Beth, surrounded by friends, saw the spring come in that year at Ilverthorpe, and felt it the fairest spring she could remember. Blackbird and thrush sang in an ecstasy by day, and all night long the nightingales trilled in the happy dusk. She did not ask herself why it was there was a new note in nature that year, nor did she trouble herself about time or eternity. Her eternity was the exquisite monotony of tranquil days, her time-keepers the spring flowers, the apple-blossom and quince, daffodil, wallflower, lilac and laburnum, the perfumed calycanthus, forget-me-nots, pansies, hyacinths, lilies-of-the-valley in the woods, and early roses on a warm south wall; and over all the lark by day, and again at night the nightingale. In a life like hers, after a period of probation there comes an interval of this kind occasionally, a pause for rest and renewal of strength before active service begins again. While she had been shut up with Arthur, seeing no papers and hearing no news, her book had come out and achieved a very respectable success, for the sort of thing it was; and she was pleased to hear it, but not elated. The subject had somehow lapsed from her mind, and the career of the book gave her no more personal pleasure than if it had been the work of a friend. Had it come out when it was first finished, she would have felt differently about it; but now she saw it as only one of the many things which had happened to her, and considered it more as the old consider the works of their youth, estimating them in proportion, as is the habit of age, and moderately rather than in excess. For the truth was that a great change had come over Beth during the last few months in respect to her writing; her enthusiasm had singularly cooled; it had ceased to be a pleasure, and become an effort to her to express herself in that way. Mr. Alfred Cayley Pounce had been looking out for Beth's book, and, while waiting for it to appear, he had, misled by his own suppositions, prepared an elaborate article upon the kind of thing he expected it to be. Nothing was wanting to complete the article but a summary of the story and quotations from it, for which he had left plenty of space. He condemned the book utterly from the point of view of art, and for the silly ignorance of life displayed in it, and the absurd caricatures which were supposed to be people; he ridiculed the writer for taking herself seriously (but without showing why exactly she should not take herself seriously if she chose); he pitied her for her disappointment Beth had heard nothing more from Dr. Maclure, and knew nothing about him, except that he must have lost his degrading appointment, the Acts having been rescinded. He had forwarded none of the letters her friends had addressed to her at Slane. The Kilroys had endeavoured to obtain her address from him, but he denied that he knew it. Unknown to her, Mr. Kilroy, Mr. Hamilton-Wells, and Sir George Galbraith had taken the best legal advice in the hope of getting her a divorce; but there was little chance of that, as the acute mental suffering her husband had caused her had merely injured her health and endangered her reason, which does not amount to cruelty in the estimation of the law. The matter was therefore allowed to drop, and Beth had not yet begun to think of the future, when one day she received a letter from Dan, couched in the most affectionate terms, entreating her to return to him. "You must own that I had cause for provocation," he said, "but I confess that I was too hasty. It is natural, though, that a man should feel it if his wife gets herself into such a position, however innocently; and the more he has trusted, loved, and respected his wife, the more violent will the reaction be. I know, however, that I have had my own shortcomings since we were married, and therefore that I should make every allowance for you. So let us be friends, Beth, and begin all over again, as you once proposed. I am ready to leave Slane and settle wherever you like. Make your own conditions; anything that pleases you will please me." This letter upset Beth very much. She would almost rather have had an action for divorce brought against her than have been asked to return to Daniel Maclure. "Ought I to go back?" she asked, willing, with the fatuous persistency of women in like cases, to persevere if it were thought "Why does he suddenly so particularly wish it?" was the question. The obvious explanation was indirectly conveyed in a letter from her old lawyer. He had written to her in her London lodgings, first of all, but the letter was returned from the Dead Letter Office. Then he had written to Slane, but as he received no answer to that letter and it was not returned, he went in person to inquire about it. Dan declared that he knew nothing about the letter, or about Beth either, if she had left London; but he thought her intimate friends the Kilroys might know where she was. The old gentleman applied to the Kilroys, and having found Beth, wrote to inform her that her great-aunt Victoria Bench's investments had recovered at last, as he had always been pretty sure that they would, and she would accordingly, for the future, find herself in receipt of an income of seven or eight hundred pounds a year. Dan's sudden magnanimity was accounted for. Beth put his effusion and the lawyer's letter before her friends, and asked to be advised. They decided unanimously that, on the one hand, Dan was not a proper person for her to live with, that no decent woman could associate with a man of his mind, habits, and conversation without suffering injury in some sort; while, on the other, they pointed out that, although it would be