We will now return to Mr. Alfred Oakly, and learn how the world in the interim has fared with him. Prosperity at the helm, his richly freighted vessels careered over the wide ocean, no devastating fires destroyed his dwellings, no whirlwinds up-rooted his forests, no blight or mildew stole over his fields to nip the golden harvest, and yet, with all this, there was many a beggar who gleaned the refuse from his kitchen, who knew more of happiness than did this cold, selfish man. In the first place his wife had never recovered from the shock to her affections in being forced to yield up her unfortunate child—not only her health but her temper suffered severely. Toward her husband in particular this change seemed pointed, and as much as she had loved him previously her coldness was now proportionate. Unhappily, too, for Louisa, the innocent cause of this rupture, it extended itself even to her, and thus childhood, that rainbow-tinted period of life was to her clouded and joyless. Her father, stern and morose, secluding her from playmates of her own age—her mother seldom greeting her with a word of affection or a smile of encouragement—her caresses met by both with coldness, and all the winning graces of childhood frowned down with disfavor. Her education, however, went on as though her frame were formed of iron. There was a stiff governess, whose cold gray eye was ever on her, to watch that she did not loll in sitting or stoop in walking—that her toes turned out and her elbows turned in—that she neither spoiled her mouth by laughing (little danger!) nor her eyes by crying. Then came the music-master with commands for six hours daily practice for those little fingers—and the dancing-master, saying “Ma’amselle, you must be very gay—you cannot never learn de dance ven you do look so vat you call fat-i-gued.” Then came the drawing-master, and the professor of languages; nor were these all to which her mind was tasked, for besides, were those branches which her governess professed to teach—her governess, Miss Pinchem, with whom in comparison Miss Blimber of Blimber Hall would have shrunk into insignificance! Poor little Louisa! She would sometimes wonder if the little children she read of in the Bible had to learn all such things to make them good—for Miss Pinchem was great on goodness—always beginning and ending her exhortations with, “Now, Miss Louisa, you must be good, and not raise your eyes from your book”—“You must play that tune with more scientific grace, Miss Louisa, or you will not be good”—“You must turn out your toes if you want to be good”—“You will never be good if you don’t pronounce better”—in short there was a great deal of goodness on Miss Pinchem’s wiry tongue, let people say what they would, and though Louisa wondered what made Miss Pinchem good! No sooner had Mr. Oakly accomplished his object in ridding his sight of the poor deformed, than he would fain have held himself excused from all obligation to the widow—but he dared not act out his wishes, fearful in such case that she would claim her own, and thus betray his disgraceful secret. When he received Mrs. Oakly’s letter informing him of her intended marriage, his apprehensions were anew awakened. Could it be possible she would keep the secret from her husband! Doubtless she would scorn the imputation that so unsightly a child as Agatha was her own offspring, and thus to preserve her maternal pride forfeit her word! O! a thorny pillow was that Mr. Oakly nightly pressed! How often in his dreams did the pale corse of his injured brother rise up before him, and ever in its fleshless arms it bore the shrunken form of Agatha! But as month after month rolled on, swelling finally to years, and hearing nothing further from the late Mrs. Oakly, he felt more at ease, so much so that he entirely forgot her request relative to the future advantage of his discarded child! an oversight very natural to such a man! Louisa reached her seventeenth year, and as the bud gave promise so proved the flower, beautiful indeed and lovely. Mr. Oakly was really proud of this! He mentally contrasted her light elegant figure with the probable appearance of Agatha, and congratulated himself that he had not to bear about the shame of acknowledging the latter! Still, he did not love Louisa—strange that he almost hated her for possessing those very attributes of loveliness for which he had preferred her above his own offspring! When Louisa emerged from the seclusion of the school-room to the brilliant circles of fashion, she was caressed, flattered, adored. Wealth and beauty tripping hand in hand seldom fail to win favor, and brought a throng of admirers to the feet of the heiress, who, however, did not seem easily moved; and many were the suitors to her favor who met with a kind but firm refusal. But, beware, Louisa, your affections will be held by your tyrant father just as much enslaved as your person; and now, wo to you, should they centre where he does not approve. Moonlight, golden, twinkling stars, fragrant zephyrs, sweet from the lip of the lily, soft music from tinkling leaves, a murmur from the rippling river, and through the winding shrubbery, slowly along the path tesselated by the moonbeams, which glint through the leafy curtain, Louisa is straying—but not alone. A youth is by her side, one whose arm her own encircles, who clasps her willing hand in his; one whose whispers are of love, and to whom her own voice, gentle and low, speaks of hope and happiness in return. Ah! foolish, foolish Louisa! what are you thinking of? Only a poor painter—and you in love! True, he has talent, worth, grace, refinement, but—no money! And you, unfortunate youth, why did you love this beautiful maiden? Know you not that man of heartlessness and pride, her father, would gladly crush you to the earth for lifting your eyes heaven-ward to his daughter; that he would sooner buy her winding-sheet than that she should don her wedding-robe for thee! And yet, even now, closer and closer are you both riveting the chain, drawing heart to heart, which no hand but death can loose. It was the second summer after Louisa’s initiation into the gay world that the Oakly family were once more assembled at Oak Villa, their annual resort during the warm months of July and August. With no taste for reading, a mind not attuned for meditation, and the querulousness of an ungraceful old age gradually stealing upon him, Mr. Oakly found the time drag most wearily on amid those quiet groves. In his extremity an idea suddenly flashed across his brain, which he eagerly caught at, as it promised to relieve somewhat of that tedious vacuum between those hours when such a man and happiness may alone be said to look each other in the face: viz., the hour of meals—and this was to summon an artist to the villa, for the purpose of decorating the walls of the saloon with the portraits of its inmates. He had not thought of it before, but, quite luckily, it now occurred to him that he already had the address of a young artist in his pocket, for whom some friend of struggling genius had solicited patronage. Now he could kill two birds with one stone, as it were, secure the plaudits of the world by taking the artist by the hand in so flattering a manner, and at the same time pull away the drag from the wheels of time. He looked at the card—“Walter Evertson,”—and to Walter Evertson did he immediately address a letter, requesting his presence at the villa. He came—a fine, handsome youth of three-and-twenty, with an eye like an eagle, and hair dark as a starless night—a dangerous companion, we must allow, for the gentle Louisa. He was met with condescending affability made most apparent by the master of the house, and by Mrs. Oakly, who seldom manifested much interest in any thing, with cool indifference. No wonder, then, that he