One of my neighbours whom I never have chanced to mention before in these writings is a certain Old Maid. She lives about two miles from my farm in a small white house set in the midst of a modest, neat garden with well-kept apple trees in the orchard behind it. She lives all alone save for a good-humoured, stupid nephew who does most of the work on the farm—and does it a little unwillingly. Harriet and I had not been here above a week when we first made the acquaintance of Miss Aiken, or rather she made our acquaintance. For she fills the place, most important in a country community, of a sensitive social tentacle—reaching out to touch with sympathy the stranger. Harriet was amused at first by what she considered an almost unwarrantable curiosity, but we soon formed a genuine liking for the little old lady, and since then we have often seen her in her home, and often she has come to ours.

She was here only last night. I considered her as she sat rocking in front of our fire; a picture of wholesome comfort. I have had much to say of contentment. She seems really to live it, although I have found that contentment is easier to discover in the lives of our neighbours than in our own. All her life long she has lived here in this community, a world of small things, one is tempted to say, with a sort of expected and predictable life. I thought last night, as I observed her gently stirring her rocking-chair, how her life must be made up of small, often-repeated events: pancakes, puddings, patchings, who knows what other orderly, habitual, minute affairs? Who knows? Who knows when he looks at you or at me that there is anything in us beyond the humdrummery of this day?

In front of her house are two long, boarded beds of old-fashioned flowers, mignonette and petunias chiefly, and over the small, very white door with its shiny knob, creeps a white clematis vine. Just inside the hall-door you will discover a bright, clean, oval rag rug, which prepares you, as small things lead to greater, for the larger, brighter, cleaner rug of the sitting-room. There on the centre-table you will discover "Snow Bound," by John Greenleaf Whittier; Tupper's Poems; a large embossed Bible; the family plush album; and a book, with a gilt ladder on the cover which leads upward to gilt stars, called the "Path of Life." On the wall are two companion pictures of a rosy fat child, in faded gilt frames, one called "Wide Awake" the other "Fast Asleep." Not far away, in a corner, on the top of the walnut whatnot, is a curious vase filled with pampas plumes; there are sea-shells and a piece of coral on the shelf below. And right in the midst of the room are three very large black rocking-chairs with cushions in every conceivable and available place—including cushions on the arms. Two of them are for you and me, if we should come in to call; the other is for the cat.

When you sit down you can look out between the starchiest of starchy curtains into the yard, where there is an innumerable busy flock of chickens. She keeps chickens, and all the important ones are named. She has one called Martin Luther, another is Josiah Gilbert Holland. Once she came over to our house with a basket, from one end of which were thrust the sturdy red legs of a pullet. She informed us that she had brought us one of Evangeline's daughters.

But I am getting out of the house before I am fairly well into it. The sitting-room expresses Miss Aiken; but not so well, somehow, as the immaculate bedroom beyond, into which, upon one occasion, I was permitted to steal a modest glimpse. It was of an incomparable neatness and order, all hung about—or so it seemed to me—with white starchy things, and ornamented with bright (but inexpensive) nothings. In this wonderful bedroom there is a secret and sacred drawer into which, once in her life, Harriet had a glimpse. It contains the clothes, all gently folded, exhaling an odour of lavender, in which our friend will appear when she has closed her eyes to open them no more upon this earth. In such calm readiness she awaits her time.

Upon the bureau in this sacred apartment stands a small rosewood box, which is locked, into which no one in our neighbourhood has had so much as a single peep. I should not dare, of course, to speculate upon its contents; perhaps an old letter or two, "a ring and a rose," a ribbon that is more than a ribbon, a picture that is more than art. Who can tell? As I passed that way I fancied I could distinguish a faint, mysterious odour which I associated with the rosewood box: an old-fashioned odour composed of many simples.

On the stand near the head of the bed and close to the candlestick is a Bible—a little, familiar, daily Bible, very different indeed from the portentous and imposing family Bible which reposes on the centre-table in the front room, which is never opened except to record a death. It has been well worn, this small nightly Bible, by much handling. Is there a care or a trouble in this world, here is the sure talisman. She seeks (and finds) the inspired text. Wherever she opens the book she seizes the first words her eyes fall upon as a prophetic message to her. Then she goes forth like some David with his sling, so panoplied with courage that she is daunted by no Goliath of the Philistines. Also she has a worshipfulness of all ministers. Sometimes when the Scotch Preacher comes to tea and remarks that her pudding is good, I firmly believe that she interprets the words into a spiritual message for her.

