And why not, pray, from a Garret? And from a Country Garret, too? Though the sun doth not flood the crannies and crevices with its light—and though dangling webs from spiders’ looms swing from one huge beam to another—yet may there brood no Fancies there?—fancies, too, themselves radiant with sunshine, and fringed with a fine web of beauty? Ay—it is not in smooth-shaven meadows alone, or beneath broad-reaching trees, or beside brawling brooks, that a man’s Fancies will disport themselves:—it is not in the woods only, that his inward nature will take airy wings, and revel among speculations far more real, after all, than the very realities about him:—but it is here—there—everywhere:—it is even beneath the rafters of a dim, dusty, and lumber-laden Garret. I have got a little apartment in the south-east corner of one of these thought-peopled Garrets; none at all too spacious, to be sure; lighted by but a single window, and walled in on all sides by the weird and strange influences that haunt the place. To this retreat I am accustomed to betake myself occasionally, when I would indulge in that refreshing and genial siesta of the senses—a Reverie. Here are no interruptions. Of a warm summer day, I open my door and suffer the cool wind to draw through the room. Sometimes, on entering at the window, it snatches hold of the corners of my manuscript sheets, whirls them rudely about to the floor, performs a rapid pirouette, and whisks out through the door. There it dances at its pleasure in the spacious and silent Garret-hall—piping its own soft music—and kicking up with its airy feet the venerable dust of years. When the sunlight blazes upon the crisped shingles, it seems to me that it is night; and that I behold innumerable stars, where, the light streams through the hundred holes in the roof. The effect is singular enough. And I go groping about in the darkness and the dust—crouching beneath huge beams—crawling carefully into dim archways and quaint-looking angles—ransacking the lumber of years’ accumulation—and raising clouds of dust, which the slender lines of sunlight through the roof fashion into shining threads of gold. All the influences here at times are sombre; yet they are not so sad as to depress me. I have a strange feeling of being momentarily out of the world. I do not feel lost: only isolated. Neither do I feel myself wholly lonely; for olden and strange associations come thronging to me, so that I may easily imagine myself surrounded with beings of life and thought. I wander and grope about in this spacious garret, and lose myself sometimes in the varied play of my feelings. My eyes light on old bits of trumpery, that were vastly counted on fifty years ago. Here are children’s worn and faded playthings—the baubles and hobby-horses, that absorbed minds which are now impressing an influence upon the world. Here, still clasping an open beam, are the ends of the rope by which children swung themselves, full a half century ago; and the whole dusky beam seems circled round and round with rings of childish laughter. Here are dark corners, and cosy angles, and curious spaces, where each erected spacious playhouses, that might, in mimicry, have rivaled the establishments of the jealous Montagues and Capulets. And I pick out from the rubbish, or take down from the edges of beams and rafters, remnants of ancient China sets, with their quaint devices shattered into other and stranger ones—all of them faithful souvenirs of the days and the habits of our godly grandmothers. And hidden away in the dusty lumber, are a few old and badly bedimmed portraits—coarsely enough done, but once probably sources of secret pride and gratification to their owners. And then when I stand in the midst of these rare collections of time, and perceptibly feel the influence of the deep silence and the faded light, I say to my heart—Why should not a Garret be the place, of all others, the fullest of living Fancies? —I had thrown myself into my arm-chair one day—it was in the latter part of a protracted and severe winter—and was gradually losing myself in the sweet and soothing play of feelings that always hover about me here. The wintry winds had bawled themselves hoarse over the snowy fields in the distance, and were charging in thick squadrons down the wooded road, to attack the first chance traveler. I could hear them piping shrilly at the crannies and beneath the eaves; and their whistling voices had, I confess, a secret charm for me. I knew they could not reach me with their frost-biting breath; and I unconsciously drew a bit nearer the fire, and wrapped myself more closely in the feeling of comfort that I had drawn about me. It was already past mid-afternoon; and the pale and lifeless sun threw itself across my floor more like a veritable shadow, than like the cheerful sun it should have been. I tried to lose myself entirely—to sleep; but that was only impossible. My thoughts would not wholly sleep. Yet they were, for all that, disposed to drowsiness. Every thing I had ever heard, or read, seemed crowding back on my memory. Chance sayings from lips that had not spoken in long years; and quaint lines from quaintest authors. Old books sifted out their piquancies into my lap, that I should pick them up and examine them over again, one at a time. My mind was, for the moment, converted into a crowded museum. Every thing was huddled together there; yet not so confusedly as that I could not lay my hand—so to say—on whatever I wanted. By some unknown association, the line of Banquo, in his questioning of Macbeth respecting the three witches, came to me; and I know not if I repeated it aloud to myself or not, in the state of reverie into which my mind was lapsing: “The earth has bubbles, as the water hath.” At all events, the line kept running and spinning round in my brain—I all the while trying to deduce some hidden meaning from it. I had it over and over again; and in time, my thoughts began to weave themselves together somewhat after this wise:— —Bubbles? Yes—and a plenty of them, too! The baby blows them from the smooth bowl of a clay pipe; distending its little cheeks to their utmost, and staring at the gaudy tints that sail over their surfaces, with a delight that is almost uncontrollable. The youth blows them, when he looks out from one of the windows of his lofty air-castle; and his eye swims with the pleasant prospect he sees through the golden mist that hangs before him. The man of mature years blows them—big and round; but they are not always so gayly painted as those he inflated years ago. The colors are faded: they seem soiled: they are, in truth, wanting. Yet the bubbles are no less bubbles, albeit they look so vapory and dull. —And so, thought I, we all keep blowing bubbles, from early babyhood till we lean upon the staff. It is only when the silvery snows of old age lie thickly upon the temples, and the clear eye has altogether lost its crystal lustre, that we leave off the occupation. Early in life we call it a pleasant pastime; when we grow older, we make it a business. While we are children, we send the fragile creations up into the air; and we laugh and clap our hands, to see the winds play gently with them as with foot-balls. And when at last their thousand liquid threads snap in sunder, and only a glistening water-drop falls to the earth, our faces for a moment forget their smiles, and then—we straightway go to blowing more. We get further on in years. We are sanguine, even to feverishness. We hope for every thing which our minds can conceive. We know no such chances as those of impossibility. Our blood is hot: it flies swiftly along our veins, and we do not know how to brook restraint. Life is all pleasure; or rather, a concentric series of pleasure—the outer circles seemingly quite as thickly crowded with happiness as those nearer the centre. We snatch quick glances at the future; and we see the years going round and round in these charmed circles, till our brain grows giddy. And then we give ourselves up to nothing but this single object and purpose—Pleasure. We grow out of mere boyhood—that age of continual conflict betwixt pride and sense—that time wherein we experience more mortifications than during all the rest of our lives—and we feel the first flush of manhood on our brows. The limbs are lithe, and graceful, and strong. The senses take a secret pleasure at the very consciousness of their existence. The eye is quick, and clear, and far-sighted. The ear catches the slightest sounds. A sense of strength, and so of confidence, settles down upon the whole being. There are no feats—whether physical or intellectual—for which we do not seem to have abundant capacity. And the hopes, too, are so high; and the ambition is so exalted; and the heart is so strong! —Oh, how much it would take of trial, to crush the strength out of the heart now! You are looking, with an eye full of hopeful expression, out upon the world’s highway. Crowded as it is, you have no fears of there being no room for you. You are so full of self-reliance—to give it no harsher name—that you even think the world will need your services—that it can ill do without them. —Immature fellow! You might die; and a thousand more of equal promise and hope, might die along with you; and yet your loss would never be felt by the world. There would be enough left to perform all you had in your heart resolved upon. You think, as you pass on, and as the days begin to lag and grow more tedious, that you will need the sympathy of another, from which, as from a never-failing fountain, to feed your own. You sometimes, even now, have moments of weariness and exhaustion, although they are as fleeting as fleecy clouds; yet they suggest to you fears of weariness and exhaustion, in the battle of coming years—and you secretly resolve not to be taken unawares. At the first, this is but a thought of expediency; or of something that looks as much to safety as to any thing else. Then it slowly and gradually takes form. Then it thrusts its bursting grain-head above the heart-soil; and it instantly becomes an existence—a living reality. Then it shoots and germinates rapidly; drawing strongly on the life for sustenance; and sucking up almost all the invigorating juices from the heart. You are thrown off your guard by the most trifling cause—nay, by no causes at all. Your nerves become shattered, unstrung, and sadly out of tune. Your head swims with the slightest pretexts. Your eyes grow wild, and at times glassy, even to ghastliness. Your heart feels never so sad and so lonely; never so deeply in want of another’s sympathy. You have brothers?—No—no. Sisters?—Ah—but even that will not do. Something nearer even than brother or sister, is what this heart-hunger craves now. And all this time—silly fellow!—your eyes are tightly shut. You see nothing. You are willing to grope your way thus in the dark. Yet if you would but exercise a little of the reason you have laid by as of no present service, in what a straight-forward way would you go at your purpose! The sight of a pale ribbon, flirting in the wind, throws you in a panic. The faintest smile from ruby lips, makes you fairly go mad. The sudden glance of a twinkling dark eye, only intoxicates you. How the hot blood rushes up to the eyes—and then slowly ebbs back upon the heart again! —Ah! if you could but catch the sweet music of her voice!— Well—well; and that time at length comes along. You have waited patiently and long. You have wrestled valiantly with your bashfulness—and, at last, you are the victor. You speak to her, whose image has so long been haunting you. She replies to you. Her voice is like the low tones of a lute. —Was there ever such joy?— —Again. You just feel the slight weight of her hand upon your arm. Yet you think you cannot feel it, either. You wish she was heavier. You wish she was far more of a burden on your arm. The lace-frills on either side of her face are snowy white; but not near so white as her face itself. Nothing could be whiter than that. You look hurriedly at it, and you greatly wonder while you fear. Lean more on me for support! you say. She throws up a grateful glance at you, but says nothing. Yet you read in that glance, as plainly as if it had been upon a printed page— Thank you: I lean on you now all I can!— But, how like a feather! How fearfully fragile! She leans on you with all her weight? Then is she scarce heavier than a shadow.— You try cheering words. You tell her how balmy airs always refresh your senses; and timidly ask her if she is not already refreshed herself. The blushing red rose that has ambitiously climbed over the wall, you pluck hastily for her—heedless of either thorns or pain. You offer it to her. She lays it upon her lips. Alas! how fearful the contrast with that blanched face. For the moment, yours is fully as white as her own. You speak of flowers; but your lip quivers. You know that the flower you support on your arm is too white for a rose; too pale by far for a lily; too fragile altogether for an earth-flower: and you cannot keep it out of your mind, that she must soon bloom in another soil. —Oh, God! How the rushing thoughts come now! All your ambition—that strong cord that bound you down to earth—is snapped like tow in a blaze! You could at once burn your books, and feel no regret; if by that means these cruel fears would release your heart from the clutch of their skinny fingers! You would give up your whole life-time, day by day, and year by year—if, by this devotion, you could crush the life out of these cruel spectres! Then comes a long day: a dark day: a dismal day. No other such day could ever have been notched in the calendar. The sun is clear—but you do not see it. You are wholly in the darkness. The soft south winds blow upon your temples, and refresh your nostrils with the fragrance they have rifled from gardens full of flowers. —If she could but feel this refreshing fragrance in her nostrils!— You behold many faces—and many strange ones, too. These are wild briars running all over the turf you are slowly treading on; but no roses on one of them; nothing but thorns. Your eye is glassy; and it runs round hurriedly on the ring of faces that are turned to your own. Your muscles are so very rigid—you think your face is of marble. There is a dark throng all around you. Circles of young girls—but not a smile on the face of one of them. Their eyes are cast down; and you fancy their pale lips slightly quiver. You look closer; and your own tremble and shake in spite of you. The dull tramp of feet has ceased. There is no voice—no sound. The silence is unbroken. It hangs over you—over those about you—over the whole dense throng, like a heavy pall. You would even put out your hand and raise it from before your eyes. You feel strange sensations, as of suffocation; and you would fain speak aloud, to satisfy yourself that you still possess your senses. —How heavy!—how oppressive!—how appalling!— By and by, a low, faint, scarce audible sound rises on the air. It is very near you, yet it seems as if it were a very great way off. Now louder—now higher—now nearer still to you. It is as if the air were filled with low wails! It is only a dirge for the dead. —How your flesh creeps, as the fearfully solemn tones fall on your ears. How icy cold is the blood in your veins—and yet the beaded drops of perspiration stand upon your temples, and in your palms! How stoutly you struggle to feel that you still have your senses; and yet, in your strong agony, you fiercely bite your lip through and through, and know it not. Alas!—what wo!—what wo!