Inanimate things, the poets to the contrary, do not share human moods. When Loring returned to his desk in the office the typewriter, instead of showing the least sympathy, behaved abominably. Ordinarily the letter “J” on a well-constructed machine is on the side, and little used. But this afternoon it seemed to insist on beginning every word, and the effect on the business letters which should have been composed was not beneficial. But this is perhaps explained by the few terse words concluding the pamphlet of directions which accompanied the machine: “No machine ever made is fool proof.” So Loring had the extra task of carefully proofreading all his letters. Being in love always has one of two effects on a man’s work. He either does twice as much work half as well, or half as much work twice as well; but no man truly in love has been able to reverse these, and double both his zeal and efficiency. This kind of inspiration has a singular His work done, Loring banged the cover onto the typewriter with a little more force than was necessary, for if inanimate things cannot share moods, they are still delightful objects on which to vent overwrought feelings. Stephen’s hat was on the table behind the swivel chair, and it was characteristic of him that he used great exertion to secure it without rising, twisting the chair into positions which defied all the laws of gravity. Having set the soft hat at its accustomed slightly tilted angle, he lit his pipe and frowned at the garish appearance of the yellow oak of his desk. Then he rose with the indecisive motion of one who, when on his feet, wonders why he has left his chair. Ordinarily Stephen was a trifle late at supper on account of staying to lock up the office, and to-night from an illogical dread of the thing which he Wah glided in from the kitchen with a fresh pot of coffee which he set before Stephen, together with the choicest selections from the supper which he had as usual saved for him. When Loring rose from the table, leaving the larger portion of his meal uneaten, Wah looked at him reproachfully from the inscrutable depths of his slanting eyes. Baird Radlett, Jean, and a few others were still gathered on the porch when Stephen stepped outside. They were gazing intently down the valley to the westward at the glorious afterglow in the sky, where, but an instant before, the red rim of the sun had flashed before dipping behind the hills. All were silent with that quietness which is brought forth by moments of absolute beauty. Loring’s step and voice aroused them, and all save Jean turned quickly. Baird saw a color in Jean’s cheeks far richer and softer than the deep rose hue in the skies. He glanced quickly from her to the man standing above her, who was looking down at her with adoration in his gaze. For Stephen stayed with them only a few minutes before returning to the office to play the old, old game of burying thought beneath routine. Radlett and Jean were left alone on the steps. Baird watched Stephen until he was hidden by the angle of the office. “Loring,” he said suddenly, turning to Jean, “has been working fifteen hours a day for the last six months. He cannot stand it. I am afraid for him.” “Afraid for his—for his—” she hesitated moment, “for his health?” “Yes, and only for his health,”, answered Radlett decisively. He rose to his feet as if to gain strength for what he was going to say. Then he seated himself again on the step beside her. Drawing a deep breath he began: “Jean, you are not looking well, either.” Jean murmured something about the fatigue of the journey from the East. “No,” said Radlett firmly, “it is not that. It is something deeper than that. You know it is, and I know it, too, so let there be no concealments between us!” “What do you know? How do you know it?” Jean stammered. “A man knows some things by instinct,” Radlett answered. “I think I should have found this out before long, anyhow; but your face, dear, is not good at concealments, and when I saw your eyes, which had been sad from the time we met in Tucson, suddenly light at the sight of Loring in the office here, when heard the little catch in your voice (Jean, I know every tone of your voice by heart) and when I saw and heard you, I knew!” “Oh, Baird!” “Never mind,” exclaimed Radlett, “we will not talk of that any more. I only wanted you to understand that we must be quite frank with each other, and that thus everything will come out right. Now tell me how things stand with you.” “How can I, Baird? To you, of all people?” “You can and you must, just because I am I and you are you, and your happiness concerns me more than anything in the world. You love Stephen Loring. You are miserable about him. Why?” “I will tell you,” answered Jean slowly, looking intently out into the darkness. “I will tell you why I am afraid for him, because you are his friend as you are