Next day, in the afternoon, Mrs. Beale being otherwise engaged, Edith proposed that she and Angelica should go for a drive together. Edith was feeling better, and Angelica had recovered her equanimity. She suggested that they should drive toward Fountain Towers. Edith had not been on that road since her marriage, and when they passed the place where she and her mother had seen the young French girl lying insensible on the pathway with her baby beside her she was reminded of the incident, and described it to Angelica, adding: "I have so often longed to know what became of her." "I can tell you," said Angelica. "I know her quite well by sight. She is living with Nurse Griffiths, in Honeysuckle Cottage, on Dr. Galbraith's estate. Nurse Griffiths told us he brought her there one day in his carriage very ill, and she has been there ever since. He always gets angry and snaps at you if he's bothered about anybody who's ill or unfortunate, and Diavolo and I met him that day coming away from the cottage, and he spoke to us so shortly we were sure there was something bad the matter, so we went to see what it was, and Nurse Griffiths said she was French. I've not been there since, but I expect it's the same girl. Shall we stop and see? We pass the end of the lane where the cottage is." Edith agreed eagerly. She said it would be a relief to her mind to know that the girl was well cared for and happy. "Oh, everybody is well cared for and happy on Dr. Galbraith's estate," said Angelica. "His tenants worship him. And they would rather be abused by him than complimented by anybody else." The cottage, covered with the honeysuckle from which it took its name, stood in a large old-fashioned garden, at the edge of a fir plantation, which sheltered it from the northeast wind at the back, and filled the air about it with balsamic fragrance. Edith and Angelica left the carriage at the end of the lane and walked up. "What a lovely spot!" Edith exclaimed. "On a still bright day like this it makes one realize what the Saints meant by 'holy calm,' I think I should like to live in such a place, and never hear another echo from the outside world." "I suppose you would just like to add dear Mosley to the establishment," Edith's heart contracted. She had not thought of her husband, and now when she did it was with a pang, because she could not include him in her idea of Eden. The French girl was standing at the door of the cottage with a child in her arms. "Is Nurse Griffiths in?" Angelica asked. Edith looked at the child. It should have been running about by that time, but it was small and rickety, with bones that bent beneath its weight, slight as it was. Edith had looked at it first with some interest, but its unhealthy appearance repelled her. She managed, however, to speak to the girl about it kindly. "What is your baby's name?" she asked. "Mosley Menteith," was the answer. For a moment it seemed to Edith as if all the world were blotted out, and then again the hum of bees, the chirrup of birds, the fall of a fir-cone, the call of the cock-pheasant in the wood sounded obtrusively, making the girl's voice as she continued speaking appear far off and indistinct. "I called him after his father, then, didn't I?" she was saying to the baby in good English, but with a French accent. "And he's to grow up, and be a big strong fellow and beat his father, isn't he, for he's a bad, bad man!" Nurse Griffiths hearing voices in the porch came out. "Hush, Louise," she said to the girl. "You've no call to talk in that way now. You must excuse her," she added to the ladies. "She's had a bad bringing up." "I can't—believe you," Edith faltered. "Tell me—exactly." "Well, it was in this way," the girl rejoined, speaking in the prosaic tone in which her countrywomen are accustomed to discuss matters that inspire ours with too much disgust to be mentioned. "Menteith came after me, and my sister wanted money, so she made me believe that he couldn't marry me because there was a law, to prevent it. She said he loved me, and if I loved him well enough, it would be a noble thing to disregard the law, and he gave her seventy-five pounds for that. I found her letter to Menteith about it, and I've got it here," tapping the bosom of her gown. "He took me abroad when he wanted to get rid of me, and left me in Paris with five pounds in my pocket; but it was enough to bring me back. I was sick when I landed at Dover, and they sent me to the workhouse; and when I got well again I told them I had friends in Morningquest, and they gave me a little help to get there; but I had to tramp most of the way, and I was weak—I couldn't have got as far as I did if I hadn't wanted to kill them both." "Now, hush!" said Nurse Griffiths. "The Lord saved you from such a sin." "The Lord!" said the girl derisively. "If the Lord had been inclined to help me, he wouldn't have waited till I came to murder. It wasn't the Lord saved me." "She will say that, and I can't cure her," Nurse Griffiths declared. "But I'm afraid you're feeling the heat, ma'am, and you are not very strong," she added, addressing Edith, who was clinging to the porch for support, looking strangely haggard. "Won't you come in and sit down a bit?" "No, thank you, it is nothing," Edith answered steadily, recovering herself. "Will you come and sit down with me on that seat?" she said to Louise, indicating a rustic bench under an old pear tree at the end of the garden. "I want to talk to you." Nurse Griffiths and Angelica remained in the porch. "Who is that lady, Miss?" the nurse asked when Edith was out of hearing. "Lady Menteith," Angelica answered. The woman threw up her hands. "O Lord! have mercy upon her—and upon us! What a cruel, cruel shame! She's showing her the letter. Eh! it's enough to kill her. You generally know all the mischief that's going, Miss! Why did you bring her here?" "I wish I had known this, then," said Angelica, whose heart was thumping painfully. "If any harm comes of it, I shall always think it was my fault." "Well, there's no call to do that if you didn't know," the woman answered. On the way back, Edith stopped the carriage at the telegraph office, and despatched a message to her husband to come to her, "Come at once." They only arrived in time to dress hurriedly for dinner, and when they went down to the drawing room they found Dr. Galbraith there with the bishop and Mrs. Beale. "Where have you two been the whole afternoon?" the latter asked. "We had tea in the library at Fountain Towers," Angelica answered easily, "and obtained some useful knowledge from your books." Dr. Galbraith looked hard at her: "I wonder what devilment you've been up to now?" he thought. But Angelica's manner was as unconcerned as possible. Edith's was not, however. Her face was flushed, her eyes unnaturally glittering, and she became excited about trifles, and talked loudly at table; and in the drawing room after dinner she could not keep still. Mrs. Beale asked Angelica to play, and Angelica tried something soothing at first, but Edith complained impatiently that those things always made her melancholy. Then Angelica played some bars of patriotic music, stirring in the extreme, but Edith stopped her again. "That wearies my brain," she said, and began to pace about the room, up and down, up and down. Her mother watched her anxiously. Angelica closed the piano. Dr. Galbraith and the bishop came in from the dining room, and then Edith declared that driving in the open air had made her so sleepy she must go to bed. Angelica noticed that Dr. Galbraith scrutinized her face sharply as he shook hands with her. "God bless you, my dear child," the bishop said when she kissed him, and his lips moved afterward for some seconds as if he were in prayer. Her mother followed her out of the room; and then silence settled on the three who were left. The bishop was obviously uneasy. Dr. Galbraith's good-looking plainness was softened by a serious expression which added much to the attractiveness of his strong kind face. Angelica shivered, and was about to break the spell of silence boldly in her energetic way, when suddenly, and apparently overhead, a heavy bell tolled once. It was only the cathedral clock striking the hour, but it sounded portentously through the solemn stillness of the night, and with quickened attention they all looked up and listened. Slowly the big bell boomed forth ten strokes. Then came a pause; and then the chime rolled through the room, a deafening volume of sound, in long reverberations, from amidst which the constant message disentangled itself as it were, but distinctly, although to each listener with a different effect: [Illustration: (musical notation); lyrics: He, watch-ing o-ver Is—ra—el, slumbers not, nor sleeps.] It awoke Dr. Galbraith from a train of painful reflections; it reassured the bishop; and it made Angelica fret for Diavolo remorsefully. |