Voyage from India—Touching at St. Helena—School days at the Charterhouse—Early Reminiscences—Sketches in School Books—Boyish Scribblings—Favourite Fictions—Youthful Caricatures—Souvenirs of the Play. The fondness of Thackeray for lingering amidst the scenes of a boy's daily life in a public grammar school, has generally been attributed to his early education at the Charterhouse, that celebrated monastic-looking establishment in the neighbourhood of Smithfield, which he scarcely disguised from his readers as the original of the familiar 'Greyfriars' of his works of fiction. Most of our novelists have given us in various forms their school reminiscences; but none have produced them so frequently, or dwelt upon them with such manifest bias towards the subject, as the author of 'Vanity Fair,' 'The Newcomes,' and 'The Adventures of Philip.' It is pleasing to think that this habit, which Thackeray Sketches of Indian life and Anglo-Indians generally are abundantly interspersed through Mr. Thackeray's writings, but he left India too early to have profited much by Indian experiences. He is said, however, to have retained so strong an impression of the scene of his early childhood, as to have wished in later life to revisit it, and recall such things as were still remembered by him. In his seventh year he was sent to England, and when the ship touched at St. Helena, he was taken up to have a glimpse of Bowood, and there saw that great Captain at whose name the rulers of the earth had so often trembled. It is remarkable that in his little account of the second funeral of Napoleon, which he witnessed in Paris in 1840, no allusion to this fact appears; but he himself has described it in one of his latest We fancy that Thackeray was placed under the protection of his grandfather, William Makepeace Thackeray, who had settled with a good fortune, the fruit of his industry in India, at Hadley, near Chipping Barnet, a little village, in the churchyard of which lies buried the once-read Mrs. Chapone, the authoress of the 'Letters on the Improvement of the Mind,' the correspondent of Richardson, and the intimate friend of the learned Mrs. Carter and other blue-stocking ladies of that time. In the course of time—we believe in his twelfth year—Thackeray While pursuing his studies at 'Smiffle,' as the Carthusians were pleased to style 'Greyfriars,' Thackeray gave abundant evidences of the gifts that were in him. He scribbled juvenile verses, towards the close of his school days, displaying taste for the Love 's like a mutton chop, Soon it grows cold; All its attractions hop Ere it grows old. Love 's like the cholic sure, Both painful to endure; Brandy 's for both a cure, So I've been told. When for some fair the swain Burns with desire, In Hymen's fatal chain Eager to try her, He weds as soon as he can, And jumps—unhappy man— Out of the frying pan Into the fire. As to the humorist's pencil, even throughout these early days, it must have been an unfailing source of delight, not only to the owner but to the companions of his form. 'Draw us some pictures,' the boys would say; and straightway down popped a caricature of a master on slate or exercise paper. Then school books were brought into requisition, and the fly-leaves were adorned with whimsical travesties of the subjects of their contents. AbbÉ BarthÉlemy's 'Travels of Anacharsis the Younger' suggested the figure of a wandering minstrel, with battered hat and dislocated flageolet, piping his way through the world in the dejected fashion in which those forlorn pilgrims might have presented themselves to the charitable dwellers in Charterhouse Then Ainsworth's Latin Dictionary was turned into a sketch book, and supplemented with studies of head-masters, early conceptions of Roman warriors, primitive Carthusians indulging disrespectful gestures, known as 'sights,' at the rears of respectable governors, and boys of the neighbouring 'blue coat' foundation, their costume completed with the addition of a fool's or dunce's long-eared cap. Fantastic designs, even when marked by the early graphic talent which Thackeray's rudest scribblings display, are apt to entail unpleasant consequences when discovered in school-books, and greater attractions were held out by works of fiction. Pages of knight-errantry were the things for inspiration: Quixote, Orlando Furioso, Valentine and Orson, the Seven Champions, Cyrus the Grand (and interminable), mystic and chivalrous legends, quite forgotten in our generation, but which, in Thackeray's boyhood, were considered fascinating reading;—quaint romances, Italian, Spanish, and Persian tales, familiar enough in those days, and oft referred to, with accents of tender regret, in the reminiscences of the great novelist. What charms did the 'Arabian Nights' hold out for his kindling imagination,—how frequently were its heroes and its episodes brought in to supply some apt allusion in his later writings! It 'Make us some faces,' his school-companions would cry. 'Whom will you have? name your friends,' says the young artist. Perhaps one young rogue, with a schoolboy's taste for personalities, will cry, 'Old Buggins;' and the junior Buggins blushes and fidgets as the ideal presentment of his progenitor is rapidly dashed off and held up to the appreciation of a circle of rapturous critics. 'Now,' says the wounded youngster, glad to retaliate, 'you remember old Figgins' pater when he brought Old Figs back and forgot to tip—draw him!' and a faithful portraiture of that economic civic ornament is produced from recollection. The gallery of family portraits is doubtless successfully exhausted, and each of the boys who love books, calls for a different favourite of fiction, or the designer exercises Holidays came, and Then there was 'Shakespeare,' always a favourite with 'Titmarsh.' Think of the obsolete, conventional trappings in which the characters of the great playwright were then condemned to strut about to the perfect satisfaction of the audience, before theatrical 'costume' became a fine art! And then there were Braham, and Incledon, and the jovial rollicking tuneful 'Beggar's Opera.' 'Since laws were made for ev'ry degree, To curb vice in others, as well as me, I wonder we han't better company Upon Tyburn tree! But gold from law can take out the sting: And if rich men like us were to swing, 'Twould thin the land, such numbers to string Upon Tyburn tree!' 'The charge is prepar'd, the Lawyers are met; The Judges all rang'd (a terrible show!) I go undismay'd—for death is a debt, A debt on demand,—so take what I owe. Then, farewell, my love—dear charmers, adieu; Contented I die—'tis the better for you; Here ends all dispute the rest of our lives, For this way at once I please all my wives.' In his 'English Humorists of the Eighteenth Century,' our author does not forget to pay his honest tribute to Gay, some of whose verses we have just quoted. 'At the tree I shall suffer with pleasure, At the tree I shall suffer with pleasure, Let me go where I will, In all kinds of ill, I shall find no such Furies as these are.' Thackeray's predilections for the stage survived the first flush of enthusiasm, and, like most of his pleasures, flourished vigorously almost throughout his career. It may be fresh in the recollections of most of his admirers how in 1848 he describes, in his great work, Vanity Fair, a visit to Drury Lane Theatre—the vivid colouring of which picture outshines his entire gallery of theatrical sketches. The stout figure and slightly Mosaic cast of countenance of Braham will be recognised opposite, gorgeous in stage trappings, as he appeared in the opera of the 'Lion of Judah;' Thackeray also |