"I am tired of action, I just want to drift. I am tired of action, I just want to drift," this was the new refrain which set itself as an accompaniment to Angelica's thoughts. She was tired of thinking too, but thought ran on, an inexhaustible stream; and the more passive she became to the will of others outwardly, the more active was her mind.

She leant back languidly in the carriage beside her aunt as they drove together through the city to Morne, and remained silent the whole time, and motionless, all but her eyes, which roved incessantly from object to object while she inwardly rendered an account to herself of each, and of her own state of mind; keeping up disjointed comments, quotations, and reflections consciously, but without power to check the flow.

There were a few blessed moments of oblivion caused by the bustle of their departure from the house, then Angelica looked up, and instantly her intellect awoke. They were driving down the avenue—"The green leaves rustle overhead," was the first impression that formulated itself into words. "The carriage wheels roll rhythmically. Every faculty is on the alert. There is something unaccustomed in the aspect of things—things familiar—this once familiar scene. A new point of view; the change is in me. We used to ride down that lane. Blackberries. The day I found a worm in one. Ugh! Diavolo, Diavolo—no longer in touch—a hundred thousand miles away—what does it matter? I am tired of action; I just want to drift. I am tired of action; I just want to drift, just want to drift—drifting now to Morne—a restful place; but I shall drift from thence again. Whither? Better be steered—no, though. I am not a wooden ship to be steered, but a human soul with a sacred individuality to be preserved, and the grand right of private judgment. What happens when such ennobling privileges are sacrificed? Demon worship—grandpapa.

"The old duke sat in his velvet cap in a carved oak chair in the oriel room—nonsense! And Aunt Fulda. As passive as a cow. Is she though? Is Angelica as passive as a cow for all that she's so still? Poor Daddy! Drudging at the House just now, not thinking of me. I hope not. Do I hope not? No, he belongs to me, and—I do care for him. The kind eyes, the kind caress, the kind thought, 'Angelica, dear'—O Daddy! I'm sorry I tormented you—sorry, sorry—The lonely grave, the lonely grave—O Israfil! 'Dead, dead, long dead, and my heart is a handful of dust.' The horses' hoofs beat out the measure of my misery. The green leaves rustle overhead. The air is delicious after the rain. The dust is laid. Only this afternoon, I went to see him; what was I thinking of? Can I bring him back again? Never again! Never again! Only this afternoon, but time is not measured by minutes. Time is measured by the consciousness of it. 'He's dead, miss—haven't you heard? and buried yesterday.' 'Dead, dead, long dead—'

"The dearest friend to me, the kindest man,
The best conditioned and unwearied spirit
In doing courtesies.

"On through the dim rich city. A pretty girl and poor. Do you envy me, my dear? Stare at me hard. I am a rich lady, you see, asked everywhere:

"The daughter of a hundred Earls,
You are not one to be desired.

"The Palace—poor Edith! Here we are at the Castle Hill—and that idiot Aunt Fulda has forgotten her carriage. Shall I remind her? There is still time to turn back. No, don't trouble yourself. 'Let them alone and they'll come home.' I wish I had no memory. It is a perfect nuisance to have to think in inverted commas all the time. And Shakespeare is the greatest bore of all. The whole of life could be set to his expressions—that cannot be quite right; what I mean is the whole of life could be expressed in his words. Diavolo and I tried once to talk Shakespeare for a whole day. I made the game. But Diavolo could remember nothing but 'To be or not to be,' which went no way at all when he tried to live on it, so he said Shakespeare was rot and I pulled his hair—I wish I could stop thinking—suspend my thoughts—The pine woods:

"From the top of the upright pine
The snowlumps fall with a thud,
Come from where the sunbeams shine
To lie in the heart of the mud—

"The heart of the mud, the heart of the mud—Oh, for oblivion! Nirvana—'The Dewdrop slips into the shining sea'—We're slipping into the courtyard of the castle. How many weary women, women waiting, happy women, despairing women, thoughtful women, thoughtless women, have those rows of winking windows eyed as they entered? Women are much more interesting than men—The lonely grave, the lonely grave—"

"Angelica!" Lady Fulda exclaimed as they drew up at the door, "I've left the carriage in Morningquest!"