turned with a thrill of pleasure tingling his heart-strings, to the gentle Louisa, whose manners, at once so courteous and refined, offered so agreeable a contrast. There are some, perhaps, whose hearts have never yet felt the power of love, who rail about love at first sight as a theory too ridiculous to dwell upon—a chimera only originating in the heads of romantic school-girls and beardless shop-boys; very well, let them have it so; I only assert that both Louisa and the artist, at that first interview, were favorably impressed; and that a brief intercourse under the same roof cemented their young hearts with all the strength of a first and truthful affection. Love (himself a sly artist) traced each on the other a heart in fadeless tints. Sincere and unselfish was the love which Walter Evertson had conceived for Louisa; a love which he intended to bury within his own throbbing breast—for he dared not flatter himself that it would be returned—she, the heiress of thousands—he, the poor, unfriended artist. Vain resolve! It was the evening with which this chapter commences, that, in an unguarded moment, he had revealed to her his love, and received the blest assurance of her own in return. But their cup of joy was even then embittered by the consciousness that her father, in his cold, selfish nature, would tear their hearts asunder, even though he snapped their life-strings. In the meantime the business which had brought him to the villa was being accomplished. Mr. and Mrs. Oakly saw themselves to the life on canvas, and now it only remained to consummate his work by portraying the features of Louisa. Delightful, yet difficult task! Mrs. Oakly had so far aroused herself from her usual lethargy, as to insist that the figure of Louisa herself should be but secondary in the picture about to be executed. She was tired, she said, of those stiff, prim figures on sombre-tinted ground, looking out from gilded frames with eye-balls ever coldly glaring upon one, and would have a large painting of rare design and skill—woods, fountains, birds, and flowers, to relieve the form and face of Louisa from this dull sameness. Various were the sketches brought forward for her approval; and whole days, which Evertson wished might never end, were spent in vain endeavors to settle upon some one of them for the purpose. Accident, however, at length furnished the desired tableau although it would be doing injustice to Evertson to imply that he lacked talent or originality—fine as were his sketches, they failed to please Mrs. Oakly, because—she would not be pleased. One morning Louisa strolled out alone, and unconsciously pursued her ramble until she reached a beautiful meadow fringed with fine old trees, whose branches bent down to meet their dark, leafy shadows in the bright waters of the Susquehanna. Birds were singing merrily, butterflies sported their golden wings, and the grasshopper chirped, blithely leaping through the tall grass. Here and there, where the rays of the sun had not yet penetrated, were the gossamers of elfin broidery—mantles dropped by fairies on their merry rounds in the checkered moonlight beneath those old trees; there was a drop of bright nectar, too, left in the cup of the wild-flower, and the large, red clover-tops were sparkling with dew-gems. I cannot assert that Louisa saw all the beauties of this fine morning; for, absorbed in pleasing thoughts, upon which we will not intrude, satisfied as we ought to be that the artist occupied a full share, she seated herself beneath one of those shadowing trees, and resting her chin within the palm of her little hand, most likely, I am sorry to say, heard neither the warble of the birds, the cheerful chirping insect, or saw the bright glancing river, with the little boat which was just then dancing over its silver ripples. The sound of voices approaching in the opposite direction suddenly broke in upon her trance, and she then, for the first time, reflected that she had passed the boundaries of her father’s land. The estate adjoining had lately been purchased by a wealthy Englishman, it was said. For many weeks repairs had been going on in the old mansion, which for several years had been tenantless; and the family were daily expected to arrive. That they had now done so was Louisa’s conclusion. The voices drew nearer; but, trusting to the thick foliage for concealment, she remained perfectly still; when apparently within but a few paces of her the party stopped. “What a lovely view!” exclaimed a soft female voice. “I wish ma’ma had not turned back, she would have been so delighted.” “It is truly fine,” was the reply, in a masculine tone; “it is even more beautiful than the view from the lawn we so much admired last evening; what if you were to sketch it.” “If I had only brought my crayons, I would do so now. How lovely it is!” answered the lady. “If you have strength for it after your long walk,” was the reply, “I will return for your portfolio; here is a nice shady seat for you—I will soon be back, but do not ramble away from this spot.” Louisa heard the retreating footsteps, and was about to make good her own, when a beautiful Scotch air, very sweetly warbled, arrested her attention. The song ceased abruptly, giving place to a scream so loud and shrill, as blanched the cheek of Louisa with the hue of death. She sprang to her feet, and panting with terror, emerged from her shelter into the open meadow just as the scream was again repeated. She now almost breathlessly looked around to detect the cause of alarm. In a moment she saw it all. A noble stag, having probably leaped the park-pailings, came bounding swiftly across the meadow directly toward the spot where Louisa was now standing, no doubt with the intention of slaking his thirst at the tempting stream. The terrors of Louisa were at once allayed; and she now hastened to the spot whence the screams issued, to soothe, if possible, the fears of the unknown. Trembling with fright, and clinging to a tree for support, was a female, dwarf-like in stature, and deformed in shape. Her countenance was deadly pale, and her eye-balls, almost fixed with terror, were strained upon the animal, as he came leaping onward. Ere Louisa could speak he had approached within a few paces, and, as if now first aware of their presence, he suddenly halted, arched his beautiful, glossy neck, and bending his antlered head, stood at bay. Seeing how utterly helpless was the poor unknown, Louisa sprung forward, and telling her not to be alarmed, quickly placed herself before her; but the noble stag, as if disdaining to war with women, after gazing upon them a few seconds with his wild eyes, suddenly turned, and tossing his head proudly, trotted off in another direction. At that moment how rejoiced was Louisa to see her lover rapidly approaching—for the stranger had already fainted. “Water! water!” she cried, “quick, or she will die!” Without speaking, Evertson rushed to the river, and filling his hat with its cooling waters, was in a second at her side. “Poor girl! she will die with terror, I fear. What fine features, and what beautiful hair!” said Louisa, as she swept back the long tresses from her neck and brow, purer than alabaster. In a few moments the object of their solicitude opened her eyes. She could not speak, but pressing the hand of Louisa to her lips, pointed toward a mansion just discernible through a dense shrubbery at some distance. “Shall I bear you home?” inquired Evertson. The stranger looked her thanks; and lifting her in his arms as tenderly as if she were a babe, he proceeded with his almost lifeless burthen in the direction pointed out. Thus met, for the first time, the discarded Agatha and the innocent usurper of her rights. The fancy of Walter Evertson seized at once upon a scene so interesting as the one he had just