CHAPTER II.

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1788 to 1794.

The Father's real Death—His Will, and failure of the Executor—Generous conduct of Grimaldi's Schoolmaster, and of Mr. Wroughton, the Comedian—Kindness of Sheridan—Grimaldi's industry and amusements—Fly catching—Expedition in search of the "Dartford Blues"—Mrs. Jordan—Adventure on Clapham Common: the piece of Tin—His first love and its consequences.

It has been stated in several publications that Grimaldi's father died in 1787. It would appear from several passages in the memoranda dictated by his son, that he expired on the 14th of March, 1788, of dropsy, in the seventy-eighth year[12] of his age, and that he was interred in the burial-ground attached to Exmouth-street Chapel; a spot of ground in which, if it bore any resemblance at that time to its present condition, he could have had very little room to walk about and meditate when alive. He left a will, by which he directed all his effects and jewels to be sold by public auction, and the proceeds to be added to his funded property, which exceeded 15,000l.; the whole of the gross amount, he directed should be divided equally between the two brothers as they respectively attained their majority. Mr. King,[13] to whom allusion has already been made, was appointed co-executor with a Mr. Joseph Hopwood, a lace manufacturer in Long-acre, at that time supposed to possess not only an excellent business, but independent property to a considerable amount besides. Shortly after they entered upon their office, in consequence of Mr. King declining to act, the whole of the estate fell to the management of Mr. Hopwood, who, employing the whole of the brothers' capital in his trade, became a bankrupt within a year, fled from England, and was never heard of afterwards. By this unfortunate and unforeseen event, the brothers lost the whole of their fortune, and were thrown upon their own resources and exertions for the means of subsistence.

[12] The newspapers, in March, 1788, noticed the death, on the 14th of that month, of "Mr. Joseph Grimaldi, many years Ballet-Master at Drury Lane Theatre, aged 72." Decastro, who notwithstanding his love of gossip, and occasionally, by a too frequent repetition, perverting the vein of his story, was no mean authority as regarded the old players, most of whom are now—

Down among the dead men!

He used to assert that old Grimaldi died in Lambeth, at his apartments, up a court within a door or two of the Pheasant public-house in Stangate-street. Reference to the burial-register of St. Mary's, Lambeth, elicited nothing as to his interment there; but on searching the register belonging to Northampton Chapel, in Exmouth-street, we found it there recorded "March 23, 1788, Mr. Joseph Grimaldi, from Lambeth, aged 75." It will be observed, there is a difference of three years in the age, as stated in the daily papers of the time, and in the register of his burial. No stone, or other memorial, marks the spot where his ashes lie.

The court in which Grimaldi died, in poverty, not wealth, was, till the last destruction of Astley's Amphitheatre, under the tenancy of Ducrow, called Theatre-court, or place; but the fire consumed the greater part, and its site is now occupied by that portion of Batty's Amphitheatre which is in the Palace New-road.

[13] The original Editor has been misinformed. We are sorry to have to record that Signor Grimaldi had nothing to bequeath to any one; he made no will; and a search at the Prerogative Office, Doctor's Commons, for the two years following his death, is evidence of this, no probate having issued thence.

It is very creditable to all parties, and while it speaks highly for the kind feeling of the friends of the widow, and her two sons, bears high testimony to their conduct and behaviour, that no sooner was the failure of the executor known than offers of assistance were heaped upon them from all quarters. Mr. Ford, the Putney schoolmaster, offered at once to receive Joseph into his school and to adopt him as his own son; this offer being declined by his mother, Mr. Sheridan, who was then proprietor of Drury Lane Theatre, raised the boy's salary, unasked, to one pound per week, and permitted his mother, who was and had been from her infancy a dancer at that establishment, to accept a similar engagement at Sadler's Wells, which was, in fact, equivalent to a double salary, both theatres being open together for a considerable period of the year.

