After her illness Evadne spent much of her time in the west window of the drawing room at As-You-Like-It with her little work-table beside her, embroidering. I never saw her reading, and there were no books about the room; but the work she did was beautiful. She used to have a stand before her with flowers arranged upon it, and copy them on to some material in coloured silks direct from nature. She could not draw either with pen or pencil, or paint with a brush, but she could copy with her needle quite accurately, and would do a spray of lilies to the life, or in the most approved conventional manner, if it pleased her. Her not being able to draw struck me as a curious limitation, and I asked her once if she could account for it in any way.

"I believe I am an example of how much we owe to early influences," she answered, laughing; "and probably I have the talent both for drawing and painting in me, but it remains latent for want of cultivation. My mother drew and painted beautifully as a girl, but she had given both up before I was old enough to imitate her, and only copied flowers as I do with her needle, and I used to watch her at her work until I felt impelled to do the same. If she had gone on with her drawing I am sure I should have drawn too; but as it was, I never thought of trying."

"Moral for mothers," I observed: "Keep up your own accomplishments if you would have your daughters shine."

Evadne was not enough in the fresh air at this time, and she was too much alone. I ventured once, in my professional capacity, to say that she should have friends to stay with her occasionally, but she passed the suggestion off without either accepting or declining it, and then I spoke to Colonel Colquhoun. He, however, pooh-poohed the idea altogether.

"She's all right," he said. "You don't know her. She always lives like that; it's her way."

I also counselled regular exercise, and to that she replied: "I do go out. Why, you passed me yourself on the road only the other day."

I certainly had seen her more than once, alone, miles away from home, walking at the top of her speed, as if impelled by some strong emotion or inexorable necessity, and I did not like the sign. "One or two hours' walk regularly every day is what you should take," I told her. "The virtue of it is in the regularity. If you make a habit of taking a short walk daily you will have got more sunshine and fresh air, which is what you specially require, in one year than you will in two if you continue to go out in a jerky, irregular way. And you must give up covering impossible distances in feverish haste, as you do now. Walk gently, and make yourself feel that you have full leisure to walk as long as you like. You will find the effect tranquillizing. It is a common mistake to make a business of taking exercise. I am constantly lecturing my patients about it. If you want exercise to raise your spirits, brace your nerves, and do you good generally, it must be all pure pleasure without conscious exertion. Pleasurable moments prolong life."

"Thank you," Evadne answered gently. "I know, of course, that you are right, and I will do my best to profit by your advice, if it be only to show you how much I appreciate your kindness. But I must have a scamper occasionally, a regular burst, you know. Please don't stop that! The indulgence, when I am in the mood, is my pet vice at present."

The great drawing room at As-You-Like-It, which I had mentioned in my letter to Lady Adeline as containing the one bright spot in that gloomy abode, was an addition tacked on to the end of the house, and evidently an afterthought. It was entered by a flight of shallow steps from the hall, and was above the level of the public road, which ran close past that end of the house, the grounds and approach being on the other side. It was lighted by three high narrow windows looking toward the north, and three more close together looking west, and forming a bay so deep as to be quite a small room in itself. It almost overhung the high-road, only a tall holly-hedge being between them, but so near that the topmost twigs of the holly grew up to the window-sill. It was a quiet road, however, too far from the town for much traffic, and Evadne could sit there with the windows open undisturbed, and enjoy the long level prospect of fertile land, field and fallow, wood and water, that lay before her. She sat in the centre window, and I think it was from thence that she learnt to appreciate the charms of a level landscape as you look down upon it, about which I heard her discourse so eloquently in after days. It was her chosen corner, and there she sat silent many and many an hour, with busy fingers and thoughts we could not follow, communing at times with nature, I doubt not, or with her own heart, and thankful to be still.

The road beneath her was one I had to traverse regularly, and it became a habit to look up as I drove past. If she were in her accustomed seat she usually raised her eyes from her work for a moment to smile me a greeting. Once she was standing up, leaning languidly against the window frame, twirling a rose in her fingers, but she straightened herself into momentary energy when she recognized me, and threw the rose at me with accurate aim. It was the youngest and most familiar thing I had known her do—an impulse of pure mischief, I thought, for the rose was La France, and the sentiment, as I translated it, was: "You will value it more than I do!" For she hated the French.

There often occurs and recurs to the mind incessantly a verse or an apt quotation in connection with some act or event, a haunting definition of the impression it makes upon us, and Evadne in the wide west window, bending busily over her work, set my mind on one occasion to a borrowed measure of words which never failed me from that time forward when I saw her so engaged:

There she weaves by night and day
A magic web of colour gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The lady of Shalott.

But where was Camelot? Fountain Towers, just appearing above the tree-tops to the north, was the only human habitation in sight. I had a powerful telescope on the highest tower, and one day, in an idle mood, I happened to be looking through it with no definite purpose, just sweeping it slowly from point to point of the landscape, when all at once Evadne came into the field of vision with such startling distinctness that I stepped back from the glass. She was sitting in her accustomed place, with her work on her lap, her hands clasped before her, leaning forward looking up in my direction with an expression in her whole attitude that appealed to me like a cry for help. The impression was so strong that I ordered my dogcart out and drove over to As-You-Like-It at once. But I found her perfectly tranquil when I arrived, with no trace of recent emotion either in her manner or appearance.

When I went home I had the telescope removed. I had forgotten that we overlooked that corner of As-You-Like-It.