"Yes, I know," said Angelica.

"My dear child, why didn't you remind me?"

Angelica shrugged her shoulders. "Let them alone and they'll come home," recurred to her, and then: "I must be more gracious. Aunt Fulda"—aloud—"who are here?"

"Your Uncle Dawne—"

"And Co., I suppose!" Angelica concluded derisively.

"Your Aunt Claudia and her friend are also here," Lady Fulda corrected her with dignity.

"Not exactly a successful attempt to be gracious," Angelica's thoughts ran on. "Ah, well! What does it matter? Live and let live, forget and forgive— forgetting is forgiving, and everyone forgets"—and then again piano—"The lonely grave, the lonely grave."

At dinner she sat beside her grandfather; her uncle being opposite, silent and serious as usual. But they were all subdued that night except the old duke, who, unaware of any cause for their painful preoccupation, and glad to see Angelica, who roused him as a rule with her wonderful spirits, chatted inconsequently. But Angelica's unnatural quietude could not escape the attention of the rest of the party, and inquiring glances were directed to Lady Fulda, in the calm of whose passionless demeanour, however, there was no consciousness of anything unusual to be read; and of course no questions were asked.

In the drawing room, after dinner, Angelica sat on a velvet cushion at her uncle's feet, and rested her head against his knee. Close beside her there was a long narrow mirror let into the wall of the room like a panel, and in this she could see herself and him reflected. At first she turned from the group impatiently; but presently she looked again, and began to study her uncle's appearance with conscious deliberation. It was as if she had never seen him before and was receiving a first impression.

Lord Dawne was one of those men who make one think of another and more picturesque age. He would have looked natural in black velvet and point lace. He was about five and thirty at that time, to judge by his appearance—tall, well-made, and strong with the slim strength of a race horse, ail superfluous flesh and bone bred out of him. His skin was dark, clear, and colourless; his hair black, wavy, and abundant; his eyes deep blue, a contrast inherited from an Irish mother, "A Spanish hidalgo in appearance," Angelica decided at this point.

It was a sad face, as high-bred faces often are. You would not have been surprised to hear that his life had been blighted at the outset by some great sorrow or disappointment. But it was a strong face too, the face of a manly man, you would have said, and of one with self-denial, courage, endurance, and devotion enough for a hero and a martyr.

"Angelica," her grandfather broke in upon her reflections with kindly concern. "You look pale. Do you not feel well, my dear child?"

"Not exactly, thank you," Angelica answered mendaciously, with formal politeness, hoping thereby to save herself the annoyance of further remarks; then inwardly added, "sick at heart, in very truth," to save her conscience, which was painfully sensitive just then. When anyone addressed her, thought was suspended by the effort to answer, after which the rush returned, but the current had usually set in a new direction, as was now the case. Her uncle, as seen in the mirror, gave place, when she had spoken, to the Tenor's long low room as she had seen it that afternoon; "The light shone in and showed the shabby places. Should the light be shut out to conceal what is wrong? Oh, no! Show up, expose, make evident. Let in knowledge, the light—"

But here her grandfather arose. The evening was to end with service in the chapel. "Will you come, Angelica?" he asked. "Do you feel equal to the exertion?"

"Oh, yes," Angelica answered indifferently, letting herself go again to drift with the stream.

The private chapel at Morne was lavishly decorated, an ideal shrine the beauty of which alone would have inclined your heart to prayer and praise by reason of the pleasure it gave you, and of the desire, which is always apart of this form of pleasure, to express your gratitude in some sort.

