Crawford Muir, in Lanarkshire, was the birthplace of this true poet. His father was manager of the Earl of Hopetoun's lead-mines. Allan was born in 1686. His mother was Alice Bower, the daughter of an Englishman who had emigrated from Derbyshire. His father died while his son was yet in infancy; his mother married again in the same district; and young Allan was educated at the parish school of Leadhills. At the age of fifteen, he was sent to Edinburgh, and bound apprentice to a wig-maker there. This trade, however, he left after finishing his term. He displayed rather early a passion for literature, and made a little reputation by some pieces of verse,—such as 'An Address to the Easy Club,' a convivial society with which he was connected,—and a considerable time after by a capital continuation of King James' 'Christis Kirk on the Green.' In 1712, he married a writer's daughter, Christiana Ross, who was his affectionate companion for thirty years. Soon after, he set up a bookseller's shop opposite Niddry's Wynd, and in this capacity edited and published two collections,—the one of songs, some of them his own, entitled 'The Tea-Table Miscellany,' and the other of early Scottish poems, entitled 'The Evergreen.' In 1725, he published 'The Gentle Shepherd.' It was the expansion of one or two pastoral scenes which he ad shewn to his delighted friends. The poem became instantly popular, and was republished in London and Dublin, and widely circulated in the colonies. Pope admired it. Gay, then in Scotland with his patrons the Queensberry family, used to lounge into Ramsay's shop to get explanations of its Scotch phrases to transmit to Twickenham, and to watch from the window the notable characters whom Allan pointed out to him in the Edinburgh Exchange. He now removed to a better shop, and set up for his sign the heads of Ben Jonson and Drummond, who agreed better in figure than they had done in reality at Hawthornden. He established the first circulating library in Scotland. His shop became a centre of intelligence, and Ramsay sat a Triton among the minnows of that rather mediocre day —giving his little senate laws, and inditing verses, songs, and fables. At forty-five—an age when Sir Walter Scott had scarcely commenced his Waverley novels, and Dryden had by far his greatest works to produce —honest Allan imagined his vein exhausted, and ceased to write, although he lived and enjoyed life for nearly thirty years more. At last, after having lost money and gained obloquy, in a vain attempt to found the first theatre in Edinburgh, and after building for himself a curious octagon-shaped house on the north side of the Castle Hill, which, while he called it Ramsay Lodge, his enemies nicknamed 'The Goose-pie,' and which, though altered, still, we believe, stands, under the name of Ramsay Garden, the author of 'The Gentle Shepherd' breathed his last on the 7th of January 1758. He died of a scurvy in the gums. His son became a distinguished painter, intimate with Johnson, Burke, and the rest of that splendid set, although now chiefly remembered from his connexion with them and with his father.

Allan Ramsay was a poet with very few of the usual poetical faults. He had an eye for nature, but he had also an eye for the main chance. He 'kept his shop, and his shop kept him.' He might sing of intrigues, and revels, and houses of indifferent reputation; but he was himself a quiet, canny, domestic man, seen regularly at kirk and market. He had a great reverence for the gentry, with whom he fancied himself, and perhaps was, through the Dalhousie family, connected. He had a vast opinion of himself; and between pride of blood, pride of genius, and plenty of means, he was tolerably happy. How different from poor maudlin Fergusson, or from that dark-browed, dark-eyed, impetuous being who was, within a year of Ramsay's death, to appear upon the banks of Doon, coming into the world to sing divinely, to act insanely, and prematurely to die!

A bard, in the highest use of the word, in which it approaches the meaning of prophet, Ramsay was not, else he would not have ceased so soon to sing. Whatever lyrical impulse was in him speedily wore itself out, and left him to his milder mission as a broad reflector of Scottish life—in its humbler, gentler, and better aspects. His 'Gentle Shepherd' is a chapter of Scottish still-life; and, since the pastoral is essentially the poetry of peace, the 'Gentle Shepherd' is the finest pastoral in the world. No thunders roll among these solitary crags; no lightnings affright these lasses among their claes at Habbie's Howe; the air is still and soft; the plaintive bleating of the sheep upon the hills, the echoes of the city are distant and faintly heard, so that the very sounds seem in unison and in league with silence. One thinks of Shelley's isle 'mid the Aegean deep:—

'It is an isle under Ionian skies,
Beautiful as the wreck of Paradise;
And for the harbours are not safe and good,
The land would have remained a solitude,
But for some pastoral people, native there,
Who from the Elysian clear and sunny air
Draw the last spirit of the age of gold,
Simple and generous, innocent and bold.

