Babylon and Nineveh, those magnificent twins of the East, flourished through many centuries in all the pride of power and wealth, and sank into masses of ruin, leaving scarcely a record among the historians of the world. It was known such cities had existed, and it was said that, in the height of their glory, they had no peers in splendor. But of the mighty kings who ruled them, and the manners, customs, characteristics, and achievements of the people who dwelt within their walls, succeeding ages knew almost nothing. Nineveh was a heap of ruins in the days of Xenophon, twenty centuries ago. Greece and Rome grew, ruled, flourished, and decayed. A new religion arose, and spread a strange civilization among the nations of northern Europe, who rose to power upon the ruins of the Roman empire. From these people, curious travellers wandered to the banks of the Tigris and the Euphrates. Vast mounds and fragments of sculptures met their gaze. There they were told the mighty Babylon and the gorgeous Nineveh had reared their temples and palaces to the sun, awing into submission the neighboring nations. No one cared to explore these ruins, so long untouched amid the busy march of centuries.

In 1820, Mr. Rich, the political President of the East India Company at Bagdad, visited the mounds of Babylon and Nineveh, and found some fragments of inscriptions, engraved stones, and pieces of pottery, of which a description was published. These precious relics were placed in the British Museum, and they excited much wonder and curiosity. But the great mass of ruins still remained unseen. Nothing was ascertained in regard to Assyrian art, and the architecture of Nineveh and Babylon was a matter of speculation.

At length an enthusiastic and persevering individual applied himself to the exploration of the sites of Nineveh and Babylon, and made discoveries that shed a lustre upon the present age. They are, in fact, the most important historical developments that have been made during the present century. During the autumn of 1839 and the winter of 1840, Austen Henry Layard, accompanied by a person no less enthusiastic than himself, had been wandering through Asia Minor and Syria, scarcely leaving untrod one spot hallowed by classical association. He then determined to turn eastward, and, at least, tread upon the remains of Nineveh and Babylon. Reaching Mosul in April, he had the pleasure of seeing, upon the opposite bank of the Tigris, the great mound called the Birs Nimroud, and other mounds, that had been generally considered the ruins of the mighty Nineveh. The curiosity of Mr. Layard was greatly excited, and, as he floated down the Tigris towards Bagdad, he formed the design of exploring those lofty masses of ruin. At that time, he had not the means to carry out his noble scheme; and it was not until the summer of 1842 that he could again visit Mosul.

In the mean time, M. Botta, a man of energy and intelligence, had been appointed French consul at Mosul, and, when Mr. Layard arrived, he found that personage had already commenced excavations in the large mound on the opposite side of the river, called by the Arabs Konyunjik. These excavations were on a small scale. But Mr. Layard encouraged M. Botta to proceed, and went to Constantinople to interest some Englishmen in the work. To the persevering French consul belongs the honor of having discovered the first Assyrian monument, an acknowledgment of which Mr. Layard has very gracefully made in his "Nineveh and its Remains." A building was partially excavated, upon the walls of which were slabs of gypsum, covered with sculptured representations of battles, sieges, and other warlike events. The dresses of the figures, their arms, and the objects that accompanied them were all new to M. Botta, and he could find no clue to the epoch of the erection of the edifice. Numerous inscriptions, in the cuneiform or arrowhead character, were cut between the bas-reliefs, and evidently contained the explanation of the events thus recorded in sculpture. As Mr. Layard afterwards said: "The French consul had discovered an Assyrian edifice, the first, probably, which had been exposed to the view of man since the fall of the Assyrian empire." M. Botta communicated the results of his labors to the Academy at Paris; and, being furnished with funds by the French government, he returned to the work of excavation, which he continued until the beginning of 1845. His researches did not extend beyond Khorsobad; and, having secured some fine specimens of Assyrian sculpture, he returned to Europe.

The success of M. Botta increased the anxiety of Mr. Layard to explore the ruins of Assyria. He spoke to others, but received little encouragement. At length, in the autumn of 1845, Sir Stratford Canning, the British minister at the Sublime Porte, mentioned his readiness to incur, for a limited period, the expenses of excavations, in the hope that, should success attend the researches, means would be obtained to carry them forward on an extensive scale. Mr. Layard seized the opportunity, with many expressions of joy and gratitude. Furnished with the usual documents given to travellers when recommended by the embassy, and with letters of introduction to the authorities at Mosul, he started from Constantinople, and, after a journey of twelve days, reached Mosul. He immediately presented his letters to Mohammed Pasha, governor of the province, and the terror of the neighboring countries. That official received Layard with civility; but displayed a curiosity to know the object of his visit, which the adventurer did not, at that time, see fit to gratify.

