Equal if not superior to myself in the versatility of "ups" and "downs" in the theatrical firmament has been the career of Henry E. Dixey. Twenty-five years ago he was the toast of the Town. As Adonis his fame was heralded from coast to coast and even permeated across to England. His appearance on any stage was an event. When he appeared in Boston after a run of nearly two years in New York he stopped the traffic and multitudes swarmed the streets as he passed through the city on his way to the Adams House. He was finally forced to appear upon the balcony to acknowledge this tremendous reception. Ten years after I saw him smothered nearly into oblivion as one of the members of Weber & Field's burlesque company on Broadway, the scene of his former triumphs. My heart bled for him, as I had seen him previously give splendid character performances in the melodrama "Romany Rye." A few years after I saw him come forth again resplendent as David Garrick in Stuart Robson's play of "Oliver Goldsmith," only to disappear again as a legerdemain performer and in vaudeville. Then he scored a tremendous hit in one of Miss Amelia Bingham's plays. So it has gone on for over twenty-five years. Undaunted, the graceful Harry jumps over the rails of failure into the pastures of success. He is truly a wonderful man. We have known each other for many years appearing as long ago |