At Sadler's Wells, where Joseph appeared as usual in 1788,[14] shortly after his father's death, they were not so liberal, nor was the aspect of things so pleasing, his salary of fifteen shillings a-week being very unceremoniously cut down to three, and his mother being politely informed, upon her remonstrating, that if the alteration did not suit her, he was at perfect liberty to transfer his valuable services to any other house. Small as the pittance was, they could not afford to refuse it; and at that salary he remained at Sadler's Wells for three years, occasionally superintending the property-room, sometimes assisting in the carpenter's, and sometimes in the painter's, and, in fact, lending a hand wherever it was most needed.

[14] The season of 1788, at Sadler's Wells, was one of no common interest. On Whitsun Monday, May 12, in a musical piece, entitled "Saint Monday; or, a Cure for a Scold," Mr. Braham, then Master Abrahams, made his first appearance. He is named in the bills of August 18, but appears soon after to have left Sadler's Wells, and on the 30th of the same month had a benefit at the Royalty Theatre, Well-street, near Goodman's-fields, as "Master Braham," when the celebrated tenor singer, Leoni, his master, announced that as the last time of his performing on the stage. Miss Shields, who appeared at Sadler's Wells in the same piece on Whitsun Monday, became towards the end of May, Mrs. Leffler. Two Frenchmen, named Duranie and Bois-Maison, as pantomimists, eclipsed all their predecessors on that stage. Boyce, a distinguished engraver, was the Harlequin, and by those who remember him, he is eulogised as the most finished actor of the motley hero, either in his own day, or since. On the benefit night of Joseph Dortor, Clown to the rope, and Richer, the rope dancer, Miss Richer made her first appearance on two slack wires, passing through a hoop, with a pyramid of glasses on her head; and Master Richer performed on the tight rope, with a skipping rope. Joseph Dortor, among other almost incredible feats, drank a glass of wine backwards from the stage-floor, beating a drum at the same time. Lawrence, the father of Joe's friend, Richard Lawrence, threw a summerset over twelve men's heads, and Paul RedigÉ, "The Little Devil," on October 1, threw a summerset over two men on horseback, the riders having each a lighted candle on his head. Dubois, as Clown to the Pantomime, had no superior in his time; and the troop of Voltigeurs were pre-eminent for their agility, skill, and daring.

When the defalcation of the executor took place, the family were compelled to give up their comfortable establishment, and to seek for lodgings of an inferior description. His mother knowing a Mr. and Mrs. Bailey, who then resided in Great Wild-street, and who let lodgings, applied to them, and there they lived, in three rooms on the first floor, for several years. The brother could not be prevailed upon to accept any regular engagement, for he thought and dreamt of nothing but going to sea, and evinced the utmost detestation of the stage. Sometimes, when boys were wanted in the play at Drury Lane, he was sent for, and attended, for which he received a shilling per night; but so great was his unwillingness and evident dissatisfaction on such occasions, that Mr. Wroughton, the comedian, who, by purchasing the property of Mr. King, became about this period[15] proprietor of Sadler's Wells, stepped forward in the boy's behalf, and obtained for him a situation on board an East-Indiaman, which then lay in the river, and was about to sail almost immediately.

[15] Further inquiries enable us to prove that King transferred his right in Sadler's Wells to Messrs. Wroughton and Serjeant, at the close of the year 1788.

John was delighted when the prospect of realizing his ardent wishes opened upon him so suddenly; but his raptures were diminished by the discovery that an outfit was indispensable, and that it would cost upwards of fifty pounds: a sum which, it is scarcely necessary to say, his friends, in their reduced position, could not command. But the same kind-hearted gentleman removed this obstacle, and with a generosity and readiness which enhanced the value of the gift an hundredfold, advanced, without security or obligation, the whole sum required, merely saying, "Mind, John, when you come to be a captain you must pay it me back again."

