Spain is the true home of the guitar. Only in Spain is the guitar—the most complete of solo instruments—heard in its true perfection. But even in Spain the cult of the guitar is dying out. Nowadays, at marriages, births or christenings the guitar is no longer inevitable, for the cheap German piano and the gramophone are ousting the national instrument. Jan had become enamoured of the guitar in Paris, some small progress he had made with the help of a friend; but one cannot get the true spirit of Spanish music at second hand. So Blas, the gipsy, was called in to given him instruction. We had been told not to give Blas more than twenty pesetas a month, these to be full payment for a daily lesson. However, Blas proved to be more adept at bargaining than we were. He looked very Egyptian in the face, was very smart in a grey check suit, patent leather boots and straw hat, a strange contrast to the poverty of his home and the slatterns of women who were his family and relations. He came in rubbing his hands together, grinning with an expanse of strong, white teeth, and showing a sly expression in his curious eyes. He cringed to us. He demanded two pesetas a lesson, or sixty pesetas a month. We held out that we had been told to offer him twenty. This, he answered, was impossible, quite impossible, out of the question. Some of his subserviency was immediately put into his pocket. Jan said that as he would be Only after he had gone did we realize that three lessons a week meant twelve lessons a month, and, at his original price, this would have amounted to twenty-four pesetas, and that Bias had wheedled out a peseta more than his original offer. We do not like the bargaining system which is prevalent all over Spain, a habit from which, in spite of their stern notices, the "precio fijo" shops are not quite exempt. We are not registering this objection because Blas cozened us of a peseta; but it seems to us that the whole habit of chaffering inculcates a lack of generosity and lays a foundation of unfriendly relationships between people. No matter upon what friendly terms the bargaining is carried out, too much of an element of positive personal competition is brought in; but much bargaining is not carried on in a friendly way. It also necessitates a wholesale campaign of lying—appreciative and depreciative—on the part of both buyer and seller, and a certain amount of personal feeling on the side of the loser. Nor does the constant simulation of anger tend to make a person more pacific by habit. Curiously enough the most generous man is often the worst treated by the Blas came to our house at about twelve o'clock. He was a true musician and lived—as far as we could discover—for but two things, music and drink. He had seemed to understand our Spanish well enough to get the better of the bargain, but he had forgotten this. He, like the maid, had a fixed idea that Jan could not speak Spanish. He grinned, and made strange noises, but never tried to explain anything by means of words. One cannot say that he was a good teacher. All that he could do was to play a piece over and over again, and trust you to get it by ear. Now and again he would grasp Jan's fingers and try to force them into the necessary positions. He was even incapable of playing his tunes slowly. If Jan wished to analyse a movement which came in the middle of a melody Blas had to begin at the beginning. Sometimes Jan was almost in despair, but he worked hard and in the end drew a profit out of Blas's inadequate instruction. Spanish guitar music is unlike the music of Europe. It has a strange primitive character depending for its marvellous rhythmic properties upon a rhythm of phrase more than upon the rhythm of the bar division. The form is simple, a passage played with the back of the nails across the strings, called the "Rasgueado," a passage like a refrain or chorus, "the Paseo," in reality the introduction of the dance or melody, and the melodies proper called "Falsetas." The rhythmic structure which does not correspond to the bar division of the music is usually emphasized by drum taps made upon the sound board of the guitar with the nail of the second finger. Blas considered it his duty to teach Jan two falsetas on each visit. But if he was a bad teacher, he was a fine player. Resting his chin on the great guitar as if the passage of the vibrations through his body were a source of pleasure, he crouched, looking like something between a bullfrog and a Cheshire cat. Then with supple fingers he played, drawing delicious melodies; or rasping with his nails he beat out complex harmonies that seemed to vie with an orchestra in richness of sound. When he came to a falseta, he would throw up his negroid Before he left the house he always tried to get an advance upon his salary. After all, to him we were only BusnÉ to be fleeced if possible. But when his indebtedness amounted to the whole of his month's pay we fended him off by saying that we had no change. I do not think we realized how much we were overpaying Blas until we decided to leave Murcia. We found a house, as you will hear, at Verdolay about five miles away. When he heard that we were leaving, Blas volunteered to come out as usual for the same pay. He said that he would cheerfully walk the distance—ten miles—for that money. But we were getting rather shy of Blas. He was too persistent a borrower for our slender means and we had heard of other teachers who were cheaper. So we took this opportunity and dropped him as a pilot to the guitar |