* * * * *

The winged storms, chanting their thunder psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From whence the fields and woods ever renew
Their green and golden immortality.'

Yet in the little circle of calm carved out by the magician of 'The Gentle Shepherd' there is no insipidity. Lust is sternly excluded, but love of the purest and warmest kind there breathes. The parade of learning is not there; but strong common sense thinks, and robust and manly eloquence declaims. Humour too is there, and many have laughed at Mause and Baldy, whom all the frigid wit of 'Love for Love' and the 'School for Scandal' could only move to contempt or pity. A dÉnouement of great skill is not wanting to stir the calm surface of the story by the wind of surprise; the curtain falls over a group of innocent, guileless, and happy hearts, and as we gaze at them we breathe the prayer, that Scotland's peerage and Scotland's peasantry may always thus be blended into one bond of mutual esteem, endearment, and excellence. Well might Campbell say—'Like the poetry of Tasso and Ariosto, that of the "Gentle Shepherd" is engraven on the memory of its native country. Its verses have passed into proverbs, and it continues to be the delight and solace of the peasantry whom it describes.'

Ramsay has very slightly touched on the religion of his countrymen. This is to be regretted; but if he had no sympathy with that, he, at least, disdained to counterfeit it, and its poetical aspects have since been adequately sung by other minstrels.

LOCHABER NO MORE.

1 Farewell to Lochaber, and farewell, my Jean,
Where heartsome with thee I've mony day been;
For Lochaber no more, Lochaber no more,
We'll maybe return to Lochaber no more.
These tears that I shed they are a' for my dear,
And no for the dangers attending on weir;
Though borne on rough seas to a far bloody shore,
Maybe to return to Lochaber no more.

2 Though hurricanes rise, and rise every wind,
They'll ne'er make a tempest like that in my mind;
Though loudest of thunder on louder waves roar,
That's naething like leaving my love on the shore.
To leave thee behind me my heart is sair pained;
By ease that's inglorious no fame can be gained;
And beauty and love's the reward of the brave,
And I must deserve it before I can crave.

3 Then glory, my Jeany, maun plead my excuse;
Since honour commands me, how can I refuse?
Without it I ne'er can have merit for thee,
And without thy favour I'd better not be.
I gae then, my lass, to win honour and fame,
And if I should luck to come gloriously hame,
I'll bring a heart to thee with love running o'er,
And then I'll leave thee and Lochaber no more.

THE LAST TIME I CAME O'ER THE MOOR.

1 The last time I came o'er the moor,
I left my love behind me;
Ye powers! what pain do I endure,
When soft ideas mind me!
Soon as the ruddy morn displayed
The beaming day ensuing,
I met betimes my lovely maid,
In fit retreats for wooing.

2 Beneath the cooling shade we lay,
Gazing and chastely sporting;
We kissed and promised time away,
Till night spread her black curtain.
I pitied all beneath the skies,
E'en kings, when she was nigh me;
In raptures I beheld her eyes,
Which could but ill deny me.

3 Should I be called where cannons roar,
Where mortal steel may wound me;
Or cast upon some foreign shore,
Where dangers may surround me;
Yet hopes again to see my love,
To feast on glowing kisses,
Shall make my cares at distance move,
In prospect of such blisses.

4 In all my soul there's not one place
To let a rival enter;
Since she excels in every grace,
In her my love shall centre.
Sooner the seas shall cease to flow,
Their waves the Alps shall cover,
On Greenland ice shall roses grow,
Before I cease to love her.

