Rowlandson the Caricaturist; a Selection from His Works. Vol. 2

INDICES.

Joseph Grego

INDEX OF NAMES, PERSONS, &c.

A B C D E F G H J K L M N O P Q R S T V Y W

Ackermann, Rudolph (Rowlandson's publisher), i. 85, 89–93
Ackermann's Poetical Magazine, i. 33
Addington, Hon. H., 'The Doctor,' i. 246
Alexander, Emperor of Russia, ii. 281, 294
Angelo, Henry, 'Reminiscences,' i. 55, 64–6, 68, 70–2, 78–9, 85, 87–8, 287, 298–300, 374; ii. 5
Angelo's Fencing Rooms, i. 241
Angelo and Rowlandson at Vauxhall, i. 62–3, 156
— and Son, Hungarian and Highland Broadsword Exercise, i. 374
— Henry, his sketch of Simmons, the Murderer, ii. 81
Anstey, Christopher, 'Comforts of Bath,' i. 333–49
Arnold, General, i. 173
Atkinson, Christopher, i. 143–4
Auckland, Lord Eden, i. 173
Austria, Emperor of, ii. 281
Austria, Crown Prince of, ii. 281

Banco to the Knave (Gillray), i. 106
Banks, Sir Joseph, i. 192
Bannister, the Comedian, a Collector, i. 70; ii. 248
— John, the Comedian, an Art Student, i. 53–4
Barrymore, Lord, i. 58, 161–2, 303
Bate, Dudley, of the Morning Post, i. 159
Bates, William, B.A., 'Sketch of Rowlandson's Works,' 'Essay on George Cruikshank,' ii. 379
Bedford, Duke of, i. 359
Bell, Dr., ii. 216
Beresford, James, ii. 178
Billington, Mrs., i. 158
'Black Dick' (Lord Howe), i. 199
'Blackmantle,' Bernard (pseudo), i. 43; ii. 375, 378–9
Blair, Doctor Hugh, i. 198
Blucher, Prince von, ii. 278–9, 280–1, 293–5
'Book for a Rainy Day,' J. T. Smith, i. 70
Borowloski, Count, 'The Polish Dwarf,' i. 186
Bossy, Doctor, ii. 5
Boswell, James, i. 193–8
Boswell's 'Tour to the Hebrides,' i. 84, 193–8
Buonaparte, the Emperor Napoleon, ii. 42–3, 45, 47, 52, 54, 61, 82–3, 93–102, 130, 159, 162–3, 187, 203–4, 255, 258–64, 271–2, 276–82, 289, 291–3
— Joseph, King of Spain, ii. 95–6, 98–101
— Louis, King of Holland, ii. 97, 258–9
Buonaparte's Generals, ii. 291
Brightelmstone in 1789, i. 277
Britannia, 117, 136, 141–2, 247; ii. 6
Buckingham, Marquis of, i. 243
Bullock, Proprietor of 'Bullock's London Museum,' ii. 309
Bunbury, Henry, the Caricaturist, i. 61, 78–80, 369
— the Caricaturist (illustrated biographical sketch of his life by Joseph Grego), i. 3
— Henry, Caricaturist (Gambado's 'Annals of Horsemanship and Academy for Grown Horsemen'), i. 352–3; ii. 101–15, 217, 221–3
Burdett, Sir Francis, i. 359; ii. 74, 181–2, 184, 365
Burke, Hon. Edmund, i. 112, 118–19, 220, 245, 248, 274, 289; ii. 13
Burton, Alfred, 'Adventures of Johnny Newcome in the Navy,' ii. 363–4
Bute, Lord, i. 141
Butler, S., ii. 174, 198

Camden, Lord, i. 244
Canning, George, verses on 'All the Talents,' ii. 69
Canning, George, ii. 166
Carmarthen, Marquis of, i. 244, 248
Cartright, Major John, i. 121
Castlereagh, Lord, ii. 166
Catalini, Madame, ii. 165
Catharine, Empress of Russia, i. 290
Chambers, Sir William (architect of Somerset House), ii. 217
Charles the Fourth, King of Spain, i. 290, 292; ii. 94
Charlotte, Queen, i. 110, 199–210, 220, 228, 230, 252, 290
Chatham, Lord, i. 244
— General, ii. 164, 166
Chattelier, Miss (Rowlandson's aunt), i. 52, 63–4
Chiffney (jockey to the Prince of Wales), i. 207
Clarke, Mrs. Mary Anne, ii. 135–64, 166, 181
— Scandal, The, i. 28; ii. 135–64, 181
Clavering, General, ii. 143
Coleraine, Lord, i. 180, 220, 229. (See Hanger)
Collections of Rowlandson's drawings, i. 5. Appendix
Collings, the Caricaturist, i. 82–4, 191, 193
Combe, William, ii. 247, 268, 317–55, 359–62, 271–2
- — — (author):
- 'The Three Tours of Doctor Syntax,' ii. 176, 247–52, 266–7, 269–70, 367, 373, 375
- 'The Dance of Death,' ii. 317–15
- 'The Dance of Life,' ii. 359–62
- 'The History of Johnny QuÆ Genus,' ii. 371–2
Corbett, Thomas, High Bailiff for Westminster, ii. 140, 153–4
Cornwall, Views in, ii. 56
Cross Reading (Whiteford's), i. 84
Cruikshank, George, caricaturist, i. 16–19
Cumberland, Duke of, ii. 225
Curtis, Commodore, ii. 163–4

Davy, Sir Humphrey, ii. 366
Derby, Lord, i. 359
Devonshire, Duchess of, i. 124, 126–9, 131–2, 135, 141–2, 152, 158; ii. 59
Didelot, dancer, i. 283
Don Carlos, ii. 94
Duncannon, Lady, i. 135, 141, 158
Dundas (Lord Melville), i. 121, 134, 243–4, 246; ii. 49–51, 60, 136
Dundas, Sir David, ii. 137
Dunthorne, James, i. 226–7, 314

Elliot, Right Hon. Hugh, English Minister at Dresden, ii. 311
Engelbach, Lewis, 'Letters from Italy, or Naples and the Campagna Felice,' ii. 267, 301–8
English Caricaturists, i. 2
'English Spy, The,' by 'Bernard Blackmantle,' i. 43
Erskine, Lord, i. 112, 359