There is no difficulty in providing the necessaries for a voyage to any part of the world when you have provided the first and most important—money. In two days, John took his leave of his mother and brother, and with his outfit, or kit, was safely deposited on board the vessel in which a berth had been procured for him; but the boy, who was of a rash, hasty, and inconsiderate temper, finding, on going on board, that a delay of ten days would take place before the ship sailed, and that a king's ship, which lay near her, was just then preparing to drop down to Gravesend with the tide, actually swam from his own ship to the other, entered himself as a seaman or cabin-boy on board the latter in some feigned name,—what it was his friends never heard,—and so sailed immediately, leaving every article of his outfit, down to the commonest necessary of wearing apparel, on board the East-Indiaman, on the books of which he had been entered through the kindness of Mr. Wroughton. He disappeared in 1789, and he was not heard of, or from, or seen, for fourteen years afterwards.

At this period of his life, Joseph was far from idle; he had to walk from Drury Lane to Sadler's Wells every morning to attend rehearsals, which then began at ten o'clock; to be back at Drury Lane to dinner by two, or go without it; to be back again at Sadler's Wells in the evening, in time for the commencement of the performances at six o'clock; to go through uninterrupted labour from that time until eleven o'clock, or later; and then to walk home again, repeatedly after having changed his dress twenty times in the course of the night.

Occasionally, when the performances at Sadler's Wells were prolonged so that the curtain fell very nearly at the same time as the concluding piece at Drury Lane began, he was so pressed for time as to be compelled to dart out of the former theatre at his utmost speed, and never to stop until he reached his dressing-room at the latter. That he could use his legs to pretty good advantage at this period of his life, two anecdotes will sufficiently show.

On one occasion, when by unforeseen circumstances he was detained at Sadler's Wells beyond the usual time, he and Mr. Fairbrother (the father of the well-known theatrical printer), who, like himself, was engaged at both theatres, and had agreed to accompany him that evening, started hand-in-hand from Sadler's Wells theatre, and ran to the stage-door of Drury Lane in eight minutes by the stop watches which they carried. Grimaldi adds, that this was considered a great feat at the time; and we should think it was.

Another night, during the time when the Drury Lane company were playing at the Italian Opera-house in the Haymarket, in consequence of the old theatre being pulled down and a new one built, Mr. Fairbrother and himself, again put to their utmost speed by lack of time, ran from Sadler's Wells to the Opera-house in fourteen minutes, meeting with no other interruption by the way than one which occurred at the corner of Lincoln's Inn Fields, where they unfortunately ran against and overturned an infirm old lady, without having time enough to pick her up again. After Grimaldi's business at the Opera-house was over, (he had merely to walk in the procession in Cymon,) he ran back alone to Sadler's Wells in thirteen minutes, and arrived just in time to dress for Clown in the concluding pantomime.

For some years his life went on quietly enough, possessing very little of anecdote or interest beyond his steady and certain rise in his profession and in the estimation of the public, which, although very important to him from the money he afterwards gained by it, and to the public from the amusement which his peculiar excellence yielded them for so many years, offers no material for our present purpose. This gradual progress in the good opinion of the town exercised a material influence on his receipts; for, in 1794, his salary at Drury Lane was trebled, while his salary at Sadler's Wells had risen from three shillings per week to four pounds. He lodged in Great Wild-street with his mother all this time: their landlord had died, and the widow's daughter, from accompanying Mrs. Grimaldi[16] to Sadler's Wells theatre, had formed an acquaintance with, and married Mr. Robert Fairbrother, of that establishment, and Drury Lane, upon which Mrs. Bailey, the widow, took Mr. Fairbrother into partnership as a furrier, in which pursuit, by industry and perseverance, he became eminently successful.

[16] Mrs. Brooker.

