CHAPTER V.

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Alicia de Rochemont stood, as on the reader’s first introduction to her, before the tall mirror which reflected back her youthful and lovely figure, arrayed as when we before beheld her, yet with more care and precision, for this was the night of the long-expected fancy-ball, and as the Goddess of Flowers, her head was crowned with garlands of living and fragrant roses, her snowy arms were wreathed with them, and the artificial blossoms that had before filled her cornucopia, were replaced by the most delicious flowers of the conservatory, among which roses of snowy whiteness predominated, lending their pearly lustre and exquisite fragrance to the whole.

The toilette of the young beauty had been for some time completed, and a few admiring friends were now gathered to witness and approve its tout ensemble, among whom was Captain Clairville, the assiduous attendant, though not as yet the declared lover, of Miss De Rochemont. The dress of the young lady elicited the commendation of all—for who could censure what was in such perfect taste? But above all, the lovely profusion of roses, which lent to it such a chaste and elegant effect, were especially admired, and many inquiries arose as to where she could have procured them—“such unique roses as they were”—“so unlike any they had ever seen,” etc.; questions which an innate feeling of shame forbade Alicia to answer.

Her refusal to tell where she had obtained them, and indeed her evident desire to avoid the subject, a little excited the curiosity of Captain Clairville, and awakened some suspicion in his mind that the knowledge would not redound greatly to her credit. This doubt, however, he scarcely admitted to himself, but it determined him, before finally committing his happiness to the keeping of his fair Alicia, to study her character more closely, and as a key to it, discover if possible the story, for he was sure there was one, connected with the roses; but for this evening he would strive to dismiss distrust, and enjoy the beauty and vivacity which had almost completed their conquest over him.

With this resolution he was just preparing to depart for his lodgings and dress for the ball, when a violent ringing at the street-door, and then a bustle in the hall, attracted the attention of the little circle. The servants were heard endeavoring to prevent some one from entering, and then steps sounded on the stairs and the tones of a woman’s voice—such tones as issue from the broken chords of a crushed heart—came nearer and nearer, till they paused at the very door of the dressing-room.

Captain Clairville arose and threw it open, when a slight figure, wrapped in a gray Canadian cloak, crossed the threshold and stood within the lighted room—but when she saw herself reflected in the large mirror opposite the door she started and seemed for a moment on the point of retreating, then, as if suddenly taking courage, she threw back the hood which covered her head, revealing the delicate and spiritual face of Rosalie La Motte. Casting a quick, but earnest gaze round the room, her eye rested on Alicia, radiant as the goddess she personated, who stood watching with interest the motions of the intruder.

For an instant the girl’s gaze seemed fascinated by so bright a vision, then with an agitation visible in her whole frame, she rapidly crossed the floor and paused before the fauteuil in which sat Madame de Rochemont. That lady’s native boldness and hauteur seemed to desert her at the appearance of the young girl—her face grew scarlet through her rouge, and her manner exhibited the utmost disorder and embarrassment. Grayson, on the contrary, who stood behind her mistress, assumed a look of fierce defiance when the object she had so wantonly wronged unexpectedly presented herself. But Rosalie, regardless of every thing save the one purpose she had come hither to accomplish, addressed herself immediately with the utmost simplicity and directness to Madame de Rochemont.

“You remember, Madame,” she said, “the object of your visit to me this morning, but perhaps you are not aware that after your departure your servant, having informed herself of my absence, stole back and rifled my precious rose-tree! There are its flowers,” pointing to Alicia, “and I have come to ask that they may be restored to me. They did not bloom for the brow of beauty, but have been watered with tears and cherished for the departed.”

“Grayson,” said Madame de Rochemont, fanning herself violently, and without deigning a reply to Rosalie—“Grayson, she is a mad creature—ring the bell and bid Atkins take her away.”

“Pardon me, Madame, if I countermand your order,” said Captain Clairville. “Let us, at least, give this young girl a fair hearing before we judge and send her away.”

Rosalie raised her soft eyes, full of gratitude, toward him, and that speaking look strengthened his resolve to see that amends were made her for the injury of which she complained. Rosalie, without heeding this interruption, resumed her pleading.

“It is for my father’s sake, Madame, that I desire these flowers—they are associated in his mind with my mother, and now that his intellect is wandering—that he is dying—for oh, I fear it is so, he bids me bring them to him that he may have peace.”