'Farquhar,' Ferdinand (pseudo), 'Relics of a Saint,' ii. 317
Ferdinand of Spain, ii. 93
Fielding's 'Tom Jones,' ii. 55–6
Fitzgerald, Mr., i. 161
Fitzherbert, Mrs., i. 170, 220, 226, 248, 276
Fox, Hon. Charles James, ii. 49, 58–61, 109, 112–13, 116–17, 119, 123–7, 129, 131–5, 138–43, 154, 221, 231–2, 245, 248, 270, 359
Fox, General, i. 117
Frederick the Great, i. 182–3
French Ambassador, The, i. 147

Gambado, Geoffrey (pseudo Henry Bunbury), 'Academy for Grown Horsemen,' i. 352–3
— — 'Annals of Horsemanship,' i. 352; ii. 102–15
George the Third, i. 115, 119, 140–1, 182–3, 199–210, 220, 228–9, 248, 251–2, 290, 360; ii. 6, 59, 82, 196
Gillray, the Caricaturist (his life, works, and times, by Joseph Grego), i. 3–4, 54, 106, 143, 229, 242, 328; ii. 197, 223
Gloucester, Duke of, i. 328
Goldsmith, Oliver, 'The Vicar of Wakefield,' ii. 356–9, 375
Gordon, Duchess of, i. 126, 152
Grafton, Duke of, i. 244, 246–8
Grattan, i. 250, 362
Grego, Joseph:
- 'An Illustrated Biographical Sketch of Bunbury, the Caricaturist,' i. 3
- 'The Works of James Gillray, with the Story of his Life and Times,' i. 3–4
- 'A Collection of Drawings by Rowlandson.' Appendix
Grenville, i. 244
— Lord, ii. 59
Guise, General, his collection of pictures at Oxford, ii. 66

Hadfield. Attempted the life of the King, ii. 6
Hamilton, Sir William, Ambassador at Naples, ii. 311–13
— Lady, ii. 311–13
Hanger, George, i. 180, 220, 229. (See Coleraine.)
Harrison, W. H., 'The Humourist,' ii. 380–6
Hartley, Mrs. (actress), i. 160
Hastings, Warren, i. 226, 230
— Marquis of, ii. 299
Haydon, B. R., ii. 3 m#Page_i_298" class="pgexternal">298, 303
— Regent, ii. 294
Prussia, King of, i. 292
Pugin's 'Microcosm, or London in Miniature,' ii. 125–8
Pyne, W. H. (Ephraim Hardcastle), 'Wine and Walnuts,' i. 55–6
— — — Somerset House Gazette, i. 55, 57–8, 69

Queen Charlotte, i. 110, 199–200, 220, 228
Queen of Spain, ii. 93
Quirk (Boxer), ii. 226
'Quiz' (pseudo), 'The Grand Master, or Qui Hi in Hindostan,' ii. 299–301

Ramberg, Caricaturist, i. 223, 225
'Remarks on a Tour to North and South Wales in the Year 1797,' ii. 19–21
Richmond, Duke of, i. 183, 231, 243–4, 246–8
Robinson, Jack, i. 117–18
— Mrs., i. 159
Romney (the Painter), ii. 311
Ron, Baron (Quack Dentist), i. 211
Roscius, the Infant, ii. 46
Rosedale, John (Mariner), exhibitor of the pictures at Greenwich Hospital, ii. 71
Rowlandson, Thomas (the Caricaturist), i. 239, 360
— a student at the Royal Academy, i. 53
— Academy drawings, i. 22–3
— and Napoleon, i. 27–8
— as a landscape artist, i. 14
— as a marine artist, i. 18
— as a portrait painter, i. 13
— at Portsmouth, i. 67
— biographical references to, i. 54–5
— book illustrations, i. 35–45
— chronological summary of his caricatures, ii. 389. (See 4)
— Continental tours, i. 59, 68–9; ii. 330–1
— contributions to the Royal Academy, i. 50–65
— collections of drawings by, ii. Appendix
— Department of Prints and Drawings, British Museum, ii. Appendix
— South Kensington Museum, ii. Appendix
Rowlandson, Dyce Collection, South Kensington Museum, ii. Appendix
— — at Windsor Castle, ii. Appendix
— early caricatures, i. 22
— engraved works, i. 23–30
— family, the, i. 49–51
— fortune bequeathed the Caricaturist, A, i. 64
— gambling proclivities, i. 64
— Gentleman's Magazine, the, obituary notice, i. 55, 94–5
— George Cruikshank on Rowlandson, i. 16–19
— his first visit to Paris, i. 52
— his friends, i. 60–2
— his publishers, i. 6
— his schoolfellows, i. age_ii_287" class="pginternal">287
Spain, Queen of, ii. 93
Spain, Infants of, ii. 94
Stanislaus the Second, King of Poland, i. 290
Sterne, Laurence, ii. 10, 169–75.
Stevens, G. A., 'A Lecture on Heads,' ii. 117
Sydney, Lord, i. 246

INDEX OF TITLES, SUBJECTS, PUBLISHED CARICATURES, ILLUSTRATIONS, &c.