witnessed. No sooner did he part with Louisa at the door of the saloon, than, hastening to his studio, he began sketching the outlines of his truthful conceptions. Rapidly did he hasten on his own misery—blissfully unconscious the while of the sad termination of his labors. Never had he wrought so well and so rapidly—not a stroke but told. There was the beautiful meadow, with its brave old trees, and the river gleaming through their branches; the fine stag, his antlered front bent toward the two females; the graceful form of Louisa standing beneath the old oak, shielding the terrified stranger, one arm thrown around her, the other slightly raised as if motioning the animal away. Love surely guided his hand; for, without a sitting, the artist had transferred from his heart to the canvas the gentle features of Louisa with an accuracy undisputable. Strikingly, too, had he delineated the form and face of the deformed—her long, waving tresses—her pale countenance—her large eyes fixed in terror upon the stag, and her small, mis-shapen figure. Something, too, had he caught, even in that short interview, of the features of Agatha. He could not, however, proceed in his task until it had received the approbation of the master and mistress of the mansion. He had purposely requested Louisa to be silent respecting the morning’s adventure, that he might, by surprise, obtain the mastery over the whims of Mrs. Oakly, so hard to be gratified. They were now respectfully invited to the picture-room, together with Louisa, to pass judgment upon his (to him) beautiful sketch. To depict the scene which followed the withdrawal of the curtain he had placed before it would be impossible. Mrs. Oakly gave one look, and with a dreadful shriek, exclaiming, “My child!” fell senseless to the floor. Mr. Oakly, foaming with rage, his face livid and distorted, rushed upon the astonished artist, and in a voice choked with passion, cried, “Out of my house, villain! Ha! do you beard me thus! Who are you, that have thus stolen my secret, and dare to show me that picture—dare to place that hateful image before me? Out of my house, I say, ere I am tempted to commit a worse crime!” Astonished, bewildered, confounded, Evertson for a moment could not speak, nor would the enraged man hear him when he did. In vain Louisa, while striving to restore animation to her mother, interceded, explained, expostulated—alas! her tears and agitation only betraying to her father a new source of anger. Seizing her by the arm, and bidding her seek her chamber, he thrust her from the room, and then turning once more to the artist, as he raised the still inanimate form of his wife, “I give you half an hour to make your arrangements for leaving my roof—beware how you exceed that time; when you are ready, you will find the sum due you in this cursed room—begone, sir!” Without any attempt to see poor Louisa again, and trusting he might be able to communicate with her in a few days, Walter Evertson left the villa. When Mr. Oakly next entered the painting-room the money of the artist was still there—but the fatal picture had disappeared. A few years after his marriage, Mr. Sullivan took his family to Europe, where they remained until within a few months previous to the singular meeting of Louisa and Agatha. In a beautiful cottage on the borders of Loch Katrine, their lives had been one uninterrupted scene of happiness—always excepting the yearning of a mother’s heart for her lost child. The education of Ruth and Agatha had formed their chief care, and was such as a kind-hearted, intelligent man like Mr. Sullivan was proud to give them, sparing neither money nor precept, and aided, too, by the superior judgment and example of their excellent mother. Ruth had grown up lovely and amiable, and at the time the family returned to America, was affianced to a fine young Scotchman. Poor Agatha had become even more unsightly in figure, yet retained all the simplicity and amiableness of her childhood. Whatever may have been her own private feelings upon her unfortunate deformity, it was rare, indeed, that she ever made allusion to it. When she did, it was with meekness and resignation to her Maker’s will; for early in life had Agatha given herself to Him whose love is more precious than all earthly advantages. She seldom mixed with society, yet when she did, even strangers, after a slight acquaintance, thought no more of her unshapeliness. The sweet expression of her countenance interested, her intelligence charmed them. When Mrs. Sullivan took possession of her new residence on the Susquehanna, little did she dream how short the distance which separated her from her youngest born; and when Agatha related the fright she had received during her morning ramble, and spoke with such enthusiasm of the beautiful girl who had so nobly come to her assistance, how little did she think whose arms had encircled the trembling Agatha, whose voice it was had tried to soothe her fears. Mr. Sullivan avowed his determination of calling immediately upon their neighbors to express his thanks to the fair maid, and the gallant young gentleman who had so opportunely come to the assistance of dear Agatha, his pet and favorite. He did so the next day, but he was too late—the house was deserted. Agatha evinced much regret at the circumstance. “How sorry I am!” said she; “O, I do hope we may hereafter meet again; the countenance of that charming girl haunts me like a dream—so lovely, and somehow so familiar to me—a stranger, sad yet not a stranger. Sometimes, ma’ma, when you look at me as you do now, I almost fancy her eyes are on me; and then again, only for being a blonde, it appears to me she greatly resembled dear Ruth.” Mrs. Sullivan changed color, and evidently much agitated, she inquired of her husband if he knew the name of their late neighbor. “I do not,” was his reply, “and our servants are as ignorant as ourselves. Ah! here comes an honest lad with berries to sell—and a fine tempting load, too. I will ask him while I purchase the fruit.” As the boy measured out the berries, Mr. Sullivan said, “Well, my son, can you tell me who lives in the fine old stone house just at the bend of the river?” “Oakly, sir—Squire Oakly we call him here.” “Quick, quick, father, ma’ma is fainting!” screamed Ruth, springing to her side. For a moment all was alarm and confusion; but at length Mrs. Sullivan slowly opening her eyes desired to be led to her chamber. “I will lie down a few moments—I shall soon be better; it is nothing—nothing,” she answered to their affectionate solicitude. When alone, then did she give way to her joy. What happiness! her dear Louisa—her long lost was found. She was good, too, and lovely; her kindness to a stranger proved the former, and the assertions of the grateful Agatha the latter. She might now hope by some fortunate chance to see her—they might now meet. O, how could she keep down her throbbing heart; how would she be able to refrain from clasping her to her bosom, and avowing herself her mother. When she thought she had recovered sufficient composure, she again joined the family; but it was almost as soon dissipated by the conversation which followed her entrance into the sitting-room. “My dear,” said Mr. Sullivan, “do you know these foolish girls are for making out a relationship between themselves and our runaway neighbors—claiming a cousinship, even if several degrees removed, to the fair heroine of Agatha’s story—can it be so, think you?” “This Mr. Oakly may possibly have been some connection of their father’s,” faltered Mrs. Sullivan. “Had papa no brothers?” said Agatha. “Yes, one; but some unhappy family disagreement, however, prevented any intercourse. They were as strangers to each other.” “What if this Mr. Oakly should prove our uncle. Had he any family, ma’ma?” asked Ruth. “I