This circumstance would be scarcely worth mentioning, but that it shows the industry and perseverance of Grimaldi, and the ease with which, by the exercise of those qualities, a very young person may overcome all the disadvantages and temptations incidental to the most precarious walk of a precarious pursuit, and become a useful and respectable member of society. He earned many a guinea from Mr. Fairbrother by working at his trade, and availing himself of his instruction in his leisure hours; and when he could do nothing in that way, he would go to Newton-street, and assist his uncle and cousin, the carcase butchers, for nothing; such was his unconquerable antipathy to being idle. He does not inform us, whether it required a practical knowledge of trade, to display that skill and address with which, in his subsequent prosperity, he would diminish the joints of his customers as a baker, or increase the weight of their meat as a butcher, but we hope, for the credit of trade, that his morals in this respect were wholly imaginary.

These were his moments of occupation, but he contrived to find moments of amusement besides, which were devoted to the breeding of pigeons, and collecting of insects, which latter amusement he pursued with such success, as to form a cabinet containing no fewer than 4000 specimens of flies, "collected," he says, "at the expense of a great deal of time, a great deal of money, and a great deal of vast and actual labour,"—for all of which, no doubt, the entomologist will deem him sufficiently rewarded. He appears in old age to have entertained a peculiar relish for the recollection of these pursuits, and calls to mind a part of Surrey where there was a very famous fly, and a part of Kent where there was another famous fly; one of these was called the Camberwell Beauty (which he adds was very ugly), and another, the Dartford Blue, by which Dartford Blue he seems to have set great store; and which were pursued and caught in the manner following, in June, 1794, when they regularly make their first appearance for the season.

Being engaged nightly at Sadler's Wells, he was obliged to wait till he had finished his business upon the stage: then he returned home, had supper, and shortly after midnight started off to walk to Dartford, fifteen miles from town. Here he arrived about five o'clock in the morning, and calling upon a friend of the name of Brooks, who lived in the neighbourhood, and who was already stirring, he rested, breakfasted, and sallied forth into the fields. His search was not very profitable, however, for after some hours he only succeeded in bagging, or bottling, one "Dartford Blue," with which he returned to his friend perfectly satisfied. At one o'clock he bade his friend good by, walked back to town, reached London by five, washed, took tea, and hurried to Sadler's Wells. No time was to be lost—the fact of the appearance of the "Dartford Blues" having been thoroughly established—in securing more specimens; so on the same night, directly the pantomime was over, and supper over, too, off he walked down to Dartford again, found the friend up again, took a hasty breakfast again, and resumed his search again. Meeting with better sport, and capturing no fewer than four dozen Dartford Blues, he hurried back to the friend's; set them—an important process, which consists in placing the insects in the position in which their natural beauty can be best displayed—started off with the Dartford Blues in his pocket for London once more, reached home by four o'clock in the afternoon, washed, and took a hasty meal, and then went to the theatre for the evening's performance.

As not half the necessary number of Blues had been taken, he had decided upon another visit to Dartford that same night, and was consequently much pleased to find that, from some unforeseen circumstance, the pantomime was to be played first. By this means he was enabled to leave London at nine o'clock, to reach Dartford at one, to find a bed and supper ready, to meet a kind reception from his friend, and finally to turn into bed, a little tired with the two days' exertions. The next day was Sunday, so that he could indulge himself without being obliged to return to town, and in the morning he caught more flies than he wanted; so the rest of the day was devoted to quiet sociality. He went to bed at ten o'clock, rose early next morning, walked comfortably to town, and at noon was perfect in his part, at the rehearsal on the stage at Drury Lane theatre.

It is probable that by such means as these, united to temperance and sobriety, Grimaldi acquired many important bodily requisites for the perfection which he afterwards attained. But his love of entomology, or exercise, was not the only inducement in the case of the Dartford Blues; he had, he says, another strong motive, and this was, the having promised a little collection of insects to "one of the most charming women of her age,"—the lamented Mrs. Jordan, at that time a member of the Drury Lane company.

