CHAPTER VIII.

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The hour of vespers had passed, and Camilla Donati sat alone with Buondlemonte. She was attired for the altar, and in her bridal robes outrivaled e’en her own loveliness. Yet she was sad with all her beauty, and amidst all the aids to happiness that surrounded her. A cloud shaded her fair brow, and the rosy lips sought in vain to wreath themselves in smiles.

“Thou art grave, dear Camilla!” Buondlemonte said, speaking in a subdued tone; “dost thou repent thy promise to be mine?”

She turned her beautiful eyes, liquid with tenderness and trusting affection, to his, and placed her snowy hand lightly upon his shoulder,

“Dost thou think it?” she asked.

“Forgive me!” he replied; “I only meant to banish thy sad thoughts, and make thee gay.”

“I should be happy,” she said, as his arm stole round her waist, “but yet I cannot feel so. Thy form is ever in my thought, and bliss smiles at thy side, yet when I seek to clasp it in my embrace, a dark phantom interposes, and with a hollow laugh, mocks my baffled purpose. In the air there is a murmuring dirge, and thy voice swells with sepulchral sound. I cannot feel happy,” she said; “an icy coldness settles round my heart.”

“Let love,” he replied, “banish it from thence. Thou shall not yield thy soul up to sickly fancies. ’Tis part of mine, dear Camilla, and must take its hue from the cheerful coloring of its other half. Thy fears for my safety have faded the rose-tint from thy cheeks, but within an hour—when the holy father has performed the sacred rite, and thou art mine own—thou wilt smile at the fantastic thoughts that now make thee look so grave.”

“Would that the rite were over, and safely so!” Camilla fervently whispered, as she turned aside her blushing face.

The wish seemed uttered only to be answered, for at that moment her mother entered the apartment to summon the couple to the chapel.

“The priest is at the altar,” she said, “and the guests await the presence of the bridegroom and his bride.”

Buondlemonte rose, and supporting Camilla on his arm, passed into an adjoining room, where Guiseppo Leoni and the maidens who were to officiate as bridemaids, were assembled.

The wedding-party passed from the palace to the chapel. The lamps were all lighted, and beneath the arched roof a gay crowd was collected. Jewels glittered, rich silks rustled, lofty plumes waved, and happy smiles circulated on every side.

When Camilla and Buondlemonte appeared, the crowd fell back, and opened a passage for them to the altar, where for a moment they stood—the admiration of every beholder—till the ceremony should commence.

The holy man commenced the marriage-service, and propounded to the parties concerned, the questions which the church directs shall be put on such occasions. Those addressed to Camilla were answered in a low, musical voice, while Buondlemonte made his responses boldly and with pride.

The ceremony was over—they were man and wife. A happy smile already diffused itself over the countenance of the bride, and the priest raised his hand to pronounce the benediction; but he spoke not. His attention was arrested by voices elevated in anger, and sounds of rude strife at the entrance of the chapel.

All turned to inquire the cause of this interruption, and as they did so, the huge doors were forced back upon their hinges, and a band of armed men, with weapons bared, rushed up the tesselated aisle toward the altar. At their head was the youthful stranger who had appeared that morning at the Amedi palace. In his hand gleamed a naked poignard; his plumed cap had fallen from his head, and upon his shoulders there fell a luxuriant mass of long, dark hair. His eyes were bloodshot, and his voice sounded hoarse and unnatural as he called upon those who came after, to follow him. Casting with desperate strength all impediments aside, he paused not in his course until he stood fronting Buondlemonte.

The latter had drawn his sword, but Camilla Donati threw herself impulsively before him to shelter his person with her own; the stranger took advantage of the act of devotion, and burying his poignard up to the hilt in Buondlemonte’s body, he exclaimed,

“Die, traitor! even in thy act of treachery!”

The unfortunate young nobleman fell to the ground weltering in his own blood; and Camilla, with a shriek of heart-piercing agony, sunk fainting and prostrate upon his body.

The stranger gazed for an instant at the harrowing sight before him, then bent his knee beside Buondlemonte, and said, in a voice which already was touched with remorse,

“Buondlemonte, thou hast grievously wronged Francesca Amedi, and she has been her own avenger!”

The dying noble turned an inquiring glance upon the speaker, and with difficulty recognized the person of Francesca in the habiliments of the stranger.

“Thou art indeed avenged,” he murmured, in a weak voice, as he endeavored to embrace his fainting bride.

“Thou hadst canceled my hopes of happiness,” she said, as she rose to her feet, “and I have put the seal to the act by destroying thine!”

