The dialogue Kritias exists only as a fragment, breaking off abruptly in the middle of a sentence. The ancient Platonists found it in the same condition, and it probably was never finished. We know, however, the general scheme and purpose for which it was destined. The prooemium to the TimÆus introduces us to three persons146: Kritias and Hermokrates, along with Sokrates. It is to them (as we now learn) that Sokrates had on the preceding day recited the Republic: a fourth hearer having been present besides, whom Sokrates expects to see now, but does not see — and who is said to be absent from illness. In requital for the intellectual treat received from Sokrates, TimÆus delivers the discourse which we have just passed in review: Kritias next enters upon his narrative or exposition, now lying before us as a fragment: and Hermokrates was intended to follow it up with a fourth discourse, upon some other topic not specified. It appears as if Plato, after having finished the Republic as a distinct dialogue, conceived subsequently the idea of making it the basis of a Tetralogy, to be composed as follows: 1. TimÆus: describing the construction of the divine Kosmos, soul and body — with its tenants divine and human; “the diapason ending full in man” — but having its harmony spoiled by the degeneration of man, and the partial substitution of inferior animals. 2. Republic: Man in a constituted society, administered These are the words with which the Platonic Sokrates opens this dialogue. Proklus, in his Commentary on the TimÆus (i. pp. 5-10-14, ed. Schneider), notices a multiplicity of insignificant questions raised by the ancient Platonic critics upon this exordium. The earliest whom he notices is Praxiphanes, the friend of Theophrastus, who blamed Plato for the absurdity of making Sokrates count aloud one, two, three, &c. Porphyry replied to him at length. We see here that the habit of commenting on the Platonic dialogues began in the generation immediately after Plato’s death, that is, the generation of Demetrius Phalereus. Whom does Plato intend for the fourth person, unnamed and absent? Upon this point the Platonic critics indulged in a variety of conjectures, suggesting several different persons as intended. Proklus (p. 14, Schn.) remarks upon these critics justly — ?? ??te ???a ??t?se?? ??t???ta?, ??t’ ?sfa??? t? ?????ta?. But the comments which he proceeds to cite from his master Syrianus are not at all more instructive (pp. 15-16, Schn.). The subject embraced by the Kritias is traced back to an unfinished epic poem of Solon, intended by that poet and lawgiver to celebrate a memorable exploit of Athenian antiquity, which he had heard from the Priests of the Goddess Neith or AthÊnÊ at Sais in Egypt. These priests (Plato tells us) treated the Greeks as children, compared with the venerable antiquity of their own ancestors; they despised the short backward reckoning of the heroic genealogies at Athens or Argos. There were in the temple of AthÊnÊ at Sais records of past time for 9000 years back: and among these records was one, of that date, commemorating a glorious exploit, of the Athenians as they then had been, unknown to Solon or any of his countrymen.148 The Athens, of 9000 years anterior to Such was the enviable condition of Athens and Attica, at a period 9400 years before the Christian era. The Platonic Kritias takes pains to assure us that the statement was true, both as to facts and as to dates: that he had heard it himself when a boy of ten years old, from his grandfather Kritias, then ninety years old, whose father Dropides had been the intimate friend of Solon: and that Solon had heard it from the priests at Sais, who offered to show him the contemporary record of all its details in their temple archives.154 Kritias now proposes to repeat this narrative to Sokrates, as a fulfilment of the wish expressed by the latter to see the citizens of the Platonic Republic exhibited in full action and movement. For the Athenians of 9000 years before, having been organised on the principles of that Republic, may fairly be taken as representing its citizens. And it will be more satisfactory to Sokrates to hear a recital of real history than a series of imagined exploits.155 Accordingly, Kritias proceeds to describe, in some detail, the formidable invaders against whom these old Athenians had successfully contended: the inhabitants of the vast island Atlantis (larger than Libya and Asia united), which once occupied most of the space now filled by the great ocean westward of Gades and the pillars of HeraklÊs. This prodigious island was governed by ten kings of a common ancestry: descending respectively from ten sons (among whom Atlas was first-born and chief) of the God Poseidon by the indigenous Nymph Kleito.156 We read an imposing description of its large population and abundant produce of every kind: grain for man, pasture for animals, elephants being abundant among them:157 timber and metals of all varieties: besides which the central city, with its works for defence, and its The Atlantid kings, besides this great power and prosperity at home, exercised dominion over all Libya as far as Egypt, and over all Europe as far as Tyrrhenia. The corrupting influence of such vast power was at first counteracted by their divine descent and the attributes attached to it: but the divine attributes became more and more adulterated at each successive generation, so that the breed was no longer qualified to contend against corruption. The kings came to be intoxicated with wealth, full of exorbitant ambition and rapacity, reckless of temperance or justice. The measure of their iniquity at length became full; and Zeus was constrained to take notice of it, for the purpose of inflicting the chastisement which the case required.161 He summoned a meeting of the Gods, at his own Panoptikon in the centre of the Kosmos and there addressed them. At this critical moment the fragment called Kritias breaks off. We do not know what was the plan which Plato (in the true spirit of the ancient epic) was about to put into the mouth of Zeus, for the information of the divine agora. We learn only that Plato intended to recount an invasion of Attica, by an army of Atlantids almost irresistible: and the glorious repulse thereof by Athens and her allies, with very inferior forces. The tale would have borne much resemblance to the Persian invasion of Greece, as recounted by Herodotus: but Plato, while employing the same religious agencies which that historian puts in the foreground, would probably have invested them with a more ethical character, and would have arranged the narrative so as to illustrate the triumph of philosophical Reason and disciplined Energy, over gigantic, impetuous, and reckless Strength. He would have described in detail the heroic valour and endurance Respecting the shallow and muddy water of the Atlantic and its unnavigable character, as believed in the age of Plato, see a long note in my ‘History of Greece’ (ch. xviii. vol. iii. p. 381). The epic of Plato would thus have concluded with an appalling catastrophe of physical agencies or divine prodigies (such as that which we read at the close of the Æschylean Prometheus165), under which both the contending parties perished. These gigantic outbursts of kosmical forces, along with the other facts, Plato affirms to have been recorded in the archives of the Egyptian priests. He wishes us to believe that the whole transaction is historical. As to particular narratives, the line between truth and fiction was obscurely drawn in his mind. Another remark here deserving of notice is, That in this epic of the Kritias, Plato introduces the violent and destructive kosmical agencies (earthquakes, deluges, and the like) as frequently |