5 The next time I go o'er the moor,
She shall a lover find me;
And that my faith is firm and pure,
Though I left her behind me:
Then Hymen's sacred bonds shall chain
My heart to her fair bosom;
There, while my being does remain,
My love more fresh shall blossom.

FROM 'THE GENTLE SHEPHERD.'

ACT I.—SCENE II.

PROLOGUE.

A flowrie howm[1] between twa verdant braes,
Where lasses used to wash and spread their claes,[2]
A trotting burnie wimpling through the ground,
Its channel peebles shining smooth and round:
Here view twa barefoot beauties clean and clear;
First please your eye, then gratify your ear;
While Jenny what she wishes discommends,
And Meg with better sense true love defends.

PEGGY AND JENNY.

Jenny. Come, Meg, let's fa' to wark upon this green,
This shining day will bleach our linen clean;
The water's clear, the lift[3] unclouded blue,
Will mak them like a lily wet with dew.

Peggy. Gae farrer up the burn to Habbie's How,
Where a' that's sweet in spring and simmer grow:
Between twa birks, out o'er a little linn,[4]
The water fa's, and maks a singin' din:
A pool breast-deep, beneath as clear as glass,
Kisses with easy whirls the bordering grass.
We'll end our washing while the morning's cool,
And when the day grows het we'll to the pool,
There wash oursells; 'tis healthfu' now in May,
And sweetly caller on sae warm a day.

Jenny. Daft lassie, when we're naked, what'll ye say,
Giff our twa herds come brattling down the brae,
And see us sae?—that jeering fellow, Pate,
Wad taunting say, 'Haith, lasses, ye're no blate.'[5]

Peggy. We're far frae ony road, and out of sight;
The lads they're feeding far beyont the height;
But tell me now, dear Jenny, we're our lane,
What gars ye plague your wooer with disdain?
The neighbours a' tent this as well as I;
That Roger lo'es ye, yet ye carena by.
What ails ye at him? Troth, between us twa,
He's wordy you the best day e'er ye saw.

Jenny. I dinna like him, Peggy, there's an end;
A herd mair sheepish yet I never kenn'd.
He kames his hair, indeed, and gaes right snug,
With ribbon-knots at his blue bonnet lug;
Whilk pensylie[6] he wears a thought a-jee,[7]
And spreads his garters diced beneath his knee.
He falds his owrelay[8] down his breast with care,
And few gangs trigger to the kirk or fair;
For a' that, he can neither sing nor say,
Except, 'How d'ye?—or, 'There's a bonny day.'

Peggy. Ye dash the lad with constant slighting pride,
Hatred for love is unco sair to bide:
But ye'll repent ye, if his love grow cauld;—
What like's a dorty[9] maiden when she's auld?
Like dawted wean[10] that tarrows at its meat,[11]
That for some feckless[12] whim will orp[13] and greet:
The lave laugh at it till the dinner's past,
And syne the fool thing is obliged to fast,
Or scart anither's leavings at the last.
Fy, Jenny! think, and dinna sit your time.

Jenny. I never thought a single life a crime.

Peggy. Nor I: but love in whispers lets us ken That men were made for us, and we for men.

Jenny. If Roger is my jo, he kens himsell,
For sic a tale I never heard him tell.
He glowers[14] and sighs, and I can guess the cause:
But wha's obliged to spell his hums and haws?
Whene'er he likes to tell his mind mair plain,
I'se tell him frankly ne'er to do't again.
They're fools that slavery like, and may be free;
The chiels may a' knit up themselves for me.

Peggy. Be doing your ways: for me, I have a mind To be as yielding as my Patie's kind.

Jenny. Heh! lass, how can ye lo'e that rattleskull?
A very deil, that aye maun have his will!
We soon will hear what a poor fechtin' life
You twa will lead, sae soon's ye're man and wife.

Peggy. I'll rin the risk; nor have I ony fear,
But rather think ilk langsome day a year,
Till I with pleasure mount my bridal-bed,
Where on my Patie's breast I'll lay my head.
There he may kiss as lang as kissing's good,
And what we do there's nane dare call it rude.
He's get his will; why no? 'tis good my part
To give him that, and he'll give me his heart.