With a solemn step she stalked from the chapel, protected by those who had supported her; while Buondlemonte, after breathing a prayer to Heaven for Camilla’s peace, resigned his soul into the hands of its author.

It would be too melancholy a task to detail the particulars that followed this unhappy bridal. A few words will be sufficient to explain all that is necessary.

Camilla Donati, after many months, recovered from the fearful shock she had received in seeing her lover slain; but this world had ceased to delight her. She entered a convent, and in the course of time became its abbess. Francesca Amedi had accomplished her vengeance, but with its accomplishment she had ensured her own misery. With the vulture, remorse, ever preying upon her heart, she knew but one wish, and that was for death, while she lacked the power to terminate her own existence and solve the problem of eternity. After a vain effort to secure forgetfulness by mingling in society, she, too, retired from the world, and within the walls of the same convent over which Camilla Donati presided, she became a nun.

The death of Buondlemonte added virulence to the wars of the Guelphs and Ghibellines; and many generations passed away before the families of Amedi and Donati became reconciled.


A SUNBEAM.

———

BY ALBERT M. NOYES.

———

A sunbeam flashed from its azure throne,

O’er the bright and the beautiful earth to roam;

And it left a plume from its glist’ning wings

Where’er it traced its wanderings.

It tipped the bough of an old oak tree

With its joyous ray, and in their glee

A myriad host that were slumb’ring there

Came glancing forth in the morning air.

Then off like a flash it sped away,

And next it touched with a diamond ray

A lofty spire, as it rose upon high,

Till it looked like a star in an azure sky.

Again it flew, and this joyous beam

Flashed o’er the breast of a rippling stream;

And a bridge of trembling light it gave

To the sparkling crests of the dimpled wave.

I mused awhile—and lo! I heard

The joyous song of a bright-winged bird;

It had caught the flash of that morning ray

As it sped to its bower of love away.

And bathed in a flood of golden light

It looked like a rainbow spirit bright,

By an angel hand sent down to unfurl

The banner of peace to a sinful world.

And a thousand voices rose on high,

As its gliding form flew swiftly by;

Each bright and beautiful thing of earth

Awoke to hail its heavenly birth.

Sweet beam, said I, oh! how I’d love,

Like thee, the bright green earth to rove;

To shine o’er the hearts of pale despair

And kindle a glow of rapture there.

Just then, a darkling cloud flew by,

And shadowed the face of the azure sky;

I looked for this beautiful child of the dawn

But its glory had faded, its brightness had gone!

And I thought how much like Life did seem

The fate of this bright yet transient beam;

In glory it rose with the morn’s first breath,

At eve it was shadowed in darkness and death.


LONG AGO.

Long ago a blue-eyed cherub

In my arms

Softly lay and sweetly smiled—

Spotless, holy, undefiled—

And my troubled heart beguiled

With its charms.

Long ago, on angel’s pinion,

To my breast

Came a gentle, timid dove—

Stole the treasure of my love—

Upward soared, no more to rove

From its nest.

Long ago my seraph maiden

Took her flight

From a dreary, darkling world—

She her radiant wings unfurled,

And the heavenly gates of pearl

Shut my sight.

Long ago the angel reaper

Cruel sore

Gave my heart its keenest blow,

Made my tears of anguish flow,

Bid me onward weeping go—

Evermore.

Long ago the fair world faded

In mine eyes,

And I burn to clasp that child.

With a love more fondly wild

Than when first she sweetly smiled

From the skies.

Long ago one lock I severed

From her brow,

And that sunny little tress

In its shining loveliness—

To my heart I fondly press

Ever now.

In my dreams I meet the maiden—

Passing fair

Far beyond the frost and snow

Doth my lovely flow’ret blow—

And my tears no longer flow

For her there.

E. H.


THE TWO WORLDS.

———

BY HENRY B. HIRST.

———

Like the contented peasant of the vale,

Dreams it the world and never looks beyond.

Lowell.

There was an humble village lad

Who thought the round, revolving world,

Mountains and plains and streams and skies,

Lay in the compass of his eyes.

The symphonies of the leafy woods,

The melodies of the murmuring brooks,

Mingling—like light, or songs of spheres—

Contented his untutored ears.

Confined between gigantic hills,

The little hamlet, where he dwell,

Never imagined land more blest

Than that where it had made its nest.

And so our simple village boy,

With thoughtless urchins like himself,

Chatting with brooks and birds and flowers,

Ran swiftly through his childish hours.