“How absurd!” ejaculated Madame de Rochemont—“the girl is an impostor, and has some end to serve by such behavior.”

“Oh, Madame, the scene you witnessed this morning must assure you of my truth,” said Rosalie, tears which she could no longer restrain falling from her eyes—“I ask only for one cluster of those roses that I may lay them on my father’s pillow, and see him smile upon me in his last moments.”

“Here is money, girl,” said Madame de Rochemont, with the coarseness which characterized her, “but the flowers form an important part of my daughter’s dress and I will not consent to its being spoiled for such a whim.”

At this insult Rosalie could no longer command herself—a bright blush of wounded pride and shame overspread her face, and covering it with both hands she bowed down her head and wept.

Captain Clairville, indignant at the treatment she received, felt all his sympathies enlisted in her behalf, and as respectfully as he would have addressed a duchess he approached, and with a few soothing words endeavored to draw her toward a seat, for he saw that she was too much overcome to stand. She however resisted his effort, but the interest he thus expressed for her aroused the wrath of Madame de Rochemont, who loaded the poor girl with the most opprobrious epithets, while the sullen mood of Alicia changed to open resentment. Throwing down her cornucopia, and tearing from her arms and head the rose-wreaths that encircled them, she flung them scornfully upon the floor, darting, at the same time, such looks of anger at Captain Clairville, as forced him to the inward conviction that his bright mistress would better personate one of the Furies than any gentler deity.

When Grayson saw the roses she had taken such unworthy pains to obtain, cast angrily away, she quite forgot where she was, and rushing forward she caught them up, declaring that “her young lady should not be cheated out of her roses by the false tears and impudence of that beggarly girl.” Terrified by the evil passions which were producing such a scene of confusion around her, the gentle Rosalie began to look almost with indifference on the precious roses, which lay withering in the heated air of the apartment. Their pure leaves had been nurtured by tender tears and loving smiles, and now that the hot breath of envy and resentment had breathed on them, they seemed to her no longer the same, and all unworthy to shed fragrance on the couch of the dying, or lend beauty to the place of the dead.

“I must be gone,” she said to Captain Clairville, who still remained near her—“my father will miss me—but I care no longer for the flowers—let her wear them, they are fitter now for joy and beauty than for sorrow and death.”

She was fearfully agitated—her frame trembled—her face was deathly pale—unaccustomed to such outbursts of the lower passions, their exhibition, invoked by herself, filled her with terror; she betrayed a nervous anxiety to escape, like one in a den of ferocious animals, and shrank close to the side of Captain Clairville as she moved toward the door, seemingly afraid to go forward alone. When about to descend the stairs he saw her falter, and supported her to the hall, but before they reached it she had fainted. Ferris stood there with her bonnet and shawl on.

“There is a cariole at the door, sir,” she said, “I will go with her, I know the place.”

“I fear you will lose your situation, my good girl, if you take the part of this poor young thing,” said Captain Clairville.

“I shall not mind, sir; there are plenty more as good,” she answered.

“There are, Ferris,” he replied, “and you shall not suffer for your kindness.”

“I have snatched this for the poor child,” she said, when they were seated in the cariole, lifting the corner of her shawl and showing the garland of roses which had encircled Alicia’s head. “I felt sure her young heart was breaking to leave the flowers she loved trampled under foot, sir, and so I brought away this to comfort her.”

Captain Clairville smiled approval, but had not time to reply, as the driver stopped just then at the door of the old house in which Rosalie dwelt. The air had revived her, but in her pallid cheek and faltering step were visible the effects of the scene through which she had just passed—anxiety for her father seemed now to absorb every other thought, and with a rapidity which her companions could scarcely equal, she ascended the stairs, and pushing open the door of the still and darkened room, advanced with a noiseless step to the bed.

The woman she had left with him still remained at her post, but her look was solemn, and as she raised and then silently moistened the sick man’s lips with a drop of water, she shook her head with a significance which seemed to say there was no longer room for hope.

“You cannot mean that he is worse!” cried Rosalie, alarmed by her manner. “He is sleeping calmly, and I perceive no change since I left him.” And bending over him she pressed her lips fondly on his cheek. Its marble coldness startled her, and she raised her eyes with a glance of agony to the kind face of the woman.