Jenny. He may indeed for ten or fifteen days
Mak meikle o' ye, with an unco fraise,
And daut ye baith afore fowk and your lane:
But soon as your newfangleness is gane,
He'll look upon you as his tether-stake,
And think he's tint his freedom for your sake.
Instead then of lang days of sweet delight,
Ae day be dumb, and a' the neist he'll flyte:
And maybe, in his barlichood's,[15] ne'er stick
To lend his loving wife a loundering lick.

Peggy. Sic coarse-spun thoughts as that want pith to move
My settled mind; I'm o'er far gane in love.
Patie to me is dearer than my breath,
But want of him, I dread nae other skaith.[16]
There's nane of a' the herds that tread the green
Has sic a smile, or sic twa glancing een.
And then he speaks with sic a taking art,
His words they thirl like music through my heart.
How blithely can he sport, and gently rave,
And jest at little fears that fright the lave.
Ilk day that he's alane upon the hill,
He reads feil[17] books that teach him meikle skill;
He is—but what need I say that or this,
I'd spend a month to tell you what he is!
In a' he says or does there's sic a gate,
The rest seem coofs compared with my dear Pate;
His better sense will lang his love secure:
Ill-nature hefts in sauls are weak and poor.

Jenny. Hey, 'bonnylass of Branksome!' or't be lang,
Your witty Pate will put you in a sang.
Oh, 'tis a pleasant thing to be a bride!
Syne whinging gets about your ingle-side,
Yelping for this or that with fasheous[18] din:
To mak them brats then ye maun toil and spin.
Ae wean fa's sick, and scads itself wi' brue,[19]
Ane breaks his shin, anither tines his shoe:
The 'Deil gaes o'er John Wabster:'[20] hame grows hell,
When Pate misca's ye waur than tongue can tell.

Peggy. Yes, it's a heartsome thing to be a wife,
When round the ingle-edge young sprouts are rife.
Gif I'm sae happy, I shall have delight
To hear their little plaints, and keep them right.
Wow, Jenny! can there greater pleasure be,
Than see sic wee tots toolying at your knee;
When a' they ettle at, their greatest wish,
Is to be made of, and obtain a kiss?
Can there be toil in tenting day and night
The like of them, when loves makes care delight?

Jenny. But poortith, Peggy, is the warst of a',
Gif o'er your heads ill chance should beggary draw:
There little love or canty cheer can come
Frae duddy doublets, and a pantry toom.[21]
Your nowt may die; the speat[22] may bear away
Frae aff the howms your dainty rucks of hay;
The thick-blawn wreaths of snaw, or blashy thows,
May smoor your wethers, and may rot your ewes;
A dyvour[23] buys your butter, woo', and cheese,
But, or the day of payment, breaks and flees;
With gloomin' brow the laird seeks in his rent,
'Tis no to gie, your merchant's to the bent;
His honour maunna want, he poinds your gear;
Syne driven frae house and hald, where will ye steer?—
Dear Meg, be wise, and lead a single life;
Troth, it's nae mows[24] to be a married wife.

Peggy. May sic ill luck befa' that silly she,
Wha has sic fears, for that was never me.
Let fowk bode weel, and strive to do their best;
Nae mair's required—let Heaven make out the rest.
I've heard my honest uncle aften say,
That lads should a' for wives that's vertuous pray;
For the maist thrifty man could never get
A well-stored room, unless his wife wad let:
Wherefore nocht shall be wanting on my part
To gather wealth to raise my shepherd's heart.
Whate'er he wins, I'll guide with canny care,
And win the vogue at market, tron, or fair,
For healsome, clean, cheap, and sufficient ware.
A flock of lambs, cheese, butter, and some woo',
Shall first be sald to pay the laird his due;
Syne a' behind's our ain.—Thus without fear,
With love and rowth[25] we through the warld will steer;
And when my Pate in bairns and gear grows rife,
He'll bless the day he gat me for his wife.

Jenny. But what if some young giglet on the green,
With dimpled cheeks, and twa bewitching een,
Should gar your Patie think his half-worn Meg,
And her kenn'd kisses, hardly worth a feg?