But manhood, like a shadow, rose

And stood before his growing eyes—

With aspirations, such as start

To being in the ambitious heart.

Somehow—he knew not whence it came—

The fancy of a nobler world

Than that in which his soul now pined,

Trembled, like moonlight, on his mind.

Habit, however, made his home

So very dear; he sadly threw

The thought aside, and, turning back,

Pursued his old accustomed track.

Nevertheless, the glowing dream

Followed his steps with pleading eyes,

Filling his heart, wherever he went,

With unaccustomed discontent.

But one day hunting in the hills

He saw a chamois mount a peak,

Which seemed—its summit was so high—

To melt and mingle with the sky.

Urged by the instinct of the chase,

He slowly crept from crag to crag

Until he reached the dizzy height

Where last the chamois met his sight.

Before him, in the morning sun,

Stretching away from sky to sky,

Brighter than even his soul had dreamed.

His other world before him gleamed.

Behind him lay the little vale

Where he had spent his youthful hours;

There was the cottage where he dwelt—

The shrine at which he always knelt.

And over-shadowing the brook,

He saw the weeping-willow stand,

Where, but the night before, he met

His loving, lovely young Florette.

But fairer than his maiden love,

And lovelier than his native glen,

Inviting him with novel charms,

His fairy world held out its arms.

The Old yields always to the New,

And so the youth with just such steps

As one would run to meet a bride,

Ran lightly down the mountain side.

Day after day, year after year,

He wandered in his golden world:

A shadow-hunter he became:—

The Shadow which he sought was Fame.

But Age, who walks on velvet feet,

Followed his footsteps like a wolf,

And when the fame he sought was won,

He only saw the setting sun.

Cold as his native granite rocks,

And hard, had grown the wanderer’s heart:

For many weary, desolate years

His eyes had lost the power of tears.

The name his genius had acquired,

The wealth which Fortune had bestowed,

Instead of pleasure gave him pain:

Sadness was in his heart and brain.

The great are friendless: he was great:

His very fortune hedged him round

And shut him from the love of all;

He could not leap the lofty wall.

But somehow, like an angel’s tear,

The memory of his early home

Fell on his heart: he saw the glen

He loved so in his youth again.

A wan and worn and wrinkled man

He stood upon his native hills:

There was each old familiar spot;

There stood his silent shepherd cot.

Downward with trembling, painful steps

The wanderer took his lonely way:

Like one who wakens from a dream

He stood beside the mournful stream.

Above him, in a green old age,

He saw a weeping-willow trail

Its murmuring leaves; and at its foot

A single rose had taken root.

It grew upon a grassy mound,

At head of which a rustic cross

Pointed to heaven;—there last he met—

There last he clasped the fair Florette.

The old man’s eyes were full of tears,

As, like a penitent child, he knelt

And sobbed and prayed in pale despair:

Next day a maiden found him there.

The hillock where reposed his form

Was circled by his feeble arms:

Pale, pitying Death his seal had set

On love, and laid him with Florette.


A RECEPTION MORNING:

OR PEOPLE IN GLASS HOUSES, ETC.

———

BY F. E. F., AUTHOR OF “A MARRIAGE OF CONVENIENCE,” ETC.

———

Je m’oublie,

Tu t’oublies,

Il ou elle s’oublis, etc.

Verb S’oublier.

Why were you not at Elliot’s last night, Mrs. Fortesque?” asked Mrs. Lyman.

“We do not visit,” replied Mrs. Fortesque, with a slight shade of mortification.

“Not visit!” repeated her friend in an accent of surprise, and fixing her eyes as she spoke with a prolonged look of astonishment that caused Mrs. Fortesque to color. “Is it possible! It was an elegant party—very select—the handsomest I have been at this winter. Indeed, the party of the season.”

“It could scarcely surpass Rawley’s,” said Mrs. Fortesque with smothered indignation. “I am sure there was nothing spared there, and their house is larger than Elliot’s.”

“Yes. But it was such a jam at Rawley’s,” replied Mrs. Lyman, in the tone of one oppressed even by the recollection of the crowd—“and such a mÊlÉe—all sorts of people! This paying off debts in this way is, in my opinion, very vulgar. Now at Elliot’s it was so different. Just every body you would wish to meet and no more. Room to see and be seen—and the ladies so beautifully dressed—no crowd—every thing elegant and recherchÉ.”

“The dressing at Rawley’s was as elegant as possible,” remarked Mrs. Fortesque, evidently piqued that the party she had just been describing to Miss Appleton with no small degree of complacency as so fashionable, should now be spoken of as a mÊlÉe.