“It is true child!” she said in reply to that look; “he will soon be gone, and may God comfort the fatherless!”

A wild burst of sorrow escaped the poor girl at this confirmation of her worst fears, and she laid her cheek on that of the dying, bathing it with her tears and kisses. That cry—the touch of those fond lips, arrested the departing spirit in its flight. The closing eyes opened and fastened themselves with a look of inexpressible tenderness on the face of his child—then they were raised upward with a radiant smile that spoke of peace and blessedness—but immediately a mysterious shadow passed over the countenance, and as it settled down upon it the spirit quitted its frail tenement, but left its heavenly impress in the smile which lingered long upon the pallid lips.


The dull, gray morning dawned slowly on that chamber of death shedding a cold light upon the forlorn rose-tree, and stealing, as with a muffled step, to the bed on which reposed, beside her dead father, the youthful form of the gentle, heart-broken daughter. Long after his departure she had seemed to sleep calmly on his bosom, but when they raised her up, to remove her from him, the seal of death was on her angel features—this last sorrow had been too mighty for her poor, tried heart, and in the bitter struggle its chords snapped, and its music was forever hushed on earth, to make glad melody in heaven.

Captain Clairville saw the last duties paid to the remains of the departed father and daughter, whose sad history had awakened his deepest interest, and whose prospects, had their lives been spared, it was his hope and purpose to brighten. The precious rose-tree he consigned to the charge of Ferris, who shortly afterward married an honest tradesman, exacting from her a promise to shed its flowers annually on the graves of those who so fondly cherished it—a promise which she faithfully fulfilled.

Disappointed in his estimate of Alicia’s character, Clairville never, after the affair of the roses, sought a renewal of his intercourse with her, and the few times they met in society, it was as strangers. As soon as the spring opened he obtained leave of absence and returned to England, and when he again rejoined his regiment, he was the husband of a lady, who, Ferris declared, was the very image of poor Rosalie La Motte.

Mortified and chagrined by his desertion, Alicia affected a gayety which she did not feel, and pursued her vain career of dissipation and vanity till the bloom of youth faded from her cheek, when she gave her hand to a man double her own age, who was supposed to be immensely rich. But he shortly transported her to an isolated seignory, which was his only possession, where, without any affection for her husband or any resources within herself, she lived a wretched and discontented being, and died unregretted and unwept.


THE NEW GARDEN.

———

BY EMILY HERRMANN.

———

He knows we love the flowers so well.

And so they bloom His love to tell.

Ewald

We are filling our new-fenced garden

With fresh young vines and flowers,

And here we are often busy

In the clear, long evening hours.

The sun shines through the paling,

And over the landscape green;

Blue smoke-wreaths are lazily curling

O’er-arching the quiet scene;

They rise from the woodman’s clearing,

They rise from his chimney low,

They bend to his tiny wheat-field,

Then mount to yon hills of snow.

A change has come o’er its seeming

Since first when we knew the place,

A change in the woody landscape,

A change in a youthful face.

And changes have moved the spirit

That muses above it now,

Since the wild-berry clusters glittered

At noon o’er my upturned brow.

I stand in our pleasant garden

And gaze down the years’ long track,

I cherish right well their guerdon,

But I would not win them back!

Our brook on its way is babbling,

And hastes from the open space,

It misses the great oak’s shading—

It misses the wild-vine’s grace.

Yet it patiently stops to listen

The wood-bird’s evening hymn,

Then gushes a gurgling chorus

Ere the way grows cold and dim—

Where glooms of the arching forest

Lie dark on its lowly breast,

Yet it sings to the deep green mosses,

And the bird in her cradled nest.

Thanks, thanks for the changeless spirit,

That lives in the hills and streams!

Like goodness it aye grows dearer

As we fade from our life’s young dreams!

As love to our hearts is precious,

Are voices of leaves and flowers;

Our God, in His wisdom, knew it,

In kindness He made them ours!


SONNET.—AMOR.