nice, it would not be good for Dan to have the benefit of Beth's little income. While he was forced to work, he would have to conduct himself with a certain amount of propriety; but if Beth relieved him of the necessity, there would be nothing to restrain him. This episode roused Beth from her tranquil apathy, and made her think of work once more. But first she had to settle somewhere and make a home for herself; and although she had ample means for all her requirements now, it was not an easy thing to find the special conditions on which she had set her heart. The first impulse of a woman of noble nature is to be consistent, to live up to all she professes to admire. As Beth grew older, to live for others became more and more her ideal of life;—not to live in the world, however, or to be of it, but to work for it. "I must be quiet," she said to Angelica one day when they were discussing her future. "I am done for so far as work is concerned when I come into contact with crowds. I want to live things then; I don't want to think about them. Excitement makes me content to be, and careless about doing. My truest "Yes," Angelica answered thoughtfully, "the looker-on sees most of the game. But I don't think you allow enough for differences of temperament. You are thinking of the best conditions for creative work. You mustn't lose sight of all the active service that is going on." "No; but it is in retirement that the best preparation is made for active service also. And I was thinking of active service more than of creative work just then. The truth is, I am in a state of being oppressed by the thought of my new book. I don't know what has come to me. I am all fretty about it. Writing has lost its charm. I doubt if I shall ever do well enough to make it worth while to write at all. And even if I could, I don't think mere literary success would satisfy me. I have tasted enough of that to know what it would be—a sordid triumph, a mere personal thing." "Ideala does not think that it is necessarily as a literary woman that you will succeed," Angelica answered. "I thought it was because all the indications you have given of special capacity seem to me to lie in that direction. However, versatile people make mistakes sometimes. They don't always begin with the work they are best able to do; but there is no time lost, for one thing helps another—one thing is necessary to another, I should say, perhaps. Your writing may have helped to perfect you in some other form of expression." "You cheer me!" Beth exclaimed. "But what form?" She reflected a little, and then she put the puzzle from her. "It "I think you are right to keep out of the crowd," said Angelica. "You will get nothing but distraction from without. I should take one of the privileges of a great success to be the right to refuse all invitations that draw one into the social swim. Men and women of high purpose do not arrive in order to be crowded into stuffy drawing-rooms to be stared at." "My idea of perfect bliss," Beth pursued, "when my work is done, and my friends are not with me, is to lie my length upon a cliff above the sea, listening to the many-murmurous, soothed by it into a sense of oneness with Nature, till I seem to be mixed with the elements, a part of sky and sea and shore, and akin to the wandering winds. This mood for my easy moments; but give me work for my live delight. I know nothing so altogether ecstatic as a good mood for work." "What you call work is power of expression," said Angelica; "the power to express something in yourself, I fancy." "Ye—yes," Beth answered, hesitating, as if the notion were new to her. "I believe you are right. What I call work is the effort to express myself." Mr. Kilroy had come in while they were talking, and sat listening to the last part of the conversation. "I have just the sort of 'neat little cot in a quiet spot, with a distant view of the rolling sea' that you yearn for, Beth," he said, smiling, when she paused, "and I have come to ask you and Angelica to drive over with me to see it." "You mean Ilverthorpe Cottage," said Angelica, jumping up. "O Daddy! it's the very place. Two storeys, Beth, ivy, roses, jasmine, wisteria without; and within, space and comfort of every kind—and the sea in sight! Such a pretty garden, too, grass and trees and shrubs and flowers. And near enough for us all to see you as often as you wish. Beth, be excited too! I must bring my violin, I think, and play a triumphal march on the way." Ilverthorpe Cottage was all and more than Angelica had said, and Beth did not hesitate to take it. It was Mr. Kilroy's property, and the rent was suspiciously low, but Beth supposed that that was because the house was out of the way. She and Angelica spent long happy days in getting it ready for occupation, choosing paper, paint, and furnishments. Mr. Kilroy saw to the stables, which he completed with a saddle-horse and a pony-carriage. There was a short cut across the fields, a lovely walk, from Ilverthorpe House to the Cottage, and when Angelica could not "You kneel there all day long," she said, "and as you kneel you pray, perhaps. Will you pray for me? Pray, pray that I may"—she was going to say succeed, but stopped—"that I may be good." The man raised his calm eyes, and looked her in the face. "You are good, lady," he said simply. "Yet pray," she entreated; "and pray too that all I do may be good, and of good effect." "All you do is good, lady," he answered once more, in the same quiet tone of conviction. "But I want all I do to be the best for the purpose that can be done." She put some money in his hand and turned away, and as she went he watched her. She had touched him with her