believe—one—one daughter,” was the almost inaudible reply. “Do not say any more,” whispered Agatha to her sister, “don’t you see how it distresses ma’ma?” Mr. Sullivan had observed the same thing, and the subject was dropped. In a few days the papers announced among the list of passengers sailed for Havre, the name of Mr. Alfred Oakly, lady and daughter. Another flight of years, and behold what changes in the fortunes of Mr. Oakly. Adversity had at last seized its victim, gorging to the full its revenge for those years when its existence had been but as a phantom to the wealthy merchant; he now felt its iron clutches to be something more tangible than shadows. The sea had swallowed his vessels; flames had greedily swept over his warehouses; blight had devastated his fields; failures of firms he considered as good as the bank—nay, even the bank itself failed; and in the short space of one year, Mr. Oakly found himself stripped of all save a mere pittance, which, with the most scrupulous economy, could hardly support his family. The teachings of adversity upon the cold, selfish heart, are sometimes blessed with happy fruits. And thus it proved with Mr. Oakly. True, the change was not instantaneous; he lost not his property to-day, to become a Christian, a philosopher to-morrow. But as a drop of water will in time wear away the hardest rock, so, little by little, were the flinty feelings of his heart softened and purified. The wicked and selfish deeds of his past life arose up before him, each with its own accusing tongue. That fortune, for which he had risked his soul, had crumbled away, but these stood out plain and distinct, only to be effaced through the mercies of One whose most sacred obligations he had violated. Mrs. Oakly met this reverse of fortune humbly and uncomplainingly. Happily, she was ignorant of the sin of her husband, in having, like a second Cain, destroyed his brother. Yet she felt that for another crime—the disowning of his own offspring—the punishment was just. Her own conscience, too, reproached her for the unjust feelings in which she had indulged toward the innocent Louisa; and now, almost for the first time in her life, she treated her as a daughter. Kind, gentle, affectionate Louisa! only that she saw her parents deprived of many comforts which would have soothed their declining years, she would have rejoiced in a change of fortune which had brought with it their love. In her heart there was a secret sorrow which she might breathe to none—it was her love for Walter Evertson. Never, since that fatal day, had she seen or heard again from him; but that he was faithful, and would be faithful unto death, her trusting heart assured her. When ease and affluence surrounded her, this sudden separation from her lover, and under such afflicting and inexplicable circumstances, had seemed to paralyze her energies. Books, music, travel, all failed to excite more than mere mechanical attention; but now, in the sorrows of her parents, she lost the selfishness of her own, and strove in every way to comfort them. What now had become of the once proud merchant? His name was no longer heard on ’change, unless coupled with a creditor’s anathema; and summer friends, like the sun on a rainy day, were behind the cloud. It was a cold, cheerless day in December; one of those days when one hugs close to the fire-side, and when even a glance at the dull, sombrous out-of-door atmosphere makes, or ought to make, one thankful for the blessings of a pleasant fire, to say nothing of the society of a friend, or the solace of a book. With all these comforts combined, the family of Mr. Sullivan had assembled in the breakfast parlor. There was the grate, heaped to the topmost bar of the polished steel, with glowing anthracite; the soft carpet of warm and gorgeous hues; luxuriant plants of foreign climes, half hiding the cages of various little songsters, whose merry notes breathed of spring-time and shady groves; and the face of grim winter shut out by rich, silken folds of crimson drapery. The pleasant morning meal was already passed, and the breakfast things removed, with the exception of the beautiful coffee-set of Sevre’s china, which Mrs. Sullivan was so old-fashioned as to take charge of herself; in preference to trusting it with servants. Seated at the head of the table, a snowy napkin in her hand, she was now engaged in this domestic office. Mr. Sullivan and Mr. Danvers (the husband of Ruth) had just gone into the study, to talk over some business affairs. Ruth had taken the morning paper, and upon a low ottoman by the side of her mother, was reading the news of the day—now to herself, or, as she found a paragraph of peculiar interest, aloud for the general entertainment. Agatha was reclining upon the sofa, and nestling by her side was a beautiful boy of two years old, playing bo-peep through the long, sunny curls of “Aunt Gatty,” his merry little shouts, and infantile prattle, quite overpowering ma’ma’s news. “Why what can this mean?” suddenly exclaimed Ruth; “do hear this, ma’ma. ‘If the former widow of Mr. John Oakly (the name of her present husband unknown) be still living, or the children of said John Oakly, they are requested to call at No. 18 —— street, and inquire for A. O., or to forward a note to the same address, stating where they may be found.’ What can it mean, ma’ma?” Without answering, Mrs. Sullivan rose from her chair; she trembled in every limb, and her countenance was deadly pale. “Ruth, dearest,” said she, “ring the bell, and order the carriage immediately to the door.” “Ma’ma, you surely will not go out alone,” said Ruth. “Yes, alone! do not disturb your father,” answered Mrs. Sullivan; “alone must I meet this trial. My dear girls,” she continued, “ask me no questions. God knows what I am about to learn, whether tidings of joy or sorrow; but I trust all may be explained when I return.” In a few moments the carriage was at the door, and tenderly embracing Ruth and Agatha, she departed upon her anxious errand. After passing through so many streets that it seemed they must have nearly cleared the city, the carriage turned into a narrow street, or rather lane, and stopped at No. 18, a small two story wooden building. Mrs. Sullivan alighted and rang the bell. The door was opened by a little servant-girl, to whom she handed a card, on which she had written with a trembling hand, “A person wishes to speak with A. O.” In a few moments the girl returned and ushered her up stairs into a small parlor. Her fortitude now nearly forsook her, and it was with difficulty she could support herself to a chair. As soon as she could command herself she looked around to see if she could detect aught which might speak to her of her child. Upon the table on which she leaned were books. She took up one, and turned to the title-page; in a pretty Italian hand was traced “Louisa Oakly.” Several beautiful drawings also attracted her eye—they, too, bore the name of “Louisa Oakly.” But before she had time to indulge in the blissful hopes this caused her, the door opened, and Mr. Oakly, with an agitation nearly equal to her own, entered the room. Many years had flown since they met, and time on both had laid his withering hand; but while Mrs. Sullivan presented all the beautiful traits of a peaceful, happy decline into the vale of years, the countenance of Mr. Oakly was furrowed and haggard with remorse, and all those evil passions which had formerly ruled his reason. Quickly advancing, he extended his hand, and attempted to speak, but emotion checked all utterance, while the big tears slowly rolled down his cheek. “O, speak—speak! tell me—Louisa!” cried Mrs. Sullivan, alarmed at his agitation. “Compose yourself,” replied Mr. Oakly, “Louisa is well. I have sought this interview, that I may make all the reparation now left me for my