THE CRAFT GUILDS AND TRADERS’ INNS Of the writing of books about the mediÆval guilds there seems to be no end, and each new contribution serves to mystify rather than to throw light on the difficulties of the subject. From the earliest times, it was an inherent tendency of the Teutonic races to combine and form guilds. There were guilds for the building of bridges, for the relief of poor pilgrims, and for almost every imaginable purpose, ranging from the organisation of a municipality to the Saxon “frith-gild,” which undertook the punishment of thieves and the exacting of compensation for homicides. As to the craft guilds of the Middle Ages, some are content to regard them as trade unions, others as similar to our modern clubs, and a third class of writers assert that they were purely religious. As a matter of fact, they were capable of becoming all three in turn. No doubt the original motive of these guilds was to create a monopoly and artificial On the other hand, the Corporation itself was originally a guild which had succeeded in obtaining a charter and thus becoming the administrative authority. It would regard with anxiety the creation of other bodies which might follow in its footsteps and become very dangerous rivals. Charters, indeed, were in the twelfth century being bought from the King, which rendered fraternities dependent for their existence on the royal will alone. The weavers of London lived in a quarter by themselves, with their own courts and raised their own taxes, And this brings us to the second period in the history of the craft guilds, when we find each trade forming itself into an association to provide a burial fund for its deceased members, masses for the repose of their souls, and to organise a solemn procession and miracle play on the annual festival. Behind the religious association the union for trade purposes remained. When the secular powers of the craft guild were more clearly defined, in the fifteenth century, under the style of a company, the observance of the mystery was often allowed to fall into desuetude. The Companies became mere trustees of the endowments belonging to the religious guilds and treated with equanimity the abolition of these trusts at the Reformation. In the third period the craft guilds as Companies became a useful adjunct of the At Headcorn and Cranbrook, in the Weald of Kent, and again at Lavenham and Sudbury, in Suffolk, may be seen many beautiful examples of the halls of the craft guilds now derelict and converted to less noble purposes. Part of the King’s Head at Aylesbury is supposed by experts to have been anciently a Guildhall. We shall refer more fully to this building in another chapter. We have seen that the guilds afforded Only one refuge remained for the oppressed workmen—the inn, which for centuries was to be the place where he could hold these more or less illegal meetings with his comrades. In the houses of call for artisans, the workers discussed their grievances, hatched conspiracies and strikes, or devised Bricklayers’ Arms, Caxton It was anciently the custom for workmen to be paid at the nearest inn, and out of this, during the bad period at the beginning of the nineteenth century grew a very serious abuse. Those to whom was entrusted the duty of engaging and paying various forms of precarious and unskilled labour, such as coal whippers and porters, found it profitable to become owners of public-houses where the Golden Fleece, South Weald The Woolpack and Fleece were, of course, the signs of inns frequented by the merchants who came to buy wool. At Guildford all the alehouses were at one time required to exhibit The Three Kings was anciently the sign of the mercers, because in the Middle Ages linen thread materials brought from Cologne had the highest reputation, and were probably stamped either with the figures of the three wise men, or with three crowns. But the Three Crowns are asserted to be more commonly emblematic of the three kingdoms of England, Scotland and Ireland. The Golden Ball was another mercers’ sign, from the arms of Constantinople, which was formerly the centre of the silk trade. The Elephant and Castle was the crest of the Cutlers’ Company. However, the Elephant and Castle, at the corner of Newington Causeway, has a quite different origin. The skeleton of an elephant was discovered while digging a gravel-pit near this spot in 1714. Elephants in mediÆval heraldry were invariably represented as carrying a solidly-built castle, a traveller’s exaggeration of the Indian palanquin. The Lion and Castle indicated a dealer in Spanish wines, Foresters resorted for company to the Green Man, and the survival of many old taverns of that name reminds us that there were numerous forests in the neighbourhood of London. The Northwood, or Norwood, extended from near the Green Man at Dulwich to Croydon, where there is another Green Man Inn. The Green Man at Leytonstone stands on the verge of Epping Forest. Wherever a painted sign exists on one of these houses it generally represents either an archer or a forester clad in Lincoln green. The Two Brewers does not denote that the ale of the two rival tradesmen is on sale, but the manner in which beer was anciently carried about before the invention of brewers’ drays. Two porters are shown bearing the precious barrel slung between them on a pole. Last of all to be mentioned among the inns which remind us of disappearing occupations are those found usually where the ancient green ways join the main roads to London. The drover and his herd of tired wild-eyed cattle is no longer a feature on the roadside. It is cheaper and more convenient to send oxen to market by cattle-train. But the long |