“Did you think so?” said Mrs. Lyman, with affected surprise. “It was very inferior to that of last night. Indeed in such a crowd there’s no inducement to wear any thing handsome; but last night the ladies really came out. I never saw such dressing—and the supper was exquisite.”

“It seems to me that all suppers are alike,” said one of the Miss Appletons, with true girlish ignorance.

“Oh, my dear!” exclaimed both ladies in a breath.

“The difference between such a supper as we had at Elliot’s and such a one as at Rawley’s,” continued Mrs. Lyman, “is immense. The exquisite china, the plate, and then the natural flowers! Such a supper as you can only have at a select party.”

Mrs. Fortesque looked very angry. The Rawleys were rather her grand people, and as she had not been at Elliot’s she did not like this being set down in the crowd of “any bodies” invited.

“I am fairly tired out,” pursued Mrs. Lyman languidly, “with this succession of parties. I do wish people would be quiet for a little while and let one rest. The girls too are quite jaded and fagged with this dancing night after night.”

“Oh, it’s too much,” said Emma Appleton. “I never go more than two or three times a week. I wonder you do,” turning to Miss Lyman.

“How can you help it, my dear?” said Mrs. Lyman, in the tone of one bewailing a great hardship. “You give such offence if you decline.”

“I decline whenever it suits me,” replied Miss Appleton, “and people bear the disappointment very philosophically,” she added, smiling.

“You may well say that, Emma,” said Mrs. Fortesque, with an emphasis meant at Mrs. Lyman. “Society is so large now that I at least never find offence is taken when I decline.”

“But you cannot refuse a first invitation,” pursued Mrs. Lyman. “Now the Elliots for instance. They have just called upon us, we could not decline. Are you going to Hammersley’s to-morrow, Emma?”

“No,” said Emma, “we are not invited. Are you?”

“Yes; it’s a small party. We shall go there first and afterwards to Lascelles’.”

“I saw you all at the opera on Monday,” remarked Emma.

“Yes, we were there the first two acts—we went from there to Shaw’s. By the way, did you call upon the bride yesterday?”

“No,” replied Emma. “I have never visited the Halseys.”

“But as Hamilton’s friends,” pursued Mrs. Lyman, “I called on his account.”

“No,” said Emma carelessly, “I hate bridal receptions and avoid them whenever I possibly can.” Mrs. Lyman had risen while she was speaking, and she said, “Oh don’t go! Why are you in such a hurry?”

“I must, my dear,” replied Mrs. Lyman. “The Armstrongs and Ringolds receive to-day, and then I must call at Meredith’s. We have not been there since the party. And Cadwaladers too, Mary,” she said, turning to her daughter, “don’t forget them. We have been owing that visit so long—and the Harrisons, and I don’t know how many,” she continued, as if quite oppressed with the weight of fashionable cares. “I don’t suppose we shall get through with the half of them. Come Mary,” and so bidding Emma and her friends good morning, she withdrew.

The door had hardly closed upon her, when Mrs. Fortesque, still wrathy at the manner in which Mrs. Lyman had spoken of Rawleys, and angrier still at finding she was going to Hammersley’s, vented some of her indignation exclaiming—

“How that woman does work for society!”

“One would think she had been at court to hear her talk of Elliots,” said Emma laughing.

“Just so, Emma,” said Mrs. Fortesque, in a tone of bitter satisfaction at the young lady’s laughing satire. “It’s too absurd! And as to saying the Elliots called first, I don’t believe it. They, strangers here, and people of their fortune, are not likely to go about making first calls.”

“What’s that?” said Charlotte Appleton, who had been engrossed in conversation with a gentleman on the opposite side of the room. “What’s that about the Elliots making first calls.”

“I was saying it was rather remarkable that they should have called first on Mrs. Lyman,” replied Mrs. Fortesque.

“They did not,” exclaimed Charlotte. “Of course, as strangers, you know, Mrs. Fortesque, they would not, and I know the Lymans called upon them some time ago.”

“Are you sure of that, Charlotte?” asked Mrs. Fortesque, with the triumphant manner of one securing an important fact.

“Certainly,” replied Charlotte, “for she asked mamma and myself to call and introduce her, but we were engaged that morning, and she said it was no matter, she would leave her card and be introduced the first time they met.”

“I thought so!” said Mrs. Fortesque exultingly, “It’s just like her!”

“There’s no reason why she should not have called, Mrs. Fortesque,” said Emma.