A B C D E F G H I J K L M N O P Q R S T U V W Y

Abroad and at Home, ii. 66
Academy, The, for Grown Horsemen, i. 353
Accidents will Happen, ii. 297
Accommodation, or Lodgings to let, at Portsmouth, ii. 89
Accommodation Ladder, ii. 210
Accurate, An, and Impartial Narrative of the War (1793, 1794, 1795, &c.), i. 328, 329
Ackermann's Transparency on the Victory of Waterloo, ii. 293
Acquittal, The, or Upsetting the Porter Pot (Lord Melville), ii. 60, 61
Actress's Prayer, The, ii. 31
Acute Pain, ii. 2
Admiral Nelson Recruiting with his Brave Tars after the Glorious Battle of the Nile, i. 350–1
Admiration with Astonishment, ii. 1
Admiring Jew, The, i. 153
Advantage, The, of Shifting the Leg, i. 349, 351
Adventures of Johnny Newcome in the Navy, The, ii. 363–4
Adventures of Joseph Andrews and his Friend Mr. A. Adams, i. 312
Adventures of Peregrine Pickle, ii. 56
Advice to Sportsmen; selected from the notes of Marmaduke Markwell, ii. 179–80
Aerostation out at Elbows. Vincent Lunardi, i. 163–4
Affectionate Farewell, The, or Kick for Kick, ii. 280
After Dinner, i. 279
After Sweet Meat comes Sour Sauce, or Corporal Casey got into the Wrong Box, ii. 194
Ague and Fever, i. 226
'Ah! let me, Sire, refuse it, I implore.' ('Peter Pindar'), i. 207
Alehouse Door, ii. 314
All-a-growing, i. 356
Allegoria, ii. 11
All for Love: a Scene at Weymouth, ii. 147
All the Talents, ii. 67–9
Ambassador of Morocco on a Special Mission, The, ii. 146–7
Amorous Turk, An, i. 352
Amputation, i. 107, 320
Amsterdam, i. 331
Amusement for the Recess; or the Devil to Pay amongst the Furniture, ii. 161–2
Anatomist, The, ii. 202
Anatomy of Melancholy, The, ii. 86
'And now his lifted eyes the ceiling sought.' 'Peter Pindar,' i. 205.
Angelo's Fencing Room, i. 297–300
Anger, i. 18; ii. 2
Anglers (1611), ii. 220, 222
Anglers (1811), ii. 222
Annals of Horsemanship, i. 352
Annals of Sporting by Caleb Quizem, ii. 178–9
Anonymous Letter, ii. 14
Anticipation (Chr. Atkinson, Contractor, in the Pillory), i. 143
Antidote to the Miseries of Human Life, ii. 178
Anti-Jacobin Review, i. 357–60, 362
Antiquarian, i. 252
Antiquarians À la Grecque, ii. 51
Anything will do for an Officer, ii. 62
Apollo and Daphne, i. 150
Apollo, Lyra, and Daphne, i. 364
Apostate, The, Jack Robinson, Political Ratcatcher, i. 117–9
Apothecaries' Prayer, The, ii. 31
Artist, An, Travelling in Wales, i. 360–2
Art of Ingeniously Tormenting, The, ii. 115, 129, 178
Art of Scaling, i. 219, 221
Astronomer, An, i. 366
At Dinner, i. 278–9
At Home and Abroad! Abroad and at Home! ii. 66
Attack, The, i. 289
Attempt to Wash the Blackamoor White, The, in the White Hall, City of Laputa, ii. 309–10
Attention, i. 2; ii. 1
Attorney, ii. 14
Attributes, ii. 10–13
Awkward Squads Studying the Graces, ii. 220

Bachelor's Fare: Bread and Cheese and Kisses, ii. 253–4
Bacon-faced Fellows of Brazen-Nose Broke Loose, ii. 201
Bad News on the Stock Exchange, i. 325
Bad Speculation, A, i. 366
Bait for the Kiddies on the North Road, A, or 'That's your sort, prime bang up to the mark,' ii. 184, 186
Ballooning Scene, A, i. 323
Banditti, ii. 297
Bank, The, i. 306
Bankrupt Cart, or the Road to Ruin in the East, i. 370
Barber, A, ii. 13
Barberorum, ii. 12
Barber's Shop, A, ii. 223
Bath, Comforts of (in 12 plates), i. 333–49
Bardic Museum of Primitive British Literature, ii. 41
Bardolph Badgered, or the Portland Hunt, i. 289–90
Bartholomew Fair, ii. 92
Bassoon, The, with a French Horn accompaniment, ii. 206, 208
Bath Races, ii. 194
Battleorum, ii. 12
Bay of Biscay, i. 262, 368
Beast, The, as described in Revelation, chap. xiii. Resembling Napoleon Buonaparte, ii. 95
Beauties, i. 317–18
'Beauties of Sterne,' ii. 10, 169–75
'Beauties of Tom Brown,' ii. 115–181
Bed-warmer, A, i. 167
Beef À la Mode, ii. 3
Behaviour at Table (four subjects), ii. 117–18
Bel and the Dragon, ii. 216
Belle LimonadiÈre au CafÉ des Mille Colonnes, Palais Royal, Paris, ii. 272, 274
Benevolence, i. 316–17
'Benevolent Epistle to Sylvanus Urban' (vide), i. 282
Billiards, ii. 43
Billingsgata, ii. 11
Billingsgate, i. 150
Billingsgate at Bayonne, or the Imperial Dinner, ii. 93–4
Bills of Exchange, ii. 6
Bill of Fare for Bond Street Epicures, A, ii. 90, 166–7
Bill of Wright's, The, or the Patriot Alarmed, ii. 162
Billy Lackbeard and Charley Blackbeard Playing at Football, i. 118
Bishop and his Clarke, The, or a Peep into Paradise, ii. 148
Bitter Fare, or Sweeps Regaling, ii. 233
Black, Brown, and Fair, ii. 71
Blackleg Detected Secreting Cards, &c., ii. 84
Blacksmith's Shop, i. 212
Black and White, i. 66
Bloody Boney, the Carcase Butcher, left off Trade, retiring to Scarecrow Island, ii. 279
Blucher the Brave Extracting the Groan of Abdication from the Corsican Bloodhound, ii. 278
Blue and Buff Loyalty, i. 233
Boarding and Finishing School, A, ii. 54–5
Bob Derry of Newmarket, i. 105–6
Boney's Broken Bridge, ii. 159
Boney the Second, or the Little Baboon Created to Devour French Monkeys, ii. 203–4
Boney's Trial, Sentence, and Dying Speech, or Europe's Injuries Avenged, ii. 294
Boney Turned Moralist: 'What I was, what I am, what I ought to be,' ii. 282
Bonne Bouche, Une, i. 371
Bonnet Shop, A, ii. 187
Bookbinder's Wife, The, i. 371
Bookseller and Author, i. 148
Boot-Polishing, ii. 33
Borders for Halls, i. 364
Borders for Rooms and Screens, slips, i. 364
Boroughmongers Strangled in the Tower, The, ii. 182–4
Bostonian Electors of Lancashire, ii. 310
Boswell, J., the Elder. Twenty caricatures by T. R. in illustration of B.'s 'Journal of a Tour in the Hebrides,' i. 193–8
Botheration. Dedicated to the Gentlemen of the Bar, i. 173, 317
Boxes! The, ii. 167
Box-Lobby Hero, The; the Branded Bully, or the Ass Stripped of the Lion's Skin, i. 190–1
Box-Lobby Loungers, i. 180–1
Boxing Match for 800 guineas between Dutch Sam and Medley, fought May 31, 1810, on Moulsey Hurst, near Hampton, ii. 189–90
Bozzy and Piozzi, i. 97
Brace of Blackguards, ii. 229–30
Brace of Public Guardians, A, i. 328
Brain-Sucker, The, or the Miseries of Authorship, i. 212
Breaking Cover, ii. 90
Breaking up of the Blue Stocking Club, ii. 289
Brewers' Drays, i. 183
Brewer's Dray; Country Inn, i. 213
Brilliants, The, ii. 22–6
Briskly Starting to pick up a Lady's Fan, &c., ii. 84–5
Britannia's Protection, or Loyalty Triumphant, ii. 6
Britannia Roused, or the Coalition Monsters Destroyed, i. 117
Britannia's Support, or the Conspirators Defeated, i. 247
British Sailor, Frenchman, Spaniard, Dutchman, ii. 119
Broad Grins, or a Black Joke, ii. 230
Brothers of the Whip, i. 103
Brown, Tom, Beauties of, ii. 115, 181
Bull and Mouth, The, ii. 168
Bullock's Museum, ii. 309
Burning Shame, The, ii. 152
Burning the Books. Memoirs of Mrs. Clarke, ii. 158
Business and Pleasure, ii. 265
Butcher, A, 269–70
Butler, S. 'Hudibras,' ii. 198
Butterfly Catcher and the Bed of Tulips, ii. 62
Butterfly Hunting, ii. 61
Buy a Trap—a Rat-trap, i. 354–5
Buy my Fat Goose, i. 354
Buy my Moss Roses, or Dainty Sweet Briar, ii. 34