—what untold wo! No heart now, from whose depths to draw refreshing sympathy. No open ear, into which to pour the torrent of your untold grief. You cannot move from your tracks. You would not move if you could. You would not speak—nor utter so much as a faint cry. You would for ever stand there, like a lifeless block of marble. You wonder if all the rest feel as you do; and you try to lift your eyes, to meet the gaze which you feel is upon you. Just then, another wail of song—and your dimmed eyes drop to the ground. They behold what has been spared you till now. They fall into a gaping grave! —And then comes blindness again, and a swift swimming of the brain; and a sickening of all the senses; and you fear for yourself, lest you may suddenly reel and pitch into the newly-dug grave.— Oh, God!—you pray—if this cup would but have passed from me! Four men stand near the dark cavity. Their feet are imbedded in the gravel that has been freshly thrown out, and it rattles back again into the grave, with an unearthly echo. The men each hold on upon a strap. They let it slip—you can distinctly hear it—through their hands. Down—down—down! The coffin has gone down beneath the edge of the grave. It grates, and rubs, and rumbles against the rough sides of its cell, and then sinks into the silence and darkness for ever. You hear sobs—quick, convulsive, heart-rending sobs. They are full to bursting with distress. They come from the lips of her mother—her sister—her brother. You cannot bear it yourself. Oh, for only a single tear! Oh, for but a single heaving of the breast! —But no—but no. No one to whom to carry all your griefs now. They must flow back upon your heart again. They must scorch it with their boiling lava. They press even now so hard upon you, that you feel fearfully self-possessed. It is almost impossible to bear it all. Young girls step timidly up to the edge of the dark grave—snatch a look at the coffin that holds all your own heart—and cautiously throw roses down upon it. The sight goes to your very heart. But no tears yet. What a relief would they not be? And now you clench your hands tightly together, and bite your lip in fresh agony. You spit blood already from your mouth. Only a prayer—a slow, solemn prayer from the reverend man of God—and all is over. The dense throng begin to turn away. They are nearly all gone: they wait for you only. Some one touches you gently on your arm; but you are senseless as stone. Your eyes are fixed on that remorseless grave—the greedy grave, that has in a moment swallowed up all your hopes of earthly happiness. You only wish you could lie down, and be buried there too! —Then you think of her again—of the time when she was in the flush of health and beauty. You remember well the very first look she gave you. It will never, you think, pass out of your memory. You call up her tender expressions; her genial thoughts; and her many arch and graceful sayings. You think how surpassingly beautiful she seemed to you, on a certain summer morning, when you were riding together along a road lined with ruddy apple-blossoms, and vocal with the bewildering music of birds. You think, too, of the time when she gently dropped her head upon your manly shoulder, and you felt your soul full to the brim with happiness. And then to have the crushing thought fall again like a great weight upon you—that this is all that is left of her love; and that she is carefully laid away for the rioting worm! —Oh, for but a hot—a scalding tear! How you pray that this mighty grief will break its bounds and overflow! This time they pull harder at your arm, and call you by name. You look up—but you comprehend nothing. You hear your name spoken—but know not by whom. They warn you to come away. You move on reluctantly after them; but your last look is on that grave. And you think you will come back again, when night steals over the place; and watch by the side of it till she comes and sits down beside you; and then you will weave fresh roses again into garlands together. —You are back in your little office once more. You open a book—a huge book—and lay it out upon the table before you. The events of the day you desire to make into something more real; and you bring them into close proximity with your daily duties—with the very books you have handled so often, with the clear type on the page. Alas!—in only a moment—they become far too real to you. They roll rapidly over your brain, like yeasty waves over a drowning man. —No ambition now—no more hope—no high thoughts for the future. You care nothing for applauding voices. They are but faint whispers, in the storm of your roaring and deafening trouble. You pace to and fro in your little room; but no consolation. All your castles, that you had builded with such nice care, have crumbled to the ground. All the domestic bliss you had thought soon to enter upon, has suddenly become a blank. The homefires you had thought to kindle so brightly on your hearth, are all smothered and smouldering. Only dry ashes before you: no blaze; no warmth. A vacant chair stands beside your own. You seize your hat, and rush out to breathe out your still grief upon the winds—hoping, perchance, they may waft it to her ears. —And this is your first disappointment—your first great grief. Would to God—you say—it may be your last! —Bubbles—all bubbles, thought I, as the wind shrieked at the crevices of the Old Garret again. When do we stop blowing them?—and when do they stop bursting? Now, I thought I knew what Banquo meant, when he said that the earth, like the water, had bubbles;— “And this is of them!—” I piled fresh logs upon my fire. I felt chilled, as with a searching wind. My eyes wandered out at the window. The sick sun no longer lay across the floor. It had gone down behind the distant hills. The swart shadows were at the casement, and were slowly creeping in. —They had come—thought I—to throw their dark shroud about the Fancies that were brooding here. And I gladly welcomed them, too.— I buried my face in my hands; and a secret joy stole into my heart, that the Night had finally come. ——— BY ELLA RODMAN. ——— The Rev. Sydney Saybrook preached his first sermon to an admiring congregation. The people of L—— were astonished; old men dwelt with delight on the excellent home-truths introduced, as it were, amid a bed of flowers—young men admired the eloquence and frank bearing of the speaker—and young ladies, ah! that was the thing. They, disdaining the matter-of-fact admiration of the rougher sex, looked forward into futurity, and, as the young minister was reported free of encumbrances, they thought of putting an end to his season of bliss by providing him with one as soon as possible. This, however, is in strict confidence—they would not have acknowledged it for the world, and yet many of the brains pertaining to those attentive faces were busily at work within the pretty parsonage, altering, remodeling, arranging things to their own particular tastes. One would have that rose-vine taken away—it obscured the view; another would not only leave the rose, but would add a honeysuckle, too—it looked pretty and romantic; while a third had re-carpeted the stairs to the last flight by the time that Mr. Saybrook arrived at “thirteenthly.” Milly Ellsworth was a very pretty girl, and, therefore, what might perhaps have been vanity in one more plain, was with her only a pleasant consciousness of her own charms; as, in apparent forgetfulness of the saying that it takes two to make a bargain, she exclaimed: “I have made up my mind to captivate Mr. Saybrook—it must be so beautiful to be a minister’s wife.” The last remark was intended as a sort of compliment to their visitor, who enjoyed that enviable distinction, but Mrs. S—— merely smiled as Milly’s earnest face was raised toward her. “Only think of it,” continued the young enthusiast. “I do think of it,” replied Mrs. S——, quietly; “but the thought to me brings up some scenes that are any thing but agreeable. If I cannot tell ‘tales that would freeze your very blood,’ I can relate some that would freeze a little of that enthusiasm. A minister’s wife! You little know what is comprised in that title.” “Of course,” replied Milly, with a demure face, “it is a station of great responsibility, and has its peculiar duties. A minister’s wife, too, is a sort of pattern, and should be a—a—in short, just the thing.” “Exactly,” returned Mrs. S——, smiling at this very satisfactory explanation, “but for ‘pattern’ read ‘mirror’—a reflection of everybody’s own particular ideas; in which, of course, no two agree. But let me hear your ideas on the subject, Milly—I wish to know what you consider ‘just the thing.’” “Why,” continued Milly, warming with her subject, “her dress, in the first place, should be scrupulously plain—not an article of jewelry—a simple straw hat, perhaps, tied down with a single ribbon—and a white dress, with no ornament but natural flowers.” “Very good,” said Mrs. S——, “as far as it goes; but the beauty of this very ‘simple straw-hat’ is, of course, to consist in its shape and style, and country villages are not proverbial for taste in this respect. It would never do for a minister’s wife to spend her time in searching for a tasty bonnet, and with a limited purse this is no light labor. Then, too, she is obliged to encourage the manufactures of the town in which she resides. If you could have seen some of the hats I had to wear!” Milly shuddered; she could have borne reverses of fortune, could even have stood at the stake unflinchingly, supported by the glories of martyrdom; but an unbecoming bonnet is one of those petty trials for which one gains no credit but that of bad taste. “As to the white dress,” continued Mrs. S——, “you must intend it to be made of some material from which dirt will glance harmlessly off on one side. Or perhaps you have one already—a legacy from one of those everlastingly white-robed heroines in the old novels. Those must assuredly have been spectre woods that they wandered in, for in our days brambles and under-wood leave their marks. I was obliged to give up white dresses.” Milly looked thoughtful. “Oh, well,” said she, after a short pause, “dress is very little, after all. I should like the idea of being a minister’s wife; you are so looked-up to by the congregation; and then they bring you presents and think so much of you.” “Yes,” replied Mrs. S——, “there is something in that; I had seven thimbles given to me once.” “Well, that must have been pleasant, I am sure.” “It would have done very well had they not expected me to use the whole seven at once. Don’t look so frightened, Milly—I don’t mean in a literal sense; but I was certainly expected to accomplish as much work as would have kept the seven well employed. This, with my household affairs, was somewhat impossible.” Milly sighed; she was not fond of work, and had vague visions of meals of fruit and milk, and interminable seams accomplishing themselves with neatness and dispatch. “Now, that you look rather more rational,” said Mrs. S——, with a smile, “I will give you a little of my own experience, that you may not walk into these responsibilities with your eyes half-shut, as I did. My ideas upon the subject of minister’s wives were very much like your own, and when I left my father’s house in the city to accompany Mr. S—— to his home in a distant country-village, it was with the impression that I was to become a sort of queen—over a small territory, it is true, but filled with adoring subjects. Mr. S—— is not very communicative, and as he did not pull down my castles-in-the-air with any description of realities, I was rather disappointed to find no roses or honeysuckles; but a very substantial-looking house, with an immense corn-field on one side and a kitchen-garden on the other. I could scarcely repress my tears; but Mr. S——, who had been accustomed to the prospect all his life, welcomed me to my future home as though it were all that could be desired. “The congregation soon flocked, not ‘to pay their respects,’ but to take an inventory of my person and manners. I was quite young and naturally lively, and old people shook their heads disapprovingly at the minister’s choice, while grave spinsters, disappointed ones perhaps, tossed theirs at the idea of ‘such a chit.’ The very rigid ones black-balled me from their community as unworthy to enter, while the gay ones regarded me as a sort of amphibious animal, neither one thing nor the other. “Before long, the gifts of which you speak thronged in. I was pleased at the attention—not dreaming, in my innocence, that twice as much would be required of me in return. My ignorance on a great many subjects excited the contempt, and often indignation of my country neighbors; they made not the least allowance for my city education. “I was standing in the kitchen one day, with a delusive notion of making cake—for my attempts in the cookery line always placed me in a state of delightful uncertainty as to the end, it was quite a puzzle what things would turn out—when a middle-aged woman made her appearance, and, without being invited, seated herself near me. A basket accompanied her; and after remarking that ‘it was awful hot!’ she asked me ‘if I wouldn’t like some turnpike-cakes?’ “Previous unpalatable messes had been sent in to the table, and afraid that I might be drawn in to taste some nauseous compound, I replied rather hesitatingly—‘No, I thank you—I do not think that I am very fond of them.’ “Mrs. Badger, for that was my visitor’s name, placed a hand on each hip, and looking me full in the face, burst forth into a laugh that would have done credit to a backwood’s-man. I trembled, and felt myself coloring to the tips of my ears. To this day I have a vivid recollection of the impression made upon me by that woman’s contempt. “‘Well, wherever was you broughten up,’ said my visitor, at length, ‘to ’spose that turnpike-cakes was meant to eat! Why, bless your heart, child! they’re to make bread with!’ “I caught eagerly at the idea; Mr. S—— was partial to home-made bread—Mrs. Badger, who was by no means ill-natured, willingly left the turnpike-cakes, and I was soon plunged up to the elbows in my labor of love. I had very mistaken ideas though upon the subject of bread, and its capabilities of rising; I supposed that a very minute piece of dough would bake into a pretty loaf, and was extremely surprised when I beheld only an extensive tea-cake. Mr. S—— laughed good-naturedly at my baking, and pronounced it very well, what there was of it. Anxious to distinguish myself in his eyes as a good housekeeper, I toiled over pies, cake, and every thing eatable that I could think of; but, alas! the mead of praise always fell short of my expectations. He dispatched the pies with a mournful air, as he assured me that ‘he never expected to taste any equal to his mother’s;’ and after trying in vain to reach this standard of perfection, I gave it up in despair. This, I have since found, is merely a delusion peculiar to men, to be classed in the same scale with the fancy that sermons were longer and winters merrier in childhood than they are now. “My experience of ministers has convinced me that, with respect to worldly matters, they are an extremely thoughtless, improvident race; and the machinery of work, indispensable to the producing of comforts, always contrives to get on ‘the blind side’ of them. Mr. S—— seemed to imagine that shining shirt-bosoms and spotless cravats grew on trees, or were fished-up, unharmed, from the depths of the sea, for every week his astonishment at Biddy’s failures was indescribable. “Anxious to put an end to this perpetual state of surprise, I went into the kitchen to oversee the girl’s performances—knowing about as much of the matter as she did. Her request, ‘and would ye plaze, ma’am, to be afther showin’ me,’ just meant to do it myself. The sensations that Mr. S—— experienced on finding me thus employed were almost too deep to vent themselves in words, but he positively forbade my doing it again; so, whenever I knew that he was off on some lengthy visit, I continued my mysterious occupation unsuspected; while he rejoiced at Biddy’s improvement, and in the innocence of his heart exclaimed: “‘Don’t tell me, my dear, that these Irish cannot be taught—look at Biddy!’ “I did look at her, and encountered so hopelessly vacant a visage that I laughed to myself at his credulity. “I was invited, rather commanded, to join ‘The Dorcas Society for the Relief of Indigent Females,’ which met every week, and where the members always sewed on unbleached muslin and sixpenny calico; they made me president, and in consequence I was expected, at each meeting, to take home the unfinished work and do it up during the week. I was collector for the poor—and in my rounds some gave me sixpence, some nothing, and some impudence. I was superintendent of the Sunday-school, besides teacher of a Bible-class of middle-aged young ladies who were not quite grown up. I was member of a ‘Society for the Diffusion of Useful Reading,’ which also met every week; and where, had I not been a minister’s wife, I should certainly have fallen asleep over the ‘Exhortations,’ ‘Helps,’ ‘Aids,’ and ‘Addresses,’ that were showered upon us poor women; while I wondered that nobody took the trouble to write to men. “You must acknowledge that my time was pretty well employed; but, besides all this, I was expected to entertain innumerable visitors. Traveling clergymen always made our house their stopping-place; and it must have been conveniently on the route to almost every place in the Union; for some were going north, some east, and some west, but that was always the halting-place. Their hours of arriving were various and unexpected; but I was expected to furnish banquets at the shortest notice—to drag forth inexhaustible store of linen and bedding—and throw open airy apartments that had hitherto been concealed by secret springs. Mr. S—— was firmly convinced that the house possessed the elastic properties of India-rubber, and mildly disregarded my ignorance when I asserted that it would not stretch to any extent. “A convention of ministers was to meet in the village, for some purpose or other, and the visitors, like British soldiers during the revolution, were to be quartered upon the inhabitants—with only this difference, they were to be invited before they entered a house. I was seated in Mr. S——’s study when he mentioned the ministers. “‘I spoke for you, too, my dear,’ said he coolly, ‘and said that we could accommodate six.’ “‘Mr. S——!’ I exclaimed, roused past all endurance; ‘are you really crazy!’ “‘Anna!’ replied my husband, as he turned his eyes upon me. Mr. S—— was usually very mild, and appeared to think that a look was sufficient to subdue refractory spirits. He now undertook to look me into reason; while I, fairly boiling at the idea of being treated like a naughty child, and yet struggling with a sense of right and wrong, sat with downcast eyes trying in vain to get cool. “‘I hope,’ continued Mr. S——, ‘that my wife has not forgotten the rules of hospitality, or the precepts of the Bible?’ “‘But it is so impossible!’ I pleaded, ‘Neither beds nor any thing else will hold out under such an inundation.’ “‘Remember the widow’s cruse of oil,’ replied my husband. “‘Yes,’ said I, for I felt just the least bit termagantish, ‘but such things do not happen now-a-days.’ “Mr. S—— looked again, and I was quieted, though I felt very much like laughing. “‘One can sleep on the sofa,’ continued my husband, after a pause. “It was the nearest approach toward calculating probabilities that I had ever known him to make; but I took somewhat of a wicked pleasure in replying, “‘Not if he is very tall—and then he would probably roll out, it is so narrow; and, after all, that is only one.’ “‘Chairs!’ suggested Mr. S——. “‘Don’t you think,’ said I, rather hesitatingly, ‘that they would rather go where they could be better accommodated?’ “‘Anna,’ said Mr. S——, as he deliberately laid down his pen, ‘I am really sorry to see you so unwilling to contribute your mite toward entertaining those who should be welcome guests in every house.’ “‘Mite, indeed!’ thought I; ‘but that sounded better in a sentence than ‘superhuman efforts.’’ “‘Mr. S——,’ said I, in a sort of frantic hope of reducing him to reason, ‘there are exactly two spare-beds in the house—these divided among six full-grown men are not very extensive accommodations.’ “My husband turned upon me a look, ‘more in sorrow than in anger,’ and left the room, as I imagined, to examine our stock of blankets and comfortables. But not he; he only went to look for a book of reference, and soon was writing again as calmly as though six ministries were not hovering over us in perspective. “I sat like one bewildered, and thought. Mr. S—— would not imagine the possibility of our not being able to accommodate them; and I foresaw that all the blame of a failure would fall upon me. Had they only been girls, I could have disposed of them somehow; but the idea of packing away six grave ministers, like so many bundles, was quite repugnant to my feelings of reverence. I thought, however, in vain—there was no conclusion to come to; nothing left for me but inglorious retreat. In spite of having taken him ‘for better or for worse’—notwithstanding that I had vowed to cling to him through every thing—I deserted him in his hour of need. Yes, I thought that a good, practical lesson might be of benefit both to him and me; so I went off on a visit, ostensibly to spend the day, but I contrived to be gone all night—the very night that the ministers were to arrive. “I learned the particulars of their visit from Mr. S——. “They arrived about dinner-time, and rather disconcerted at my absence, Mr. S—— did the honors of the house with all the egregious mistakes that usually fall to the lot of absent-minded people. No extra provision had been made for the six guests; and Mr. S—— helped the oldest minister so liberally that the others were in danger of falling short. As he proceeded in his employment the alarming scantiness of the viands struck even his eye; and, in his first feelings of embarrassment, he abruptly left the room, and dashing into a closet near by, he soon returned with a dish, which he presented to one of the unfortunate ones, saying: “‘Mrs. S—— is quite famous for her—her’— “What name he would have bestowed upon it he does not exactly know himself; but his visitor’s optical organs being more on the alert, he indignantly declined the feast of soft-soap with which Mr. S—— was about to favor him. My husband asserts that his feelings were indescribable; and to this day, he has scarcely forgiven my desertion. He was taking his first lesson in house-keeping; and saw, with some surprise, that a dinner provided for three or four persons would not answer for six more. He sent to the neighbors’, and soon supplied deficiencies; but conversation rather flagged, and his visitors evidently looked upon him with some distrust. At tea-time Biddy made so many ridiculous mistakes that he was obliged to set the table himself, and expressly forbid her entering the room. “The hour for retiring approached, and then, indeed, came ‘the tug of war.’ Mr. S—— examined the accommodations again and again, but no more beds grew beneath his eye; and at length, in despair, he concluded to marshal them upstairs in the order of precedence, and see how things turned out. Brother A—— took the light from his hand, and bade him ‘good-night’ in an imposing manner, but without a single hint that the company of Brother B—— or Brother C—— would be acceptable; and somewhat despairingly he descended to his other visitors. Brother B——, being of a convenient size, was bestowed upon the sofa; but there now remained four others for one bed and a half, for Mr. S—— had concluded to take one in with him. Two were dispatched to the remaining room; one was invited to share his apartment, and, after giving Brother A—— abundance of time to establish himself comfortably, Mr. S—— presented himself at his door with the remaining visitor, and aroused him from a sound sleep with a request to take him in. No wonder that Brother A—— looked dignified at this miserable management, or that Mr. S—— began to think that I might be half-right, after all. “The next morning matters drew to a crisis. The coffee, manufactured by Mr. S——, was execrable; and this, with a banquet of burned beef and something that Biddy termed ‘short-cake,’ lumps of dough, scorched without and raw within, utterly failed to satisfy the appetites of the six visitors, who were going upon a long journey; and they departed with a conviction that my husband’s invitation had been extremely ill-timed, and prevented them from accepting others that might have proved pleasant. “‘My dear,’ said Mr. S—— to me one day, after I had been home some little time, ‘are you not making an uncommon quantity of cake? Do you expect any visitors?’ “‘I do not expect any,’ I replied. ‘But they may come without expecting. Perhaps the six ministers will stop here on their return.’ “Mr. S—— gave me a look, but it was only to smile at the expression of my eyes, which, I felt, were, fairly dancing; and he replied quite meekly: “‘It was very foolish of me to be so unreasonable—but I have had a lesson that will not be soon forgotten.’ “I could have thrown my arms around him in ecstasy, but they were full of flour, and as I had ‘a respect for the cloth,’ I desisted. He never again volunteered to take in six ministers at once; how truly they had been ‘taken in,’ they could probably testify.” “Well,” said Milly, with a sigh, “were you not sorry that you had married Mr. S——?” “Not at all,” replied the visitor, with a smile at this detriment to her advice, “I would do the same thing again to-morrow.” Milly was surprised; she had seen Mr. S——, a grave, mild-looking gentleman, in a white cravat, but, while she regarded him with the greatest reverence, and trembled whenever she encountered him on the stairs, she could not realize the possibility of his compensating for all these trials—even Mr. Saybrook failed there. The next Sunday the young minister was as eloquent and fascinating as ever; but Milly glanced at his white cravat and thought of the ironings—she glanced at the congregation and thought of sewing-societies—and, like the things in “The Philosopher’s Scales,” Mr. Saybrook went up with a bound, while these stern realities pressed heavily down in the balance. Her eyes were opened, and the young minister fell to the lot of some competitor who had not been favored with “a peep behind the scenes.” FRAGMENT.—A PICTURE. ——— BY WM. ALBERT SUTLIFFE. ——— Calm was the wave; such stillness up in Heaven Heralds the voicefulness of Deity,— Or such, on earth, o’erstoops a placid mere, Mountained all round, and sentineled of woods, And citadeled of tafted islets green. A bark lay on the deep; and from the shore Fled back rude-climbing slopes, high-terminate In snow and clustering cloud, and the hills stared With a dry burning smile up zenith-ward, Into the broad blue quiet of the sky: Quiet the sea-kissed shore—noiseless the hills— All soothed the Titan pulses of the deep— And the huge-breathing winds were caverned all, Moveless, and murmurless, as somewhere near Some god were chambered, pillowed in sweet rest. A bark was on the deep; and some few men, Plain-garbed, and bronzed by life-expending toil, Looked steadily down into the unwinking main, And saw themselves look up—and nothing more. GLIMPSES OF WESTERN TRAVEL. On board one of those floating Babels, a steamer of the largest class, and bound by the way of the upper lakes for the territory of Wisconsin. The night of our leaving Buffalo was very tempestuous, which led some of the fearful passengers to inquire, “Will not the captain put into some port should the danger become imminent?” “There is no port that this boat can enter, short of Cleaveland,” was the comforting reply. In the morning the weather became calm, and the day was pleasant upon Lake Erie. A view of Cleaveland from the lake, and a very imperfect one of Detroit, as we were receding from it in the early morning, was all that I saw of the towns upon the lower lakes. Looking out upon the St. Clair river, and near the magnificent Lake Huron, Fort Gratiot lingers as a beautiful picture upon my memory. Every thing belonging to the fort looked dazzlingly white in the afternoon sun, and contrasted finely with the green foliage of the trees with which it was surrounded. The burial-ground seemed, as we saw it from the river, to be in the midst of a grove of Nature’s own planting. A retired and peaceful spot for the last rest of the weary-hearted! The evening found us far up upon Lake Huron. There was a clear moon, and it was delightful to stay out upon the guards and look upon the lake as its waves glittered in the moonlight. There was a lonely grandeur in that night scene upon “the great waters,” that brought home to the heart a sense of how little human aid could avail us there, should evil betide our vessel. That moonlight scene upon Lake Huron is placed beside the view of Fort Gratiot in the treasure-house of memory. The morning had been dark, with a wintry sky, but the afternoon was warm and bright when we arrived at Mackinack. The isolation of its situation in the far northern waters—the antique appearance of a portion of its buildings, and the strange blending in its population of military and civil, savage and civilized life, combine to render Mackinaw indeed a unique spot. The island rises almost like a hill from the water, and the fort, as every one knows, is upon the height commanding the passage of the straits, and the town is built upon the lake shore beneath it, and close along the water’s edge are erected the lodges of the Indians. Whether there are always so many lodges to be found there, or whether some of them were set up for a temporary gathering of the Indians at Mackinaw, I know not. They were made of a coarse matting, attached to poles that protruded from their tops, and were in a conical form. I should suppose from their size that the families inhabiting them must be very small, or that there was little room allowed for guests. The bark canoes of the Indians were drawn up all along the lake-shore. They look frail things to trust in, out on the deep waters of the lake. A scene on board the boat impressed me strangely. On returning to the saloon after visiting the town, we found a refined and fashionable-looking group gathered around the piano engaged in a piece of modern music, and close behind them, and listening with apparently deep interest, stood some of the dark children of the forest. A squaw, with her pappoose lashed to her back, with its head just visible above her soiled blanket, forms a striking contrast to a fashionably dressed lady when placed beside her. There is an evident effort among the Indians to assume in a measure the dress of white people. Some poor and soiled articles of civilized attire, worn with their savage costume, only makes their appearance the more miserable. The old mission-house was pointed out to me. Mackinack has long been abandoned as a missionary station, but it was evident that a missionary of evil was still