Graham's Magazine, Vol. XXXVI, No. 2, February 1850

GRAHAM’S MAGAZINE.

Vol. XXXVI.      February, 1850.      No. 2.

Table of Contents

Fiction, Literature and Articles

February
Patrick O’Brien
The Young Artist
Love’s Influence
The Two Portraits
Myrrah Of Tangiers
The Wilkinsons
Fanny Day’s Presentiment
Gems From Moore’s Irish Melodies. No. II.—The Last Rose of Summer
The Revealings of a Heart
Life of General Joseph Warren
Editor’s Table
Review of New Books
 

Poetry, Music, and Fashion

Wit And Beauty
A Household Dirge
The Pirate
Sonnets.—at Twilight
Song
Night Thoughts
Ballads of the Campaign in Mexico
A Spanish Romance
To A. R.
The Pale Thinker
The Evil Eye
Fancies About a Portrait
The Dream of Youth
Le Follet
Wissahikon Waltz
 

Transcriber’s Notes can be found at the end of this eBook.


GRAHAM’S MAGAZINE.


Vol. XXXVI.     PHILADELPHIA, February, 1850.     No. 2.


The flowers which cold in prison kept

Now laugh the frost to scorn.

Richard Edwards. 1523.

Among the ancient manuscripts in the British Museum there is one of Saxon origin, written by Ethelgar, a writer of some note in the tenth century. Commenting on the months, he speaks of February, which he calls Sprout kele, because colewort, a kind of cabbage, which was the chief sustenance of the husbandmen in those days, began to yield wholesome young sprouts during this month. Some centuries after, this name was modernized by the Romans, who offered their expiatory sacrifices at this season of the year, and called Februalia. Frequently during this month the cold is abated for a short time, and fine days and hasty thaws take the place of rigid frost. From this peculiarity, this month has often been called by ancient writers by the expressive name of “February fill dike.”

Clare’s verses are sweetly descriptive of this changing season —

The snow has left the cottage top;

  The thatch moss grows in brighter green;

And eaves in quick succession drop,

  Where pinning icicles have been;

Pitpatting with a pleasant noise,

  In tubs set by the cottage door;

While ducks and geese, with happy joys,

  Plunge in the yard-pond brimming o’er.

 

The sun peeps through the window pane;

  Which children mark with laughing eye:

And in the wet street steal again,

  To tell each other Spring is nigh:

Then, as young Hope the past recalls,

  In playing groups they often draw,

To build beside the sunny walls

  Their spring-time huts of sticks and straw.

 

And oft in pleasure’s dreams they hie

  Round homesteads by the village side,

Scratching the hedgerow mosses by,

  Where painted pooty shells abide;

Mistaking oft the ivy spray

  For leaves that come with budding Spring,

And wondering in their search for play

  Why birds delay to build and sing.

 

The mavis-thrush with wild delight

  Upon the orchard’s dripping tree,

Mutters, to see the day so bright,

  Fragments of young Hope’s poesy:

And dame oft stops her buzzing wheel

  To hear the robin’s note once more,

Who tootles while he pecks his meal

  From sweet-briar hips beside the door.

The frost often returns after a few days, and binds Nature with his iron hand. In Great Britain, where the Spring is much earlier than with us, February is remarkable for what is termed the “runs” of moles.

Le Count, a French naturalist, records some interesting notices of the nature of moles, (an animal not very common in this cold climate,) as well as the speed at which they travel through their underground galleries. He observes, “They are very voracious, and die of hunger if kept without food for twelve hours. They commence throwing up their hillocks in the month of February, and making preparations for their summer campaign, constructing for themselves runs in various directions, to enable them to escape in case of danger; and also as a means of procuring their food. These runs communicate with one another, and unite at one point; at this centre the female establishes her head-quarters, and forms a separate habitation for her young, taking care that both shall be on a higher level than the runs, and as nearly as possible even with the ground, and any moisture that may penetrate is carried off by the runs. This dormitory, if it may be so styled, is generally placed at the foot of a wall, or near a hedge or a tree, where it has less chance of being broken in. When so placed, no external embankment gives token of its presence; but when the soil is light a large heap of earth is generally thrown over it. Being susceptible of the slightest noise or vibration of the earth, the mole, in case of surprise, at once betakes itself to its safety runs.”

We sometimes, though rarely, find the snow-drops, “fair maids of February,” as they are called, peeping through their mantle of snow, and the gentle aconite, with its

“Green leaf furling round its cup of gold,”

giving life and animation to the otherwise dank and desolate border. Leigh Hunt in describing this month says, “If February were not the precursor of Spring, it would be the least pleasant month in the whole year, November not excepted. The thaws coming so suddenly produce freshets, and a clammy moisture, which is the most disagreeable of winter sensations.

Various signs of returning Spring—

          ——songful Spring—

Whose looks are melody,

occur at different times during this month. The month of February in England may well be compared to the month of April in America.”

The author of “The Sabbath” thus vividly paints the sterility of this month, and its effects upon the “rural populace.”