mine, and you will understand. I am afraid that it is only for my sake that he has made his reform, and I told him to-day that I did not quite trust him, and that—oh, Baird, you must understand!” Radlett bowed his head in grave assent. “Yes, I understand.” “But,” Jean went on, “if you think that this will cause him to fall again, I cannot bear it; for Baird, I do care for him, and if this is his last chance, I will give it to him.” Radlett grasped her hand firmly in his own and bent over her. No crisis of his life had ever taxed his self-control like this. “Jean,” he said slowly, “he does not need you. Do you suppose that if he did I should think him worthy the great gift of your love?” Baird’s voice broke, in spite of himself; but he The tears gathered hot in Jean’s eyes. “You know that as I told you a moment ago “He must be a man, Baird, to have such a friend as you.” A deep silence fell between them. Then Radlett rose suddenly, for he knew his endurance could stand no more. He bent over her hand and kissed it tenderly. Then with a heart-rendingly cheerful “good night,” he strode off into the darkness towards his quarters. For an hour Jean sat on the steps, watching the lights of the camp, as one by one they were extinguished, until one light alone burned. It was in the window of the office. There she knew a man was working steadily and bravely, and her heart beat irregularly as the realization came, that it was the man whom with her whole heart she loved and trusted for all the future, whatever might have been the past. The hot blood came surging into her cheeks only to recede and leave them pale. Rising, she walked slowly across to the office. She hesitated a moment, her hand on the door-knob, Loring was bending over his work and did not see her as she stood in the doorway. She watched his pen toiling over the paper before him. The drooping dejection in his whole attitude cried out to her of his need for her. “Stephen!” she half whispered. The man jumped to his feet, startled by the sound of the voice of which he had been thinking. He turned to her, his face white and tense with the strain of wonder and surprise. In three steps he crossed the room to her. “Is anything wrong?” he exclaimed anxiously. “Yes, something is wrong,” she answered, looking steadily into his eyes. “I was wrong. I told you that I did not trust you. I do.” “Jean,” he gasped, half suffocated. “Do you mean that after I had broken my word to you at Quentin, you could possibly forgive?” “I forgave that at the time.” His face was drawn with the conflict between an impossible hope and a desperate fear. “That was the only time in my life that I ever broke my word, Jean, but breaking it to you made it impossible for you to believe in me. You told me so this morning, and I realized it. You forgive me that now,” he cried, with a sudden flash of intuition, “because you are afraid that in losing you, I shall lose myself again. Jean, though you are all there is in life for me, I will not let you sacrifice yourself to your splendid sympathy. Dearest, can’t you see that, as you said; if there were a shadow of doubt on your mind you could never be happy with me?” “It was not what you think which made me say I did not trust you. It was something, Stephen, which I know would be impossible in the man you are now. I could not put your dishonesty to your guardian out of my mind, until I realized that that was no more a part of the Stephen Loring I know now than the faults which I had forgiven.” Loring looked at her in amazement. “My dishonesty towards my guardian?” he exclaimed. “Jean, dear, what do you mean?” “I was told,” she said sadly, “that you had borrowed heavily from him, and never returned “Jean, every cent that I ever borrowed, I paid him when I came into my own money. I don’t know or care where you heard the story, but the only part of it that is true is that I did abuse his good nature and ask him to advance me out of his own fortune the amount that he held in trust for me.” The impossible hope conquered the fear in his face. He seized both of her hands in his and spoke breathlessly. “Jean, dearest, was that why you did not trust me?” She looked up at him with her eyes glowing with a new feeling. The love that had sprung from pity had grown into the love based on pride. “Do not let us talk of that now,” she whispered, “but of the present—and—and the future!” Stephen drew her to him with a passion which only those who have despaired can feel. He bowed his head and kissed her as for months he had dreamed of doing. He trembled violently as his lips met hers; trembled with wonder, with adoration, with perfect happiness. The present redeemed the past and glorified the future. Through sin and shame, through failure and humiliation, he had at last found his strength, and before him in golden promise stretched the up grade. Mr. Oppenheim’s Latest