Having procured a few tools and weapons, and engaged a mason, Mr. Layard, accompanied by Mr. Ross, a British merchant of Mosul, his canvas, and a servant, floated down the Tigris to Nimroud. There he engaged six Arabs to work under his direction. On the morning of the 9th of November, the work of excavation was commenced at the great mound, and, in a few hours, a chamber, formed by slabs of alabaster, which were inscribed with cuneiform characters, was exhumed. At another part of the mound, a wall, with similar inscriptions, was discovered upon the same day. From the appearance of the slabs, it was evident that the building or buildings had been destroyed by fire. Some of the slabs were reduced to lime, and they threatened to fall to pieces as soon as exposed to the air.

The next day, Mr. Layard, more enthusiastic than ever, employed more workmen, and had the gratification of making some new discoveries. In the rubbish, near the bottom of the chamber first discovered, he found several ivory ornaments, upon which were traces of gilding. Among them was the figure of a man in long robes, carrying in one hand the Egyptian crux ansata, part of a crouching sphinx, and flowers designed with great taste and elegance. The Arabs were at a loss to conjecture the real object of Mr. Layard's search. On seeing the gilding, one of them took him quietly aside, and, with a knowing wink, said it had been ascertained that he was searching for gold. Mr. Layard immediately presented him and his comrades with all the treasure they might find. The excavations were continued until the 13th, still uncovering chambers and passages, but finding no sculptures. Mr. Layard then deemed it expedient to go to Mosul, and satisfy the curiosity of the Pasha in regard to the object of the researches.

The authorities threw many obstacles in the way of Mr. Layard. At first, they suspected him of seeking the precious metals. When he had convinced them that their suspicions were totally unfounded, they afterwards strove to stop his work by placing false gravestones upon the mound, and declaring that no excavations could be made near the graves of Mohammedans. But the prudence and perseverance of Mr. Layard surmounted all difficulties, and the developments proceeded, all things considered, with remarkable rapidity.

Returning to Nimroud on the 19th of November, our explorer increased the number of his workmen to thirty. On the 28th of November, the first sculptured bas-reliefs were discovered. On one of the slabs was a battle-scene. Two chariots, drawn by horses richly caparisoned, were, each occupied by a group of three warriors; the principal person in both groups was beardless, and evidently a eunuch. He was clothed in a complete suit of mail, and wore a pointed helmet on his head, from the sides of which fell lappets covering the ears, the lower part of the face, and the neck. The left hand, the arm being extended, grasped a bow at full stretch; whilst the right, drawing the string to the ear, held an arrow ready to be discharged. A second warrior urged with reins and whip, to the utmost of their speed, three horses, who were galloping over the plain. A third, without helmet, and with flowing hair and beard, held a shield for the defence of the principal figure. Under the horses' feet, and scattered about the relief, were the conquered, wounded by the arrows of the conquerors. Mr. Layard observed with surprise the richness of the ornaments, and the faithful and delicate delineation of the limbs and muscles, both in the men and horses. Unfortunately, this slab had been so much injured by fire that its removal was hopeless. From its position, it seemed to have been brought from another building, and this rendered any conjecture as to the origin of the edifice still more difficult. Upon the same slab and its companion were found representations of a regular siege, with various attendant incidents. The figures displayed a thorough knowledge of art.

In the midst of difficulties with the authorities, Mr. Layard continued his excavations. Many new and remarkable sculptures were discovered. Among them were gigantic winged bulls, winged lions, a small crouching lion, and a human figure nine feet in height, the right hand elevated, and carrying in the left a branch with three flowers, resembling the poppy. These were only partially uncovered, to prevent them from being destroyed by the action of the air. Mr. Layard was satisfied for the time. There was no longer any doubt of the existence of sculptures, inscriptions, and even vast edifices in the interior of the mound of Nimroud. The triumphant explorer lost no time in communicating the results of his labors to Sir Stratford Canning, and urging the necessity of a firman, or order from the Porte, which would prevent any future interference on the part of the authorities or the inhabitants of the country. Soon afterwards, Mr. Layard covered up the sculptures he had brought to light, and withdrew altogether from Nimroud; but left agents near the great mound. He did not return until the 17th of January, 1846. In the mean time, the agents had explored the mounds of Barshiekha and Karamles, and proved the Assyrian origin of the ruins by showing the name of the Khorsobad king inscribed upon the bricks.

