What a dear, delightful humbug was Sol Smith Russell. By humbug I mean nothing disparaging for Sol was one of the sweetest natures I have ever met. But he was a most eccentric person, a combination of good and a tiny bit of bad, with the aspect of a preacher and the inclination of a beau and man about town. If Sol had had the moral courage I am sure he would have turned out a rouÉ. He worshipped the beautiful, particularly in woman, was passionately fond of gambling and loved the cup that soothes and comforts. Yet he indulged his foibles only in solitude. Very few knew the real man.

There was nothing vicious in his nature. He was merely alert, artistically inclined. He was a genius in his quiet and inoffensive dissipation. Of a frugal turn of mind, he became commercial when he loosed his mental bridle and gave himself his head.

Tommy Boylan of Guy's Hotel, Baltimore, told me that Sol, evidently contemplating a slight debauch, asked him in his bland way the price of gin cocktails. Tommy replied, "Fifteen cents per." "How much a dozen?" asked Sol. "To you," answered Tommy, "ten cents." "Two dozen to my room, please," said Sol. At the door he turned and added, "By the way, Tommy, ten per cent off for cash and thus enable me to reimburse the bell boy. And, Tommy, be sure and have them made separately and send six at a time when I ring the bell."

In this way Sol would have his little spree with only his mirror for a companion and emerge the next day spick and span with two bottles of an aperient water added to his account. By noon he would be found officiating at some church function or passing tea at some lady's seminary.

I never considered Sol a very great actor on the stage—but a marvel off. He was a splendid entertainer and sketch artist, but he had higher ambitions. His greatest was to wear the mantle of Jefferson whom he worshipped.

We three were supping one night at the Richelieu Hotel, Chicago. Jefferson had previously suggested to me the idea of my playing Doctor Pangloss in "The Heir at Law," endeavoring to point out the many benefits I would bestow by appearing in that character. I listened with much respect but refused, knowing how old fashioned were both the play and rÔle. Sol, however, was not proof against the clever old gentleman's blandishments and fell for the suggestion. The fact of appearing in any character made famous by the astute old fox was enough for the guileless Sol. I knew Jefferson wanted some one to play the part only to court comparisons. To prove his interest in Sol's future, Jefferson presented him with his entire wardrobe, even to the shoes and awful wig. Sol was delighted at the prospect and accepted them readily. When told of this at the supper that evening, I turned to Sol and said, "Well, the press has been hurling Mr. Jefferson's mantle at me for years, but you have undressed him. I guess I'll have to wear my own."

Jefferson seemed to enjoy the sally but I'm afraid Sol failed to appreciate my remarks or gather my meaning. It would have been better for him if he had, for later he produced the play and met with instant failure.

While touring in the all star cast of "The Rivals" I called on an old and esteemed friend of mine at Chicago—the bar keeper at the Grand Pacific Hotel—who informed me that my friend Sol Smith Russell and he had spent a most enjoyable evening the night before. Sol had left him at about two a. m. saying he was looking forward to our appearing in "The Rivals" with joyous anticipation. I asked about Sol's health and capacity. The bar keeper replied, "He's fine. I have his tabs for sixty dollars." I gasped, "Not cocktails!" He replied, "No, pints."

The next afternoon at the matinee after the first act Sol's card came up to Mr. Jefferson's dressing-room (which I shared on tour). Of course he was admitted at once. Not appearing in the first act, I was preparing the finishing touches to my make-up in a remote corner of the room and was not seen by Sol. He rushed over to Jefferson who warmly greeted him. Sol was most enthusiastic over the performance of the first act. Standing in the center of the room, safely braced by both hands on a massive oak table he gushed forth as follows:

"My dear Joseph, I have never seen such acting, such art. Surely Sheridan in his grave must appreciate such artistic values as are being dealt with this afternoon, such—"

Then came a long pause and his eyes closed as if he were in deep meditation—I knew it was a hold over—then his lids started open and he gathered up the thread of his complimentary effusion:—

"Such superb treatment, delicacy, subtlety, and—" again a pause and the same closing of the eyes, the awakening and continuation:—

"Your work is a revelation and great object lesson to the students of the drama, the commingling of the older and younger elements only lends a charm to the works of the grand master and,"

Again the pause, and on his awakening after this last standing siesta, he discovered my presence.