laboring there in the midst of the Indians, and from their appearance had won many followers—the firewater—that curse of the red man! It was painful to see the number of casks laid along the shore with the brand “whisky” upon them, and to think of the evil that would undoubtedly ensue from it. Mackinaw is somewhat important from its fishing trade, and its white-fish and trout are justly celebrated. These large trout have the beautifully spotted skins of the fish bearing the same name in the Eastern waters. What has been said of the transparency of the “blue waters of Huron” is not exaggeration. Of a clear day, when the lake is still, one can discern objects at the depth of many fathoms as distinctly as if they were at the surface of the water. There are old, bark-covered houses standing in the town, that look as if they must have stood there when Mackinaw was one of the frontier posts belonging to France. I observed no large trees, but there are many cedars along the bluff which surrounds the island. Landing at Milwaukee late at night and leaving it early in the morning, there was no opportunity for seeing this fast-improving city of the lake. It is some miles from Milwaukee on the west, before one enters the prairie country. There is much beautiful prairie between Milwaukee and the Rock river, interspersed with the oak openings, which form a characteristic feature of the country. These oak openings are of a burr oak, with low, spreading branches, and are free from any under-growth of shrubs, and at a little distance have much the appearance of extensive orchards. It was night long before we reached Janesville, upon the Rock river, the place of our destination. There was again a clear, bright moon, like that which looked down upon Huron, and the country was distinctly visible in its light. Along the way we saw, in different places, the “camping out” so common among the team-drivers of the West, and I was reminded strikingly of scenes I had read of in gipsy life. The groups gathered around their fires—the fire-light shining and flickering upon the trees—the large wagons, with their white, covered tops, which at a little distance looked almost like tents in the moonlight, and the cattle in the background, formed altogether a picturesque scene. It is said that teams often go in this manner from the Mississippi to the lake and return, without their drivers seeking any other lodgings than such as they can find within or beneath their wagons. They select places for the night encampment where wood and water can be readily obtained, and turn out their cattle to crop the grass around them. Janesville, the county town of Rock county, is already a place of very considerable business, although it is but little more than nine years since its site was the hunting-ground of the Pottawattomies and Winnebagoes. The town was originally built on the eastern side of the river, beneath and along the side of the bluff which there terminates Rock prairie on the west; but within two years past streets have been laid out in the oak openings on the western side of the river, and many buildings erected upon them. There is a stone academy on the western side of the river, which is also occupied for the present as a chapel for the services of the Episcopal denomination. A very fine, large flouring-mill is also in process of erection on the western side of the river. The court-house stands upon the brow of the bluff, on the eastern side of the river, and near the centre of the village, and commands a fine and extensive view. Rock river is a much purer and quicker stream than many of the rivers of the West. Rock prairie is many miles in extent—it is skirted by oak openings, and has some groves of timber dotted through it. The soil of the prairie is very dark and rich, and looks as though it might bear cultivation for ages without wearing out. Rock county possesses great agricultural resources, and has settled very rapidly for an inland district. The tide of foreign emigration that sets so strongly to the West, has brought many emigrants to this county. Many from the cold and sterile land of Norway have found homes upon its rich soil. In the deed-books, in the county register’s office, are recorded many names that sound strangely to American ears. The foreign vote told heavily upon the last elections in the territory, and its weight was given on the side that usually receives the foreign vote every where in our country. Beloit, in the lower part of the county, near the Illinois line, is said to have grown still more rapidly than Janesville, and there are also several other villages growing up in different parts of Rock county. This is a broad and rich and beautiful country, but to one whose life has been passed in the mountain-bounded valley of the Susquehanna, the absence of any high points of view detracts from its beauty. The autumnal burning of the prairies has passed. It is a magnificent sight in the night time, to see a belt of flame stretching along for miles, until in the distance it seems lost upon the very verge of the horizon. A MIDNIGHT FANTASY. ——— BY WILLIAM ALBERT SUTLIFFE. ——— Lighting the lonely taper of a thought— Lone and forlorn, solely entranced I sit, While night, in silence deeper dipt for aye, Hushes to midnight in a weirdish calm. I may not muse the low abasing earth That ever yearn beyond its sensual coil— Nor all the stars, th’ ambitions stars sublime, Sprinkling the liquid blue on witching nights— But in the hazy precincts of a dream, Soft-pacing, like a shade, erring I roam. Go to, go to, ye winds with wasting moan, And chase the shadows through the woody aisles, And gild the sleep-drunk earth with slender beam, Ye stars that watch the undulating sea! While dimly I, with memory’s torch alight, And fancy’s shifting prism, chase my will, My own dear will, incessant through and through The antique halls of the Past’s dusky dome. And now the glimmering of a friendly face Grows haze-like through the gloom; and now a burst Of hateful passion in my childish soul; And now a coterie of friends enring My heart with sunshine, lighting up the dim For many a dream-land rood. But soon a shape Comes brightening on and on into a face Of serious loveliness and graceful form, With eyes lit up in sweet expectancy, And slanted earthward so to veil their joy:— My sister at her bridal, know’t is she! And then again, drooped as with hidden wo, As one doth bide a threatened stormy shock, And, trembling ever, yet affirmed and strong, Doth linger till its coming; her I see, Clinging with tendrils of enhanced love To one pale image ever at her side Until the cloud shall drop its deathly store. A rainy burial on a sullen day, When all the heaven showers its hoarded gloom, Melts in and out the vision as I dream, And the wild strangeness of the pale farewell— And scattered sobs unclosing all the heart— Blend darkly with the varying of my thought; Till the starred midnight and the homeless wind Thrill in upon the sense with light and sound, Bringing me back from visions unto tears. SPORTING ADVENTURES IN INDIA. ——— FROM THE M. S. OF A HIGHLAND OFFICER. ——— Mount Aboo, to the north of Guzerat, is one of the most interesting spots in the world, and also one of the pleasantest in the great eastern peninsula. It rears its giant form amongst a group of mountains which are surrounded on nearly all sides by the sultry plains peculiar to that part of India. These latter are so perfectly hot, that it has become a proverbial expression that there is only a sheet of brown paper between Deesa and the infernal regions; and really the gently undulating sandy expanse, destitute during the dry season of every thing like vegetation, save a stunted milk or thorn bush here and there, presents no bad resemblance to an uneven sheet of brown paper. Strange is the alteration about the beginning of June; the rains set in, and after the second day a tinge of green may be observed mingling with the dusky brown; a week elapses, and all is a smiling meadow. Not less extraordinary is the change in the rivers: at one time they are dry sandy channels; at another, torrents from a hundred yards to half a mile broad, full to the brim, and sweeping buffaloes, deer, sheep, cattle, trees, fragments of houses, and sometimes even human bodies, hurry headlong in their course toward the rhun of Cutch, (at that time a gulf,) where they and their victims are alike swallowed up in the ocean. A ride of fifty miles through a country principally jungle takes one from Deesa to the foot of Mount Aboo; but a traveler’s bungalow is built at Goondree, as a kind of half-way house for those who do not relish the idea of a fifty mile morning gallop. At Apadra, a mile from the foot of the mountain, is another traveler’s bungalow, and a village wherein reside the people whose business it is to transport baggage, and even individuals, to the top; for the path is such that a horse has quite enough to do to scramble up the rugged ascent, while to a wheel carriage of any description it is perfectly impossible. All burdens are therefore carried up by Coolies; when not too heavy they are borne upon the head, while the more weighty are slung upon poles by two or more men, as the case may be. Individuals, whom laziness or illness debar from using, or rather abusing, the muscles of their legs and backs to a degree necessary to replace them on the summit, are carried by four men, on a rude seat swung by ropes between two poles which rest on the bearers’ shoulders; and, as the path leads along the very edge of frightful precipices, it is certainly a position well calculated to test a man’s nerves, though I never heard of any accident occurring. The usual complement of bearers to each chair is eight, four being at work and four at rest. But one fat friend of mine they refused to have any thing to do with, unless he employed twelve, and after the first trial, unless he took sixteen; which to his intense disgust he was compelled to do, for he was not fond of parting with his money. Various and very interesting are the views obtained as the traveler is borne along in his ascent. Often after passing through some dense jungle (the whole hill-side being wooded, and infested with tigers and other ferÆ naturÆ,) he finds himself on the verge of some precipitous and dark ravine, or catches a glimpse of the almost boundless jungle and plain which stretches away beyond his ken, far, far below him. An active and hardy race are the men that convey one up to the mountain brow; yet their forms, thin and meagre, give no promise to the eye, of their immense endurance. Patiently they toil on, the sweat oozing from every pore, and mingling in streams with cocoa-nut oil adown their dark half-naked bodies, as with an occasional “Hough! hough!!” when the ascent is steeper than usual, they hump their shoulders and steadily continue their painful task. The flavor of the creatures is nothing sweet; and as I was blessed with a pair of sturdy legs, after the first visit I always made use of them to attain the summit. When once past the gate, as two projecting rocks which narrow the path near the top are termed, a glorious sight, or rather succession of sights, meets the eye. At about five thousand feet above the plain an irregular and hilly table-land of some six miles in diameter occurs. By a table-land, however, I do not mean to convey the idea of any level space, for there is scarcely five hundred yards of continuous level to be found in the whole tract, but rather a species of main top to the entire mass, from whence many hills of various heights take their rise, the larger of these forming the different peaks of the mountain as seen from the plains below. Ravines and glens of varied description seam this top or table-land in every direction; small streams flow through the rugged fissures or grassy glades, and here and there cultivation is carried on with tolerable success. One feels, on arriving at this elevation, a greater freedom of breathing, a more bracing air, and altogether a renewal of the elasticity of the frame, sadly shaken and out of repair from the hot winds and fevered climate of the sultry plains beneath. But one of the chief attractions is the beautiful lake of pure cool water, which lies embosomed among these hills. It is about half a mile long, by a third of that distance in breadth, and was formed many hundred years ago, by damming up a marshy hollow with solid masonry and banks of earth (called a Bund in that country.) The stream which runs through it escapes, in its downward course, through a small ravine on the main side of the mountain. It is a most lovely spot, surrounded by grassy hills, gently swelling from the water’s edge, with here and there a mighty black rock rearing its rugged head in stern and solemn majesty. The hills are covered with fine large trees, or sometimes thickets of wood and jungle, and the white houses of the different European residents, or whiter tents of occasional visitors, give a pleasing and social effect to the park-like scenery. From the foot of some of the hills which descend to the water’s edge the earth has crumbled away, leaving here and there a scarped, gravelly perpendicular fall of twenty or thirty feet into the water, which beneath these small precipices is generally very deep. It was my good fortune to witness an amusing scene near one of these places. Lying under the shade of a tree one fine morning, and smoking the pipe of meditation as I gazed on the calm lake stretching beneath my feet, I was suddenly startled by a thundering roar not a hundred paces from me. I looked up, and saw that it proceeded from a magnificent Bramahinee bull: he was evidently in a desperate fury, and tore up the turf with head and horn in grand style, making the surrounding hills echo with his hollow bellowing—“Reboant sylvaque et magnus Olympus,” as old Virgil has it. He was the champion in the lists; nor was his challenge long unanswered. Soon a roar, as deep and as full of rage as his own, was heard in the distance. Nearer and louder it came; and out of an adjoining thicket rushed another bull, brother-like, equal at all points, and a worthy antagonist for such a hero. For a second or so each stood proudly at gaze, surveying each other; then down went their heads, and they met with a shock that seemed to me the very image of a knightly joust. Well matched they were, and it was evident the combat would be a desperate one. Save where a shade of black appeared on the curled forehead and on the tuft of the tail, both were milk white, and both carried, of course, the large hump—that epicurean dish—peculiar to the breed; while their ponderous dewlaps, wide-spreading horns, and gallant bearing, produced a grand effect. There I lay regarding this strife with the most intense interest, but without the least alarm; for, even supposing they had ventured to resent my intrusion on their tilting ground, my double-barrelled gun, without which I rarely stirred, would soon have taught them good manners. Round and round they drove one another, till the grass was beaten down and the bushes torn up in all directions; but neither gave way until the fate of war brought one with his back to the lake on the slope of the hill which verged to the water. Here position told: his enemy, equal in strength, and being on the higher ground, began to prevail, and to force him backward. Bravely he battled, but in vain: still he only yielded to main force; and with foreheads joined as if soldered to each other, he retreated step by step toward the edge of that treacherous precipice noticed above. I scarcely