Among the sculptures discovered soon after Mr. Layard's return to the scene of the excavations, was one of a singular form. A human body, clothed in long ornamented robes, was surmounted by the head of an eagle. The curved beak, of considerable length, was half open, and displayed a narrow-pointed tongue, which was still covered with red paint. On the shoulders fell the usual curled and bushy hair of the Assyrian images, and a comb of feathers rose on the top of the head. Two wings sprang from the back. In one hand was a fir cone, and in the other a square vessel, ornamented with small figures.

On the morning following the discovery of the above figure, the Arabs came running to Mr. Layard with the intelligence that they had discovered Nimroud himself. Hastening to the trench, he found an enormous human head, sculptured in full out of the alabaster of the country. The intelligent explorer conjectured at once that the head belonged to a winged lion or bull, similar to those of Khorsobad and Persepolis. The expression of the features was calm and majestic. The cap had three horns, and, unlike that of the human-headed bulls previously found in Assyria, was rounded and without ornament at the top. The Arabs, frightened at the sight of the head, carried the news of its discovery to Mosul; and, the next day, Mr. Layard received an order to stop the excavations. He at once hastened to the town, and, acquainting the Pasha with the real nature of the discovery, obtained permission to proceed as soon as the excitement had subsided. Thus was the persevering explorer continually disturbed by the malicious and superstitious interference of the Turkish authorities.

By the end of March, Mr. Layard had discovered two finely preserved pairs of winged human-headed lions, which seemed to be so placed as to guard the entrances to the vast palace. They had undoubtedly been the divinities of the Assyrians. These people could find no better type of intelligence than the head of the man; of strength than the body of the lion; of rapidity of motion than the wings of the bird. For twenty-five centuries these strange idols had been buried from the sight of man, and now they were once more exposed to the light, and to the wondering gaze of those who had no worship for such gods. Once they were regarded with awe, now with mere curiosity.

Mr. Layard was now compelled to suspend operations until he could receive assistance from Constantinople. In the mean time, he visited the shieks of the neighboring tribes of Arabs. When he returned, he found near the human-headed lions some copper mouldings, two small ducks in baked clay, and tablets of alabaster inscribed on both sides. The number of workmen was now reduced of necessity; but the excavations proceeded with considerable rapidity. On some of the slabs were figures of a king, his vizier, and attendants. The dresses of the figures were singular. They had high boots, turned up at the toes, somewhat resembling those still worn in Turkey and Persia. Their caps, though conical, seemed to have been made up of folds of felt or linen. Their tunics varied in shape. All the figures seemed to have been colored. On one of the largest slabs were two kings facing one another, but separated by a symbolic tree, above which was a divinity with the wings and tail of a bird, inclosed in a circle, and holding a ring in one hand, resembling the image so frequently occurring on the early sculptures of Persia, and at times conjectured to be the Loroastrian "feronher," or spirit of the person beneath. The fact of the identity of this figure with the Persian symbol is remarkable, and gives rise to new speculations and conjectures in regard to the religion of the Assyrians. But, as yet, nothing definite has been ascertained.

Mr. Layard now began to prepare the sculptures he had discovered for transport to Bombay. All unimportant parts were sawn away from them. The winged human-headed lions could not be removed for want of means. But a number of slabs and figures were packed in felts and matting, screwed down in roughly-made cases, placed on rafts, and floated down the Tigris as far as Bagdad, whence they were taken in boats to Busrah. These sculptures formed the first collection sent to England and deposited in the British Museum. Soon after the departure of these treasures, Mr. Layard, whose health had suffered from continued exposure to the intense heat of the sun, retired to Mosul to recruit. Yet so indefatigable was his spirit that, instead of remaining quiet, he employed his leisure in making some fruitless excavations in the mound of Konyimjik. He returned to Nimroud in the middle of August, and attempted to renew his labors. But his health became so bad that he was compelled to retire to the cooler climate of the Fiyari mountains.

On returning to Mosul, Mr. Layard received letters from England, informing him that Sir Stratford Canning had presented the Assyrian sculptures to the British nation, and that the British Museum had received a grant of funds for the continuation of the researches at Nimroud and elsewhere. The grant was small; but Mr. Layard was induced to accept the charge of superintending the excavations even with that inadequate sum. He immediately applied himself to organizing a band of workmen, selected from the ChaldÆans of the mountains and the Arabs of the Jebour tribe; and, at the end of October, 1846, he was again among the ruins, with complete material for extensive excavations.