Cabriolet, A, i. 150
Cake in Danger, A, ii. 58
Calf's Pluck, A, ii. 80
Cambridge, Emmanuel College Garden, ii. 184
— Inside View of the Public Library, ii. 184
Captain's Account Current of Charge and Discharge, The, ii. 64
Captain Bowling Introduced to Narcissa. 'Hogarthian Novelist,' ii. 6
Captain Epilogue (Capt. Topham) to the Wells (Mrs. Wells), i. 165, 183
Careless Attention, i. 256
Caricature Magazine, The, or Hudibrastic Mirror, ii. 115–16
Caricature Medallions for Screens, ii. 6
Carter and the Gipsies, The, ii. 293
Cart Race, A, i. 260
Case is Altered, The, i. 132–3
Cash, ii. 6
Cat in Pattens, A, ii. 237–8
Catamaran, A, or an Old Maid's Nursery, ii. 42
Catching an Elephant, ii. 226
Cattle not Insurable, ii. 167
Chairmen's Terror, The, i. 308
Chamber of Genius, The, ii. 227
Champion of Oakhampton Attacking the Hydra of Gloucester Place, The, ii. 153–4
Champion of the People, The, i. 120
Chance-Seller of the Exchequer putting an Extinguisher on Lotteries, The, ii. 374–5
Chaos is come again, i. 283, 287–8
Characteristic Sketches of the Lower Orders (54 coloured plates), ii. 366–7
Charity Covereth a Multitude of Sins, i. 104–5
Charm, A, for a Democracy, Anti-Jacobin, i. 357–60
Chelsea Parade, or a Croaking Member Surveying the Inside and Outside of Mrs. Clarke's Premises, ii. 149
Chelsea Reach, i. 262
Chemical Lectures (Sir H. Davy), ii. 366
Chesterfield Burlesqued, ii. 224
Chesterfield Travestie, or School for Modern Manners, ii. 115, 117
Christening, A, i. 282
Christmas Gambols, ii. 235
Chronological Summary of Rowlandson's Caricatures, ii. 389. (See pages 387–408.)
Cits Airing themselves on Sunday, i. 372
City Courtship, i. 171
City Fowlers—mark, i. 371
City Hunt, The, i. 371
Civilian, A, i. 366
Civility, i. 222
Clarke's, Mrs., Farewell to her Audience, ii. 156
Clarke's, Mrs., Last Effort, ii. 155
— LevÉe, ii. 146
Clarke Scandal, The, ii. 135–62
Clearing a Wreck on the North Coast of Cornwall, ii. 56
Coalition Wedding, i. 112
Coast Scene, A: Rising Gale, i. 221
Coat of Arms, A. Dedicated to the newly-created Earl of Lonsdale, i. 136
Cobbler's Cure for a Scolding Wife, The, ii. 267–8
Cracking a Joke, ii. 267
Cockney Hunt, ii. 208, 295
Cold Broth and Calamity, i. 293, 313–14
Cole, Mother, i. 125
Collar'd Pork, ii. 6
Collections of Drawings by Rowlandson, ii. Appendix
College Pranks, or Crabbed Fellows Taught to Caper on the Slack Rope, ii. 199
College Scene, A, or a Fruitless Attempt on the Purse of Old Square Toes, i. 216–19
Colonel Topham endeavouring with his Squirt to Extinguish the Genius of Holman, i. 186
Easter Monday, or the Cockney Hunt, ii. 208, 295
Eating House, An, ii. 296
Edward the Black Prince Receiving Homage, i. 249
Effects of Harmony, i. 326
Effects of the Ninth Day's Express from Covent Garden just Arrived at Cheltenham, i. 229
Election, the Westminster, i. 128–43
Elegance, ii. 33
Embarking from Brighthelmstone to Dieppe, i. 221
Emmanuel College, Cambridge. A Nobleman presenting a collection of Busts, ii. 184
Emmanuel College Garden, Cambridge, ii. 184
Engelbach, 'Naples and the Campagna Felice,' ii. 257, 301–8
English Address, The, i. 231
English Barracks, i. 294
English Curiosity, or the Foreigner Stared out of Countenance, i. 145, 322–3
English Dance of Death, ii. 317–55
English Exhibitions in Paris, or French People Astonished at our Improvement in the Breed of Fat Cattle, ii. 237
Englishman in Paris, ii. 78–9
English Manner and French Prudence, or French Dragoons brought to a Check by a Belvoir Leap. A Scene after Nature near Ciudad Rodrigo, ii. 215–16
English Review, i. 10
English Spy, ii. 378–9
English Travelling, or the First Stage from Dover, i. 179, 312
Enraged Son of Mars and the Timid Tonson, The, ii. 205
Enraged Vicar, ii. 66–7
E O, or the Fashionable Vowels, i. 101–2
Epicure, An, i. 238–9; ii. 22
Epicure's Prayer, The, ii. 30
Epicurium, ii. 11.
Epilogue, Captain (Topham), i. 158, 165–7, 183, 190
Essay on the Sublime and Beautiful, An, i. 165
Etching, An, after Raphael Urbina, i. 364
Evening, i. 280–1
Evening. A Drive on the Sands, ii. 6
Evening, or the Man of Feeling, ii. 214
Evergreen, An, ii. 58
Every Man has his Hobby-Horse, i. 135
Exciseman, ii. 14
Excursion, An, to Brighthelmstone made in the year 1782 by Henry Wigstead and Thomas Rowlandson, i. 276–9
Execution of two Celebrated Enemies of Old England and their Dying Speeches, ii. 260
Exhibition at Bullock's Museum of Buonaparte's Carriage, taken at Waterloo, ii. 309
Exhibition 'Stare Case,' Somerset House, ii. 217–8
Expedition of Humphrey Clinker, i. 320
Experiments at Dover, or Master Charley's Magic Lantern, ii. 61
Extraordinary Scene on the Road from London to Portsmouth, An, i. 349