                    All outdoor work

Now stands; the wagoner, with wish-bound feet,

And wheel-spokes almost filled, his destined stage

Scarcely can gain. O’er hill, and vale, and wood,

Sweeps the snow-pinioned blast, and all things veils

In white array, disguising to the view;

Objects well known, now faintly recognized;

One color clothes the mountain and the plain,

Save where the feathery flakes melt as they fall

Upon the deep blue stream, or scowling lake,

Or where some beetling rock o’er jutting hangs

Above the vaulty precipice’s cove.

Formless, the pointed cairn now scarce o’ertops

The level dreary waste; and coppice woods,

Diminished of their height, like bushes seem.

With stooping heads, turned from the storm, the flocks

Onward still urged by man and dog, escape

The smothering drift; while, skulking at aside,

Is seen the fox, with close down-folded tail,

Watching his time to seize a straggling prey;

Or, from some lofty crag, he ominous howls,

And makes approaching night more dismal fall.

During this month, the increasing influence of the sun is scarcely felt, till we approach the end, then hoping, watch from day to day the lengthened minutes as they pass, to usher in Spring’s holy charms.


———

BY AGNES L. GORDON.

———

It chanced upon a pleasant day,

  In charming summer weather,

That Wit and Beauty sallied forth

  To take a stroll together.

 

And as they idly roamed along,

  On various themes conversing,

Young Beauty, somewhat vain, began

  Her wondrous powers rehearsing.

 

And much she dwelt upon the charms

  Her outward form adorning,

And seemed to feel herself supreme,

  All other merit scorning.

 

This roused the ire of sparkling Wit,

  Who keenly thus retorted:

“Your claim, though easily advanced,

  Requires to be supported.

 

“Mark yon bright bird that wings his flight

   Athwart the sunny skies,

Let each on him display our skill,

  To catch him as he flies.

 

“Your chance is first, for well I know,

  And own the pleasant duty,

That Wit in every age must yield

  Due precedence to Beauty!”

 

Young Beauty smiled, and charmed the bird

  With softened strains alluring,

And bound him with a silken chain,

  More brilliant than enduring.

 

She placed the captive in a net,

  Entwined of many flowers,

And with a merry, mocking smile,

  Bade Wit now try his powers.

 

Then from his feathered quiver Wit

  A silver arrow drew,

With perfect and unerring aim

  He pierced the net-work through.

 

The bird released, on eager wing

  Soared upward to the skies;

A second arrow reached his breast —

  He fell—no more to rise!

 

Beauty looked sore dismayed, to see

  Her snare thus incomplete.

When gallant Wit the trophy raised,

  And laid it at her feet.

 

“Could we but journey hand in hand,”

  He said to Beauty, smiling,

“No prey could e’er escape my shaft,

  Who saw your charms beguiling.

 

“But since the stern decrees of fate

  Our union thus opposes,

And you so oft my arrows blunt,

  Beneath a weight of roses;

 

“Remember, Beauty’s charms will fade,

  Despite each fond endeavor,

And strong, well tempered shafts of wit

  Her chains will often sever.”


A TALE OF HUMBLE LIFE.

———

BY H. HASTINGS WELD.

———

The father of Ellen O’Brien was a small farmer, whose situation when the child began to think at all, seemed to her the realization of all that is happy, and all that is cheerful in this world. Children do think very early; much earlier than their elders suspect. But happily for them they are easily contented. They look at the bright side, and unconscious of the superior advantages, and the greater comforts of others, have no temptation to discontented comparisons, and no motive for uneasy envy.

Ellen’s earliest memory of marked and positive happiness—that is to say, of an incident which conferred particular pleasure, was connected with a child—a very small child. She remembered how her father told her to “make a lap, now,” and placed the wee thing upon the knees which she prepared with much ado to receive it. She was told that this was her little brother, her own little brother; and she hugged it in troubled happiness, almost afraid to touch, lest she should hurt it. She gazed upon it with that undefined feeling of mingled awe and pleasure with which little children regard less children. She looked at its fragile hands and wondered, if she took them in hers, whether they would fade or drop to pieces, like the delicate blossoms which she had often killed with kindness. And when it cried—oh, but she was astonished! That such a little thing should be so ungrateful while she coddled and cared for it, and nursed it ever so tenderly, was more than she could well endure. She thought it well deserved, and ought to have a whipping, only that a whipping might hurt it—and that she would not consent to.

It was, however, not a great while before a safe acquaintance grew up between the new comer and Ellen. He was called Patrick, after his father, and his father’s father before him. Ellen was three years his senior. That difference in their ages would have been a wonder; only that it was explainable. Another little Patrick, his predecessor, was “called home,” as his father said, “before he had scarce a taste of the world at all.” And Ellen, from hearing so often of the other little Patrick, and from her indistinct memory of a baby that she saw one day, as if in a dream, and did not see any more, learned to think of infants as of little things that would die if they were not carefully watched. And this Patrick she was resolved should not slip away for want of attention from his sister; therefore she nursed him as carefully as if that had been her sole vocation.

