THE MAID OF ATHENS—MRS. WERRY—MRS. PEDLEY—THE SWIMMING OF THE HELLESPONT “Maid of Athens, ere we part, It would be superfluous to quote more of the poem than that; and it would be absurd to attach importance to the episode which it commemorates. Byron came to Athens after an expedition, with Hobhouse, into the heart of Albania. He was, according to Hobhouse’s Diary, “all this time engaged in writing a long poem in the Spenserian stanzas,” the poem being, of course, the first canto of “Childe Harold.” That the travellers roughed it a good deal is evident from Hobhouse’s description of a supper whereat “Byron, with his sabre, cut off the head of a goose which shared our room with a collection of pigs and cows, and so we got an excellent roast.” He was much pleased with his reception by Ali Pasha, who said “he was certain I was a man of birth because I had small ears, curling hair, and little white hands.” He was also, at the same time, brooding on his “passion for a married woman,” and no doubt felt himself years older in consequence of that passion; and then, arriving at Athens, he fell in love, or fancied That was the social status of the Maid of Athens. Her mother, Theodora Macri, the widow of a former British Vice-Consul, had been reduced to letting lodgings—a sitting-room and two bedrooms, looking on to a courtyard, much patronised by English travellers, and highly recommended by them. There were three daughters, and there are passages in Byron’s letters which might be read to mean that he was equally in love with all of them. “An attachment to three Greek girls” is his summary of the incident to Hodgson; but he distinguished one of them by the special homage of a poem destined to be one of the most famous in the English language, with the result that Theresa Macri, Maid of Athens, became an institution, and that subsequent lodgers made much of her, looking for a romance where there had, in fact, been little more than the formal salute of the ships passing in the night. Hugh W. Williams, the artist, who was at Athens in 1817, depicts them for us: “On the crown of the head of each is a red Albanian skull-cap, with a blue tassel spread out and fastened down like a star. Near the edge or bottom of the skull-cap is a handkerchief of various colours bound round their temples. The youngest wears her hair loose, falling on her shoulders.” The Maid of Athens. That, no doubt, was how Theresa wore her hair when Byron flattered her with his attentions. She “Though so poor, their virtues shine as conspicuous as their beauty.... Not all the wealth of the East, or the complimentary lays even of the first of England’s poets could render them so truly worthy of love and admiration.” Moore tells us that Byron, in Oriental style, gashed himself across the breast with a dagger as a symbolic demonstration of his conquest by Theresa’s charms, and that Theresa “looked on very coolly during the operation, considering it a fit tribute to her beauty, but in no degree moved to gratitude.” And that, of course, is what one would expect. The game was being played according to the rules, and Theresa was child enough to enjoy the fun. One can imagine that it was a Our next glimpse of Theresa, taken from Walsh’s “Narrative of a Residence in Constantinople,” shows us that time is, indeed, an “ever-rolling stream,” carrying its daughters, as well as its sons away upon the flood. “Lord Byron’s poem,” writes Walsh in 1817, “has rendered the poor lady no temporal service though it has ensured her immortality”; and he continues: “She was once very lovely, I was informed by those who knew her, and realised all the descriptive part of the poem; but time and, I suppose, disappointed hopes preyed upon her, and though still very elegant in her person, and gentle and lady-like in her manners, she has lost all pretensions to beauty, and has a countenance singularly marked by hopeless sadness.” That, no doubt, is the exaggeration of a sentimentalist. Theresa’s hopes can hardly have been serious. Landladies’ daughters, have too many hopes deferred and disappointed to allow the disappointment of any hope in particular to blight For there were others; and though the other stories are clouded with a good deal of doubt, they cannot fail to leave a certain collective impression of Byron as a man whom all women found attractive and many women found susceptible. At Smyrna, for instance, there was a Mrs. Werry, whose name and effusive proceedings are mentioned by Hobhouse: “Mrs. Werry actually cut off a lock of Byron’s hair on parting from him to-day, and shed a good many tears. Pretty well for fifty-six years at least!” At Athens, too, there was a second affair of which there is a full and circumstantial account in Medwin’s “Conversations of Lord Byron.” The “A mere accident only enabled me to prevent the completion of the sentence. I was taking one of my usual evening rides by the sea-side, when I observed a crowd of people moving down to the shore, and the arms of the soldiers glittering among them. They were not so far off but that I thought I could now and then distinguish a faint and stifled shriek. My curiosity was forcibly excited, and I despatched one of my followers to inquire the cause of the procession. What was my horror to learn that they were carrying an unfortunate girl, sewn up in a sack, to be thrown into the sea! I did not hesitate as to what was to be done. I knew I could depend on my faithful Albanians, and rode up to the officer commanding the party, threatening in case of his refusal to give up his prisoner, that I would adopt means to compel him. He did not like the business he was on, or perhaps the determined look of my bodyguard, and consented to accompany me back to the city with the girl, whom I discovered to be my Turkish favourite. Suffice “Perhaps of love” is the typical finishing touch of the “fatal man;” but Medwin may have added it. To Byron, at any rate, the incident counted for no more than any of the other incidents; but it was followed, or is said to have been followed, by an incident which counted for even less—the incident of the beautiful Mrs. Pedley, related in a curious anonymous work entitled: “The life, Writings, Opinions, and Times of the Right Hon. G. G. Noel Byron,” published in 1825. Byron met Mrs. Pedley at Malta on his way home. She was the wife of a Dr. Pedley, beautiful and frivolous—addicted, it may be, to levity, as a relief from the dulness of garrison life. Her husband, for reasons which we are left to conjecture, turned her out of his house. She came to Byron’s house, sat down on the door-step, and refused to go. Perhaps she argued that, as