Fall of Achilles, The, i. 152
Fall of Dagon, The, or Rare News for Leadenhall Street, i. 112
Falstaff and his Followers Vindicating the Property Tax, ii. 58
Family Picture ('Vicar of Wakefield'), ii. 358
Family Piece, A, ii. 222
Famous Coalheaver, The, Black Charley Looking into the Mouth of the Wonderful g@html@files@45981@45981-h@45981-h-2.htm.html#Page_ii_44" class="pginternal">44
'Light, your Honour. Coach unhired,' ii. 34
Little Bigger, A, i. 293
Little Tighter, A, i. 292–3
London in Miniature, ii. 125, 128
London Outrider, or Brother Saddlebag, ii. 14
Long Pull, a Strong Pull, and a Pull All together, A, ii. 258–9
London Refinement, i. 199
Long Sermons and Long Stories are apt to lull the Senses, i. 107
Looking at the Comet till you get a Crick in the Neck, ii. 210–11
Loose Principles, i. 245
Loose Thoughts, i. 371
Lords of the Bedchamber, i. 128
Loss of Eden and Eden Lost, The. Gen. Arnold and Eden Lord Auckland, i. 173
Lottery Office Keeper's Prayer, The, ii. 33
Lousiad, The, i. 200
Love, i. 328
Love in Caricature, i. 353
Love and Dust, i. 234–7; ii. 189
Love in the East, i. 218, 220
Loves of the Fox and the Badger, or the Coalition Wedding, i. 112
Love and Learning, or the Oxford Scholar, i. 182
Love Laughs at Locksmiths, ii. 209
Loyal, The, Volunteers of London, i. 375–7
Lump of Impertinence, A, ii. 166
Lump of Innocence, A, ii. 166
Lunardi, Vincent, i. 163–4
Lust and Avarice, i. 236–7
Luxury and Desire, i. 237
Luxury and Misery, i. 106, 185, 325
Lying-in Visit, A, i. 307; ii. 313

Macassar Oil, or an Oily Puff for Soft Heads, ii. 284
Madame Blubber, i. 127, 129–30, 134
Madame Blubber on her Canvass, i. 129
Madame Blubber's Last Shift, or the Aerostatic Dilly, i. 134
Mad Dog in a Coffee House, A, ii. 131–2
Mad Dog in a Dining Room, A, ii. 131, 133
Mahomedan Paradise, A, i. 352
Maid of all Work's Prayer, The, ii. 30
Maiden Aunt Smelling Fire, A, ii. 58
Maiden Speech, The, i. 165
Maiden's Prayer, The, ii. 30
Major Topham (of the World) and the rising genius of Holman, i. 320
Man of Fashion's Journal, A, ii. 35
Man of Feeling, The, ii. 83, 216
Manager (Garrick) and Spouter, ii. 390
Manager's Last Kick, The, or a New Way to Pay Old Debts, ii. 219
Mansion House Monitor (Poetical Magazine), ii. 176
March to the Camp, i. 370
Margate, ii. 6
Masquerading, ii. 168
Peter's Pension ('Peter Pindar'), i. 207
Peter Plumb's Diary, ii. 187–8
Petersham, Lord, ii. 225
Petitioning Candidate for Westminster, The, i. 143
Petticoat Loose, a Fragmentary Poem, ii. 238
Philip Quarrel (Thicknesse), the English Hermit, &c., i. 275
Philosophorum, ii. 10
Philosophy run Mad, or a Stupendous Monument to Human Wisdom, i. 312–13
Physicorum, ii. 11
Picture of Misery, A, ii. 204
Pictures of Prejudice, ii. 6
Pigeon-Hole, a Covent Garden Contrivance to Coop up the Gods, ii. 200–1
Piece-Offering, A. Memoirs, Life, Letters, &c., of Mrs. Clarke, ii. 159
Pilgrimage from Surrey to Gloucester Place, A, or the Bishop in an Ecstasy, ii. 148
Pilgrims and the Peas, The, ii. 71
Pit of Acheron, The, or the Birth of the Plagues of England, i. 111–12
Pitt Fall, The, i. 243
Place de Mer, Antwerp, i. 331
— des Victoires, À Paris, La, i. 262–6
Plan for a General Reform, A, ii. 165
Plan for a Popular Monument to be Erected in Gloucester Place, ii. 156–7
Platonic Love. 'None but the Brave Deserve the Fair,' ii. 74
Pleasures of Human Life, The, ii. 83, 180, 362
— of Margate, ii. 6
Plot Thickens, The, or Diamond Cut Diamond, ii. 161
Plucking a Spooney, ii. 225
'Plump to the Devil we boldly Kicked both Nap and his Partner Joe,' ii. 261
Poetical Magazine, ii. 175–8
— Sketches of Scarborough, ii. 268–9
Polish Dwarf, The (Borowlowski), Performing before the Grand Seigneur, i. 186
Politesse FranÇaise, La, or the English Ladies' Petition to his Excellency the Mushroom Ambassador, i. 145
Political Affection, i. 133
— Butcher, The, or Spain Cutting up Buonaparte for the Benefit of his Neighbours, ii. 96
— Chemist and German Retorts, or Dissolving the Rhenish Confederacy, ii. 263
— Hydra, The, i. 231; ii. 58
Poll, The, i. 127
— of Portsmouth's Prayer, ii. 33
Pomfret, Lord, ii. 225
Pope's Excommunication of Buonaparte, The, or Napoleon brought to his last Stool, ii. 163
Portsmouth Point, ii. 284–6
Post Boys and Post Horses at the 'White Hart Inn,' i. 222
Post-chaise, A, i. 150, 217
Post Inn, i. 213
Power of Reflection, The, i. 100–1
Pray Remember the Blind, ii. 34
Preaching to some Purpose, ii. 236
Preceptor and Pupil, i. 140
Preparations for the Academy. Old Nollekens and his Venus, ii. 16–19
Preparations for the Jubilee; or Theatricals Extraordinary, ii. 166
Preparing for th ctators, i. 217, 219
Transparency Exhibited at Ackermann's, in the Strand, Nov. 27, 1815. Day of Celebration of General Peace in London, ii. 294–5
Transplanting of Teeth (Baron Ron), i. 211
Traveller Refreshed in a Stagnant Pool after the Fatigues of a Dusty Day's Journey, A, ii. 130
Travelling Knife-Grinder at a Cottage Door, i. 222
Trial of the Duke of York, The, ii. 178
Tricks on the Turf—Settling to Lose a Race, ii. 368
Trip to Gretna Green, A, ii. 215
Triumph of Hypocrisy, The, i. 211
— of Sentiment, The, i. 210
Triumvirate of Gloucester Place, The, or the Clarke, the Soldier, and the Taylor, ii. 151
Tutor and his Pupil Travelling in France, ii. 217
Twelfth Night Characters (in 24 figures), ii. 214
Two Kings of Terror, The. Transparency exhibited at Ackermann's. The Allied Victory of Leipsic, ii. 255, 257
— Patriotic Duchesses on their Canvass, The (Duchesses of Portland and Devonshire), i. 124
— of a Trade can never Agree: Mrs. Clarke and Col. Wardle, ii. 160
Twopenny Cribbage, i. 369
Tyrant of the Continent is Fallen, The, Europe is Free, England Rejoices, ii. 281