injustice and cruelty. You see before you, madam, a miserable man, haunted by remorse, and vain regrets for past misdeeds. From my once proud and lofty standing,” he continued, glancing around the apartment, “I am reduced to this. Yet think not I repine for the loss of riches. No! were millions now at my command, I would barter all for a clear, unaccusing conscience. Wealth, based on fraud, on uncharitableness, must sooner or later come to ruin. I once despised poverty, and cherished a haughty spirit toward those I arrogantly deemed my inferiors. Have I not my reward!” “But my child—tell me of my child!” interrupted Mrs. Sullivan, scarce heeding his remarks, “where is she? May I not see her!” “Bear with me a little while longer,” said Mr. Oakly, “in half an hour she shall be yours forever!” “My God, I thank thee!” exclaimed Mrs. Sullivan, bursting into tears of joy. “Yes, I yield her to your arms,” continued Mr. Oakly, “the loveliest daughter that ever blessed a mother, and relieve you forever from the charge of an unfortunate, to whom my conduct has been both brutal and unnatural. Listen to me, madam, for a few moments.” He then as briefly as possible made confession of the base part he had acted toward his brother, and the means employed to ruin him with his father; the selfish motives which led to the exchange of the children; related the incident of the picture, and consequent removal from Oak Villa—for well did he divine who the deformed was. He then spoke of Louisa; of her uniform loveliness of character, and the gentleness with which she had borne, as he acknowledged, his oft repeated unkindness. “She knows all,” said he in conclusion, “and waits even now to receive a mother’s embrace. I will send her to you, and may her tears and caresses plead my forgiveness!” So saying, Mr. Oakly quickly withdrew. A moment—an age to Mrs. Sullivan—the door gently unclosed and mother and child were folded in each There are feelings which no language can convey—and which to attempt to paint would seem almost a sacrilege! In a short time Mr. Oakly re-entered, accompanied by his wife. The meeting between the mothers was painful—for each felt there was still another trial for them! Mrs. Oakly now really loved Louisa, and that Mrs. Sullivan was most fondly attached to poor Agatha the reader already knows. “O she has been a solace and a comfort to me!” said she to Mrs. Oakly. “A more noble-minded—a more unselfish, pure being never lived than our dear Agatha! believe me, to part from her will cause a pang nearly as great as when I first gave my darling Louisa to your arms!” Another hour was spent in free communion, and then tenderly embracing her new found daughter, the happy mother returned home—the events of the morning seeming almost too blissful to be real! It was sometime ere she could command herself sufficiently to the task before her. At length summoning all her resolution she made known to her astonished husband and Ruth the strange secret she had so long buried in her breast. Mr. Sullivan undertook to break the intelligence to Agatha. Poor Agatha was very much overcome, and for several hours her distress was such as made them almost tremble for her reason. Although the circumstances were related in the most guarded and delicate manner, nor even a hint given as to the motives of an act so unnatural as her father had been guilty of toward her—her sensitive mind too well divined the cause. “Yet how can I blame them,” said she, glancing in a mirror as she spoke, “who could love such a being! Ah forgive me,” she cried, throwing her arms around the neck of Mrs. Sullivan, who now joined them—“forgive me—you—you received me—my best, my dearest, my only mother—you took the little outcast to your arms—you could love even the mis-shapen child whom others loathed!” Mrs. Sullivan strove by the most gentle caresses to sooth her agitation, and at length succeeded so far that Agatha listened calmly to all she had to say, and expressed her desire to be guided by her in every thing relating to this (to her) painful disclosure. Almost in a fainting state was Agatha given to her mother’s arms, and at sight of her father she shuddered and buried her face in her hands. O the pang that went to the soul of her wretched father as he witnessed this! “Agatha, my child, will you not then look upon me! will you not say you forgive me?” She extended her hand wet with tears: “Father, I have nothing to pardon. I am not now less hideous in form than when to look upon me caused you shame and sorrow. In giving me to my dearest aunt you gave me every blessing, every happiness, this world has for me—but do not, O do not now tear me from!” “O God! I am rightly punished!” exclaimed Mr. Oakly—“my own child in turn disowns me!” “Agatha,” said Mrs. Oakly, “will you not love me—love your mother, Agatha?” Agatha hesitated, and her beautiful eyes streamed with tears— “Mother! I can give that name to but one!—here—here is my mother!” turning and throwing her arms around the neck of Mrs. Sullivan. Not so was it with Louisa. Like a dove long panting for its rest, she had at last reached that haven of love—a mother’s heart! Indeed so much distress did the thought of being separated from her more than mother cause poor Agatha, that, fearful for her health, Mr. and Mrs. Sullivan prevailed upon her parents to take up their residence with them for a few months, to which request they finally acceded. Soon after her first interview with Mr. Oakly, Mrs. Sullivan presented him with a deed of the cottage, which so many years before he had given her, little dreaming that any reverse of fortune would ever make him grateful for so humble a shelter! “The rent,” said she, “has been regularly paid into the hands of a faithful person, who also holds in trust the remittances which you from time to time forwarded me. I placed them there for the benefit of Agatha, should she survive me. It came from you originally—it is again your own—then hesitate not to receive it from my hands.” “Excellent, noble woman!” exclaimed Mr. Oakly, overwhelmed with emotion, “how little have I merited this kindness!” Indeed, together with principal and interest, what at first was but a trifling sum, had in the course of eighteen or twenty years amounted to quite a little fortune. It was now settled that as soon as the Spring opened Mr. and Mrs. Oakly were to take possession of the little cottage, and rather than be separated from their dear Agatha, the Sullivans were soon to follow and take lodgings for the summer months. “But, my dear madam,” says the reader, “you have entirely forgotten to tell us what became of the unfortunate artist, the lover of Louisa, whom you appear to think happy enough in her present situation without a lover.” “O no, dear reader—but this is not a love-story, you know—if it were I would tell you the particulars of a most interesting love scene between Walter Evertson and his adored Louisa. Suffice it to say, they were married, and that the picture which caused their unhappy separation occupies a conspicuous place in their beautiful villa, a few miles from the city of P——.” Step softly! step lightly! I would not disturb her! She’s wrapt all unconscious in innocence’s charms; Her slumbers are peaceful, her dreams are as gentle As when she reposed in her fond mother’s arms. And thus may it last—may no cause for repining E’er darken the unsullied days of her youth— May she as age deepens, when backward reviewing, Find mem’ry well stored with Virtue and Truth. S. E. T. |
Drawn by C. H. Bodmer. | Engd. by Rawdon, Wright & Hatch. |
A Skin Lodge of an Assiniboin Chief.
Engraved Expressly for Graham’s Magazine.
AN ASSINIBOIN LODGE.
The travels of Prince Maximilian, of Wied, in the interior of North America, give us an interesting account of the Assiniboin tribe of Indians in the far west.