The wonder about babies grew less as Ellen grew older. At first, in her childish little heart, she thought every little baby must be a little Patrick, and that no new one could come while there was another about. But familiarity destroys marvels. She found there could be little Phelims and Terrences as well as Patricks, Bridgets and Kathleens as well as Ellens. Child after child lifted its clamorous voice for food and nursing in Patrick O’Brien’s cottage, until at last when he was asked respecting his children, he was fain to count them upon his fingers. And he always began with Ellen and his thumb—Paddy came next, and the formula was—“There’s Ellen, then little Paddy that was called early, then Paddy that is now—sure Ellen and Paddy are the thumb and forefinger to us. What would the mother do without them, at all?”

Ellen grew to a fine, stout girl, with a cheerful open face when you spoke to her—but there was a shade of care and thought over it when in repose, which you may often see in the oldest daughter of a poor man. She moved and acted as if while the tribe who had exhausted the family names of the O’Briens were born children to her mother, she was born before them for a deputy mother to them all. Legs and arms were all over the cottage, in all sorts of places where they shouldn’t be, and she jerked them out of harm’s way, with a half-petulant dexterity which was pleasant to observe. Tow-heads and shock-heads popped up continually, and she pushed them aside with a “there now, wont you be aisy!” which was musical, with a very little discord. And there was an easy and natural carelessness of authority and half rebellion in obedience, which was truly puzzling to strangers, but which gave no discomposure to Ellen or to her mother. Indeed, Mrs. O’Brien sat, the centre of her offspring, with the most contented air in the world, plying her knitting needles with easy assiduity, and dismissing child after child from her arms, as they severally grew out of her immediate province and into Ellen’s. Or she bustled, if there was bustling to do, with perfect indifference, it might seem, to one who did not know her, as to whether there were children in the house or not.

But sometimes her interference became necessary as a measure of last appeal, and she came down on them with hearty whacks which were invariably poulticed with a word or two, half scolding and half good-natured wit. The children were thus reconciled to the propriety and necessity of certain summary inflictions, which at the same time they took care to avoid, when it could be done without too much trouble. Often there were voices heard in a higher key than is considered proper in a drawing-room, and sometimes there was a debouchment of children out at the door, and a consequent squealing of little pigs, and fluttering of chickens before it; which showed the mother’s activity at ejection. But no drawing-room ever sheltered more gentle hearts, and no mother of high degree ever followed a scolding with more patience than Mrs. O’Brien did. There was no malice in her, and a half-laugh stood ever in her eye, as she looked out at the door on the living miscellanies she had put in motion, and said—“Sure you can’t turn a hand, or step any place at all, for pigs, chickens and childer!”

There is often more room in the heart than in the house. The O’Briens began to feel themselves crowded—or rather to feel the inconvenience of too many sitters for their stools, without knowing precisely—or rather without permitting themselves to acknowledge what caused their discomfort. There were too many mouths for the potatoes, as Patrick senior and his wife were at last compelled to admit in their matrimonial committee of ways and means, and the question now became, how could they diminish the one, or increase the other. The lesser fry were out of the question. Nothing could be done in the way of removing them; nor did the thought occur to father or mother, who loved the children with true Irish hearts; that the smaller children were in the way, or that any of the little ones could possibly be spared, if the lord-lieutenant himself wanted a baby. So they began canvassing at the other end of the long list.

“There was Ellen,” said the father, doubtfully.

“Ellen! Sure you’ll not be putting her away, and nobody to mind the childer? What is the wages, I’d like to know, would make her place good to us?”

And Ellen, it was decided, was a fixture.

“There is Paddy,” said the mother with some hesitation. “Sure he’s a broth of a boy, and it is time he should do for himself—it is. It’s little in life he’s good for here, anyway.”

The father did not think so. Many were the little “turns” that Paddy cheerfully undertook, but all of them could not in conscience be made to appear to amount to an indispensable service, or any thing like it.

“Look at him now?” said the mother. And they looked at Pat, whose all good-natured face, unconscious that it was the subject of observation, bloomed like a tall flower amid the lesser O’Briens who clustered about him.

“Sure there’s a tribe of them!” said O’Brien.

“But look at Paddy! He’s the moral of yourself at his age, Patrick; with the same niver-a-thought, lazy look!”

It was questionable whether the wife’s affectionate reminiscence was a compliment or not; and an expression of sad humor, between a smile and a scowl, passed over O’Brien’s face, as he regarded his elder son, the heir to his personal beauties and accomplishments—and to his cast off clothes. It was of little use the latter were, for the father usually exacted so much of them, that when they descended to the son, sad make shifts were necessary to keep up in them any show of integrity, however superficial. And the stitches which were hurriedly taken between whiles, by his mother, had a comprehensive character which brought distant parts of the garments into a proximity very far from their original intention. The difference in size between father and son permitted a latitude in this respect, and the gathering together of the fabric produced an appearance more picturesque than elegant. As to the extra length of the garments that soon corrected itself, and Paddy junior’s ankles presented a ring of ragged fringe; or a couple of well-developed calves protruded in easy indifference. Indeed he was a broth of a boy, good natured and “bidable,” as he was ragged and careless. It was time that his good properties should be made available—and that some of the other young ones should have a chance at their father’s wardrobe.

——

                                                                                                                                                                                                                                                                                                           

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