Upon one occasion he had held under his arm, during a morning rehearsal, a box containing some specimens of flies: Mrs. Jordan was much interested to know what could possibly be in the box that Grimaldi carried about with him with so much care, and would not lose sight of for an instant, and in reply to her inquiry whether it contained anything pretty, he replied by exhibiting the flies.

He does not say whether these particular flies, which Mrs. Jordan admired, were Dartford Blues, or not; but he gives us to understand, that his skill in preserving and arranging insects was really very great; that all this trouble and fatigue were undertaken in a spirit of respectful gallantry to the most winning person of her time; and that, having requested permission previously, he presented two frames of insects to Mrs. Jordan, on the first day of the new season, and immediately after she had finished the rehearsal of Rosalind in "As you like it;" that Mrs. Jordan was delighted, that he was at least equally so, that she took the frames away in her carriage, and warmed his heart by telling him that his Royal Highness the Duke of Clarence considered the flies equal, if not superior, to any of the kind he had ever seen.

His only other companion in these trips, besides his Dartford friend, was Robert Gomery, or "friend Bob," as he was called by his intimates, at that time an actor at Sadler's Wells,[17] and for many years afterwards a public favourite at the various minor theatres of the metropolis; who is now, or was lately, enjoying a handsome independence at Bath. With this friend he had a little adventure, which it was his habit to relate with great glee.

[17] "Friend Bob" was not employed at Sadler's Wells till three years later than 1794, when he personated, on May 29, 1797, one of the Spahis in Tom Dibdin's "Sadak and Kalasrade."

One day, he had been fly-hunting with his friend, from early morning until night, thinking of nothing but flies, until at length their thoughts naturally turning to something more substantial, they halted for refreshment.

"Bob," said Grimaldi, "I am very hungry."

"So am I," said Bob.

"There is a public-house," said Grimaldi.

"It is just the very thing," observed the other.

It was a very neat public-house, and would have answered the purpose admirably, but Grimaldi having no money, and very much doubting whether his friend had either, did not respond to the sentiment quite so cordially as he might have done.

"We had better go in," said the friend; "it is getting late—you pay."

"No, no! you."

"I would in a minute," said his friend, "but I have not got any money."

Grimaldi thrust his hand into his right pocket with one of his queerest faces, then into his left, then into his coat pockets, then into his waistcoat, and finally took off his hat and looked into that; but there was no money anywhere.

They still walked on towards the public-house, meditating with rueful countenances, when Grimaldi spying something lying at the foot of a tree, picked it up, and suddenly exclaimed, with a variety of winks and nods, "Here's a sixpence."

The hungry friend's eyes brightened, but they quickly resumed their gloomy expression as he rejoined, "It's a piece of tin!"

Grimaldi winked again, rubbed the sixpence or the piece of tin very hard, and declared, putting it between his teeth by way of test, that it was as good a sixpence as he would wish to see.

"I don't think it," said the friend, shaking his head.

"I'll tell you what," said Grimaldi, "we'll go to the public-house, and ask the landlord whether it's a good one, or not. They always know."

To this the friend assented, and they hurried on, disputing all the way whether it was really a sixpence, or not; a discovery which could not be made at that time, when the currency was defaced and worn nearly plain, with the ease with which it could be made at present.

The publican, a fat, jolly fellow, was standing at his door, talking to a friend, and the house looked so uncommonly comfortable, that Gomery whispered as they approached, that perhaps it might be best to have some bread and cheese first, and ask about the sixpence afterwards.

Grimaldi nodded his entire assent, and they went in and ordered some bread and cheese, and beer. Having taken the edge off their hunger, they tossed up a farthing which Grimaldi happened to find in the corner of some theretofore undiscovered pocket, to determine who should present the "sixpence." The chance falling on himself, he walked up to the bar, and with a very lofty air, and laying the questionable metal down with a dignity quite his own, requested the landlord to take the bill out of that.

"Just right, sir," said the landlord, looking at the strange face that his customer assumed, and not at the sixpence.