"Ah, Nattie, I hear splendid reports of your Sir Lucius O'Trigger."

I inquired from whom as I had been kept in ignorance of any. He said from everyone.

"And now, my good friend," said Sol, addressing Jefferson, "I must leave you as I don't want to miss Nat's first scene, the opening of the second act."

Bowing, he made his exit, his left hand deftly placed upon the wall of the room as he guided himself in a somewhat circuitous way to the door. As he was bent directly opposite, I went to his assistance and led him outside, detecting a slight odor of what seemed to me gin fizzes. I bade him adieu and returned to my dressing table. Jefferson appeared much gratified.

"Sol is awfully pleased apparently and was most gracious," he said. I answered, "Yes, for a tired man, Sol spoke remarkably well." Jefferson, who was very literal, asked, "Is Sol tired?" I replied, "He ought to be with that load he is carrying."

Said Jefferson, "What load is he carrying?"

"A basket of lovely peaches," quoth I.

"I didn't notice he had a parcel with him," replied Jefferson.

"He is tanked up to the collar button," I said. "Oh, what a lovely skate he has!"

"Tanked up to the collar button and skate? What the devil are you talking about. You have a vernacular, my dear Nat, that requires translation. What are you talking about?"

"Didn't you notice his condition?" I asked. "He's loaded to the eyebrows."

"Tight?" asked Jefferson.

"As a new drum," I replied.

"I can't realize it," said Jefferson. "My eyesight prevented my scanning his face as accurately as I could wish. I noticed his conversation was a bit measured, but very well expressed. I can't believe he was under the influence of liquor. Are you sure?"

I replied with much pride in my delivery, "You can't deceive an artist."

Jefferson simply screamed at this remark and during the afternoon repeated the incident several times to each and every member of the company. It met with so much favor and seemed to amuse the people to such an extent that for several years, by imitating both Sol and Jefferson, I made it one of the best stories of my repertoire.

I once told the story to a number of actors at the Green Room Club in London. At the finish, "You can't deceive an artist," it failed to provoke the laughter it always aroused in America and I thought I noticed a look of blank amazement on my auditors' faces. I paid no attention to it at the time, attributing their lack of appreciation to their density or their limited acquaintance with the mannerism of the gentlemen I was imitating. Three weeks later Fred Terry met me on the Strand and with much gravity apologized for the silent manner his confrÈres at the club had received my story.

"My dear Nat," said Terry, "the lads entirely mistook your meaning. They thought you were putting on a lot of side and when you pointed to yourself with that egotistical gesture and proclaimed yourself an artist, they thought it in exceedingly bad taste. I have been all this time taking each one aside and telling him that was not your meaning at all; that you were a very modest man for an American. You were simply telling your superior officer what a drunkard you were. Now they thoroughly understand the story and won't you please come to-night and tell the story over again?"

Which request I politely but firmly refused.

The last time I saw poor Sol was at a luncheon at the home of the late Stillson Hutchins given in our joint honor at Washington. Now both are gone. God bless their memory. Adieu, good friends.

A few nights after telling this story, I was relating the incident to Beerbohm Tree at a supper party. He agreed with me as to the density of the average Britisher so far as appreciating American humor is concerned. He told me he understood it thoroughly. As the supper progressed we were entertained by song and story, contributed by the guests. In my turn I told of an incident that happened in Denver.

I had come in from one of the clubs very late and directed the clerk at the hotel to call me at 5 a. m. sharp, impressing upon him that I was a very heavy sleeper. Having only a few hours to rest I wanted him to be sure to rap on the door as loudly as possible and not go away until he heard a response from me. It was vital I make the train for Leadville and it left at 6 o'clock.

An Irish porter standing near overheard my instructions and volunteered to assume the responsibility of awakening me on time. I handed him a dollar and retired to my room, a cold, bleak apartment, and was soon asleep between the icy sheets. It seemed but a few minutes until I was awakened by a most violent knocking on my door. I shouted, "What's the matter?"

"Are yez the man that left the call for the five o'clock train?" I answered, "Yes."

"Well," came the reply from outside, "go back to sleep. Your train's gone."

Several of the guests laughed loudly. Tree, however, looked blank and ejaculated, "The silly man should have been discharged for incompetency."

I hurriedly left the party and told no more stories that summer.

Chapter XII