Novel THE ILLUSTRIOUS PRINCE By E. PHILLIPS OPPENHEIM Illustrated by Will Foster. Cloth. $1.50 Mr. Oppenheim’s new story is a narrative of mystery and international intrigue that carries the reader breathless from page to page. It is the tale of the secret and world-startling methods employed by the Emperor of Japan through Prince Maiyo, his close kinsman, to ascertain the real reasons for the around-the-world cruise of the American fleet. The American Ambassador in London and the Duke of Denvenham, an influential Englishman, work hand in hand to circumvent the Oriental plot, which proceeds mysteriously to the last page. From the time when Mr. Hamilton Fynes steps from the Lusitania into a special tug, in his mad rush towards London, to the very end, the reader is carried from deep mystery to tense situations, until finally the explanation is reached in a most unexpected and unusual climax. No man of this generation has so much facility of expression, so many technical resources, or so fine a power of narration as Mr. E. Phillips Oppenheim.—Philadelphia Inquirer. Mr. Oppenheim is a past master of the art of constructing ingenious plots and weaving them around attractive characters.—London Morning Post. LITTLE, BROWN, & CO., Publishers By the Author of “The Kingdom of Earth” PASSERS-BY By ANTHONY PARTRIDGE With illustrations by Will Foster. Cloth. $1.50 This new novel by Anthony Partridge, whose absorbing romance, “The Kingdom of Earth,” met with instant favor, has London for its scene. But when you have read it you will admit that real London, as well as imaginary Bergeland, is a source of fascinating romance. The heroine of “Passers-By” is a street singer, Christine, who comes to London accompanied by Ambrose Drake, a hunchback, with a piano and a monkey. The fortunes of these two are strangely linked with those of an English statesman, the Marquis of Ellingham, who in his youth has led a wild and criminal career in Paris as the leader of a band of thieves and gamblers, the Black Foxes. Here is the material for a thrilling tale in which mystery breeds adventure and culminates in love. The first chapter plunges the reader into an interest-compelling maze of events, and the attention is held to the end by a series of dramatic situations and surprises. Mr. Partridge is now reckoned among the favorite novelists of the day. His first book was “The Distributors,” the story of a great London mystery. Then came “The Kingdom of Earth,” one of the popular novels of 1909. “Passers-By” is his third book. LITTLE, BROWN, & CO., Publishers By the Author of “Aunt Jane of Kentucky” THE LAND OF LONG AGO By ELIZA CALVERT HALL Illustrated by G. Patrick Nelson and Beulah Strong 12mo. Cloth. $1.50 The book is an inspiration.—Boston Globe. Without qualification one of the worthiest publications of the year.—Pittsburg Post. Aunt Jane has become a real personage in American literature.—Hartford Courant. A philosophy sweet and wholesome flows from the lips of “Aunt Jane.”—Chicago Evening Post. The sweetness and sincerity of Aunt Jane’s recollections have the same unfailing charm found in “Cranford.”—Philadelphia Press. To a greater degree than her previous work it touches the heart by its wholesome, quaint human appeal.—Boston Transcript. The stories are prose idyls; the illuminations of a lovely spirit shine upon them, and their literary quality is as rare as beautiful.—Baltimore Sun. Margaret E. Sangster says: “It is not often that an author competes with herself, but Eliza Calvert Hall has done so successfully, for her second volume centred about Aunt Jane is more fascinating than her first.” LITTLE, BROWN, & CO., Publishers Sidney McCall’s New American Novel RED HORSE HILL By SIDNEY McCALL Author of “Truth Dexter,” “The Breath of the Gods,” etc. 12mo. Decorated Cloth. $1.50 A dramatic story, big and splendid in theme, and handled in masterly style.—Albany Times-Union. Fresh, vigorous, wholesome, well written.... Holding the absorbed interest from first page to last.—Chicago Record Herald. The best work Mrs. Fenollosa has given us. It will be one of the best read and most talked about books of the year. It is intensely human.—Springfield Union. The reader must be dull, indeed, who is not stirred and thrilled by this book, even in the light of a human document.—Lilian Whiting in New Orleans Times-Democrat. A story of emotion, intensely dramatic, and told with the constructive skill and power of narrative which Sidney McCall has evidenced so effectively in her earlier novels.—Brooklyn Eagle. A story of the Southland which promises in a way to do as much for the white slave of to-day as did “Uncle Tom’s Cabin” for the black man. Besides the problem of child labor in the mills there is a love story and romance that keeps the attention of the reader to the very end.—St. Louis Globe Democrat. LITTLE, BROWN, & CO., Publishers |