Byron had loved one married woman, he was prepared to love all married women; but if so, she argued wrongly. Byron begged her to return to her home, and when she declined to do so, he sent a note to Dr. Pedley to ask what he had better do with her. The Dr.’s answer was to pack up the lady’s clothes and other belongings Such, at all events, is the story as the anonymous biographer relates it, though it is impossible to say on what authority it reposes. Even if it rests upon gossip, and is untrue, it helps to fill in the picture by reflecting the reputation which Byron was making for himself during his Oriental travels: a reputation, on the one hand, of a man who made love with cynical recklessness, and on the other hand of a man who swaggered round the Levant with unwarrantable arrogance and pride. We have already seen him swaggering about his swimming of the Hellespont. He continued to swagger about it to the very end of his life. Even in “Don Juan” there is a well-known reference to the exploit: “A better swimmer you could scarce see ever; It was a considerable feat, no doubt, though he was only an hour and ten minutes in the water; but the anonymous biographer already quoted adds some details which make it, if not more glorious, at least more dramatic. Byron, according to this That is a story of which it is impossible to say whether it is true or only well invented. We are on safer ground in taking the testimony of the well-known people who met Byron in the course of his journey; and our principal witnesses are Lady Hester Stanhope, who passed him at Athens on her way to Lebanon, Sir Stratford Canning, afterwards Lord Stratford de Redcliffe, the “great Eltchi,” then Secretary of Embassy at Constantinople, and John Galt, who was still going his rounds as a high-class commercial traveller. No one of the three is extravagantly eulogistic, and all three bear witness to the pose, the swagger, and the arrogance. “A sort of Don Quixote fighting with the “At Athens, I saw nothing in him but a well-bred man, like many others; for, as for poetry, it is easy enough to write verses; and as for the thoughts, who knows where he got them? Many a one picks up some old book that nobody knows anything about, and gets his ideas out of it.” That reflection, perhaps, always supposing that Dr. Merryon has reported it correctly, throws a brighter flood of light upon the critic’s mind than upon the poet’s genius; but the criticism offered by Sir Stratford Canning was a criticism of matters which he understood. He “cannot,” he says, “forbear to record” what happened when Byron obtained permission to be present at an audience granted by the Sultan to the corps diplomatique. There is a reference to the story in Moore’s “Journal”; but the authorised version must be sought in Lord Stratford de Redcliffe’s Papers: “As Canning refused to walk behind him, Byron went home,” is Hobhouse’s laconic report of the incident; but when a letter from the Ambassador followed him, he apologised. His fancy dress, it had seemed to him, was quite as becoming as other people’s uniforms; he had honestly supposed himself to be standing out for the legitimate rights of a peer of the realm. As this was not so—as the Austrian Internuncio had been consulted and had said that it was not so—then he would be glad to join the procession as a simple individual, and humbly to follow his Excellency and “his ox or his ass or anything that was his.” Whether that was a subtle way of calling Stratford Canning an ass does not appear; but the transaction was a characteristic exhibition of the neck-or-nothing audacity of Byron’s undisciplined youth. He figures, at this date, as a Stratford Canning saw him in the latter and John Galt in the former light. At a dinner-party at which they were both present, “he seemed inclined,” says Galt, “to exact a deference to his dogmas that was more lordly than philosophical”; and he continues: “It was too evident ... that without intending wrong, or any offence, the unchecked humour of his temper was, by its caprices, calculated to prevent him from ever gaining that regard to which his talents and freer moods, independently of his rank, ought to have entitled him. Such men become objects of solicitude, but never of esteem.” The fair inference seems to be that Byron had let Galt perceive the great gulf fixed between peers of the realm and commercial travellers. It was the sort of thing that he would do when in a bad temper, though not when in a good one. Galt, however, not only submitted to the snub, but accounted for it like a philosopher. Byron, he says, was in trouble at this time, not about his soul, but about his remittances; and “the false dignity he assumed” was really “the apprehension of a person of his rank being exposed to require assistance among strangers.” One can certainly find support for the supposition in his urgent letters home. At Athens, too, Byron met his old Cambridge acquaintance, Lord Sligo, from whom we obtain, through Moore, some further glimpses at his manner of life and characteristic affectations. He was once more, it seems, constrained to combat the flesh by means of self-denying ordinances, and, to that end, took three Turkish baths a week, and confined himself to a diet of rice and vinegar and water. This system, and a fever contracted at Patras, made him very pale; and he felt that to be pale was to be interesting. “Standing one day before a looking glass,” Moore tells us, “he said to Lord Sligo: “‘How pale I look! I should like, I think, to die of a consumption!’ “‘Why of a consumption?’ asked his friend. But that is another of the stories which throw at least as much light on the reporter as on the reported. Lord Sligo, no doubt, was the sort of healthy, wooden-headed young Philistine on whom it is a joy to test the effect of such remarks. Byron, in thus posing for him, was, so to say, “trying it on the dog.” There is no such foolishness in his correspondence with those whom he regarded as his intellectual equals, and one cannot conclude the account of his travels better than by quoting his summary of their moral effect contained in a letter to Hodgson: “I hope you will find me an altered personage—I do not mean in body but in manner, for I begin to find out that nothing but virtue will do in this damned world. I am tolerably sick of vice, which I have tried in its agreeable varieties, and mean, on my return, to cut all my dissolute acquaintance, leave off wine and carnal company, and betake myself to politics and decorum.” To what extent, and within what limits, he carried out these good resolutions, we shall observe as we proceed. |