Peggy. Nae mair of that:—dear Jenny, to be free,
There's some men constanter in love than we:
Nor is the ferly great, when Nature kind
Has blest them with solidity of mind;
They'll reason calmly, and with kindness smile,
When our short passions wad our peace beguile:
Sae, whensoe'er they slight their maiks[26]at hame,
'Tis ten to ane their wives are maist to blame.
Then I'll employ with pleasure a' my art
To keep him cheerfu', and secure his heart.
At even, when he comes weary frae the hill,
I'll have a' things made ready to his will:
In winter, when he toils through wind and rain,
A bleezing ingle, and a clean hearth-stane:
And soon as he flings by his plaid and staff,
The seething-pot's be ready to take aff;
Clean hag-abag[27] I'll spread upon his board,
And serve him with the best we can afford:
Good-humour and white bigonets[28] shall be
Guards to my face, to keep his love for me.

Jenny. A dish of married love right soon grows cauld, And dozins[29] down to nane, as fowk grow auld.

Peggy. But we'll grow auld together, and ne'er find
The loss of youth, when love grows on the mind.
Bairns and their bairns make sure a firmer tie,
Than aught in love the like of us can spy.
See yon twa elms that grow up side by side,
Suppose them some years syne bridegroom and bride;
Nearer and nearer ilka year they've pressed,
Till wide their spreading branches are increased,
And in their mixture now are fully blessed:
This shields the other frae the eastlin' blast;
That in return defends it frae the wast.
Sic as stand single, (a state sae liked by you,)
Beneath ilk storm frae every airt[30] maun bow.

Jenny. I've done,—I yield, dear lassie; I maun yield,
Your better sense has fairly won the field.
With the assistance of a little fae
Lies dern'd within my breast this mony a day.

Peggy. Alake, poor pris'ner!—Jenny, that's no fair,
That ye'll no let the wee thing take the air:
Haste, let him out; we'll tent as well's we can,
Gif he be Bauldy's, or poor Roger's man.

Jenny. Anither time's as good; for see the sun
Is right far up, and we're not yet begun
To freath the graith: if canker'd Madge, our aunt,
Come up the burn, she'll gie's a wicked rant;
But when we've done, I'll tell you a' my mind;
For this seems true—nae lass can be unkind.

[Exeunt.

[1] Howm: holm. [2] Claes: clothes. [3] 'Lift:' sky. [4] 'Linn:' a waterfall. [5] 'Blate:' bashful. [6] 'Pensylie:' sprucely. [7] 'A-jee:' to one side. [8] 'Owrelay:' cravat. [9] 'Dorty:' pettish. [10] 'Dawted wean:' spoiled child. [11] 'Tarrows at its meat:' refuses its food. [12] 'Feckless:' silly. [13] 'Orp:' fret. [14] 'Glowers:' stares. [15] 'Barlichoods:' cross-moods. [16] 'Skaith:' harm. [17] 'Feil:' many. [18] 'Fasheous:' troublesome. [19] 'Scads itself wi' brue:' scalds itself with broth. [20] 'Deil gaes o'er John Wabster:' all goes wrong. [21] 'Toom:' empty. [22] 'Speat:' land-flood. [23] 'A dyvour:' bankrupt. [24] 'Mows:' jest. [25] 'Rowth:' plenty. [26] 'Maiks:' mates. [27] 'Hag-abag:' huckaback. [28] 'White bigonets:' linen caps or coifs. [29] 'Dozins:' dwindles. [30] 'Airt:' quarter.