Uncle George and Black Dick at their New Game of Naval Shuttlecock, i. 199
Undertakers Regaling, ii. 26–7
Unexpected Meeting, An, ii. 148
— Return, An, or a Snip in Danger, ii. 297
Union, The, ii. 22
— Headdress, The, ii. 33
Unloading a Waggon, ii. 255–6

Vauxhall Gardens, i. 156–62
Veneration, ii. 1
VÉry, Madame, Restaurateur, Palais Royal, Paris, ii. 272–3
Vicar and Moses, The (song heading), i. 147
'Vicar of Wakefield' (24 plates), ii. 356–9, 375
Vicar, ii. 14
Vice-Queen's Delivery, The, at the Old Soldier's Hospital, in Dublin, i. 243
View on the Banks of the Thames, A, ii. 75–7
— of a Cathedral Town on Market-day, i. 364
Views of the Colleges, ii. 184
— of Cornwall, ii. 239–46
— in Cornwall and Dorset (a series), ii. 56
— in Cornwall, Devon, Somerset, Isle of Wight, &c., ii. 169, 181
View on the French Coast, i. 222
Views of London—Entrance of Tottenham Court Road Turnpike, with a view of St. James's Chapel. Ackermann's Gallery, i. 349
— — Entrance of Oxford Street, or Tyburn Turnpike, with a view of Park Lane, i. 349
— — Entrance from Mile End, or White Chapel Turnpike, i. 349
— — Entrance from Hackney, or Cambridge Heath Turnpike, with a distant view of St. Paul's, i. 349
Village Cavalry Practising in a Farmyard, i. 324
— Doctor, The, i. 96
Virginia, ii. 11
Virtue in Danger, ii. 297
Visit, A, to the Aunt, i. 192, 324
— to the Doctor, ii. THE END.
LONDON: PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE AND PARLIAMENT STREET
Graphic Design

FOOTNOTES:

[1] Life of Nollekens, vol. i. p. 79.

[2] Venus Chiding Cupid, executed for Lord Yarborough. 'Nollekens was so provoked by an accident which happened to one of his figures during the Exhibition at Somerset House, that he threatened F. M. Newton, the Secretary, who made light of the affair, should this Venus be in any way injured, to break every bone in his skin.'—Nollekens and his Times, by John Thomas Smith.

[3] 'The mode of teaching turnspits their business was more summary than humane. The dog was put in a wheel, and a burning coal with him; he could not stop without burning his legs, and so was kept on the full gallop. These dogs were by no means fond of their profession; it was indeed hard work to them in a wheel for two or three hours, turning a piece of meat which was twice their own weight. It is recorded of the turnspit-dogs of Bath that one Sunday, when they had, as usual, followed their mistresses to church, the lesson of the day happened to be that chapter of Ezekiel wherein the self-moving chariots are described. When the first word "wheel" was pronounced all the curs pricked up their ears in alarm; at the second "wheel" they set up a doleful howl; and when the dreaded word was uttered a third time every one of them scampered out of church as fast as he could, with his tail between his legs.'—John Foster, in Hone's Everyday Book, December 17, 1826.

[4] 'My Lord Loggerhead spells physician with an F, hem! hem!'—Doctor Pangloss, Heir at Law.

[5] The advice offered in the concluding line of Daniel Lambert's advertisement must, however, be followed with certain reserve. The Leicester giant's premature end is hardly an encouragement to would-be imitators. After his first visit to London, in 1806, Daniel Lambert returned to his native place; the year following he repeated his visit, but feeling oppressed by the atmosphere of the metropolis, he made a tour through the principal provincial cities and towns, where he proved a great source of attraction. We are told 'his diet was plain, and the quantity moderate, and for many years he never drank anything stronger than water. His countenance was manly and intelligent; he possessed great information, much ready politeness, and conversed with ease and facility. He had a powerful and melodious tenor voice, and his articulation was perfectly clear and unembarrassed.... Lambert had, however, for some time shown dropsical symptoms. In June, 1809, he was weighed at Huntingdon, and, by the Caledonian balance, was found to be 52 stone 11 lb.; 10 stone 4 lb. heavier than Bright, the miller of Maiden, who only lived to the age of thirty.'
A few days after this last weight was taken, on June 20, Lambert arrived from Huntingdon at the Wagon and Horses Inn, St. Martin's, Stamford, where preparations were made to receive company the next day and during the Stamford races. He was announced for exhibition; he gave his orders cheerfully, without any presentiment that they were to be his last. He was then in bed, only fatigued from his journey, but anxious to see company early in the morning. Before nine o'clock, however, the day following, he was a corpse! He died in his apartment on the ground-floor of the inn, for he had long been incapable of walking up stairs. As may be supposed from his immense bulk and weight, his interment was an arduous labour. His age was thirty-nine. At the Wagon and Horses Inn were preserved two suits of Lambert's clothes; seven ordinary-sized men were repeatedly enclosed within his waistcoat, without breaking a stitch or straining a button.