Besides the drawer, the rosewood box, and the worn Bible, there is a certain Black Cape. Far be it from me to attempt a description, but I can say with some assurance that it also occupies a shrine. It may not be in the inner sanctuary, but it certainly occupies a goodly part of the outer porch of the temple. All this, of course, is figurative, for the cape hangs just inside the closet door on a hanger, with a white cloth over the shoulders to keep off the dust. For the vanities of the world enter even such a sanctuary as this. I wish, indeed, that you could see Miss Aiken wearing her cape on a Sunday in the late fall when she comes to church, her sweet old face shining under her black hat, her old-fashioned silk skirt giving out an audible, not unimpressive sound as she moves down the aisle. With what dignity she steps into her pew! With what care she sits down so that she may not crush the cookies in her ample pocket; with what meek pride—if there is such a thing as meek pride—she looks up at the Scotch Preacher as he stands sturdily in his pulpit announcing the first hymn! And many an eye turning that way to look turns with affection.

Several times Harriet and I have been with her to tea. Like many another genius, she has no conception of her own art in such matters as apple puddings. She herself prefers graham gems, in which she believes there inheres a certain mysterious efficacy. She bakes gems on Monday and has them steamed during the remainder of the week—with tea.

And as a sort of dessert she tells us about the Danas, the Aikens and the Carnahans, who are, in various relationships, her progenitors. We gravitate into the other room, and presently she shows us, in the plush album, the portraits of various cousins, aunts and uncles. And by-and-by Harriet warms up and begins to tell about the Scribners, the MacIntoshes, and the Strayers, who are our progenitors.

"The Aikens," says Miss Aiken, "were always like that—downright and outspoken. It is an Aiken trait. No Aiken could ever help blurting out the truth if he knew he were to die for it the next minute."

"That was like the Macintoshes," Harriet puts in. "Old Grandfather Macintosh----"

By this time I am settled comfortably in the cushioned rocking-chair to watch the fray. Miss Aiken advances a Dana, Harriet counters with a Strayer. Miss Aiken deploys the Carnahans in open order, upon which Harriet entrenches herself with the heroic Scribners and lets fly a Macintosh who was a general in the colonial army. Surprised, but not defeated, Miss Aiken withdraws in good order, covering her retreat with two Mayflower ancestors, the existence of whom she establishes with a blue cup and an ancient silver spoon. No one knows the joy of fighting relatives until he has watched such a battle, following the complete comfort of a good supper.

If any one is sick in the community Miss Aiken hears instantly of it by a sort of wireless telegraphy, or telepathy which would astonish a mystery-loving East Indian. She appears with her little basket, which has two brown flaps for covers opening from the middle and with a spring in them somewhere so that they fly shut with a snap. Out of this she takes a bowl of chicken broth, a jar of ambrosial jelly, a cake of delectable honey and a bottle of celestial raspberry shrub. If the patient will only eat, he will immediately rise up and walk. Or if he dies, it is a pleasant sort of death. I have myself thought on several occasions of being taken with a brief fit of sickness.

In telling all these things about Miss Aiken, which seem to describe her, I have told only the commonplace, the expected or predictable details. Often and often I pause when I see an interesting man or woman and ask myself: "How, after all, does this person live?" For we all know it is not chiefly by the clothes we wear or the house we occupy or the friends we touch. There is something deeper, more secret, which furnishes the real motive and character of our lives. What a triumph, then, is every fine old man! To have come out of a long life with a spirit still sunny, is not that an heroic accomplishment?

Of the real life of our friend I know only one thing; but that thing is precious to me, for it gives me a glimpse of the far dim Alps that rise out of the Plains of Contentment. It is nothing very definite—such things never are; and yet I like to think of it when I see her treading the useful round of her simple life. As I said, she has lived here in this neighbourhood—oh, sixty years. The country knew her father before her. Out of that past, through the dimming eyes of some of the old inhabitants, I have had glimpses of the sprightly girlhood which our friend must have enjoyed. There is even a confused story of a wooer (how people try to account for every old maid!)—a long time ago—who came and went away again. No one remembers much about him—such things are not important, of course, after so many years----

But I must get to the thing I treasure. One day Harriet called at the little house. It was in summer and the door stood open; she presumed on the privilege of friendship and walked straight in. There she saw, sitting at the table, her head on her arm in a curious girlish abandon unlike the prim Miss Aiken we knew so well, our Old Maid. When she heard Harriet's step she started up with breath quickly indrawn. There were tears in her eyes. Something in her hand she concealed in the folds of her skirt then impulsively—unlike her, too—she threw an arm around Harriet and buried her face on Harriet's shoulder. In response to Harriet's question she said:

"Oh, an old, old trouble. No new trouble."

That was all there was to it. All the new troubles were the troubles of other people. You may say this isn't much of a clue; well it isn't, and yet I like to have it in mind. It gives me somehow the other woman who is not expected or predictable or commonplace. I seem to understand our Old Maid the better; and when I think of her bustling, inquisitive, helpful, gentle ways and the shine of her white soul, I'm sure I don't know what we should do without her in this community.

VIII