"It's right, sir, is it?" asked Grimaldi, sternly.

"Quite," answered the landlord; "thank ye, gentlemen." And with this he slipped the—whatever it was—into his pocket.

Gomery looked at Grimaldi, and Grimaldi, with a look and air which baffle all description, walked out of the house, followed by his friend.

"I never knew anything so lucky," he said, as they walked home to supper—"it was quite a Providence—that sixpence."

"A piece of tin, you mean," said Gomery.

Which of the two it was, is uncertain, but Grimaldi often patronised the same house afterwards, and as he never heard anything more about the matter, he felt quite convinced that it was a real good sixpence.

In the early part of the year 1794, they quitted their lodgings in Great Wild-street, and took a six-roomed house, in Penton-place, Pentonville, with a garden attached; a part of this they let off to a Mr. and Mrs. Lewis, who then belonged to Sadler's Wells; and in this manner they lived for three years, during the whole of which period his salaries steadily rose in amount, and he began to consider himself quite independent.

At Easter,[18] Sadler's Wells opened as usual, and making a great hit in a new part, his fame rapidly increased. At this time he found a new acquaintance, which exercised a material influence upon his comfort and happiness for many years. The intimacy commenced thus:—

[18] On Easter Monday, 1796, Sadler's Wells opened with Tom Dibdin's Serio-Comic Entertainment called "The Talisman of Orosmanes; or, Harlequin made Happy." Grimaldi enacted the part of the Hag Morad; the principal characters in the action being King, Dibdin, the author, his second season; Dubois, Master Grimaldi, as he was then designated in the bills, and Mrs. Wybrow. Having in such company made a hit in this part, his fame rapidly increased; and in the new Harlequinade Burletta, entitled "Venus's Girdle; or, the World Bewitched," produced on the 1st of August in that year, Master Grimaldi played the part of the Old Woman; his mother, Mrs. Brooker, Lady Simpleton. These entertainments ran through the whole season.

It may not be out of place to notice that Philip Astley this year announced as attractions at his Amphitheatre of Arts, Westminster Bridge, "The most splendid Variety of Novel Amusements ever produced, and which have been composed and arranged by the following celebrated persons,—viz.

"Mons. Mercerot, principal Pastoral Dancer, Ballet Master, and Pantomime Composer.

"Mons. Laurent, Performer of Action, Pierrot, and Pantomime Composer.

"Mr. West, Ballet Master, principal Buffo Dancer, Clown, and Pantomime Composer.

"Mr. Lascelles Williamson, Ballet Master, principal Comic Dancer, Harlequin, and Pantomime Composer. The above are the only Pupils of the late celebrated Signor Grimaldi.

The bills added, "Messrs. Astleys most respectfully beg leave to remark, that there never was at any Public Place of Entertainment so many Ballet Masters, Pantomime Composers, &c., engaged at one and the same time, possessing abilities equal to the above performers; their exertions joined to those of Messrs. Astleys, must enable them to give a greater variety than any other Public Place of Summer Amusement."

Williamson was not only the pupil of Signor Grimaldi, but was also his son-in-law, having married Joe's sister, who was announced with him in the Sadler's Wells bills in 1781, as Miss Grimaldi; she was engaged with her husband as Mrs. Williamson at Astley's, and appears among the Wizards and Witches, in the Dramatis PersonÆ of the Grand Comic Pantomime, called "The Magician of the Rocks; or, Harlequin in London," produced there on Whitsun Monday. "Clown, Mr. West, after the manner of his old Master, Grimaldi."

