The little village of Verdolay was not a characteristic Spanish village, it was a watering-place. One came into it along the dusty road between banks on which grew the spiky aloe shrubs, behind which spread the spaced olive groves with trees drawn up into demure lines, amongst the grey foliage of which could be seen the red painted corrugated roofs of the French Silk Company. The village scrambled up a terraced hill. The lower edge was a line of orange-vermilion one-storied houses faced with a small promenade. Then the houses scattered. To the right as one faced the hill were the baths, a collection of bulky, ramshackle buildings which hid deep, cool courtyards, and from which came the plash of water and the sound of young voices. The hill-side was covered with terraced gardens in which were set houses painted yellow, green, blue or pink. The apex of the hill was decorated by an iron windwheel for pumping. A ridge joined the crest of the hill to the mountains, and here perched the ancient monastery of Santa Catalina; while a mile away to the right, showing white amongst a green bed of palms and firs, was the country seat of the Count of El Valle, and to the left amongst groves of oranges was the villa of an ex-Prime Minister. One had almost a specimen of Spain in little in this one village. The vermilion houses, called the Malecon, sheltered a transitory population; visitors to the baths, who like ourselves arrived in carts with furniture, and after a few months disappeared back to town duties. These were usually of In spite of a somewhat evil local reputation, the peasantry could be counted as a quiet, hard-working, rather unintelligent, The Spaniard may be dilatory. He puts off doing to-day what he can do to-morrow, but it is from an exaggerated respect for the benefits of leisure. His handicap is that he has no proper means of filling that leisure, his apparent laziness comes from lack of education. About eighty per cent. cannot read, schooling is not enforced, and children begin work at ten years of age or thereabouts. But do not lay up the Spaniard's desire for inactivity as a crime; it is a virtue ill employed. Our particular specimen of the Spanish peasant was my female servant, named Encarnacion. She was thirteen years old, could neither read nor write, and worked like a small mule for the not extravagant wage of eleven shillings and sixpence a month. She only worked half the day, it is true, but we did not give her food. We indeed overpaid her, for the regular wage of her kind was about eight shillings and fourpence a month. She had a small, stumpy child's body, sprouting into a long neck, at the top of which was a rounded head. Her forehead was intellectual, her features flattened, and her hair, done up tight into a small ball, was usually decorated with a flower or a green leaf. At first, like all Spanish peasants, she made up her mind that she could not understand what I said, but gradually learned that she had to do so, and in general succeeded pretty well. But it was to her a tremendous intellectual effort. She would wrinkle her noble-looking brow with the strain, and was never satisfied until she had translated my orders into her own patois for clarity. But she would not allow her fundamental ideas of what was proper to be influenced by my foreign notions. Sometimes she would interrupt me. "No, SeÑora," she would say, "I do not like it done thus. That is not the custom. It must be done so." If one insisted upon one's own way, the work was ill done. So that, as a rule, to save trouble, one allowed her to do as she wished. Encarnacion worked all the morning, singing an interminable Spanish song, which struck our ears queerly and pleasantly at the beginning, but of which in the end we grew very tired. By eleven o'clock she would have done all the housework, the shopping and the cooking, and would leave the stone floors soaked in water, the evaporation of which did a little to counteract the intense heat. She had a habit which we did not like of scattering our household refuse all over the small square yard. It looked dirty and untidy, but we found out that she knew better than we did. The Encarnacion was sad that she could neither read nor write, and was proudly jealous of her younger sister, who, working in the milk factory, was being taught to spell. She of course acquired a proprietary right in us. She upheld the honour of the house, and gave a lesson in manners to a gipsy girl from the cave dwellings who had once thrown a stone at me. She also criticized our work. To the almost daily parties of strangers who walked into our house whenever the door was left unlocked, she acted as guide to our pictures drying on the walls, and she would explain to whom each house in the sketches belonged. But she never said "Thank you." There are considerable differences between Spanish customs and those of ordinary Europe, and these are apt to disconcert the traveller. Here are a few Spanish ones that we noted en passant. You may walk into any house or garden if moved to do so by curiosity if you, previous to entering, utter the magic formula: "Se