ventured to breathe as the pair arrived within a foot of the trap, of which they were totally unconscious. Here a more strenuous resistance from the lowermost hero called forth a more vigorous above from the uppermost, when suddenly (I’ve no doubt to his utter astonishment) his enemy receded and vanished from his view; while he, unable to check himself, lunged furiously forward, and following his adversary, tumbled headlong into the lake below—“PrÆceps fertur in hostem.” With breathless excitement I rushed to the brink, anxious to see this marvelous catastrophe brought to a close. In a few seconds both emerged from the bottom, puffing like grampuses, and at once made the best of their way to the shore, giving vent to many a fearful bellow. It was evident that the surprise and the plunge had banished all warlike thoughts, for on reaching terra firma they started off at full gallop in opposite directions, with their tails streaming in the air, and making the woods and valleys ring with their panic-stricken roarings. The green and fresh appearance of the grass and foliage at Aboo was remarkably pleasant: even during the hottest weather dews and morning mists were not uncommon; and though by nine or ten o’clock the sun asserted his power, and caused all vapor to disperse, yet he shone forth with a benign aspect, and did not inflict that “knock-me-down” heat experienced in the plains below. Through the glens and over the hill-sides I used to wander through the live-long day, and each ramble brought me to new scenes of beauty, and made me more and more regret that the talent of the painter was not mine. How exceedingly lovely are the Dillwara temples! Situated on the bank of a small stream which flows through a well-cultivated valley, and bounded on each side by wooded hills, the exterior alone is imposing and beautiful; but the interior is a wonder, the grandeur and magnificence of which are far beyond my powers of description. One enters a large quadrangular court, in the centre of which is the shrine and porch of the deity Parsualt (I think that is the right name.) The shrine and porch are oval in shape, and about one-fourth of the quadrangle is taken up by the former, which is a building admitting no light save from the porch door. A silver key opened this door to us, (although unbelievers,) and we were honored with a sight of the deity sitting cross-legged, in white marble, with a lamp or two burning before him, and a great many tawdry ornaments hanging about his domicile. But the porch is the most magnificent work of art. Under the same dome with the shrine, a succession of arches, instead of the walls, is continued round the oval: these arches are of the lightest form imaginable, often serpentine, worked and carved with every sort of device, and all made of the purest white marble: the pillars supporting them are light and tall, and also of white marble, with figures of men and women about two feet high, playing and singing and dancing: these are grotesquely carved in compartments, and in such high relief that one can insert the hand between them and the pillars. The roof, too, is wonderful: the most minute flowers, the most delicate tracery, are all carved exquisitely in white marble; a thousand different objects are also represented, but it would be impossible to enumerate all. Round the quadrangle runs a veranda supported by a double row of white marble pillars placed at equal distances (about eight feet) from each other, and thus dividing the veranda into a number of imaginary squares between each four pillars; each square has its roof and its cornice round the lower edge of the roof, while the roofs are of every indescribable pattern, and two are seldom found alike; the cornices are covered with men and animals in all situations, hunting, battling, dancing, the whole executed in white marble; sometimes the roof will ascend gradually, narrowing with most elaborate and deep carving to a height of many feet, then the same carving after the same fashion is continued down again, till it looks like a beautiful stalactite depending from the centre of the roof. A second court of the same kind is also shown, and I think a third, but my memory will not allow me to be sure of this last point. This description I have given, though imperfect, will do for all. I must not, however, forget to mention the curious room in which a large figure of a royal personage on horseback, and some twenty or thirty figures of elephants, about five feet high, stand fully equipped with howdahs and trappings, the whole of which are carved most beautifully in solid white marble, and so minutely that even the very strands of the ropes are executed with the utmost fidelity. In fact, the whole thing is so wonderfully beautiful that I despair of doing more than conveying a faint idea of it. These temples are said to be some 800 or 900 years old, and are held in great sanctity as a place of pilgrimage. At a certain season of the year, thousands flock thither, and the Brahmins make a pretty decent thing out of the pious but deluded devotees. I have often wished that they were rooted out, and that I were made governor of Aboo, with the temple for my palace, and the top of the mountain for my park. The Ghau-Muk, pronounced Gyemook, or cow’s-mouth, is another sweet spot on the mountain-side; it is a small marble spout, carved in the form of a cow’s head, through which a stream of pure, cold water flows into a square tank: it is a sacred spot to Fakeers and Brahmins, who resort there in great numbers; but its refreshing waters and the cool shade of the magnificent trees that surround it are far better recommendations to the tired wayfarer, and give him fresh courage to ascend the steep staircase of steps leading from it to the mountain-top. One morning rather early, F. and his friend K., while lying in their tent on Mount Aboo, were aroused from sleep by the solemn tones of the Kitmutgar, or butler, announcing news, which, as a matter of course, meant game. Out of bed both sprang simultaneously, and soon discovered from the Shikaree that a panther had been somehow entrapped in a neighboring village, and that the natives wished the sahibs (AnglicÉ gentlemen) to come with their guns and kill it. Clothes being thrown on, and guns prepared without loss of time, out they sallied into the raw air of the morning (it was not yet light,) and followed the native guide. A smart walk of four or five miles across the mountain top brought them to a little village, or collection of huts, clustered upon the edge of a steep bank, which formed one side of a very narrow rocky valley. Here an Indian hubbub of no ordinary character was going on; but as we approached, respect for the sahibs soon silenced it. All was now explained: a fierce and huge panther had for some time been the terror of the village; sheep, goats, calves, and an occasional piccaninny, had been carried off by the remorseless brute. By accident, the door of a goat-house, which contained about 18 goats, had been left open during the previous night, and the owner, hearing an uproar, rose to shut it, and only then discovered that he had also shut in the panther among his defenseless flock: on making this discovery, he lost no time in coming to demand the sahib’s assistance. F. and K. held a council of war, as to the best mode of action: the goat-house was a round wall of rough stones about three feet high, from the top of which a thatched roof rose to a point in the centre, at about six feet in height above the wall-plate; the rude building had no window, and only the one door, which was so low as only to be entered in a stooping or rather crawling position. At first it was resolved to throw open the door, and shoot the brute as he bolted; but this plan was rejected for several reasons: the natives were crowding round on every side, the place was uneven and rocky, and if in his bolt they had the bad luck to miss him, there was a chance of not getting another shot at him; or, if they did, of hitting one of the natives, who would have run in all directions as soon as the panther appeared. At last, F., with more boldness than discretion, decided to try and shoot him from above: the thatch, however, was too old and rotten to bear his weight, and so a “charpoy” or frame of wood, with cords interlaced across it (used as a bedstead), was procured and laid upon the thatch, and upon it mounted F. and an old gray-headed Shikaree of the village, more like a monkey than a man, whose charge it was to open a hole for F. to shoot through; this he accomplished with so much good will, but unfortunately with so little adroitness, that in a second or two the already ragged thatch had a hole close to F.’s head, not only quite large enough to shoot through, but also large enough for the panther to make his escape. A sudden execration caused him to desist; but in spite of the large hole, F. could discern nothing in the dark interior, but distinctly heard the angry purring of the enraged savage, and the flapping of his tail against the ground, which is a sure prelude to a charge. F.’s thoughts were not altogether comfortable as he lay on the thatch, the infuriated and invisible brute being within a short spring of him, and having, no doubt, a clear view of his head and shoulders against the rising light. All of a sudden, the glare of the panther’s eyes showed like two coals of fire; to level between them was the work of an instant, but lying on his right side F. was forced to bring the gun to the left shoulder, and as his finger pressed the trigger, he found that from habit he was closing the left eye; rectifying, however, his mistake at once, the explosion followed, and the pest of the village fell dead with a brace of bullets in his brain. It was found that he had killed 11 of the goats, but had not eaten any part of them; so that he seems to have slaughtered them from mere wantonness and the love of destruction. He measured over seven feet from the nose to the tip of the tail, and was a very fine male specimen of his kind. It is needless to say that the two friends returned to breakfast well satisfied with their morning’s work. The immense plains which stretch from the foot of Mount Aboo are occasionally broken by low, detached, and rocky hills, covered with dense jungle, that clothes the country for many miles round: several rivers also meander through the expanse, fed either by periodical rains, or by unfailing springs from the mountain range. In this wild country, W— and A—, two young officers, had determined to pause for a day or two during their journey from Aboo to Deesa, and endeavor to obtain some sport among the numerous ferÆ naturÆ with which that district abounded. Our two sportsmen had no tent nor any great camp-equipage with them; a covered bullock-cart formed their house and bed; a couple of steady ponies (horses were useless in such a country) their cavallada; and some three or four servants, with the two shikarees, their retinue. Free and happy is such a life! They hunted when they pleased, ate when they pleased, and slept when they pleased; and, above all, no bugle called them to the dull routine of morning parade. The time of the year was not favorable to woodland shooting; for, after the rains, the grass and seeds grow to such a length as to render parts of the jungle impassable, and the foliage of the trees is so thick as to obstruct the view for any distance; while water being plentiful in every direction, it is useless to attempt night-shooting at the animals coming to drink. The sport was therefore but indifferent: and on the second day, after a morning and forenoon spent in poking their noses into a number of dark, tigerish-looking places, without any satisfactory result, although much “sign” was observed, they halted for tiffin on the banks of a small shallow stream, with a canopy of magnificent wild fig-trees spread over their heads. Whilst the servants were unpacking the scanty stock of provisions, one of the shikarees approached, and, having made his salaam, begged to inform the sahibs that if they so pleased, he and his brother shikaree would provide them some fresh fish for their tiffin. As there were no implements generally used in that sport among the party, the two friends were curious to see how this was to be effected, and the required permission was at once given, with an “All right, old fellow!—thank you, fire away!” The two shikarees, rolling up the sleeves of their upper garments, now entered the stream, the bottom of which was gravelly and hard; and, drawing their swords, stood one a little above the other on different sides of the channel, the water reaching to about their knees. Three or four of the villagers, who had joined the party as guides, now entered the water higher up, and forming a line across the stream, commenced wading down toward the shikarees, the two outermost feeling with their feet under each bank as they proceeded. Shortly the frightened fish began to swim down past the shikarees, who—as they passed—dexterously, with a sweep of their sharp swords, severed them in two, seldom missing their aim; while the two halves of each fish at once floated on the surface, and were thrown on the bank by a couple of men stationed in rear of the swordsmen. W— and A— followed down the river in a state of the greatest excitement at the novel sport; and were only prevented from jumping into the water to share it, by the fact of their nether limbs being closely encased in leathern gaiters. Eight or ten large fish had been taken, and the chasse had wandered some two or three hundred yards from the spot where the sahibs had left their guns, when suddenly a shriek was heard from one of the men who searched the bank with their feet: he was seen to fall back in the water; and a huge serpent, uncoiling himself from his cool lair, and raising his head above the surface, took his course down the centre of the stream, lashing the water into a foam, while the villagers fled in every direction. Not so the gallant shikarees: closing together as the monster approached, they cut at him vigorously and severely wounded him. A terrible tussle now ensued: turning upon his assailants with open mouth, the snake attempted to seize one of them; but was repelled by a shower of blows and several fresh wounds. He then once more sought safety in flight, but was pursued by his active enemies; and, being disabled by a well-directed cut, that broke his spine, was dragged to land amid the shouts of all present. The sahibs had, indeed, charged into the river to help the shikarees; but their guns being left behind, their knives were of little use in such a melÉe, and the victory belonged solely to the two swordsmen. The snake proved to be a very large rock snake (a species allied to the boa), and measured nearly fourteen feet in length; while the thickest part of his body was as large as a stout man’s thigh. W— and A— made an attempt to preserve the skin; but the numerous wounds, the heat and closeness of the weather, and the want of arsenical soap, rendered their efforts unavailing. Benign thy sacred influence, golden Peace! Even desert lands beneath thy magic sway Would smile once more. Fields, fruitful, now repay The reaper for his toil, by rich increase; War’s captive but beholds thee, and his chain, As by some charm, dissolves, to set him free; Homes, erewhile silent, desolate, by thee Made glad, with joyous notes resound again— Soft is the feeling thy calm visit spreads O’er every breast! Science and Art awake; Now Commerce open all her ports doth make, While Safety with her angel footsteps