Cui amor nunc est similis? Of old

Painted they thee like beauteous boy, with bow

And quiver full of arrows tipped with gold,

Wherewith his victims pierced, delights might know—

Now, see we thee like to the fading flower,

Which in the morning richest sweets disclose;

Like to the queen of flowers, the mossy rose,

Which sets herself to die at evening hour—

Now see we thee when two fond hearts unite,

For Joy or sorrow, weal or wo, felt here;

And see we thee when woman sheds a tear

Of sorrow over Him whose chief delight

Was, erst, in tents of men He came to save—

Love, Love for man lay also in the grave.

W. A.


THE LEGEND OF THE WHITE NUN.

———

BY J. POPHAM.

———

“Pooh! pooh!” says the ‘strong-minded lady,’ “who ever believes in legends now-a-days?” and she turns over our pages to look for a more interesting article.

“Legends! Fudge!” says the practical man, who may give a supercilious glance at the title, “I leave such nonsense for old women.”

“The Legend of the White Nun!” reads the sentimental young miss, or the Byronic gent with curly hair, and a turned-down shirt-collar—“ah! a story with a very heart-rending finale, no doubt!”

And then come the believers in Spirit-Knockings, and in Winking Madonnas—and they will observe, “Here again is, doubtless, something which will corroborate what the skeptical world is pleased to call superstitions!”

I am not going now to answer these remarks in the negative or affirmative. I will not anticipate the finale, or inform you at once the character of the following tale. That is opposed to all precedent. I merely ask for a perusal before judgment; and then, perhaps, the strong-minded lady, and the practical gentleman, and the sentimental miss, will all find themselves wrong in their conjectures. A story is, now-a-days, no more to be judged by its title, than a hypocrite by his appearance.

With this preface, or apology, or left-handed explanation—or whatever else the reader is pleased to call it—I shall commence.


While a young man I was very fond of field sports, and in the part of England where I then resided, I had frequent opportunities for indulging in them. Not only around my immediate neighborhood did I often saunter with dog and gun, but oftentimes over the preserves of acquaintances in adjoining parishes. In the month of November, 1809, I made a visit, ostensibly for shooting, at the residence of Squire Primrose, of the village of Tremington, in Devonshire. I say the object of my visit was ostensibly to visit the Squire’s fields for pheasant and snipe, but the real object was to see one of the Squire’s daughters. I cared more, dear reader, for a smile from Jane Primrose than for a dozen brace of snipe; and I am sure I would then (for I am old and married to another now!) have given fifty pheasants for a taste of her rosy lips. But matters were not then sufficiently far advanced to avow what is called, in such cases, “my intentions.” I was accompanied by an intimate friend, called Bob Turner, or, as one would now say, (as we style every man from a water-carrier to a millionaire,) Robert Turner, Esquire! Strange to relate, Bob was similarly situated toward Jane’s sister, Elizabeth; and, like me, made the Squire’s love for game a means for making love to his daughter.

On the evening of our arrival, we, and the family, assembled in their old-fashioned but comfortable parlor, before a blazing fire. Here we amused ourselves in various ways, as young people are wont to do. After the detail of all the gossip in the neighborhood—how that Dr. Balden’s wife was said to be a little too intimate with the parson—how that Miss Jenkings had been jilted—and that an old maid, named Smith, had offered herself to her coachman, and was about to marry him, and so forth; the Squire took up the newspaper, which weekly made its appearance, and commenced to read aloud a very extraordinary ghost story.

As soon as he had finished, and our expressions of surprise had subsided, an old lady in the company—Mrs. Scroggins—exclaimed, “Well, now, this reminds me that my man, William, saw the ‘White Nun’ in the convent grave-yard last night; and she so frightened him, that he declares he will never pass there again after dusk.”

The mention of this aroused Bob’s curiosity and mine. We begged her to give us the history, or the legend, if any, connected with this mysterious personage.

Reader, have you ever heard of a gentleman who was asked in company to sing, and who did not raise a thousand objections, although he was all the while dying to exhibit his vocal abilities? Have you ever seen the lady who was asked to play at a party, and who did not excuse herself in fifty ways, although she had been practicing the whole day previous for the occasion? If you have, I have not. Nor have I ever met with a person who, when called upon for an anecdote, did not declare it was not worth repeating, or that he or she was certain it had been heard before. So it was with Mrs. Scroggins; we had to beg of her for this legend for about a quarter of an hour, after which, like the vocalist and the pianist, under similar circumstances, she consented.

——

                                                                                                                                                                                                                                                                                                           

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