We come now to another cluster of minor poets,—such as Robert Dodsley, who rose, partly through Pope's influence, from a footman to be a respectable bookseller, and who, by the verses entitled 'The Parting Kiss,'—

'One fond kiss before we part,
Drop a tear and bid adieu;
Though we sever, my fond heart,
Till we meet, shall pant for you,' &c.—

seems to have suggested to Burns his 'Ae fond kiss, and then we sever;' —John Brown, author of certain tragedies and other works, including the once famous 'Estimate of the Manners and Principles of Modern Times,' of which Cowper says—

'The inestimable Estimate of Brown
Rose like a paper kite and charmed the town;
But measures planned and executed well
Shifted the wind that raised it, and it fell:'

and who went mad and died by his own hands;—John Gilbert Cooper, author of a fine song to his wife, one stanza of which has often been quoted:—

'And when with envy Time transported
Shall think to rob us of our joys;
You'll in your girls again be courted,
And I'll go wooing in my boys;'—

Cuthbert Shaw, an unfortunate author of the Savage type, who wrote an affecting monody on the death of his wife;—Thomas Scott, author of 'Lyric Poems, Devotional and Moral: London, 1773;'—Edward Thompson, a native of Hull, and author of some tolerable sea-songs;—Henry Headley, a young man of uncommon talents, a pupil of Dr Parr in Norwich, who, when only twenty-one, published 'Select Beauties of the Ancient English Poets,' accompanied by critical remarks discovering rare ripeness of mind for his years, who wrote poetry too, but was seized with consumption, and died at twenty-two;—Nathaniel Cotton, the physician, under whose care, at St Alban's, Cowper for a time was;—William Hayward Roberts, author of 'Judah Restored,' a poem of much ambition and considerable merit;—John Bampfylde, who went mad, and died in that state, after having published, when young, some sweet sonnets, of which the following is one:—

'Cold is the senseless heart that never strove
With the mild tumult of a real flame;
Rugged the breast that music cannot tame,
Nor youth's enlivening graces teach to love
The pathless vale, the long-forsaken grove,
The rocky cave that bears the fair one's name,
With ivy mantled o'er. For empty fame
Let him amidst the rabble toil, or rove
In search of plunder far to western clime.
Give me to waste the hours in amorous play
With Delia, beauteous maid, and build the rhyme,
Praising her flowing hair, her snowy arms,
And all that prodigality of charms,
Formed to enslave my heart, and grace my lay;'—

Lord Chesterfield, who wrote some lines on 'Beau Nash's Picture at full length, between the Busts of Newton and Pope at Bath,' of which this is the last stanza—

'The picture placed the busts between,
Adds to the thought much strength;
Wisdom and Wit are little seen,
But Folly's at full length;'—

Thomas Penrose, who is more memorable as a warrior than as a poet, having fought against Buenos Ayres, as well as having written some elegant war-verses;—Edward Moore, a contributor to the World;—Sir John Henry Moore, a youth of promise, who died in his twenty-fifth year, leaving behind him such songs as the following:—

'Cease to blame my melancholy,
Though with sighs and folded arms
I muse with silence on her charms;
Censure not—I know 'tis folly;
Yet these mournful thoughts possessing,
Such delights I find in grief
That, could heaven afford relief,
My fond heart would scorn the blessing;'—

the Rev. Richard Jago, a friend of Shenstone's, and author of a pleasing fable entitled 'Labour and Genius;'—Henry Brooke, better known for a novel, once much in vogue, called 'The Fool of Quality,' than for his elaborate poem entitled 'Universal Beauty,' which formed a prototype of Darwin's 'Botanic Garden,' but did not enjoy that poem's fame;—George Alexander Stevens, a comic actor, lecturer on 'heads,' and writer of some poems, novels, and Bacchanalian songs:—and, in fine, Mrs Greville, whose 'Prayer for Indifference' displays considerable genius. We quote some stanzas:—

'I ask no kind return in love,
No tempting charm to please;
Far from the heart such gifts remove
That sighs for peace and ease.

'Nor ease, nor peace, that heart can know
That, like the needle true,
Turns at the touch of joy and woe,
But, turning, trembles too.

'Far as distress the soul can wound,
'Tis pain in each degree;
'Tis bliss but to a certain bound—
Beyond, is agony.

'Then take this treacherous sense of mine,
Which dooms me still to smart,
Which pleasure can to pain refine,
To pain new pangs impart.

'Oh, haste to shed the sovereign balm,
My shattered nerves new string,
And for my guest, serenely calm,
The nymph Indifference bring.'