On this occasion the altar was brilliantly illuminated, and as she passed in before Lord Dawne, she was attracted like a child by the light, and stationed herself so as to see it fully, admiring it as a spectator, but only so. The scene, although familiar, was always impressive, being so beautiful; and as she settled herself on a chair apart her spirit revived under its influence enough to enable her to entertain the hope that, by force of habit and association, that sensation of well-being which is due to the refined and delicate flattery of the senses, a soothing without excitement, merging in content, and restful to the verge of oblivion, would steal over her and gradually possess her to the exclusion of all importunate and painful thought. And this was what happened.

It came at a pause in the service when the people bent their heads, and seemed to wait; or rather followed upon that impressive moment as did the organ prelude, and the first notes of a glorious voice—the voice of a woman who suddenly sang.

Angelica looked up amazed by the fervour of it, while a feeling, not new, but strange from its intensity, took possession of her, steeping her soul in bliss, a feeling that made her both tremble and be glad. She thought no more of the lonely grave, but of an angel in ecstasy, an angel in heaven. She looked around, she raised her eyes to the altar, she tried to seize upon some idea which should continue with her, and be a key with which she could unlock this fountain of joy hereafter when she would. She almost felt for the moment as if it would be worthy to grovel for such opium at the knees of an oleosaccharine priest and contribute to his support forever. She tried to think of something to which to compare the feeling, but in vain. In the effort to fix it her mind and memory became a blank, and for a blissful interval she could not think, she could only feel. Then came the inevitable moment of grateful acknowledgment when her senses brought of their best to pay for their indulgence—their best on this occasion being that vow to Israfil which presently she found herself renewing. She would indeed be true.

After this surfeit of sensuous distraction she retired to her room, the old room, as far away from Diavolo's as possible, which she had always occupied at the castle. She dismissed her maid, and sat down to think; but she was suffering from nervous irritability by this time, and could not rest. She drew up a blind and looked out of the open window. The night was calm, the air was freshly caressing, a crescent moon hung in the indigo sky, and there were stars, bright stars. Up from the pine woods which clothed the castle hill balsamic airs were wafted, and murmurs came as of voices inviting—friendly voices of nature claiming a kinship with her, which she herself had recognized from her earliest childhood. Out there in the open was the unpolluted altar at which she was bidden to worship, and in view of that, with the healthy breath of night expanding her lungs revivingly, she felt that her late experiences, in the midst of perfumes too sweet to be wholesome, and with the help of accessories too luxurious to be anything but enervating, had been degrading to that better part of her to which the purity and peace of night appealed. She would go shrive herself in haunted solitudes, and listen to the voice which spoke to her heart alone, saying "Only be true," in the silence of those scenes incomparable which tend to reverence, promote endeavour, and prolong love.

She went to her door, opened it, looked out, and listened. The corridor was all in darkness; an excessive silence pervaded the place; the whole household had apparently retired.

With confident steps, although in the dark, Angelica went to Diavolo's room, and presently returned with a suit of his clothes. These she put on, and then, without haste, went downstairs, crossed the hall, opened a narrow door which led into a dark, damp, flagged passage, along which she groped for some distance, then descended a crooked stone staircase at the foot of which was a heavy door. This she opened with a key, careless of the noise she made, and found herself out in the open air, under the stars, on a gravel walk, with a broad lawn stretched before her. She stood a moment, breathing deeply in pure enjoyment of the air, then put up both hands to rearrange a little cloth cap she wore which was slipping from off her abundant hair. Then she threw up her arms and stretched every limb in the joy of perfect freedom from restraint; and then with strong bounds she cleared the grassy space, dashed down a rocky step, and found herself a substance amongst the shadows out in the murmuring woods.

When she returned she was making less vigorous demonstrations of superabundant strength and vitality, but still her step was swift, firm, and elastic; and she was running up the grand staircase from the hall when she saw that the door at the top, leading into the suite of rooms occupied by Lord Dawne when he was at the castle, was wide open, showing the room beyond, brilliantly lighted.