soft gloveless fingers in giving him the money, and when she had gone, he was conscious of the touch; it tingled through him, and he looked at the spot on which the impression remained, as if he expected it to be in some sort visible. "Now Our Lady love you and the saints protect you, bless your sweet face," he muttered; "and may all you do be the best that can be done for every one. Amen." A few months in her lovely little house sufficed to restore Beth's mind to its natural attitude—an attitude of deep devotion. She even began to work again, but rather with a view to making herself useful to her friends than to satisfy any ambition or craving of her own. Whatever she did, however, she approached in the spirit of the great musician who dressed himself in his best, and prayed as at a solemn service, when he shut himself up to compose. Beth had stepped away from the old forms by this time. She had escaped from the bondage of the letter that killeth into the realm of the spirit that giveth life. It is not faith in any particular fetish that makes a mind religious, but the quality of reverence. Churches Beth had come to look upon, not with distrust, but with Beth thought much on religion in those quiet days, and read much, looking for spiritual sustenance among the garbage of mind with which man has overlaid it, and finding little to satisfy her, until one night, quite suddenly, as she sat holding her mind in the attitude of prayer, there came to her a wonderful flash of illumination. She had not been occupied with the point that became apparent. It entered her mind involuntarily, and was made clear to her without conscious effort on her part; but it was that which she sought, the truth that moves, makes evident, makes easy, props and stays, and is the instigator of religious action, the source of aspiration, the ground of hope—the which was all contained for Beth in the one old formula interpreted in a way that was new to her: The communion of saints (that inexplicable sympathy between soul and soul), the forgiveness of sins, (working out our own salvation in fear and trembling), the resurrection of the body (reincarnation), and the life everlasting (which is the crown or glory, the final goal). "But God?" Beth questioned. "God is love," she read in the book that lay open on the table before her. Then she clasped her hands over the passage and laid her head on them, and for a long time she sat so, not thinking, but just repeating it to herself softly: "God is love," till all at once there was a blank in her consciousness; thought was suspended. When it returned, she looked up, and in herself were the words: "God is Love—no! Love is God!" In the joy of the revelation, she arose, and, going to the window, flung it wide open. Far down the east the dawn was dimly burning; the faint sweet breath of it fanned her cheeks; Beth had a task before her that day which she did not relish in the anticipation. She was going as a stopgap to speak at a large meeting to oblige Angelica. She had the credit of being able to speak, and she herself supposed that she could in a way, because of the success of her first attempt; but she did not consent to try again without much hesitation and many qualms, and she would certainly not have consented had not her friends been in a difficulty, with no one at hand to help them out of it but herself. But to be drawn from her hallowed seclusion into such a blaze of publicity, even for once, was not at all to her mind, and much of her wakefulness of the night before had been caused by her shrinking from the prospect. Late that night after the meeting she returned to her cottage alone, cowering in a corner of the Kilroys' carriage. She was cowering from the recollection of a great crowd that rose with deafening shouts and seemed to be rushing at her—cowering, too, from the inevitable which she had been forced to recognise—her vocation—discovered by accident, and with dismay, for it was not what she would have chosen for herself in any way had it occurred to her that she had any choice in the matter. There were always moments when she would fain have led the life which knows no care beyond the cultivation of the arts, no service but devotion to them, no pleasure like the enjoyment of them,—a selfish life made up of impersonal delights, such as music, which is emotion made audible, painting, which is emotion made visible, and poetry, which is emotion made comprehensible;—and such a life could not have been anything but grateful to one like Beth, who had the capacity for so many interests of the kind. She was debarred from all that, however, by grace of nature. Beth could not have lived for herself had she tried. So that now, when the call had come, and the way in which she could best live for others was made plain to her, she had no thought but to pursue it. The carriage put her down at her garden-gate, and she stood awhile in the moonlight, listening to it as it rolled away with patter of horses' hoofs and rattle of harness, listening intently as if the sound concerned her. Then she let herself in, and was hurrying up to her room, but stopped short on the stairs, cowering from the crowd that rose and cheered and cheered and seemed to be rushing at her. Her bedroom had windows east, west, and south, so that she had sunrise and sunset and the sun all day. When she went in now, she found the lamps lighted and all the windows shut, and she went round and flung them open with an irritable gesture. "But who could have thought that that was her bent?" another had asked. Beth did not hear the answer, but she knew what it should have been. She had been misled herself, and so had every one else, by