treads— Nor battlements nor walls shall cities know, When, like a mighty stream, thou over earth shalt flow. SOMETHING NEW ABOUT BYRON. ——— BY AELDRIC. ——— Can aught that is new be said of Byron? Can aught that is new be written to sink him lower beneath the scorn of wisdom, in the ignominy of moral littleness; aught that is new, to lift him higher before the gaze of romance, within the fane of mystic and Satanic beauty: aught that is new, to evolve before the magisterial aspect of philosophy the tangled mass of passion, hate, sentiment and poetic conception, that so long has awed the semi-wise into ecstatic contemplation, and charmed the semi-foolish into vain, insipid emulation? Can any thing new that can tend to open to the view of the world Lord Byron’s utter earthliness be written, since all that has been denounced in holy horror from the pulpit; warned against from the paternal fire-side; lisped stealthily with the flush of maiden shame, or hymned in the Psalteria of poetasters, whose highest praise but evokes the wise man’s judgment in condemnation? The subject would appear exhausted; for few subjects, and no man, have elicited so much commentary, and of such divers kinds. No youthful aspirant after literary distinction essays his hand upon the world’s wide folio, but, in some moment of pleasurable pain, dips his pen into the horn of Byronic inspiration: there has been no critic, from the “Scotch Reviewers” down to our day, but has reduced to some fantastic analysis the sparkling effusions of the “English Bard.” Much, much has been written; yet to me it seems that concerning this extraordinary man something more need still be written. Never, I think, has the peculiar quality of his poetry been thoroughly analyzed, and the simplicity of its charm, the nature of its singularity been clearly precipitated. Never, I think, has the character of the man been fully delineated, and his double littleness held up to view. This task I assume. Never, I think, has his success and renown been shown attributable to the intrinsic merits of his productions, and traceable to the judgment of the good and the wise among learned men. Be this task for others: and until it be done I will now cease to say that such a task were futile. To the intrinsic merits of Lord Byron’s poetry much, very much, of his success was due, and that chiefly to a peculiarity which I will hereafter point out; but not to them was due the gigantic temple of his popularity and fame. His mere poetic fame stands, and ever will stand, upon a poet’s solid basis—Genius: but this overgrown temple of popularity was built of the sparkling gems of romance, gathered on earthly shores, and piled into the brilliant structure more by the fired imaginations of the world of builders—the public—than according to the commanding dixit of the architect himself. Byron sketched not more than the outlines of his fame; he foresaw not distinctly more: but, like a cunning and artful woman who shrouds from gaze the distincter outlines of her form, and but assumes a posture, bares but a mere glance of voluptuousness to the pregnant imagination, he blazoned forth his youth and noble birth, the world’s hatred for him, and his hatred for the world; advertised that he had loved, deeply, ardently loved, and would not love again; boasted that he had been “sore given to revel and ungodly glee;” and then departed from Albion’s chill and murky twilight to sunny and classic climes, sated with the world, and the world with him. With a brilliant yet devilish poetic allurement he pictured his proud and noble self a victim to genius and tortured sensibilities, basking in the light of Spain’s bright skies, and the smiles of Spain’s loveliest daughters; bound ere long to the fairest of all lands, to the land of love, and art, and song, and scene, and highest classic fame; thence to the almost dreamy ruins of Grecian temples, of Grecian beauty and Grecian greatness; wandering alone, with “sandal shoon and scallop shell,” through the world, but not of it, through an etherealized path aloof from vulgar souls; eyeing afar repose amid the lofty grandeur of eternal snows which crown the downy verdure of the Alpine valleys, and trickle forever their glittering coolness into the lakes below. Thus far he bared to the world’s morbid imagination, craving incessantly for spicy food, then wrapped himself within the folds of his own romance: the world’s imagination did the rest. Bulwer, in his “Life of Lord Byron,” says:—“Childe Harold succeeded more than I think the merits of the first two cantos deserved; and not only was the success extraordinary, but of a description most likely to please. It was not the poem that was admired only; it was the poet about whom an interest was excited. The fictitious hero of the tale, between whom and the writer of it, we must confess, there was some kind of resemblance, was considered at once as an accurate portrait of the mysterious young noble, who had just returned from the lands of romance and song which he had been describing. If Lord Byron had been known in the world before his travels, the world would have viewed both himself and his travels differently; but though a peer of England, he was unknown to English society.” A veil of mystery and singularity and romance being about him and the strange hero of his tale, and so he enjoyed the privilege of drawing upon his own imagination for the character in which the public should view him, and he created a fictitious and hellish light through which to be viewed; fictitious, ay, in most all save intentional malignity; I say intentional, for his morality was so far dead, that he would not have scrupled to become any one of his heroes in act, could such a complex of incident and circumstance become possible in a real bodily existence. The more distinctly and substantially the author, if he be a man of originality and genius, be brought before the public gaze, the better will he be appreciated; the more will he be even overrated, by the public. It is creating a body for the dwelling of the poetic soul: the picture is more graphic. For the constant association of the creator with his ideal beauty, encircles him with a never-fading halo; and in those moments when our mind is too inert to rise to the contemplation of his ecstatic thought, it can gaze habitually and languidly upon the other partner of the firm, and tacitly credit him with a glory whose effulgence is acknowledged, still, at the time, but dimly seen. This intimacy with him, which could not exist otherwise, introduces him more familiarly into the society of our affective facilities, and the acquaintanceship improves and ripens. But when the garments by which we know him, are woven of originality, and beauty, and romance, and noble name and birth, and the soft velvet of our own sympathy for sorrow and misfortune; and we have to enter the enchanted fields of far-off lands, to snuff the perfume of southern vines and flowering figs, amid bright vistas at olden grandeur and modern voluptuousness, to enjoy communion; the heart expands, and the brain glows beneath the warmth of overpowering imagination: the individual, composed of humanity and its poetry, as body and soul, is enshrined in veneration a household god, among the contemplative affections. Such was Byron, there was he known, and so was he enshrined. Thus do I take leave of my assertion that, although to the intrinsic merits of Lord Byron’s poetry, much, very much was due, still, not to them was due the gigantic temple of his popularity and fame. That much of Byron’s popularity was due to the intrinsic merits of his productions, may not seem strange. Had they possessed the same characteristic, the same singularity, and been far less brilliant they would have elicited immense admiration. Still, there is no mystery in this. No other poet, perhaps, ancient or modern, ever possessed the same happy blending of southern exuberance and vividness, with the deep-inspired, psychological mysticism of the north. Apart then from his originality, which is every poet’s inheritance, and a good command of words, this blending is, in its extraordinary degree, the chief among Lord Byron’s claims to merit; together with the—certainly in him unique and only too apparent—dash of Satanic leaven that raised unceasingly the frothy acid. Dante, perhaps, of all the southern poets, possessed most of the spiritualism that breathes in dark Druidical forests; but his heavy philosophy weighs down the mind, and it staggers along in pursuit of that sublime spiritualism, that is to most intellects, after all, but an ignis fatuus. From Byron’s poetic palace, from time to time, bursts forth, like a Bacchanalian, a round of untamed music, that revels nakedly in perfect abandonment: now leaping by long and rapid strides o’er chords of melody, towering up, up, up, through the vasty dome; new groaning through the double bass of trembling passion. Anon there unrolls a resplendent transparency of southern hues, that, at times, dart boldly into the endless fantasies of the kaleidoscope; again melt into blending prismata, or swimming circles unconceived of but through the distorted iris of a compressed eye-ball. At times, too, one strays through vast and sounding halls that reËcho but the wandering footsteps of a moody mind alone there by chance. At times, too, in some silent, sombre, far-distant recess, mid withe-bound, faggoty columns of Gothic mould, whose lofty branches are hung with ivy cold and mistletoe-bough, there glows suspended the blue ethereal flame of northern superstition, in a floorless chamber from whose mystic depths go forth the sinewy phantoms of the house of Woden. Anon there bursts an unearthly sound and glare that shakes and illumines the whole vast structure; and one almost hears the deliberate laugh of diabolic glee. Lord Byron’s poetry is entirely a poetry of sentiment: there is no philosophy in it. After all, a man’s best study of the more intimate workings of the human heart, must find its materials within himself; and his productions will be moulded and colored by his principles; for it is they that supply the oil which feeds the habitual light in the chamber of the mind. When there exists no fixed principle, there exists no fixed light, no steady medium, no standard measure, then all is moral darkness, and vagaries, and dreamy riot. Now and then, it is true, solid thoughts and good may spring up from the mind’s fertility, but if they be not pretty, they are cast aside, and if they be pretty, they are doomed to association with ignobler ones, to be ranged indiscriminately with pretty thoughts and profane, upon the shelves of poetry. There is nothing in Byron’s poetry that can inspire any good. It is true there are good and noble sentiments woven in the mass; but it is so plain that only their beauty is turned toward us, to the entire neglect of intrinsic worth, that one cannot help associating them with the man, and they fade into vagaries. There are poets who, with vigorous and accustomed flight, transport us into more lofty realms of thought than Byron’s gaudy wing would dare aspire to lift us to. Such are Milton, and Dante, and Klopstock; men, before whose towering intellects Byron, like us, bowed down in astonishment and veneration. There are those, too, who have swept their harps to lays of richer melody; such is he, as we have just learned, the thrilling music of whose harp is o’er, for the hand that waked it moulders in the grave. Alas! Tom Moore, the glow of Oriental fire is extinguished forever in Britain; but thy memory shall endure, green as the green and lonely isle that gave thee birth; and the melting warmth of thy mellow melodies shall not grow cold forever! Such was Dryden, too, who, softly sweet in Lydian measures, could lull and soothe our soul to pleasures. Such at times was Collins; such was preËminently Petrarch; such, too, was the rollicking old Anacreon in his time. There are poets, too, who, with hard and honest hand, could lead us more at ease through the peasant’s humble door, and open to us freely there the gushing fount of simple love, and sincere and innocent and homely pleasure, and the sweet joys of peaceful rest. Such could Burns, and such could Florian. There are poets who, with measured tread, could lead us a more majestic walk upon classic terraces, and withdraw us further from the commonalities of life. Such is Homer, and Virgil, and Tasso, and Pope. There are poets of wiser and more practical philosophy, who could feel and appreciate the poetry of wisdom; like Schiller: and there are poets, too, like Ariosto, who could glide and curvet about his pen, performing strange feats of ideal legerdemain in a perfect gymnasium of poetry, from whom Byron, like almost all others, must turn away in helpless laughter. There is never a time when a mind at all appreciative of poetry, and unburthened of immediately oppressing cares, cannot seize upon some one of these styles, according to its passing humor, and enjoy it with infinite satisfaction, until its too unvaried strain becomes wearisome. How admired and popular, then, would be a poet, whose happy tone could blend these seemingly heterogeneous qualities in its material, and afford spicy food savory to every whim and phase of appetite! Such, in a great measure, is Horace, and hence, in a measure, his untiring popularity through all ages. Such was Shakspeare, who, though he did not possess the ultraism of Byron, was a thousand times more philosophical; and who, could he have exchanged conditions, accidental circumstances with Lord Byron, inherited his name and title, worn his garb of romance and his air of eccentricity among modern women who would but flatter it to a disease, had shone a luminous sun of poetry, whilst Byron but passed as a flashy meteor. Finally, such, too, was Byron, with this distinctive mark, that in him the melange is more perceptible, continuous, never ceases; and hence, in a great measure, his popularity to the end of time. He was always thoughtful, observant, meditative, verbose, and often wrote great poems under the inspiration of the moment. He was equally at home in grave and gay, in lively and severe, in tender and morose, in grand, in trifling, in voluptuous. He stood equally at home in his listless boat upon the stilly lake naveled among the hills, soothed by the softer influences afloat on Nature’s bosom; and on the heaving deck amid torn ocean’s roar, loving the unearthly terrors. He stood equally at home amid the bowers of a sunny and sea-girt isle, his soul melting for the moment, into ecstasies of voluptuous love; and amid bare mountain pates and wintry pyramids of snow, amid rugged rocks, and clefts, and crags, that rend the mighty thunder as it speeds; communing, with blanched face and swelling mind, with the angry spirits of Storm and Solitude. He was equally at home when, dejected and melancholy, he “poured through the mellow horn his plaintive soul,” and sighed and mourned in loneliness, making maidens weep; and when, fired by the poisoned cup and “carnal companie,” he reveled in profanity, and, to hear his ribald jests, made maidens blush. So far, indeed, would his nature bear contrast, that, he would have been equally at home when, wasted by the heat of an Asiatic sun and withering Siroc, he might repose in coolness beneath the broken arch and temple, conjuring up grim shadows of old armies past away, contrasting the proud glory of learned and heroic Greece with the shame of the cowardly vassals whose careless song is e’en now beguiling his ear with its lightness; when he might wander