[6] Francisco Caracci, and General Guise's collection (Somerset-House Gazette), from a note to Mr. Ephraim Hardcastle (Editor):—'Francisco Caracci was the younger brother of Augustino and Annibale; and Antonio, called from his deformity Il Gobbo, was the natural son of Augustino. These were the individuals who formed that celebrated family of painters. The father of Ludovico Caracci was a butcher (era macelago), and the father of Annibale and Augustino a tailor. Annibale resolved to mortify the pride of Ludovico, who despised him on account of his frequently reminding him of their low origin. He therefore privately painted the portraits of the Caracci, as large as life, in a butcher's shop, and showed his picture for the first time to Ludovico, when in company with Cardinal Farnese. It is now in the Guise collection, at Christ Church College, Oxford. Annibale is the butcher weighing the meat, which a soldier (Ludovico) is purchasing. Augustino stands near them. Antonio is lifting down a carcase, which conceals his deformity; and the old woman represents their mother. General Guise is said to have given 1,100l. for this picture, which was purchased for him at Venice. Talking of Oxford, did you ever see this collection? If the old General Guise had no more taste for fighting than for painting, I would have met him and his legions with wooden cannon. Yet I have heard certain bigwigs of the University crack up the Guise Gallery! They are nice social fellows at Christ Church for all this, and men of taste; a conversation on painting is brought to table in hall there, like the wine—devilishly well iced.'

[7] A learned dancing-master in the University of Oxford, who taught politeness also, and published a book upon that subject, fixed the same period for passing a stile in some cases that is here judiciously recommended for the payment of an ostler. His precept was that a well-bred man meeting another on the opposite side of a stile ought on no account to be persuaded to go over first. The name of this ingenious author was Towle. Had two zealous pupils of his school met each other at a stile, it is supposed they must have concluded their lives on the premises.

[8] James Ripley, many years ostler at the "Red Lion," who published a volume of letters.

[9] George Stevens, the originator of the 'Lecture on Heads,' was a very indifferent actor, but a man of humorous parts, and in himself was considered, by his contemporaries, most entertaining company. The idea of the lecture was given him by a country carpenter, who made the character-blocks which formed the subjects of illustration. It proved an extraordinary success in the hands of the originator. He carried it about England, through the States of America, and, on his return, to Ireland; and managed to net some ten thousand pounds by this lucky venture. After he retired more than one actor attempted it, with poor results. Lewis was the most successful of Stevens's imitators, and he had made such arrangements with the author as entitled the latter to a royalty for the use of his 'Lecture on Heads.' It probably derived its principal charm from the style of its delivery. Read in cold blood, its brilliancy and point are by no means startling.

[10] Mary Moser, the lively lady Royal Academician, and famous flower-painter, writing to Mrs. Lloyd, the first wife of the gentleman she subsequently honoured with her hand, conveys the following account of the reigning mode in town, to her friend in the country: 'Come to London and admire our plumes; we sweep the sky! a duchess wears six feathers, a lady four, and every milk-maid one at each corner of her cap! Your mamma desired me to inquire the name of something she had seen in the windows in Tavistock Street; it seems she was afraid to ask; but I took courage, and they told me they were rattle-snake tippets; however, notwithstanding their frightful name, they are not unlike a beaufong, only the quills are made stiff, and springy in the starching. Fashion is grown a monster! pray tell your operator that your hair must measure just three quarters of a yard from the extremity of one wing to the other.'

[11] 'Eighteen years before the date of the investigation (February 1809), Mrs. Clarke, then being about fourteen years of age, resided with her mother and step-father in Black Raven Passage, Cursitor Street. She was a very pretty, sprightly, gaily-disposed girl, being very fond of showing herself, and attracting attention. At this time Mr. Joseph Clarke, son of a respectable builder on Snow Hill (his father was the "great contractor" of his day, and a man reputed to be enormously rich) became enamoured of Miss Thompson, who readily received his addresses. She eloped with him, and they lived together about three years, when he married her. She conducted herself with propriety, and they lived together decently several years; in the course of which she bore him several children, four of whom are alive.'—Gentleman's Magazine, February, 1809.

[12] The name of Mrs. Clarke's father was Thompson, and he, it appears, was a master printer of some respectability, residing in Bowl and Pin Alley, near White's Alley, Chancery Lane, where Miss Thompson was ushered into the world, as Sterne has it, with 'squalls of disapprobation at the journey she was compelled to perform.'
Upon the death of Mr. Thompson, his widow married a Mr. Farquhar, who was engaged as a compositor in the printing house of Mr. Hughes. Miss Thompson was occasionally employed in reading copy to the person engaged as corrector of the press, in which situation she soon attracted the notice of the son of the overseer, who, recognising her abilities, had her placed at a boarding school at Ham, where the young lady, whose 'capacity for elegant improvements' was, if we trust her biographers, of an advanced order, soon acquired ornamental accomplishments; and, from the natural quickness of her parts, she returned, after an absence of two years, so completely altered in her ideas that she thought proper to despise and treat with coldness the attentions of Mr. Day, the well-meaning young gentleman who had been at the charge of finishing her education, it is said, with the view to a future union with this sprightly and promising female prodigy.
Her biographers have hinted at least one flirtation, possibly of a harmless description, before she arrived at the age of seventeen, when she threw in her future with Mr. Joseph Clarke, the hopeful son of a wealthy builder and contractor in Snow Hill. After a union of many years, during which she had experienced various vicissitudes, we find that the misconduct of her husband, who seems, on the whole—from the accounts of some of his contemporaries—to have done his best to deserve the treatment he received, although there are two sides to this story, determined the fascinating Mary Ann to trust to her own resources for support.
During her tenure of the 'neutral territory,' the name of more than one gentleman of gallant reputation and of rank was coupled with her own; but passing over the list of her admirers, we must mention a certain Mr. Dowler (whose name occurred frequently during the investigation), who seems to have had more faithful regard for the lady than her other doubtful lights of love. Mrs. Clarke further became ambitious of shining on a larger scale, and she had the honour of appearing on the boards of the Haymarket Theatre in the character of Portia. Great praise was awarded her performance; her natural abilities, with a certain vivacity, added to a well modulated voice and graceful action, were sufficient to qualify her for a successful actress; but she felt that her proper stage was the world, and she merely secured her introduction to the histrionic profession as an experiment towards promoting the foundation of her future fortunes, and her object in this regard seems to have been secured and her plans were successfully realised.

