The scene changed even as I gazed. The crowd had disappeared. The vast multitude was gone from sight, and mine eye, which had strained after the last of their retreating shadows, now dropped its lids on vacancy. Soon, however, instead of the great waste of space and sky, which left me without place of rest for sight, I beheld the interior of a vast and magnificent hall, most like the interior of some lofty cathedral. The style of the building was arabesque, at once richly and elaborately wrought, and sombre. The pointed arches, reached by half-moon involutions, with the complex carvings and decorations of cornice, column and ceiling, at once carried me back to those wondrous specimens which the art of the Saracen has left rather for our admiration than rivalry. The apartment was surrounded by a double row of columns; slender shafts, which seemed rather the antennÆ of graceful plants than bulks and bodies of stone and marble, rising for near thirty feet in height, then gradually spreading in numerous caryatides, resembling twisted and unfolding serpents, to the support of the vast roof. All appearance of bulk, of cumbrousness, even of strength, seemed lost in the elaborate delicacy with which these antennÆ stretched themselves from side to side, uniting the several arches in spans of the most airy lightness and beauty. The great dome for which they furnished the adequate support, rose too high in the but partial light which filled the hall, to enable me to gather more than an imperfect idea of its character and workmanship. But of its great height the very incapacity to define its character afforded me a sufficient notion. Where the light yielded the desired opportunity, I found the flowery beauty of the architecture, on every hand, to be alike inimitable. To describe it would be impossible. A thousand exquisite points of light, the slenderest beams, seemed to depend, like so many icicles, from arch and elevation—to fringe the several entrances and windows—to hang from every beam and rafter; and over all, to cast an appearance so perfectly aerial, as to make me doubtful, at moments, whether the immense interior which I saw them span, with the massive but dusky ceiling which they were intended to sustain, were not, in fact, a little world of wood, with the blue sky dimly overhead, a realm of vines and flowers, with polished woodland shafts, lavishly and artfully accumulated in the open air, so as to produce, in an imperfect light, a delusive appearance of architectural weight, magnificence and majesty. An immense avenue, formed of columns thus embraced and bound together by the most elaborate and fantastic carvings, linked vines, boughs, flowers and serpents, opened before me, conducting the eye through far vistas of the same description, thus confirming the impression of cathedral avenues of forest. The eye, beguiled along these passages, wandered into others quite as interminable, with frequent glimpses into lateral ranges quite as wonderful and ample, until the dim perspective was shut, not because of the termination of the passage, but because of the painful inability in the sight any further to pursue it. Each of these avenues had its decorations, similarly elaborate and ornate with the rest of the interior. Vines and flowers, stars and wreaths, crosses and circles—with such variety of form and color as the kaleidoscope only might produce in emulation of the fancy—were all present, but symmetrically duplicated, so as to produce an equal correspondence on each side, figure answering to figure. But these decorations were made tributary to other objects. Numerous niches opened to the sight, as you penetrated the mighty avenue, in which stood noble and commanding forms;—statues of knights in armor; of princes; great men who had swayed nations; heroes, who had encountered dragons for the safety of the race; and saintly persons, who had called down blessings from heaven upon the nation in the hour of its danger and its fear. The greater number of these stood erect as when in life; but some sat, some reclined, and others knelt; but all, save for the hue of the marble in which they were wrought—so exquisite was the art which they had employed—would have seemed to be living even then. Around the apartment which I have been describing, were double aisles, or rather avenues, formed by sister columns, corresponding in workmanship and style, if not in size, with those which sustained the dome. These were deep and sepulchral in shadow, but withal very attractive and lovely places; retreats of shade, and silence, and solemn beauty; autumnal walks, where the heart which had been wounded by the shafts and sorrows of the world, might fly, and be secure; and where the form, wandering lonely among the long shadows of grove and pillar, and in the presence of noble and holy images of past worth and virtue, might still maintain the erect stature which belongs to elevated fancies, to purest purposes, and great designs forever working in the soul.