But Mrs. Fortesque did not look assenting at this; she only said, however—

“Perhaps so. But I don’t like calling on these people for their parties—for it amounts to that, when you can’t return them.”

“But, my dear Mrs. Fortesque,” said Emma, “then only the rich would know the rich. And there are a great many charming people in society who cannot afford to entertain, and who the Elliots and others are delighted to have.”

“Oh, my dear,” returned the lady with much excitement of manner, “that’s all very well when you have happened to know them; but I would not go out of my way to make their acquaintance. There’s nobody of any consequence in society, or who entertains, that Mrs. Lyman does not make it a point of knowing. Now, her calling on the bride yesterday as one of Hamilton’s friends. Why, she knows Hamilton just as you and I and half the town do—a slight bowing acquaintance—but now he is marrying a rich fashionable girl, she finds out that it is incumbent on her as ‘one of his friends’ to call on his bride! So absurd! And she wont effect her object by this sort of thing either,” she added spitefully. “The young men are tired of seeing those two ugly girls of hers at every place they go.”

“Oh, Mrs. Fortesque!” said Emma expostulatingly, yet half laughing.

“Of course, my dear,” returned Mrs. Fortesque warmly. “Every body sees that, and she’ll fail.”

“Well, if that is the object—” said Emma.

“And it is,” persisted Mrs. Fortesque decidedly.

“I don’t agree with you in thinking she’ll fail,” continued Emma, without noticing the interruption. “I think the Lymans are nice girls and generally liked.”

“No beauties, you’ll admit,” said Mrs. Fortesque, scornfully.

“No, not beauties,” replied Emma, “but they get on quite as well as if they were. Besides, really Mrs. Fortesque, to do Mrs. Lyman justice, I never saw any thing about her like a match-making mother.”

“Oh, my dear!” ejaculated Mrs. Fortesque. “She is very anxious to marry them off. And well she may be. The other two are growing up as fast as they can. I only think she is taking the wrong course. And then such a labor as she makes of it! She’s somewhere every night.”

“Oh yes. Sometimes at two parties beside the opera,” said Charlotte. “There’s no pleasure in society at such a rate. They have an idea that it is tonish I believe.”

“Too absurd!” repeated Mrs. Fortesque, who had evidently not yet discharged all her wrath. But being obliged to make other calls she rose, and as Lady Teazle says, “left her character behind her,” for she was not fairly out of the room before Emma laughed and said—

“Poor Mrs. Fortesque! She cannot get over the Lymans getting on so well in society. To be sure they do push for it, but they get it. And their being at Elliot’s where she was not invited and does not visit, seems to have capped the climax of her vexation.”

“And to speak slightingly of Rawleys’ party,” said Charlotte. “That really was unkind in Mrs. Lyman, for she knows how much Mrs. Fortesque thinks of the Rawleys.”

“That was the reason of course,” replied Emma laughing. “She knows the Rawleys are Mrs. Fortesque’s grandees. For there’s no one that thinks so much of fine people as Mrs. Fortesque.”

“No. How droll it is,” said Charlotte. “Every invitation is taken as such a compliment, and every omission as a particular slight.”

“That struck me very much,” remarked Mrs. Henry Willing who happened to be present, but who had not joined much in the conversation hitherto, “for I have always looked upon Mrs. Fortesque as a person who rather pinned her faith upon fashionable people, and who rated her acquaintance very much according to their consequence in society.”

“Oh she does, decidedly,” said both the girls in a breath.

“It’s that,” continued Emma, “that makes her so angry with Mrs. Lyman. They are intimate, and Mrs. Lyman is always ahead of her in making fine acquaintances, and in getting invited to parties that are rather exclusive. Now you will see that Mrs. Fortesque does not rest until she visits and is invited at Elliot’s too.”

“But I think she is really unjust, Emma,” said Charlotte, “in saying her object is to get the girls married.”

“To be sure she is,” replied Emma. “But the fact is, her own head is so full of anxiety on the subject of marrying Cornelia, that she thinks every other mother’s head must be the same.”

“The Lymans are no beauties,” said Charlotte, “but they are quite as handsome as Cornelia Fortesque.”

“And a great deal pleasanter,” replied Emma. “They have something at least, but poor Cornelia has nothing.”

As the Appletons were “at home” that morning, the conversation was here interrupted by other visiters.

Elliot’s party was again the theme under discussion, the display of wealth and beauty on the occasion giving rise to much animated remark.

“One of the most striking persons there was your friend Mrs. Norton, Miss Appleton,” said Mrs. Henry Willing.