[13] Minutes of Evidence; and Annual Register, 1809.

[14] Mr. Burton's defence. Minutes of Evidence.

[15] Gentleman's Magazine.

[16] Colonel Wardle had promised, or clearly given it to be understood by Mrs. Clarke, that he would furnish a house for her at Westbourne Place, in part payment for her services in the prosecution of the Duke of York. Colonel Wardle, afterwards finding it convenient to deny that he had come under any such obligation, was sued at law by an upholsterer who had furnished the house; and, on the evidence of Mrs. Clarke and the upholsterer's brother, obliged to pay about 2000l., with costs. The day after judgment was given in this cause, Colonel Wardle published, in several newspapers, a note addressed to the people of the three kingdoms, declaring before God and his country that a verdict had been obtained against him only through perjury. During the progress of the trial, the colonel had written to his men of law again and again, desiring that Major Dodd, Mr. James Glennie, heretofore of the corps of engineers, and other respectable witnesses, should be examined; but the lawyers thought this unnecessary. The evidence of Mrs. Clarke, and of the brother of the upholsterer, on oath, would be overthrown by that of the respectable witnesses whom he had to bring forward on a second trial for which he had made application. But if so, what is to be thought of the evidence of Mrs. Clarke against the Duke of York?—Annual Register, 1809.

[17] March 23, 1809.—The Speaker put the question: 'That it is the opinion of this House that General Clavering in the said evidence is guilty of prevarication,' which was agreed to without a division; and General Clavering was ordered to be forthwith taken into the custody of the Serjeant-at-Arms.
March 24.—The Serjeant-at-Arms, having reported that General Clavering was in custody, Mr. W. Wynne moved, 'That, for his prevarication before the Committee of the whole House, General Clavering be now committed to Newgate, and the speaker do issue his warrant accordingly;' which was agreed to.
March 27.—Mr. Fane presented a petition from Captain Sandon, which, after stating his services in the army for upwards of thirty years in various parts of the globe, concludes with apologising for his conduct at the Bar of that House, by attributing it to the hardships he had recently undergone in Spain, combined with an injury sustained on the brain some time since, and the novelty of his situation when called on to give evidence.
March 28.—On the motion of Mr. Fane, Captain Huxley Sandon was called to the Bar; and, after a very impressive reprimand from Mr. Speaker, was ordered to be discharged out of custody on paying the fees.

[18] Sometimes the word 'York' is erased from the plate 'Transforming a Footboy into a Captain.'

[19] During the Parliamentary enquiry Mrs. Clarke appeared at the Bar of the House dressed in a pelisse and skirt of light blue silk, trimmed with white fur, with a white muff, and wearing a hat and veil of white, the latter turned up to show her face. Her features are described as more pleasing than handsome, according to recognised standards of regular types of countenance. Her complexion was remarkably clear and animated; and her eyes, which were blue, were large and full of light and vivacity. She was somewhat small in stature, her figure was well turned; and as her arms were much admired for their shapely form, she was partial to attitudes which showed them off to advantage.

[20] The Duke of York was reinstated in the office of Commander-in-Chief, May 26, 1811.

[21] Townshend, the Bow Street Runner.

[22] The satirical humours of this sign, which dates back from a recondite period, find a place in Larwood's valuable History of Signboards, who gives us further particulars from his own exhaustive researches. 'In Holland, in the seventeenth century, it was used, but the king was left out, and a lawyer added. Each person said exactly the same as our signboards, but the farmer answered:—

You may fight, you may pray, you may plead,
But I am the farmer who lays the eggs—

i.e. finds the money.
'This enumeration of the various performances coupled with the word all has been used in numerous different epigrams; an address to James the First, in the Ashmolean MSS., No. 1730, has:-

The Lords craveth all,

The Queene granteth all,

The Ladies of honour ruleth all,

The Lord-Keeper sealed all,

The Intelligencer marred all,

The Parliament pass'd all,

He that is gone opposed himself to all,

The Bishops soothed all,

The Judges pardoned all,

The Lords buy, Rome spoil'd all,

Now, Good King, mend all,

Or else The Devil will have all.

'This again seems to have been imitated from a similar description of the state of Spain in Greene's Spanish Masquerade, 1589:—

The Cardinals solicit all,

The King grauntes all,

The Nobles confirm all,

The Pope determines all,

The Clergie disposeth all,

The Duke of Medina hopes for all,

Alonzo receives all,

The Indians minister all,

The Soldiers eat all,

The People paie all,

The Monks and Friars consume all,

And the Devil at length will carry away all.'

[23] It was here, in this same Westminster pit, that the celebrated dog Billy distinguished himself, and carried off the laurels of vermin-killing, by despatching a hundred rats at a time.

[24] In his early career Chambers had visited China. He performed the voyage as supercargo of some Swedish ships trading there.

[25] Bunbury died at Keswick, May 7, 1811, aged 61.

[26] Now known as the Egyptian Hall.

[27] Marcus Flaminius; or, the Life of the Romans, 1795.

[28] While on a visit in the Hundreds of Essex being under the necessity of getting dead drunk every day to save your life.

[29] Vide Biography, vol. i. p. 67.

[30] See account of the Three Tours of Dr. Syntax, ante, pp. 176, 247–252.

[31] Another version of the drawing, in the possession of the Editor, reproduced (p. 20) as 'The Quay,' in the introductory biographical sketch to this work.

[32] Antiquity Smith, Author of the 'Life of Nollekens;' once Keeper of the Prints and Drawings, British Museum, &c.

[33] See George Cruikshank: the Artist, the Humourist, and the Man, with some account of his brother Robert. A Critico-Bibliographical Essay. By William Bates. B.A., M.R.C.S.E., &c., Professor of Classics in Queen's College, Birmingham; Surgeon to the Borough Hospital, &c., with numerous illustrations by G. Cruikshank, including several from original drawings in the possession of the author. Houlston and Sons, 1879. Also The 'Fraser' Portraits. A Gallery of Illustrious Literary Characters (1830–1838), drawn by the late Daniel Maclise, R.A., and accompanied by Notices chiefly by the late William Maginn, LL.D. Edited by William Bates, B.A., &c. Chatto and Windus, 1874, 4to.

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