Artificial Flowers, by C. T. Hinckley, | 295 | | The Orphan's Departure, by Margaret Floyd, | 310 | | There's Music, by Horace G. Boughman, | 353 | | The Song-Birds of Spring, by Norman W. Bridge, | 355 | | The Souvenir; or, The Arrival of the Lady's Book. A Sketch of Southern Life, by Pauline Forsyth, | 338 | | The Toilet, | 382 | | The Trials of a Needle-Woman, by T. S. Arthur, | 326 | | The Turkish Costume, | 348 | | The Was and the Is, by O. Everts, M. D., | 356 | | The Wild Flowers of Early Spring-time, | 343 | | To an Absent Dear One, by Fannie M. C., | 355 | | To Ida, by Horace Phelps, M. D., | 356 | | True Happiness in a Palace, | 367 | | Undersleeves, | 362 | | Washing made Easy, | 379 | | Willie Maylie, by Cornelia M. Dowling, | 353 | | Zanotti: a Romantic Tale of Italy and Spain, by Percy, | 300 |
DEPARTURE OF THE ORPHAN. Engraved for Godey's Lady's Book.
The Arrival of the Lady's Book
Latest Fashions for Godey's Lady's Book
SEASONABLE PATTERNS.
DESIGNED, BY MRS. SUPLEE, EXPRESSLY FOR GODEY'S LADY'S BOOK. CAMILLA MANTILLA.—Light green silk, trimmed with Honiton lace. LE PRINTEMPS MANTILLA.—Lavender or pearl-colored silk. The yoke and point cut in one piece. The trimming is a rich fringe of the same color.
THE COLUMBINE. [From the establishment of G. BRODIE, No. 51 Canal Street, New York.] FOR the early portion of the season, we illustrate a mantilla of great beauty. It is made of black-green or ruby-colored, with a richly embroidered ornamental design. Should it prove desirable, the upper portion of the garment may be left off, and the lower alone worn. The mantilla is trimmed with a netted fringe, seven inches wide.
THE SNOWDROP. [From the establishment of G. BRODIE, No. 51 Canal Street, New York.] FOR the close of this month and the early summer, we present a mantilla which shares largely the public favor. This garment has appeared elsewhere before, somewhat in advance of its time; but, as we desire to present accurate reports of what are actually the reigning modes, we publish it here for the benefit of our lady friends. It is in the berthe style, composed of white poult de soie, heavily embroidered. The collar is slashed upon the shoulder, and cross-laced with cords terminating in neat tassels. It is fringed with extraordinary richness.
EUGENIE COSTUME. DESIGNED, BY MRS. SUPLEE, EXPRESSLY FOR GODEY'S LADY'S BOOK. Suitable for the coming season. Material.—Brilliante or lawn. The corsage is cut square and full, and trimmed with inserting and edging. The skirt has a hem and two tucks, each six inches deep, trimmed as above.
L'ANGLAISE. DESIGNED, BY MRS. SUPLEE, EXPRESSLY FOR GODEY'S LADY'S BOOK. Material.—Tissue, barÈge or silk. Five folds on the skirt, each five inches deep. Scallops trimmed with No. 1½ ribbon. Looped up at intervals with No. 3 ribbon, as in plate; the ribbons to suit the colors in the dress. Corsage the same. Gimp or braid is to be used with silk.
THIS bonnet, which is suited to a plain walking-dress, is made of straw, and trimmed with Leghorn-colored ribbon, disposed in a simple and tasteful style, with two long flowing ends on the left side. The bonnet is lined with white Ærophane, laid in small neat folds; and the under-trimming consists of loops of black velvet ribbon. The second figure is the reverse side of the same bonnet.
PHILADELPHIA, APRIL, 1854.
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