“I never saw her look more beautiful,” remarked another.

“Nor more beautifully dressed,” said Mrs. Willing quietly, but with meaning.

Emma colored at this, for she felt the innuendo. Mr. Norton had failed not very long since, and the extravagance of his pretty wife had not escaped its due portion at least of animadversion.

“What was it?” asked Emma.

“A very rich blue silk, with flounces of superb lace almost to the hips,” replied Mrs. Willing in a tone that conveyed as much reprehension as tones could convey.

“Oh, that’s the same lace she has worn these three years,” said Emma, vexed that her pretty friend could not even wear her old things without exciting unkind remarks.

“It does not look well, Emma,” remarked Mrs. Grayson. “Though it is not new, it is expensive, and not in keeping with their present circumstances, it’s in bad taste.”

Emma looked disconcerted, and said she thought that a matter of very little importance when every body knew the lace almost as well as they did Mrs. Norton herself.

Mrs. Willing however did not think so. “Every body knew the expense attendant on society, and she thought it altogether indiscreet in Mrs. Norton to be out as constantly as she was. It excited much remark.”

Whereupon an animated discussion ensued in which poor Mrs. Norton was well pulled to pieces. Emma however defended her bravely, though driven from point to point. That she was very expensive, if not extravagant, seemed however to be settled beyond dispute, and Mrs. Willing was not inclined to make any allowance for her youth and inexperience, nor permit her grace and beauty any weight at all in extenuating her imprudence. Emma was for overlooking every thing, Mrs. Willing nothing, and the discussion was certainly as warm as is ever deemed allowable among ladies, when Mrs. Willing rose to leave. No one remaining, fortunately for Emma, but Mrs. Grayson, with whom the Appletons were very intimate, and so she gave unrestrained vent to her indignation almost before Mrs. Willing was out of hearing.

“She is a pretty one!” she exclaimed, “to find fault with Mrs. Norton! She is just as expensive as her means will allow, without Mrs. Norton’s excuse of youth and beauty.”

“But, my dear,” interposed Mrs. Grayson, “her husband has not failed.”

“No,” said Emma, “for he is not a merchant. But every body knows their circumstances. He’s over head and ears in debt, and yet they entertain and give dinners, and she’s forever at the opera. But because she’s not a beauty and does not care particularly for dress, she is very virtuous about poor Mrs. Norton.”

“Very true,” said Mrs. Grayson laughing. “I could not but be amused while she was talking to think how much that she was saying would apply equally well to herself. But people never think of that when they are laying down the law for others. But have you heard this story, girls, about Mrs. Crawford?”

“No. What?” they both asked.

And then followed a piece of scandal that had just burst upon the town, too naughty to repeat.

“Shocking!” and “Can it be true?” they exclaimed.

“No doubt of it,” returned Mrs. Grayson. “No one will visit her,” and with much interest she continued to add circumstance and suspicion one on top of the other without mercy or stint.

All minor gossip was forgotten in the engrossing interest of the new subject. Mrs. Grayson talked on till the French clock on the mantel-piece struck the dinner hour, when starting up, she exclaimed—

“So late! Is it possible? You’ve been so agreeable girls I had quite forgotten the hour, and my husband is waiting for me, I suppose,” and off she hurried.

“She has had all the talk,” said Emma, “and that’s what she calls finding us agreeable. But this story is very bad, if it is true.”

“Yes, but I don’t believe half of it,” said Charlotte. “Mrs. Grayson you know always puts the worst construction upon every thing. She is so very harsh in her judgments.”

“And she of all others should have mercy upon those in trouble,” observed Mrs. Appleton, who had just then came into the room. “But what were you talking of girls?”

And with great animation they related Mrs. Grayson’s bit of gossip to their mother.

“Strange!” said Mrs. Appleton, “that Mrs. Grayson should be the first to tell it.”

“Why, mamma?” asked both daughters at once.

“Because just such an affair occurred in her own family.”

“In hers! When?” exclaimed they in astonishment. “I never heard that before!”

“Oh, years ago—you can hardly remember it. Indeed it was just after I was married.”

“Then,” said Charlotte laughing, “it’s not surprising we do not remember the circumstance.”

“I had forgotten it was so long ago,” said their mother. “It made a great talk at the time.” And then scandal that had been buried for years and years was revived and listened to with no small interest.

“Strange!” said Emma, “that Mrs. Grayson should talk of Mrs. Crawford.”

“I should think she would avoid all such stories as carefully as possible,” said Charlotte.

