Graphic.—“A simple story invested with an unusual distinction and charm.”

Glasgow Times.—“A capital tale. Entertaining reading.”

Nottingham Guardian.—“A romance which holds one’s interest enthralled.”

Literary World.—“The story has a frank directness and a reality that make it thoroughly readable.… The story is well expressed and the characters have vitality. Altogether a satisfactory little tale.”

Daily Telegraph.—“The story is out of the common, both in manner and treatment.”

Lloyd’s.—“Clear and brilliant.”

Truth.—“The story is written with remarkable literary skill, and, notwithstanding its gruesomeness, is undeniably fascinating.”

Sketch.—“It is a well-written story. An admirable literary style, natural and concise construction, succeed in compelling the reader’s attention through every line. We hope to welcome the author again, working on a larger scene.”

Western Mercury.—“Clever sketches, intensely dramatic, original and forceful, based on scenes from actual life, and narrated with much skill.”

Weekly Times.—“A series of pictures sketched with considerable power. The last one, ‘Hell in Paradise,’ is terrible in the probable truth of conception.”

Northern Figaro.—“Mr Martin’s descriptive paragraphs are couched in trenchant, convincing language, without a superfluous word sandwiched in anywhere.… ‘Shadows’ may be read with much profit, and will give more than a superficial insight into various phases of society life and manners.”

Literary World.—“We do not remember having read a book that possessed the quality of grip in a greater degree than is the case with ‘Death and the Woman.’… Every page of every chapter develops the interest, which culminates in one of the most sensational dÉnouements it has been our lot to read. The flavour of actuality is not destroyed by any incredible incident; it is the inevitable thing that always happens. ‘Death and the Woman’ will supply to the brim the need of those in search of a holding drama of modern London life.”

Whitehall Review.—“Those who love a mystery with plenty of ‘go,’ and a story which is not devoid of a certain amount of realism, cannot do better than pick up ‘Fellow-Passengers.’ The characters are real men and women, and not the sentimental and artificial puppets to which we have been so long accustomed by our sensationalists. The book is brightly written, and of detective stories it is the best I have read lately.”

The Referee.—“Another little humorous book is ‘That Fascinating Widow,’ by Mr S. J. Adair Fitz-Gerald, who can be very funny when he tries. The story which gives the title to the book would make a capital farce. ‘The Blue-blooded Coster’ is an amusing piece of buffoonery.”

The Globe.—“The author, Mr S. J. Adair Fitz-Gerald, has already shown himself to be the possessor of a store of humour, on which he has again drawn for the furnishing of the little volume he has just put together. Among the tales included are several which might be suitable for reading or recitation, and none which are dull. Mr Fitz-Gerald frankly addresses himself to that portion of the public which desires nothing so much as to be amused, and likes even its amusements in small doses. Such a public will entertain itself very pleasantly with Mr Fitz-Gerald’s lively tales, and will probably name as its favourites those titled ‘Pure Cussedness,’ ‘Splidgings’ First Baby,’ and ‘The Blue-blooded Coster.’”