XVII

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Henri only came to the last rehearsals. He knew the play and was ready with his part in a week. The Caprice was a very short piece for the soirÉe, and it was decided to finish up with something comic. Two or three short plays given at the Palais Royal were tried, but given up as there were not enough actors, and finally a very nonsensical thing was chosen that was just then having a great run in one of the smaller theatres, and which Henri had insisted on in spite of Mlle. Bourjot's apparently groundless objection to it. Considering her usual timidity, every one was surprised at her obstinacy on this point; but it seemed, since Henri had been there, as if she were not quite herself. RenÉe fancied at times that NoÉmi was not the same with her now, and that her friendship had cooled. She was surprised to see a spirit of contradiction in her which she had never known before, and she was quite hurt at NoÉmi's manner to her brother. She was very cool with him, and treated him with a shade of disdain which bordered on contempt. Henri was always polite, attentive, and ready to oblige, but nothing more. In all the scenes in which he and NoÉmi acted together he was so reserved, so correct, and indeed so circumspect, that RenÉe, who feared that the coldness of his acting would spoil the play, joked him about it.

"Pooh!" he answered, "I'm like the great actors. I'm keeping my effects for the first night."


                                                                                                                                                                                                                                                                                                           

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