“I suppose she thought we knew nothing about it,” pursued Emma.

“But if we did not, she must,” replied Charlotte. “People cannot forget such things themselves.”

“Mrs. Grayson has gone through severe trials and mortifications in life,” observed their mother.

“Then it ought to give her some charity for others,” said Charlotte. “But she is the hardest woman I know.”

“It appears to me that’s always the case,” said Emma. “One would think that suffering would soften and purify—but it does not.”

“Not that kind of suffering,” remarked their mother. “That which comes of mortification, and which we experience at the hands of our fellow men, there are few natures fine enough not to grow hard under it.”

Emma heard her mother afterward in a low voice telling their father the story she had just heard from her daughters, and giving Mrs. Grayson as authority.

“The less she says about it the better,” drily remarked Mr. Appleton.

“You remember, my dear,” continued his wife, “that affair of her sister.”

“To be sure,” he replied. “A bad business. I always wondered how they got over it.”

And then Mr. and Mrs. Appleton had a long, comfortable, cosy talk, in which things long past and forgotten were brought to life, as the old couple warmed up in their reminiscences of “old times.” Emma soon tired, and gave up trying to keep the thread of grandmothers and great-aunts, particularly as her father and mother frequently confounded the present with the past generation, and she found that the “young Tom Somebody,” that they were talking of, was now the “old Tom,” of present times; the “young Tom” being a middle-aged man, with a Tom junior treading fast on his heels.

Charlotte and Emma were now talking over their morning visiters, and Emma again spoke with some warmth of Mrs. Willing’s remarks on Mrs. Norton, who happened to be Emma’s particular admiration, her extravagance being, in her opinion, “very natural.”

“I can conceive,” she added, “of people’s

‘Compounding sins they are inclined for,

By damning those they have no mind for,’

but to abuse people for doing what you are doing yourself, is rather too much.”

“It’s the old principle, I suppose,” said Charlotte, “of ‘Lord, I thank thee that I am not as other men.’”

“Yes, but,” persisted Charlotte, “when you are like as other men.”

“Well, then—not so bad, then,” said Charlotte, laughing—“Mrs. Willing takes comfort in thinking she is only expensive, while Mrs. Norton is extravagant. Every body has their besetting sin it seems.”

“I wonder what ours is,” said Emma.

“If we have one,” said Charlotte, laughing. “For my part, I think we approach perfection as near as possible—‘Sans peur et sans reproche.’”

Sans peur, certainly,” said Emma, in the same tone of playful mockery, “if not sans reproche. Well, but what do we abuse others most for?” she added. “For, depend upon it, that’s the particular weakness we are given to ourselves.”

“What do we most criticise others for?” said Charlotte. “Why, for abusing others, I think. And we are called satirical, you know. ‘People in glass houses should not throw stones.’”

“No,” said Emma carelessly. “That is, if they care about having their windows broken.”

“Nobody likes to have their windows broken,” said Mrs. Appleton gravely, who, just entering, caught the last part of the sentence, which she took literally, with a true housekeeper’s feeling.

“That’s true, mother,” said the girls, laughing at the odd application of her remark. “It’s very true, though you did not mean it.”

But whether they remembered these sage reflections and kept them the next “reception morning,” we think very doubtful.


THE SKY.

———

BY MRS. J. W. MERCUR.

———

The sky, the ever-changing sky,

How broadly spans that arch on high!

How calmly in the morning’s light

Blends its rich hues so purely bright,

And lit by golden sunbeams now

In glory bends its azure brow.

The sky, the sky, serenely bright,

No cloud sits on thy bosom’s light,

No fleecy folds beneath the eye

Of the sun’s light are glancing by,

Nor gath’ring clouds of misty spray

Play round the sun’s imperial way.

And with a look of light and love

That azure sea bends far above,

Its glories to the day unfurled

Are resting o’er our circling world,

And lit by many a brilliant star

At night that archway beams afar.

And on its breast so pure and high

The burning paths of planets lie,

Planets which ’neath its folds had birth

When worlds on worlds first smiled o’er earth,

And northern-lights and comets play,

And meteors gleam, then die away.

And oft that bending sky doth wear

A look of deep and troubled care.

When sunbeams by deep clouds are hid,

The gath’ring tempests frowning lid,

And thunders burst, and lightnings play,

And storms sweep o’er the trav’lers way.

And on the broad and rolling deep

Each mariner doth turn and keep

An anxious vigil of the sky,

When threat’ning clouds and storms are nigh,

And tempests round them fierce are driven,

Or rainbows span the arch of heaven.