When there was a rehearsal at Sadler's Wells, his mother, who was engaged there as well as himself, was in the habit of remaining at the theatre all day, taking her meals in her dressing-room, and occupying herself with needlework. This she had done to avoid the long walk in the middle of the day from Sadler's Wells to Great Wild-street, and back again almost directly. It became a habit; and when they had removed to Penton-place, and consequently were so much nearer the theatre that it was no longer necessary, it still continued. Mr. Hughes, who had now become principal proprietor of the theatre, and who lived in the house attached to it, had several children, the eldest of whom was Miss Maria Hughes, a young lady of considerable accomplishments, who had always been much attached to Grimaldi's mother, and who embraced every opportunity of being in her society. Knowing the hours at which she was in the dressing-room during the day, Miss Hughes was in the habit of taking her work, and sitting with her from three or four o'clock until six, when the other female performers beginning to arrive, she retired. Grimaldi was generally at the theatre between four and five, always taking tea with his mother at the last-named hour, and sitting with her until the arrival of the ladies broke up the little party. In this way an intimacy arose between Miss Hughes and himself, which ultimately ripened into feelings of a warmer nature.

The day after he made his great hit in the new piece, he went as usual to tea in the dressing-room, where Mrs. Lewis, their lodger, who was the wardrobe-keeper of the theatre, happening to be present, overwhelmed him with compliments on his great success. Miss Hughes was there too, but she said nothing for a long time, and Grimaldi, who would rather have heard her speak for a minute than Mrs. Lewis for an hour, listened as patiently as he could to the encomiums which the good woman lavished upon him. At length she stopped, as the best talkers must now and then, to take breath, and then Miss Hughes, looking up, said, with some hesitation, that she thought Mr. Grimaldi had played the part uncommonly well; so well that she was certain there was no one who could have done it at all like him.

Now, before he went into the room, he had turned the matter over in his mind, and had come to the conclusion that if Miss Hughes praised his acting he would reply by some neatly turned compliment to her, which might afford some hint of the state of his feelings; and with this view he had considered of a good many very smart ones, but somehow or other, the young lady no sooner opened her lips in speech, than Grimaldi opened his in admiration, and out flew all the compliments in empty breath, without producing the slightest sound. He turned very red, looked very funny, and felt very foolish. At length he made an awkward bow, and turned to leave the room.

It was six o'clock, and the lady performers just then came in. As he was always somewhat of a favourite among them, a few of the more volatile and giddy—for there are a few such, in almost all companies, theatrical or otherwise,—began first to praise his acting, and then to rally him upon another subject.

"Now Joe has become such a favourite," said one, "he ought to look out for a sweetheart."

Here Joe just glanced at Miss Hughes, and turned a deeper red than ever.

"Certainly he ought," said another. "Will any of us do Joe?"

Upon this Joe exhibited fresh symptoms of being uncomfortable, which were hailed by a general burst of laughter.

"I'll tell you what, ladies," said Mrs. Lewis, "if I'm not greatly mistaken, Joe has got a sweetheart already."

Another lady said, that to her certain knowledge he had two, and another that he had three, and so on: he standing among them the whole time, with his eyes fixed upon the ground, vexed to death to think that Miss Hughes should hear these libels, and frightened out of his wits lest she should be disposed to believe them.

At length he made his escape, and being induced, by the conversation which had just passed, to ponder upon the matter, he was soon led to the conclusion that the fair daughter of Mr. Hughes had made an impression on his heart, and that, unless he could marry her, he would marry nobody, and must be for ever miserable, with other like deductions which young men are in the habit of making from similar premises. The discovery was not unattended by many misgivings. The great difference of station, then existing between them, appeared to interpose an almost insurmountable obstacle in the way of their marriage; and, further, he had no reason to suppose that the young lady entertained for him any other sentiments than those with which she might be naturally disposed to regard the son of a friend whom she had known so long. These considerations rendered him as unhappy as the most passionate lover could desire to be—he ate little, drank little, slept less, lost his spirits; and, in short, exhibited a great variety of symptoms sufficiently dangerous in any case, but particularly so in one, where the patient had mainly to depend upon the preservation of his powers of fun and comicality for a distant chance of the fulfilment of his hopes.


                                                                                                                                                                                                                                                                                                           

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