“All on a sudden,” he says, describing their visit, “we heard some musket-shot, which announced a very interesting scene. The whole prairie was covered with scattered Indians, whose numerous dogs drew their sledges with the baggage; a close body of warriors, about 250 in number, had formed themselves in the centre, in the manner of two bodies of infantry, and advanced in quick time toward the fort. The whole troop commenced a song consisting of many broken, abrupt tones, like those of the war-whoop, and resembling the song which we heard in 1814 from the Russian soldiers. Many of these warriors had their faces painted all over with vermillion, others quite black. In their heads they wore feathers of eagles, or other birds of prey; some had wolf-skin caps; others had fastened green leaves around their heads; and long
We continue the extract to afford our readers a description of the manner in which the Assiniboins erect their rude dwellings. “At noon a band of Indians had arrived, and twenty-five tents were set up near the fort. The women, their faces painted red, soon finished this work, and dug up with their instruments the clods of turf which lay around the lower part of the hut. One of these huts, (see the plate in the present number of “Graham,”) the dwelling of a chief, was distinguished from the rest. It was painted of the color of yellow ochre, had a broad, reddish-brown border below, and on its sides a large black bear was painted, (something of a caricature, it must be confessed,) to the head of which, just above the nose, a piece of red cloth, that fluttered in the wind, was fastened; doubtless a medicine. We now saw the women returning in all directions from the forest, panting under the weight of large bundles of wood, which were fastened to their backs.” The scene, brief as it is, affords a characteristic view of the life of the children of the prairie.
THE AUTUMN WIND.
———
BY MRS. JANE C. CAMPBELL.
———
The Autumn wind is rushing by,
And in its wild career
It beareth on its mighty wings
The beauty of the year;
And mournfully its deep dirge rings
Upon the spirit’s ear.
How drear the sound that sweeps along
The forest and the vale,
Those solemn tones, they chill the heart,
Like plaintive funeral wail.
I’ll sit me down on these dead leaves,
And question of its tale.
“What tidings hast thou—where hast been
Since last thy voice I heard,
Since last the quivering of thy wings
The leafless branches stirred,
And frighted from its moss-clad home
Each gentle nestling bird?
“Ah, wherefore didst thou swell the storm
When good ships went to sea;
And why was bent the tall, stout mast—
The cordage rent by thee;
And why, when shattered bark went down,
Thy shout of victory?
“Oh! bring back tidings of the lost
To many an anxious ear;
Bear to the mourner, mighty wind,
The last words thou didst hear;
One token give—some simple things
From those who were so dear.
“And tell us—” “Mortal, why dost ask
These tidings of the wind—
Dost think that of the unfathomed deep
The secrets thou shall find?
As well might hope, with filmy thread,
The storm’s wild rage to bind.
“If o’er the ocean I have swept,
And lashed its waves to heaven,
While high before me on the surge
The hapless bark was driven,
And loud and fearful rose the cry
Of men from warm life riven.
“Or if I kissed the pale, calm brow
Of some fair bride of death,
And colder made the cold pure snow
Where froze her heart aneath,
And mingled with mine own low moan,
Her last faint flitting breath.
“If I have stilled the infant’s sob
Upon its mother’s breast,
While closer, closer in her arms
Her treasured one was pressed,
Until my wailing lullaby
Had hushed the babe to rest.
“I did His bidding who doth hold
In his all-powerful hand
The whirlwind that hath swept in might
O’er ocean-wave and land;
I questioned not why such things were—
Can mortal understand?
“Enough, that thou hast wept the dead,
Since last was heard my tone;
Enough, that thy poor human heart
Has sorrowed not alone;
Enough, that when thou hearest now,
I tell of treasures gone.
“There has been beauty in my path,
And I have whispered low
To rose-buds till their cheek has flushed;
Have fanned eve’s crimson glow,
And dimpled founts, where sunbeams danced,
And mingled with their flow.
“Many a shout from a merry troop
Of children at their play,
And gladsome tone of mirth and joy
Have I borne in my flight away;
And odors of heaven my wings have caught
Where the holy knelt to pray.
“Do thou His bidding—question not,
Nor cower like frighted dove,
There’s a home where the storm-winds never sweep,
In the heaven of heavens above.
Thy jewels are garnered in that bright land
With their God—and God is Love.”
STANZAS FOR MUSIC.
In golden dreams the night goes by,
And sweet the world of sleep to me;
For, moon-like ’mid her starry sky,
My brightest dream is still of thee.
As swells the sea beneath the glance
Of moonbeams in their midnight play,
So ’neath thine eyes my bosom pants,
My heart’s deep midnight wakes in day.
A.
REVIEW OF NEW BOOKS.
Evangeline, a Tale of Acadie. By Henry Wordsworth Longfellow. Boston: Wm. D. Ticknor & Co. 1 vol. 12mo.
We are glad that Professor Longfellow has, in this volume, produced a poem which, while it indicates his capacity as a writer, is practically a triumphant answer to various depreciating criticisms on his writings. It has been said that his strength lay in small lyrics and didactics; that he had not sufficient force of feeling and imagination to create a poem. Here is a long and elaborate effort, extending to some hundred and sixty pages, where the strictest unity of effect is combined with great variety of character, incident, scenery, sentiment, and description. It has been said that his love of thought, if not his imagery and ideas, were borrowed from foreign sources, and that he rather polished than created. Here is a poem almost entirely American, blooming with flowers, and fragrant with odors peculiar to his own continent, and reflecting in its beautiful verse the streams, valleys, and mountains of his native land. It has been said that a certain foppery and effeminate elegance characterized his fancy; and that he dared not trust himself in the delineation of actual homely objects, where the poetic effect could not be produced by cunning combinations of words, but must result from the exercise of a pure and bright imagination. Here is a poem, in which whole pages are devoted to the delineation of humble, hearty farmers and mechanics, evincing an almost Chaucerian trust in things as opposed to words, giving clear pictures of objects and characters, replete with a sweet, humane humor, and producing poetry of effect by intensity and clearness of imaginative conception. Basil, the blacksmith, and Benedict, are as vivid and true as the delineations of Crabbe. Any farmer or smith would instantly recognize them as genuine. Yet the poet, by his subtil power of discerning the spirit beneath the rough external appearance, has given them an intrinsic beauty and dignity which would entitle them to rank with kings. He has, with a severe simplicity, fixed his gaze steadily on the human heart and soul, and we recognize in his delineations, humanity as well as the externals of rural life.