pueda entrar?" You may stare as much as you like at anything or anybody, for staring is in reality a compliment. Self-consciousness is a silly vanity. If you feel friendly towards an acquaintance you may call on him at nine in the morning and you may repeat your call three or four times during the same day. (What the man does to get rid of you we have not yet discovered. We have only been the victims, not the visitors.) You must refuse everything that is suddenly offered to you, except cigarettes or sweets offered in the fingers. Do not accept other things until the third offer. But to refuse sweets or cigarettes is almost insulting. You must offer to give any object to anybody who admires it (especially objects of jewellery or babies). You may ask any questions you like, even upon the most intimate of subjects; and you must expect to be asked similar questions. If invited to a meal, you may refuse no dish that is served to you, even though indigestion is clutching at your vitals, or repletion stopping your throat. For a specimen of the small tradesman class of the malecon we had La Merchora. She kept the village shop, the last house on the terrace, and was in some way a relative of Antonio. Her home was planned like ours was, and one of the rooms beside the entrada had been filled with a counter, some shelves, and a large tin of paraffin oil; ginger-coloured sausages were festooned from the roof and the shop was complete. She was unmarried, and therefore, from a theoretical point of view, negligible; but it did not disturb her. Indeed, little did disturb her. She had the figure which grows out of a combination of good living, no thinking and reasonable working. In any village you will find an example of her kind. She is good-natured but respected. Liberties are not taken with her, and in Cornwall she is called Aunt So-and-so. La Merchora was not even black-visaged, there was in fact nothing that one can count for Spanish about her. She had two epithets—atrocidad and barbaridad—but she said them with so jovial an aspect that atrocity or barbarity faded into the gentlest of denunciations. When our first servant, Encarnacion's elder sister, deserted us without warning for a better job, La Merchora said it was an atrocidad; when the water-carrier overcharged us she said it was barbaridad. When the Count El Valle's watchman chased us off some square miles of unfenced unproductive mountain she said it was atrocidad; when the weather was hot she said it was barbaridad. Every evening after supper there was a gathering outside Uncle Pepe was La Merchora's father. He was a withered brown peasant baked by the sun to the colour of a pot. Wrinkles of careful economy and of good humour were as indelibly roasted into him as the pattern on a Roman dish. In recognition of La Merchora's accumulated kindnesses I painted his portrait on a small panel for her. She pondered some while on the problem of a suitable recompense, and at last gave us an antique Sevillian basin decorated with a primitive painting of a yellow and green cat. It was an old and valuable piece of earthenware used for washing the linen, and had probably been employed to wash Uncle Pepe's shifts and himself as well when he was a baby. These basins, two feet in diameter, are used as decorative and practical adjuncts to the huge red earthenware pots in which the villagers of the Murcian valley store the household water. We protested against the generosity of this gift, but in vain. One day, while we were out, she had it carried to our house, and would on no account receive it back. Pepe and La Merchora illustrate the rapid evolution of the modern Spanish gentleman. Antonio is the third stage in the development. The little SeÑor is the fourth. Pepe is an unlettered peasant, knowing nothing but the labour of the soil but possessing the traditional culture of Spain. By the time one has reached the little SeÑor and the people of These people have won to that leisure so sweet to the heart of man; but they don't know what to do with it. They sleep and so grow fat. Having become fat they are good-natured and laugh. The old saw should be inverted. Indeed, many an old saw is in reality the truth turned inside out. They were a good-natured kindly people, these bulky tradesmen, but they were deadly dull. The daughters of Verdolay banged untuned pianos to the strains of dances forgotten by Europe, polkas, mazurkas and pas de quatre; but their own dances—the malagueÑas and baturras—were unknown to them. They were pressing in their invitations, and were angry with us because we preferred La Merchora's doorstep with its changing audience of passers-by. Of the Count and the ex-Prime Minister we know but little; they lie, anyway, beyond the scope of this book. The Count possessed in this district a country house set in a deep, wooded valley, in which was a medicinal spring, and a few square miles of unfenced sterile mountain land from which his watchman, armed with a gun, was instructed to drive away The ex-Prime Minister's villa was the most amazing example of bad taste in architecture that we have ever seen FOOTNOTES: |