The sky, the sky, now clear, now bright,

Now wreathed with folds of snowy white,

Now tinged with amber hues, whose glow

Is borrowed from the sunbeams flow,

Then on its ever-changing breast

Beam roseate streakings in the west.

And oft upon the sky I gaze

As in my childhood’s early days,

And watch at every morn and night

Its fading or increasing light,

And trace with love each cloud and star,

Which floats above, or beams afar.

The sky, the sky, it bendeth o’er

The weary exile, who no more

Can greet his home, or feel the breeze

Play through his native forest trees,

Or watch upon his home’s clear stream

The moon’s pale rays reflected beam.

And the bright sky o’er all that’s here

Unto the exile’s heart is dear;

In it he sees each beaming star

Which shone above his home afar,

And knows a power of deathless love

Spread out that azure sea above.

And over all things here below

It bendeth with a radiant glow;

On peasant’s cot—on lordly hall—

Alike its sun and shadows fall,

And gems which gild its brow at even

Shine forth for all beneath the heaven.

And from its firm unwav’ring height,

Its never-failing day and night,

The fadeless glory of its sun—

Its tireless stars, when day is done,

May all, as tow’rd that sky they turn,

A lesson of deep import learn.


TAURUS.

———

BY J. BAYARD TAYLOR.

———

The Scorpion’s stars crawl down behind the sun,

And when he drops below the verge of day,

The glittering fangs, their fervid courses run,

Cling to his skirts and follow him away.

Then, ere the heels of flying Capricorn

Have touched the western mountain’s fading rim,

I mark, stern Taurus, through the twilight gray

The glinting of thy horn,

And sullen front uprising large and dim,

Bent to the starry hunter’s sword, at bay.

Thy hoofs, unwilling, climb the sphery vault;

Thy red eye trembles with an angry glare,

When the hounds follow, and in fierce assault

Bay through the fringes of the lion’s hair.

The stars that once were mortal in their love,

And by their love are made immortal now,

Cluster like golden bees upon thy mane,

When thou, possessed with Jove,

Bore sweet Europe’s garlands on thy brow

And stole her from the green Sicilian plain.

Type of the stubborn force that will not bend

To loftier art;—soul of defiant breath

That blindly stands and battles to the end,

Nerving resistance with the throes of death—

Majestic Taurus! when thy wrathful eye

Flamed brightest, and thy hoofs a moment stayed

Their march at Night’s meridian, I was born:

But in the western sky,

Like sweet Europa, Love’s fair star delayed,

To hang her garland on thy silver horn.

Thou giv’st that temper of enduring mould,

That slights the wayward bent of Destiny—

Such as sent forth the shaggy Jarls of old

To launch their dragons on the unknown sea:

Such as kept strong the sinews of the sword,

The proud, hot blood of battle—welcome made

The headsman’s axe, the rack, the martyr-fire,

The ignominious cord,

When but to yield, had pomps and honors laid

On heads that moulder in ignoble mire.

Night is the summer when the soul grows ripe

With Life’s full harvest: of her myriad suns,

Thou dost not gild the quiet herdsman’s pipe,

Nor royal state, that royal action shuns,

But in the noontide of thy ruddy stars

Thrive strength, and daring, and the blood whence springs

The Heraclidean seed of heroes: then

Were sundered Gaza’s bars;

Then, ’mid the smitten Hydra’s loosened rings,

His slayer rested, in the Lernean fen.

Thou sway’st the heart’s red tides, until they bear

The kindled spirit on their mounting wave,

Up to the notch of Glory; in thy glare

Age thaws his ice, and thrills beside the grave.

Not Bacchus, by his span of panthers borne,

And flushed with triumph of the purple vine,

Can give his sons so fierce a joy as thou,

When, filled with pride and scorn,

Thou mak’st relentless anger seem divine,

And all Jove’s terror clothes a mortal brow.

Thine is the subtle element that turns

To fearless act the impulse of the hour—

The secret fire, whose flash electric burns

To every source of passion and of power.

Therefore I hail thee, on thy glittering track:

Therefore I watch thee, when the night grows dark,

Slow rising, front Orion’s sword along

The starry zodiac,

And from thy mystic beam demand a spark

To warm my soul with more heroic song.


THE YOUNG ARTIST:

OR THE STRUGGLE FOR INDEPENDENCE.

———

BY T. S. ARTHUR.

———

(Concluded from page 112.)

                                                                                                                                                                                                                                                                                                           

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