| I | DEFINITIONS, | 13 | | II | THE NINE MUSES, | 15 | | III | POETRY AND PRIMITIVE MAGIC, | 19 | | IV | CONFLICT OF EMOTIONS, | 22 | | V | THE PATTERN UNDERNEATH, | 24 | | VI | INSPIRATION, | 26 | | VII | THE PARABLE OF MR. POETA AND MR. LECTOR, | 27 | | VIII | THE CARPENTER’S SON, | 31 | | IX | THE GADDING VINE, | 33 | | X | THE DEAD END AND THE MAN OF ONE POEM, | 36 | | XI | SPENSER’S CUFFS, | 38 | | XII | CONNECTION OF POETRY AND HUMOUR, | 40 | | XIII | DICTION, | 41 | | XIV | THE DAFFODILS, | 42 | | XV | VERS LIBRE, | 45 | | XVI | MOVING MOUNTAINS, | 50 | | XVII | LA BELLE DAME SANS MERCI, | 50 | | XVIII | THE GENERAL ELLIOTT, | 55 | | XIX | THE GOD CALLED POETRY, | 62 | | XX | LOGICALIZATION, | 66 | | XXI | LIMITATIONS, | 69 | | XXII | THE NAUGHTY BOY, | 71 | | XXIII | THE CLASSICAL AND ROMANTIC IDEAS, | 72 | | XXIV | COLOUR, | 76 | | XXV | PUTTY, | 78 | |
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