Many new trenches were opened along the walls of the chambers; but the interior of them was left unexplored, as Mr. Layard desired to economize his means as much as possible. Upon the slabs exposed to view were bas-reliefs, representing the wars of the king, and the conquests of some strange people. In the battles, chariots, highly ornamented, spears, shields, and armor appeared. In the sieges, battering-rams, instruments like blunt spears, machines for throwing fire, and women tearing their hair and imploring mercy from the walls were seen. Boats towed by men, or rowed with oars, and persons supported on inflated skins swimming rivers, in the manner to be witnessed at the present day upon the Tigris, were finely sculptured.

Among other objects found amid the ruins, were fragments of copper and iron armor, several entire helmets of a pointed shape, and some vases of alabaster and glass. On exposure to the air, most of these articles fell to pieces. A glass vase, however, was preserved. On a brick in one of the chambers was found a genealogy, which afforded a kind of clue to the date of the building. An obelisk, containing twenty small bas-reliefs and a cuneiform inscription 210 lines in length, was taken from one of the trenches. From the nature of the sculptures, Mr. Layard conjectured that the monument was erected to commemorate the conquest of India by the king of Khorsobad. Winged bulls, crouching sphinxes, and winged divinities were exhumed in abundance. They had been injured by fire, and almost crumbled at the touch. A small sarcophagus, containing a crumbling skeleton, was found in another part of the mound; there was no name inscribed upon the sepulchre, and Mr. Layard could obtain no clue to its origin. A large number of these interesting relics of the past made up a cargo, to be sent to England.

By the end of April, 1847, Mr. Layard had explored almost the whole building which he had first touched, and which he calls the north-west palace. He had opened twenty-eight chambers cased with alabaster slabs. Each of the chambers had several entrances, and some of them were extensive enough to have been halls of state. Many sculptures, ivory ornaments, and other curious objects were taken from the various apartments. Paintings, in which the colors blue, red, white, yellow, and black were visible, were discovered in upper chambers. The subjects of the paintings appeared to be generally processions, in which the king was represented followed by his eunuchs and attendant warriors. But the most important discovery connected with these upper chambers was that of the slabs forming the pavement of the entrances, upon which were the names and titles of five kings, in genealogical succession, commencing with the father of the founder of the north-west palace, and ending with the grandson of the builder of the centre edifice.

In the centre of the mound, Mr. Layard discovered a number of tombs, which seemed to be the remains of a people whose funeral vases and ornaments were identical in form and material with those found in the catacombs of Egypt; while beneath these receptacles of the dead were the Assyrian ruins. From this state of things, it was inferred that, after the destruction of the Assyrian palaces, another nation had occupied the country.

Mr. Layard was astonished to find, by the vaulted passages of the palaces, that the principle of the arch was understood by the ancient Assyrians. This important principle was long believed to be a comparatively modern discovery. A pulley, resembling the one now used, was also seen upon one of the bas-reliefs.

Transferring the scene of his excavations to the mound called Kalah Sherghat, Mr. Layard came upon a sitting figure in basalt, which, from the inscriptions, he inferred to be a statue of one of the Nimroud kings. Around it were a large number of tombs, which seemed to have been made long after the destruction of the Assyrian buildings, and in the rubbish and earth that had accumulated above them. The principal ruin at Kalah Sherghat, as at Nimroud, Khorsobad, and on other ancient Assyrian sites, is a large square mound, surmounted by a cone or pyramid. Long lines of smaller mounds, or ramparts, inclose a quadrangle, which, from the irregularities in the surface of the ground, and from the pottery and other rubbish scattered about, appears originally to have been partly occupied by small houses, or buildings of no importance. The excavations at Kalah Sherghat were soon abandoned as laborious and unprofitable.

The removal of the larger sculptures from the ruins to Busrah was a work of great difficulty. Mr. Layard took drawings of a number of them that were too much injured to be conveyed to Europe. A gigantic winged lion, and a winged bull of equal size, were safely placed on board of an English vessel, while a considerable number of small bas-reliefs and ornaments were sent with them to enrich the British Museum, and set the scientific to speculating. Those sculptures which Mr. Layard had not the means of removing were covered with earth, and thus preserved from injury.

(To be continued.)

BY J. A. BARTLEY.