If Mr. Longfellow has in this poem thus practically illustrated his possession of rare powers, for which a few critics have not given him credit, he has also done something which, from the time of Sidney, has been pronounced impossible by English criticism—he has written a long narrative poem in hexameter verse, and managed it so admirably, that it seems the best he could have chosen for his purpose. We cannot conceive of the poem as being recast in heroics, octosyllabics, blank verse, or the Spenserian stanza, without essential injury to its effect, and a limitation of its range of character and description. In this Mr. Longfellow has clearly performed “the impossible;” and it should be a source of gratification to every American, that one of his own countrymen has achieved what no English poet has been able to perform, and what few have dared to attempt. The composition of a poem in hexameter verse, which can be read with as much ease and delight as “Gertrude of Wyoming,” we conceive to be the most original peculiarity of this original work.
The character of Evangeline is, perhaps, Mr. Longfellow’s most beautiful creation. It is both conceived and sustained with wonderful force and truth. The sweetness, purity, energy, holiness, and naturalness of the character, as displayed in her life-long wanderings, the unforced religious elevation which envelopes her, and through her the whole poem;
—“The hope, and the fear, and the sorrow,
All the aching of heart, the restless, unsatisfied longing,
All the dull, deep pain, and constant anguish of patience,”
which she endures from her early youth to that period when, old and worn with constant endeavor, she presses the lifeless head of her long-sought betrothed to her bosom, and “meekly bows her own, and murmurs, ‘Father, I thank thee,’” all combine to consecrate her to the heart and imagination as one of those pure conceptions of humanity, which none who once cherishes will willingly let die. The author has well addressed the class of readers who will appreciate the deep seriousness of his purpose, in a few of the opening lines:
“Ye who believe in affection that hopes, and endures, and is patient;
Ye who believe in the beauty and strength of woman’s devotion;
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.”
We cannot refrain from making a few extracts from this poem, although we must warn our readers that they can obtain no clear idea of its merits, and the artistical relation, of the characters to each other, and the scenery to the characters, without reading the whole. We will guarantee that it possesses sufficient interest to be read at one sitting.
We will first give a few lines partially indicating some of the characters. Benedict, Evangeline’s father, is thus described:
“Stalworth and stately in form was the man of seventy winters;
Hearty and hale was he, an oak that is covered with snow-flakes;
White as the snow were his locks, and his cheeks as brown as the oak-leaves.”
• • • • • • • •
“In-door, warm by the wide-mouth fire-place, idly the farmer
Sat in his elbow-chair, and watched how the flames and the smoke-wreaths
Struggled together like foes in a burning city.
Faces clumsily carved in oak on the back of his arm-chair
Laughed in the flickering light, and the pewter plates on the dresser
Caught and reflected the flame, as shields of armies the sunshine.
Fragments of song the old man sang, and carols of Christmas,
Such as at home, in the olden time, his fathers before him
Sang in their Norman orchards and bright Burgundian vineyards.”
The following is a picture of the good notary:
“Bent like a laboring oar, that toils in the surf of the ocean,
Bent, but not broken, by age, was the form of the notary public;
Shocks of yellow hair, like the silken floss of the maize, hung
Over his shoulders; his forehead was high; and glasses with horn bows
Sat astride on his nose, with a look of wisdom supernal.
Father of twenty children was he, and more than a hundred
Children’s children rode on his knee, and heard his great watch tick.”
The blacksmith, the very impersonation of strength, is well delineated; but we have only space for a few lines:
“Silenced but not convinced, when the story was ended, the blacksmith
Stood like a man who fain would speak, but findeth no language;
And all his thoughts congealed into lines on his face, as the vapors
Freeze in fantastic shapes on the window-panes in the winter.”
The following view of the little maiden on a Sunday morn, is very beautiful:
“But a celestial brightness—a more ethereal beauty—
Shone on her face and encircled her form, when after confession,
Homeward serenely she walked with God’s benediction upon her.
When she had passed it seemed like the ceasing of exquisite music.”
The descriptions of rural life in
“Columns of shining smoke uprose, and flashes of flame were
Thrust through their folds and withdrawn, like the quivering hands of a martyr.
Then as the winds seized the gleeds and the burning thatch, and, uplifting,
Whirled them aloft through the air, at once from a hundred house-tops
Started the sheeted smoke with flashes of flame intermingled.”
The following exquisite passage, on the mocking-bird in the far west, is, perhaps, the finest and most life-like description in the poem:
“Then from a neighboring thicket, the mocking-bird, wildest of singers,
Swinging aloft on a willow spray that hung o’er the water,
Shook from his little throat such floods of delicious music,
That the whole air, and the woods, and the waves, seemed silent to listen.
Plaintive at first were the tones and sad, then soaring to madness
Seemed they to follow or guide the revel of frenzied Bacchantes.
Then single notes were heard, in sorrowful low lamentation,
Till, having gathered them all, he flung them abroad in derision,
As when, after a storm, a gust of wind through the tree-tops
Shakes down the rattling rain in a crystal shower on the branches.”
Here we have a view of our own city, for which we are reasonably grateful to the poet:
“In that delightful land which is washed by the Delaware’s waters,
Guarding in sylvan shades the name of Penn the apostle,
Stands on the banks of its beautiful stream the city he founded.
There all the air is balm, and the peach is the emblem of beauty,
And the streets still re-echo the names of the trees of the forest,
As if they fain would appease the Dryads whose haunts they molested.”
Mr. Longfellow shows in this poem, together with much that is new, his usual felicity and breadth of imagery and comparison. We cannot take leave of his book more pleasantly than in quoting a few of his separate excellencies of thought or language:
“And as she gazed from the window she saw serenely the moon pass
Forth from the folds of a cloud, and one star follow her footsteps,
As out of Abraham’s tent young Ishmael wandered with Hagar.”
• • • • • • • •
“Life had been long astir in the village, and clamorous labor
Knocked with its hundred hands at the golden gates of the morning.”
• • • • • • • •
“Sadly echoed her step on the stair and the chamber.
In the dead of the night she heard the whispering rain fall
Loud on the withered leaves of the sycamore tree by the window.
Keenly the lightning flashed, and the voice of the neighboring thunder
Told her that God was in heaven, and governed the world he created.”
• • • • • • • •
“Sometimes a rumor, a hearsay, an inarticulate whisper,
Came with its airy hand to point and beckon her forward.”
• • • • • • • •
“Whither my heart has gone, there follows my hand, and not elsewhere;
For when the heart goes before, like a lamp, and illumines the pathway,
Many things are made clear, that else lie hidden in darkness.”
• • • • • • • •
“Nearer and round about her, the manifold flowers of the garden
Poured out their souls in odors, that were their prayers and confessions
Unto the night, as it went its way, like a silent Carthusian.”
• • • • • • • •
“Bright rose the sun the next day; and all the flowers of the garden
Bathed his shining feet with their tears, and anointed his tresses
With the delicious balm that they bore in their vases of crystal.”