her pretty talent for writing, her love of turning phrases, her play on the music of words. The writing had come of cultivation, but this—the last discovered power—was the natural gift. Angelica had said that all the indications had pointed to literary ability in Beth, but there had been other indications hitherto unheeded. There was that day at Castletownrock when Beth invited the country people in to see the house, and, for the first time, found words flowing from her lips eloquently; there were her preachings to Emily and Bernadine in the acting-room, of which they never wearied; her first harangue to the girls who had caught her bathing on the sands, and the power of her subsequent teaching which had bound them to the Secret Service of Humanity for as long as she liked; there was her storytelling at school, too, and her lectures to the girls—not to mention the charm of her ordinary conversation when the mood was upon her, as in the days when she used to sit and fish with the bearded sailors, and held them with curious talk as she had held the folk in Ireland, fascinating them. And then there was the unexpected triumph of her first public attempt—indications enough of a natural bent, had there been any one to interpret them. Beth, as she thought on these things, wandered from window to window, too restless and excited to sit still; but, even occupied as she was, after she had changed her dress the old trick came upon her, and she was all the while observing. It was autumn, and on the south she overlooked a field of barley, standing in stooks, waiting to be carted. She noticed how the long, irregular rows and their shadows showed in the moonlight. Across the field the farm to which it belonged nestled in an apple-orchard. From the east end of the house she obtained a glimpse of the sea, which was near enough, for the drowsy murmur of it reached her even in calm weather. To the west the highroad ran, and in her wanderings from window to window Beth paused to contemplate it, to follow it in imagination whither it led, to think of the weary way it was to so many weary feet, to mourn because she could not offer rest and refreshment to every one that passed. The night was clear and the air was crisp, with a suspicion of frost in it, such as sometimes comes in the late autumn. The moon was sinking, and the stars shone out ever more brightly. Down in the roadway a little brazier burned, where the road had been taken up and blocked for repairs, and over the brazier the old watchman, who should have been guarding the tools and materials that had been left lying about, dozed in a sort of sentry-box. It occurred to Beth that the task was long and dreary, and that the air grew chilly towards the dawn. Surely some food would cheer and refresh him, and help to pass the time. She went down to the pantry and got some, then carried it out on a tray. But the old man was sound asleep, and, standing there in her long white wrapper, she had to call him several times, "Old man! old man!" before she roused him. He awoke at last with a start, and seeing the unexpected apparition in the dim light, exclaimed, "Holy Mother! why have you come to me?" Beth silently set the tray before him and slipped away, leaving him in the happy certainty that a heavenly vision had been vouchsafed him. But the moon set, the stars paled, and, from her window to the east, Beth watched the dark melt to dusk, and the dusk pale to an even grey, into which were breathed the burnished colours of the happy dawn. Then, when the sun was high, and the accustomed sounds of life and movement that held her ear by day had well begun, down the long road beneath the old gnarled trees the postman came beladen, and there were brought to her pamphlets, papers, cards, letters, telegrams, a fine variety of praise, abuse, sympathy, derision, insults, and admiration. Quietly Beth read, and knew what it meant, all of it—success! and the When she was dressed that morning, she went down to her bright little breakfast parlour. Before her was the harvest-field, looking its loveliest in the early morning sunlight. As she contemplated the peaceful scene, she thought that she should feel herself a singularly fortunate being. The dead would be with her no more, alas! except in the spirit; but all else that heart could desire, was it not hers? The answer came quick, No! Something was wanting. But she did not ask herself what the something was. The harvesters were not at work that morning, and she had not seen a soul since she sat down to breakfast; but before she left the table, a horseman came out from the farm, and rode towards her across the long field, deliberately. She watched him, absently at first, but as he approached he reminded her of the Knight of her daily vision, her saviour, who had come to rescue her in the dark days of her deep distress at Slane— "A bowshot from her bower-eaves, He rode between the barley-sheaves." "The barley-sheaves!" suddenly Beth's heart throbbed and fluttered and stood still. The words had come to her as the interpretation of an augury, the fulfilment of a promise. It seemed as if she ought to have known it from the first, known that he would come like that at last, that he had been coming, coming, coming through all the years. As he drew near, the rider looked up at her, the sun shone on his face, he raised his hat. In dumb emotion, not knowing what she did, Beth reached out her hands towards him as if to welcome him. He was not the Knight of her dark days, however, this son of the morning, but the Knight of her long winter vigil—Arthur Brock. Transcriber's noteThe following have been changed, as they appear to be typesetter's errors. |