without a care or elevating thought amid the cinnamon groves of the Cingalese, embodying all thought in beautiful, redolent materiality, scenting even an immortal Paradise in the ravishing sweetness of a perfumed atmosphere; as when, standing alone at midnight, in the deep darkness of a polar season, when the moon rides high, and the stars shone unclouded, when the dry icicles crackle in the breeze, and sparkle as they fall shivered into tiny diamonds, the solemn spirit of metaphysical contemplation thrills a low symphony of feeling and of awe that the melting rays of a southern sun could never reach. So great was Byron’s versatility; and, yielding ever to the influence of the moment, so did he throw off at times the characteristic poetry of all climes, all people, and all moods: and, if there is no one kind in which he has not been surpassed; through his versatility and boldness his fame has not dimmed in the contrast. The characteristic of southern poetry is a materialising even of the spiritual; that of northern poetry, a spiritualizing, an etherealizing even of the material. Even the northern and southern tongues, though all springing from the same root, are modified and characterized by the tone and natural feeling which climate and association have diversified. In southern tongues, sounds seem such as those that the soul of music and of feeling might give vent to, as through the lips it passes to liberty away; in northern tongues sounds seem each as the soul of thought and feeling might mutter when their confined power is aroused to action within us. How different and characteristic are Lord Byron’s descriptions where, in one, describing the voluptuous DudÙ, he says with true southern softness: “She was not violently lively, but Stole on your senses like a May-day breaking.” Ekeing out the materialised comparison with redundant melody; and when, with stern northern contemplation he realises that “There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society where none intrudes By the deep sea, and music in its roar. I love not man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, To mingle with the universe, and feel What I can ne’er express, yet cannot all conceal.” Is there not something still pent up here, still a cud for feeling, still something that the very sounds confine within us unmigratory; something, in the utterance of which we feel no relief of the burthen of feeling? Does it not seem that the southern laborer goes forth into the bright fields, and labors in imitation of Nature’s external beauties, singing his feeling away to the air; whilst the northern man bears his material to his home, and there revolves and fashions his productions from the depth and cunning of his dreamy mind? How warmed by the brightness and harmony of the external world must not Ariosto have been when, in the seventh canto of the “Orlando,” he portrays the exceeding beauty of Alcina, combining all that was most beautiful for eyes to look upon! “Sotto due negri, e sottilissimi archi Son due negri occhi, anzi due chiari soli, Pietosi a riguardar, a mover parchi.” And then, “Sotto quel sta, quasi fra due vallette, La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello e dolce labro: Quindi escon le cortesi parolette Da render molie ogni corrozzo e scabro: Quivi si forma quel soave riso, Ch’ apre a sua porta in terra il paradiso.” A perfect Paradise of material delights must have been Tasso’s garden of Armida, in the XV. Canto of the Jerusalem. Yet in these things does Byron so often approach to the rivalry of Tasso and Ariosto, both in his appreciation of sensual beauty, and in his grace of diction, that this alone, in many minds, would have stamped him as a great poet. Nevertheless, when other natures step in to judgment, they behold him at times glorying in the midst of an Alpine storm, exulting in the lightning, muttering, tone for tone, the loud crash of thunder; rejoicing and abroad upon the night like a fierce passion let loose, breathing life and soul and the voice of loud defiance, into the solid mountains. “O night, And storm and darkness, ye are wondrous strong, Yet lovely in your strength, as is the light Of a dark eye in woman! Far along From peak to peak the rattling crags among, Leaps the live thunder! Not from one lone cloud, But every mountain now hath found a tongue, And Jura answers from her misty shroud Back to the joyous Alps who call on her aloud! And this is in the night: most glorious night! Thou wert not made for slumber!—let me be A sharer in thy fierce and fair delight— A portion of the tempest and of thee. How the lit lake shines, a phosphoric sea, And the big rain comes dancing to the earth! And now again ’tis black—and now the glee Of the loud hills shakes with its mountain mirth, As if they did rejoice o’er a young earthquake’s birth.” Heavens! what a terrible fascination in the fellow! Here is shown not only the weird psychology of the north, but another great illustration of Lord Byron’s humor; for what but a spirit racy of the lower regions, could invoke that loud and awful warring of the elements, that darting to and fro from crag to crag, of deadly thunderbolt, as a fair, congenial delight; and long to claim kindred with, and become a part of the destroying emissary? How, then, shall we characterize Lord Byron’s poetry, and make plain the mystery of its singularity? How shall we assert that its charm is simple, and prove its simplicity, evolving it from the intricacies of Romance? Be it remembered that I said Lord Byron was totally, utterly earthly: yet I say his poetry is Satanic. This is no paradox. There are minds which are utterly earthly and are not Satanic; but this is owing solely to their supineness and incapacity. A mind essentially active, grasping, comprehensive; its vast faculties born of Heaven, yet thwarted and diverted to passion and sensuality; succumbing, not only without resistance, but with infinite relish to the passing whim; courting voluptuousness, and reveling in it; conceiving stupendous and holy thoughts, yet wantonly blasting them, to joy in their sad and terrible destruction; understanding the most hidden depths of human weakness, and human tenderness, and human feeling, yet exploring but to profane; gifted with the finest appreciation of beauty and pleasure, yet gorging to satiety, intoxication, disgust—then turning in selfishness, hatred and malice from all that is good; such a mind, I say, is earthly, nay more, in its unbridled license it is devilish. Had Satan freed from fire, and sent on earth a fiend, a fiend damned for hatred, selfishness and wanton malice, to be the chief among English poets, this poet would have written in Byronic style, and with Byronic humor; with more ability, perhaps, but not with greater fidelity to his court; nor would the infernal glare of his fierce and voluptuous sentiment be more apparent. Byron touched no beauty that he did not wither; no virtue, no holy feeling that he did not mock. Why was it? It was by reason of the deep-seated malice of his thought. Womanly beauty in his hands was a plaything, womanly weakness a delight, woman’s fall a glory, and woman’s virtue a scorn. He could gaze on the stars, and the mountains, and the ocean, but he could not see and feel the poetry of their creation and government, as the stupendous works of God’s hand, and as types and illustrations of scientific, and universal, and eternal law. He drew down the very stars from Heaven to minister to mere sentiment of man’s or woman’s humor. He could draw the most pleasing picture for gratified sensibilities to pour upon, rejoicing; and with fell joy he would dash it o’er, gloating in the destruction of all moral beauty. Among the darker, deadlier passions of revenge and hatred he was perfectly at ease: any passion, whatsoever, was to his mind savory food; and there exists no passion of lightest or heaviest grade, that Byron has not felt. His mental existence was in a sphere of passion; in it did he live; by it was he ruled; and—by the odor of passion is his poetry characterized. Let me then term it a poetry of passion, wild sentiment, and moral riot; earthly, diabolical, as you will—it is all the same. Let me call it original, bold, audacious. Let me call it a mingling of northern superstitious etherealism, and southern brilliancy and materialism. Let me call it wandering, astray, without principle or guide; without aim, or any motive but the fitful blasts of his own caprice and passion. Let me call it self-esteem and praise, scorn of the moral judgment of the world, scorn of true humanity, and glory in one’s own contempt and wickedness; and I have characterised Lord Byron’s poetry, and unraveled the mystery of its charm. Concerning Byron’s character as a man, little need be said to prove its double littleness. From every man, no matter how low his capacity, something good, something useful is expected; and he who meets not this natural, this rational expectation, merits the stigma of littleness of character. To some men are given high conceptions, deep penetration, exalted feelings and impulses, and energy of mind: yet, if they meet not the rational expectation of greater good, greater utility than is the average offspring of lowlier men, they merit the stigma of littleness of character; and if they produce no good at all, they are doubly little. If not only this, but they positively pervert those gifts to the detriment of others, they are trebly little. Nay, more—a man’s littleness, if he pervert his gifts, does not increase in direct ratio with his relative capacities; but I feel that I am justified in applying here the mathematical law of gravitation, and in saying that his littleness—measured on God’s measure of mankind—increases as the square of his distance above the average capacity of his race. How much, then, must the greatest admirers of Lord Byron; those who seem struck with awe before the mountain of his stupendous power, despise, in their inmost heart, his utter, utter littleness! Truly may we comprise him in the Latin poet’s pithy words—“Parturiunt montes, nascetur ridiculus mus.” No man is great who has not the strength of mind to work utility from vast resources, and is able, besides, to appreciate the necessity of working that utility, in spite of whim, humor, flattery, success or misfortune: yet not one sentiment, of benefit to mankind or individual, amongst those now ministering upon this earth of trial, of suffering, and of temptation, can claim paternity in Lord Byron. As his poetry is a poetry of passion unregulated by principle, so was the life of his feelings and his intellect, a life of unbridled license. Let no one put forth, in extenuation, that he often meant well; and that his venom, when he spat it, was the secretion of unhappiness and misfortune; for we have no proof, no reason to believe that he ever meant well, but his own assertion—which is singular when contrasted with his life and his writings; and as to his sufferings, he courted, nursed suffering as the theme of all his writings. How strangely does the assertion of his moral intent, in his farewell to the “Childe,” contrast with the confession of the truth which a moment of intoxication beguiled from him in the II. Canto of Don Juan! In the one we read— “Farewell! with him alone may rest the pain, If such there were—with you, the moral of this strain.” In the other, where his true character speaks— “As for the ladies I have nought to say, A wanderer from the British world of fashion, Where I, like other dogs, have had my day, Like other men, too, may have had my passion— But that, like other things, has passed away, And all her fools whom I could lay the lash on, Foes, friends, men, women, now are nought to me But dreams of what has been, no more to be.” Shall we say that he lies, or that he only writes the first crazy thing that comes uppermost in his brain? I prefer the latter—or both; for they equally prove that he had no positive intent of good. His history, romance, character, all are truthfully told in that one stanza. ’Tis useless to dwell upon it. That he had his inspirations of religious truth, which are common to all men, one may read abundantly in his works, especially in “Childe Harold.” Poor Byron seemed to grow sober and reflective, as the last Canto waned away. He could see the Almighty’s form glassed in the tempest, calm or convulsed; in its never-ending oscillation, the image of Eternity; in its incomprehensibility, “the throne of the Invisible.” The first time (how melancholy to him must have been the feeling!) that he ever longed to be associated with exalted womanly virtue, was, when in the CXVII. stanza—he breaks forth: “Ye elements!—in whose ennobling stir I feel myself exalted—can ye not Accord me such a being?” And how unmistakably does he not confess himself a stranger to it, as he continues— “Do I err In deeming such inhabit many a spot? Though with them to converse can rarely be our lot.” Frequently the circumstance of association seemed to be the channel through which the rejected grace of faith was poured upon his soul. As he enters the portals of the church of churches, the mausoleum of the prince of the apostles, his gifted light shines forth— “But thou, of temples old or altars new, Standest alone—with nothing like to thee— Worthiest of God, the holy and the true.” This last line seems to belie the opinion that Byron never saw any thing in religion but the poetry of it: it sounds like an involuntary revelation of interior conviction. Again— “———the mind Has grown colossal, and can only find A fit abode wherein appear enshrined Thy hopes of immortality: and thou Shalt one day, if found worthy, so defined, See thy God face to face, as thou dost now His Holy of Holies, nor be blasted by his brow.” Yet, poor, weak, fickle, terrified man! How often does he turn from the afflatus of Revelation, to build again his temple of doubt and despair, upon the mere caprice of his humor! Fickle, most fickle ground. It well nigh makes one weep to hear his melancholy breathing: “Son of the morning, rise! approach you here! Come, but molest not yon defenseless urn: Look on this spot—a nation’s sepulchre! Abode of gods whose shrines no longer burn. Even gods must yield—religions take their turn: ’Twas Jove’s, ’tis Mahomet’s—and other creeds Will rise with other years, till man shall learn Vainly his incense soars, his victim bleeds: Poor child of doubt and death, whose hope is built on reeds.” “Poor child of doubt and death” we will then term thee, Byron; we will grieve over thy sorrows and thy wrongs, pitying thee: we will melt over thy gushing tenderness which, ever and anon, pleads with so soft a feeling, so sweet a melody, that every warm heart feels drawn toward thee in sympathy: we will mourn with thy desponding; and over thy wavering and despair we will drop a tear; and so pass thee on to the mysterious judgments of thy God, where thou art gone! I cannot dismiss this subject without a word in regard to the influence of Lord Byron’s writings on the minds of readers. To the reader whose principles and faith are fixed, defined, there are few dangers; for there is scarcely any attempt in all Byron’s works, at either philosophy or sophistry: but to one whose tone of sentiment and feeling is to be moulded, or can, to any extent, be moulded, there is most pernicious danger, ruin. There is an irresistible charm and brilliancy that enchant; for, all veneration Byron cast aside, and he touches, handles the most sublime with an audacious boldness that dazzles him who does not tremble. This infatuating allurement