But it would be idle to attempt to convey, unless by generalities, any definite idea of the vast and magnificent theatre, or of that singular and sombre beauty with which I now found myself surrounded. Enough, that, while I was absorbed, with my whole imagination deeply excited by the architectural grandeur which I surveyed, I had grown heedless of the progress of events among certain human actors—if I may be thus permitted to designate the creatures of a vision—which had meanwhile taken their places in little groups in a portion of the ample area. While mine eyes had been uplifted in the contemplation of things inanimate, it appears that a human action was in progress on a portion of the scene below. I was suddenly aroused by a stir and bustle, followed by a faint murmur, as of applauding voices, which at length reached my ears, and diverted my gaze from the remote and lofty, to the rich tesselated pavement of the apartment. If the mere splendor of the structure had so fastened upon my imagination, what can I say of the scene which now commanded my attention! There was the pomp of courts, the pride of majesty, the glory of armor, the grace and charm of aristocratic beauty, in all her plumage, to make me forgetful of all other display. I now beheld groups of noble persons, clad in courtly dresses, in knightly armor, sable and purple, with a profusion of gold and jewels, rich scarfs, and plumes of surpassing splendor. Other groups presented me with a most imposing vision of that gorgeous church, whose mitred prelates could place their feet upon the necks of mightiest princes, and sway, for good or evil, the destinies of conflicting nations. There were priests clad in flowing garments, courtiers in silks, and noblest dames, who had swayed in courts from immemorial time. Their long and rustling trains were upborne by damsels and pages, lovely enough, and richly enough arrayed, to be apt ministers in the very courts of Love himself. A chair of state, massive, and richly draped in purple and gold, with golden insignia, over which hung the jeweled tiara of sovereignty, was raised upon a dais some five feet above the level of the crowd. This was filled by a tall and slender person, to whom all made obeisance as to an imperial master. He was habited in sable, a single jewel upon his brow, bearing up a massive shock of feathers as black and glossy as if wrought out of sparkling coal. The air of majesty in his action, the habitual command upon his brow, left me in no doubt of his sovereign state, even had the obeisance of the multitude been wanting. But he looked not as if long destined to hold sway in mortal provinces. His person was meagre, as if wasted by disease. His cheeks were pale and hollow; while a peculiar brightness of the eyes shone in painful contrast with the pale and ghastly color of his face. Behind his chair stood one who evidently held the position of a favorite and trusted counselor. He was magnificently habited, with a profusion of jewels, which nevertheless added but little to the noble air and exquisite symmetry of his person. At intervals he could be seen to bend over to the ear of the prince, as if whispering him in secret. This show of intimacy, if pleasing to his superior, was yet evidently of different effect upon many others in the assembly. The costume of the place was that of the Norman sway in England, before the Saxons had quite succeeded,—through the jealousy entertained by the kings, of their nobles,—in obtaining a share of those indulgences which finally paved the way to their recognition by the conquerors. Yet, even in this respect of costume, I was conscious of some discrepancies. Some of the habits worn were decidedly Spanish; but as these were mingled with others which bore conclusive proof of the presence of the wearers in the wars of the Crusades, it was not improbable that they had been adopted as things of fancy, from a free communion of the parties with knights of Spain whom they had encountered in the Holy Land.

But I was not long permitted to bestow my regards on a subject so subordinate as dress. The scene was evidently no mere spectacle. Important and adverse interests were depending—wild passions were at work, and the action of a very vivid drama was about to open upon me. A sudden blast of a trumpet penetrated the hall. I say blast, though the sounds were faint as if subdued by distance. But the note itself, and the instrument could not have been mistaken. A stir ensued among the spectators. The crowd divided before an outer door, and those more distant bent forward, looking in this direction with an eager anxiety which none seemed disposed to conceal. They were not long kept in suspense. A sudden unfolding of the great valves of the entrance followed, when a rush was made from without. The tread of heavy footsteps, the waving of tall plumes, and a murmur from the multitude, announced the presence of other parties for whom the action of the drama was kept in abeyance. The crowd opened from right to left, and one of the company stood alone, with every eye of the vast assemblage fixed curiously upon his person.

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