She would have to pass that open door or stay downstairs till it was shut; but the latter she did not feel inclined to do, so, with scarcely a pause to nerve herself for what might happen, she continued rapidly to ascend the stairs.

As she expected, when she reached the top, her uncle appeared.

"Oh!" he exclaimed in surprise, seeing Diavolo as he supposed emerging from the darkness. "I thought it was Angelica's step. I fancied I heard her go down some time ago, and I have been waiting for her. She complained of not feeling well this evening, and I thought she might possibly want something. Come in." He had turned to lead the way as he spoke. "By-the-bye," he broke off, "what are you doing here, you young rascal?"

Angelica, overcome by one of her mischievous impulses, and grinning broadly, boldly followed her uncle into the room.

"I had forgotten for a moment that you ought not to be here, it is so natural to find you marauding about the place at night," he pursued, bending down to adjust the wick of a lamp that was flaring as he spoke. Angelica sat down, and coolly waited for him to turn and look at her, which he did when he had done with the lamp, meeting her dark eyes unsuspectingly at first, then with fixed attention inquiringly.

"Angelica!" he exclaimed. "How can you!"

"I have been out in the woods," she rejoined with her accustomed candour. "The suffocating fumes of incense and orthodoxy overpowered me in the chapel, and I was miserable besides—soul-sick. But the fresh air is a powerful tonic, and it has exhilarated me, the stars have strengthened me, the voices of the night spoke peace to me, and the pleasant creatures, visible and invisible, gave me welcome as one of themselves, and showed me how to attain to their joy in life." She bent forward to brush some fresh earth from the leg of her trousers. "But you would have me forego these innocent, healthy-minded, invigorating exercises, I suppose, because I am a woman," she pursued. "You would allow Diavolo to disport himself so at will, and approve rather than object, although he is not so strong as I am. And then these clothes, which are decent and convenient for him, besides being a greater protection than any you permit me to wear, you think immodest for me—you mass of prejudice."

Lord Dawne made no reply. He had taken a seat, and remained with his eyes fixed on the floor for some seconds after she had spoken. There was neither agreement nor dissent in his attitude, however; he was simply reflecting,

"What is it, Angelica?" he said at last, looking her full in the face,

"What is what?" she asked defiantly.

"What Is the matter?" he answered, "There is something wrong, I see, and if it is anything that you would like to talk about—I don't pretend to offer yon advice, but sometimes when one speaks—you know, however, what a comfort it is to 'talk a thing out,' as you used to call it when you were a little girl." He looked at her and smiled. When she entered the room fresh from the open air a brilliant colour glowed in her cheeks, but now she was pale to her lips, which, perceiving, caused him to rise hastily, and add: "But I am afraid you have tired yourself, and"—glancing at the clock—"it is nearly breakfast time. I'll go and get you something."

After a considerable interval he returned with a tray upon which was a plentiful variety of refreshments, prawns in aspic jelly, cold chicken and tongue, a freshly opened tin of patÉ de foie gras, cake, bread, butter, and champagne.

"I think I've brought everything," he remarked, surveying the tray complacently when he had put it down upon a table beside her.

"You've forgotten the salt," snapped Angelica,

His complacency vanished, and he retired apologetically to remedy the omission.

"Do you remember the night you and Diavolo taught me where to find food in my father's house?" he asked when he returned.

"Yes," Angelica answered with a grin; and then she expanded into further reminiscences of that occasion, by which time she was in such a good humour that she began to feel hungry, and under the stimulating influences of food and champagne she told her uncle the whole story of her intimacy with the Tenor.

Lord Dawne listened with interest, but almost in silence. The occasion was not one, as it appeared to him, which it would be well to improve. He discussed the matter with her, however, as well as he could without offering her advice or expressing an opinion of her conduct; and, in consequence of this wise forbearance on his part, she found herself the better in every way for the interview.