seems to me to consist principally in the contrastive. The poetry of harmony and law had little affinity with Byron’s wayward fancy; and there is more of that eclat in the contrasts of nature physical and metaphysical, which astonishes, which raises emotions in us with infinitely less labor to ourselves, than through the process of analysis or progressive contemplation. As a jeu de mot sparkles and delights by the approximation, through mere fancy, of things essentially opposite—and the more diametrically opposite, the greater the pleasurable surprise—so is it in poetry: the poetry of harmony raises and refines by softening, expanding the mind, whilst the poetry of contrast but dazzles without leaving an impress; it runs together colors before unassociated, that play and flash, like fire-works, around each other with the centripetal force of fancied homogeneousness, and the centrifugal power of real dissimilitude, astonishing with novelty; or, through the same power of fancy, heap together heterogeneous ideas in fantastic association, that surprise us by their fictitious harmony. One poetry is that of truth, the other that of fancy. The poetry of truth and real affinity is God’s own beauty: through the poetic harmony and relationship that reigns throughout the universe, can we arrive at the knowledge of God; through that do we see him in his works, and through that do we gradually rise to the homage of veneration: whilst the poetry of only fancy prompts us to create our own beauty, despising the guidance of veneration; to overlook the divine intellect in its works, and to accustom ourselves to the neglect of religion and principle, in our contemplations. Whoever has read Byron cannot but remember how often he has been dazzled by the boldness of the poet’s flights of contrast; and upon reflection, will confess that he has seen in them, most apparently, the giddy raving of utter moral recklessness. He will confess that he perceives the intellectual epicure delivered, in self-abandonment, a prey to his fevered imagination; his accursed appetite ever on edge, at the scent of strife, and blood, and tumult, and black passion, and pride, and soft voluptuousness. He will confess that when the poor, sated mortal yearned for rest, it was not the rest of peace; but retirement in a far-off nook, apart from the society of men, wherein he could pass his hours in greater unreserve, to chew the cud of gorged passion, or hide his childish tears of self-earned melancholy. Let no one then pour his sentiment into the mould of Lord Byron’s recklessness; for that would be destruction; and in this, it seems to me, lies the only danger. Yet there is a pervading, seductive beauty that might thrill an angel’s bosom, in a moment of forgetfulness; and there are few conceptions, no matter from what inspired source they may spring, which, in their decided earthly limitation, the powers of darkness could not with malignant meaning consistently encore. ZULMA. ——— BY MRS. JULIA C. R. DORR. ——— Sweet little baby mine, Gift from a Hand Divine, What shall I sing thee this bright summer morn? Is it a fairy dream? All things more lovely seem To this fond, grateful heart since thou wert born! Strange that we love thee so! Let us the secret know, Tell us the way that all hearts thou hast won; Surely some magic lies Deep in thine earnest eyes, Or in that smile of thine, beautiful one! Over thy baby brow Brown locks are waving now, When the sun toucheth them changing to gold, Sweeter art thou by far Than the pale lilies are, Or the blue violets that thou dost hold. Dear little household pet, With thy bright eyes of jet, Shining so softly the long lashes through, Wert thou not born to be Cherished as tenderly, Treasured for aye by as fond hearts and true! Oh! if a mother’s prayer Reach Heaven’s purer air, Not for the wealth of this world will I plead, But that the boon of love, Holy as that above, May be thine own in thine hour of need! And that the smile of Him, Greater than seraphim, Before whom angels and archangels bow, Always may rest on thee, So shall my darling be Ever as pure and as happy as now! THE AUTOBIOGRAPHY OF A BOARDING-HOUSE. ——— BY CORNELIA CAROLLA. ——— Like most old things, I have “seen better days;” but I am strong and firm as in my youth. The misfortune that reduced me to “taking boarders,” was a change in the fashion. When I was built, the part of the town which I inhabit, was the residence of the “ton”—emphatically the West End! But as the city enlarged its limits, they gradually deserted my neighborhood, and removed to more remote situations. Besides, the large, airy houses of the past generation do not suit the degenerate taste of the present day. The exquisitely carved wood-work, so much admired in my youth, is sneered at by those whose brains can neither design, nor fingers execute, such beautiful devices. Such things have grown old-fashioned! And the mantle-pieces, with their elaborate ships under sail, and figures of the ancient gods; their satyrs, dryads, fauns and nymphs; their wreaths, doves, Hymens and Cupids, are torn away, and replaced by plain, smooth, black, funereal-looking marble, brought over seas from Alexandria, in degraded Egypt. I had once a beautiful garden; but it has been destroyed. The tall, straight poplar, the trembling aspen, the delicate, lace-like fringe-tree, the majestic oak and unchanging cedar, have all fallen under the merciless hand of modern improvement. The sweet flowers have ceased to shed their grateful perfume on the air. The evergreen box no longer relieves the cheerless expanse of winter’s snow. The moon looks not on the maiden’s blushing face as she listens, in the garden-walk, to the welcome words of love, and tears the unoffending rose, lest it should breathe the tale. The musical laugh of little children echoes no more through blooming alcoves. The black Hamburgh grape, with its purple clusters of pulpy fruit, has ceased to shade the thoughtful old man from the noonday sun, or shield him in the enjoyment of his after-dinner nap. The apricot, trained, espalier-fashion, along the walls, has vanished, with its crimson fruit. The burning-bush and holly no longer retain their glowing berries and green leaves, through December storms, or adorn the Christmas board. The crocus, violet and daffodil have failed to herald the approach of spring. All, all are gone; my garden has disappeared. A little square, paven yard is the only trace of it which remains. A small border, a few inches wide, containing a weak, sickly rose, a few hardy hollyhocks, and an attenuated dahlia, betrays the extent of my landlady’s meagre devotion at the shrine of Flora. A few unfortunate flowers have been brought occasionally within my walls, but some unlucky chambermaid invariably tilted them out of the window. I said that my old inhabitants deserted me for more quiet parts of the city, and I remained vacant for some time; those who were wealthy enough to own me (for the ground where I stood had become very valuable) preferring a more fashionable neighborhood. At last, a speculator bought me, and built a long row of additional rooms on the large lot which had been my garden, and refitting the inside throughout, leased me for a boarding-house. I was, of course, very indignant at being degraded in my old age, for I still retained my primitive love of quiet; but I was a powerless instrument in the hands of my tormentors, and was compelled to submit. I, however, became somewhat comforted, when I thought of the multiplicity of events that would occur within my walls, and that all would be known to me. I have a love of gossip and I promised myself much pleasure in studying the characters, and learning the histories, of the many inhabitants who would fill my rooms. Nor was I disappointed, for could I tell gracefully all that I have seen, I should relate, as good Sir Philip Sidney would say, “many tales that would hold children from their play, and old men from the chimney-corner.” But I am old and forgetful, and a novice in literary matters. Still, I cannot abandon my cherished idea of attempting the recital of some of the things that I have witnessed and heard. I give them without reference to date, for my mind is somewhat confused with the numerous events and characters that press forward like half-starved ghosts, each anxious to take the first place at my table. I am indulgent toward them, and hold them somewhat excusable for their rudeness, when I reflect that they passed their lives in boarding-houses, where each one must, perforce, take a selfish care of himself, with little heed of his neighbors. But I must first recall my keepers. There was Mrs. Albertson, a lady of good family in reduced circumstances. She had the misfortune to be poor and the folly to be proud, and was ashamed of honest labor. She tried every means to prevent the fact of her taking boarders from becoming known. The ladies were not allowed to sit near the windows unless the blinds were down, “because,” she said, “it made the establishment look like a boarding-house.” Her family lived at the front part of the adjoining dwelling, which she also occupied, and all their visitors were instructed to call at that door. She received the contempt she so richly merited; and her two daughters, who were really pretty, became old maids, simply because sensible men would not marry women who thought honest poverty a disgrace; and the young ladies were too intelligent to become the wives of the senseless puppies who sought them. Mrs. Wentworth furnished her house in the most exquisite style, although she kept her boarders on remarkably low diet. A piece of beef was placed on the table as long as any fragments of meat clung to the bones, which were afterward served up in soup. The bread was generally so stale as to endanger the teeth, and it was difficult to distinguish coffee from tea, or tea from coffee. Mrs. Wentworth could not imagine why her boarders left her so soon; and no one had sufficient courage to brave her anger and tell her the truth. A year after her house was opened, her furniture was sold to pay the rent. Mrs. Gleason fell into the opposite extreme: Her table was excellent; but her prices not sufficient to support the expenditure, and those who profited by her loss were too selfish to acquaint her with the cause. Mrs. Holden had kept a quiet, comfortable house, where the boarders were like a private family. In an evil hour, however, she resolved to attempt “getting into society,” as the increase of great acquaintances is now called, and took me, and furnished me in fine style, in order to attract a “higher class” of persons than she had hitherto been accustomed to meet, hoping to live on the same terms with them that she had previously done with her more sensible and familiar boarders. But she soon found out her mistake. Most of the inmates of fashionable boarding-houses look on the mistress of the house as their natural enemy, and, although Mrs. Holden was really a good, clever woman in her way, she found herself treated by her new boarders rather as their servant than their companion. She often sighed for her happy little home; but it was too late for repentance, and she consoled herself with the thought, that she made more money in her new house. Mrs. Hall kept a showy establishment, hoping to find a rich husband for her pretty daughter. The young lady was much admired, and attracted many gentlemen to the house, who, of course, paid pretty well for the pleasure of residing under the same roof with so beautiful a girl. Most of them, however, vacated the premises, unwilling to trust their hearts in the neighborhood of beauty, when they found the mind destitute of cultivation, and, indeed, wanting in natural strength. She was accomplished—that was all. She could talk nonsense; but whenever conversation took a more sensible turn she was silent. She found a rich husband, however, possessed of the same grade of intellect as herself, and they live contentedly in their little world of trivial events. A school has been called a miniature world; a boarding-house is much more truly entitled so, since within its walls rage all the passions, the joys and sorrows, the hopes and fears, that rack humanity. Glance along the table when its inmates are assembled. How many virtues and vices are reflected in the different countenances that meet the eye! There is an old man, happy in the knowledge of a well-spent life; seated next him, may be seen one of half his years, already bowed by sorrow, which his own vices have occasioned. Near him an innocent girl, shrinking involuntarily from her neighbor, with the instinctive antipathy of virtue for vice. Next to her a widow, who, before her mourning weeds are thrown aside, forgets the departed one she had once professed to love so deeply. Here a wife, who heedless of matronly dignity, flirts with every brainless fop, with the careless gayety of a school-girl. There a blushing bride, dreaming only of a blissful future, while vis a vis with a constituent, a politician discusses the probable results of the next election, and beholds the profitable office he toils for within his grasp. Near him sits a poet, with pale, intellectual brow, revolving in his mind the dazzling thoughts that shall live hereafter on the “deathless page,” while his nearest neighbor, an anxious merchant, hastily swallows his food, to return to his toil before the shrine of Mammon. There an uxorious old man watches, with jealous eyes, the words and smiles of his giddy young bride. Here an old woman disfigures the beauty of age, and turns the reverence it excites to ridicule, by aping in dress and manner the youth which she can never recall. Her shriveled neck covered with thin gauze, the glittering jewels on her bony hands, the rouge on her wrinkled and sunken cheeks, the gay silks that mock the silvery hairs that peep from beneath the ebon colored wig, betray the paltry vanity of a weak mind, and make me sigh to see age deform itself in such a masquerade. Even so might I proceed through the whole list on my landlady’s books; but I must cease mere speculation, for I promised to relate some of the incidents that have occurred within my walls—such histories as I have heard. Often has the caution that “walls have ears” been uttered, timidly and shrinkingly, in my rooms; but the speakers little dreamed that those walls were then using their “ears,” and to good purpose. I seek not to betray confidences: I have none: I was never willingly trusted! No one but the actors in the scenes that I am about to relate (if they are still alive) will recognize the facts; and if they choose to publish their part in the transactions, they must take the responsibility. But this can never be; their mortal remains have reposed for many a year in the silent embrace of the grave, and “God have mercy on their souls!” Some of my characters may also be mistaken for portraits of those who frequent other walls than mine; but if any one recognises his own faults, let him remember, that life is the same in all situations, and that at my age I need scarcely descend to the Present when my sympathies dwell with the Past. But where shall I commence my stories? As I said before, characters and incidents press so rudely forward that I am at a loss which to select; but there is one who stands aside from the crowd, whose deep, unearthly eyes haunt me; whose shadowy hand is upraised as though in solemn warning; around whose pale lips seems to hover a tale of sin and suffering. His story is a sad one, and I will take for
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