The pathos of Evangeline it is impossible to develop in our limited space. The chief beauty of the poem is its unity of interest and feeling. The reader soon comes to admire the unaccustomed movement of the verse, and he is carried onward with its majestic sweep to the conclusion, without any faltering of attention. We end our notice with a portion of the concluding lines, which fitly close the sweet and mournful story of the lovers:
“Still stands the forest primeval; but far away from its shadow,
Side by side in their nameless graves the lovers are sleeping.
Under the humble walls of the little Catholic church-yard,
In the heart of the city, they lie, unknown and unnoticed,
Daily the tides of life go ebbing and flowing beside them,
Thousands of throbbing hearts, where theirs are at rest and for ever;
Thousands of aching brains, where theirs no longer are busy;
Thousands of toiling hands, where theirs have ceased from their labors;
Thousands of weary feet, where theirs have completed their journey.”
Tam’s Fortnight Ramble, and other Poems. By Thomas Mackellar. Phila.: Carey & Hart. 1 vol. 12mo.
The modest preface of this elegantly printed volume is enough to smooth the wrinkled front of criticism. The writer is, we believe, an intelligent printer, who has made verse the solace, not the occupation of his life. It would be hard to try his volume by any severe requisitions of criticism. It is hearty, earnest and genuine, and fairly expresses what is in the man. The little poem entitled, “The Editor sat in his Sanctum,” has been very popular. The principal fault of the author is his habit of disturbing the train of serious feeling which he often awakens, by some expressions which trail along with them ludicrous suggestions.
Appleton’s Railroad and Steamboat Companion, being a Traveler’s Guide through New England and the Middle States. By W. Williams. New York: D. Appleton & Co. 1 vol. 12mo.
We allude to this book, not so much because it is the best and most complete traveler’s guide ever published in the United States, as for the information it contains respecting the cost and fares of railroads, and the sketches of every town and village they pass through. It is not until we see them all set down together in one book, that we appreciate the money expended, and the obstacles overcome in building them, and the vast impetus they have given to the productive energies of the country, and to civilization.
Washington and the Generals of the American Revolution. With Sixteen Portraits on Steel, from Original Pictures. Philadelphia: Carey & Hart. 2 vols. 12mo.
These volumes contain upward of ninety biographies, varying in extent, according to the importance of the subjects and the means of obtaining accurate information regarding them. As a whole they are interesting, well written, and reliable. A book on so important a subject cannot fail of success.
The best biography in the volume is that of Washington. From the small space in which the events are crowded, the writer had not an opportunity to do justice to his artistical powers, but the view taken of Washington’s mind is the truest and most original we have ever seen. Every American who has been accustomed to consider the Father of his Country, and one of the leaders of his race, as being a man of great virtues but of moderate talents—a view which seems to obtain among the warmest eulogists of Washington—should read the searching and profound remarks with which the writer precedes his narrative. There is one slip of the pen, however, which it may be as well to note. After showing that Washington possessed the most eminent qualities of mind and feeling, he says, toward the end, that Hamilton’s “talents took the form of genius, which Washington’s did not.” The writer should have recollected that he had been describing a high though not obvious genius throughout his eloquent and profound statement; and that he was using the term genius, not in its primal, but in one of its secondary applications.
Scenes in the Lives of the Patriarchs and Prophets.
Two years ago Messrs. Lindsay & Blackiston issued a beautiful volume, under the title of “Scenes in the Life of the Saviour,” and last year succeeded it with “Scenes in the Lives of the Apostles.” The last of these works, was prepared under the supervision of the Rev. H. Hastings Weld, a gentleman whose name is familiar to our readers, and who possesses all the qualifications to fit him for the editorship of works of this character. The volumes referred to met with great favor in the literary world; and they are now followed by a third, prepared under the same auspices, entitled, “Scenes in the Lives of the Patriarchs and Prophets.” We do but simple justice when we declare that it has seldom fallen to our lot to notice a book which possesses so many and such varied attractions. Mr. Weld has gathered from the best writers the most beautiful of their works, in illustration of his theme, and prepared for the reader a rich literary repast. We are assured that the volume before us will, like those which preceded it, come acceptably before the public, and be a favorite offering during the approaching holyday season.
Oregon Missions and Travels over the Rocky Mountains in 1845-6.
Mr. W. J. Cunningham has laid upon our table a handsome volume, bearing this title, published by Mr. Dunigan, of New York. It is from the pen of Father P. J. De Smet, of the Society of Jesus, and embodies an interesting view of the manners and customs, traditions, superstitions, &c., of the Indian tribes of the Rocky Mountains, as gathered by the Reverend Father during an extended missionary tour amongst them. The book will be read with interest, and numerous lithographic illustrations of the text add to the attractiveness of its pages.
The Mirror of Life is the title of a magnificent volume which Messrs. Lindsay & Blackiston have published, the matter of which is entirely original. It is ornamented with a number of plates, beautifully and expressly prepared by American artists, and the letter-press is really superb. Mrs. L. C. Tuthill, who edits the work, has acquitted herself admirably, and has gathered together many choice literary gems.
The Crater, or Vulcan’s Peak, by J. Fenimore Cooper, Author of “Miles Wallingford,” “The Pathfinder” &c.
Mr. Cooper is so great a favorite with the American public that any thing coming from his pen will be sought for with avidity. We do not regard “The Crater” as one of the best of his works, but coming from almost any other living writer it would be regarded as extraordinary. The invention of Mr. Cooper seems to be inexhaustible; age cannot stale nor custom wither his infinite variety; and we have in “The Crater,” and especially in the scenes descriptive of the working of the “Old Rancocus” among the breakers, evidence that the genius which has won the admiration of all civilized communities, still holds its wand with an unrelaxed grasp, and possesses spells powerful as at the first. His sea-stories surpass those of Smollet even in power and verisimilitude, while they bear no taint of his grossness. The best of these, the ocean tale, “Rose Budd,” now in the course of publication in this Magazine, has been pronounced, by all who have read it, one of the most fascinating and valuable contributions to American literature.
The Arabian Nights.
A beautiful and cheap edition of this universal favorite among the young, has been issued, and a copy has been laid upon our desk by Messrs. Zieber & Co. To speak of the work would be supererogatory, but we may remark that all which typographical skill and enterprise could do to add attraction to it, has been done by the publishers.
The Christiad.
A volume of poems on various subjects, of which the principal one is entitled The Christiad, has been published by the author, William Alexander, Esq., A. M. The work is brought out in handsome style, and a cursory examination induces us to believe that it contains many passages of merit.