THOMAS CHATTERTON.

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The history of this 'marvellous boy' is familiar to all the readers of English poetry, and requires only a cursory treatment here. Thomas Chatterton was born in Bristol, November 20, 1752. His father, a teacher in the free-school there, had died before his birth, and he was sent to be educated at a charity-school. He first learned to read from a black- letter Bible. At the age of fourteen, he was put apprentice to an attorney; a situation which, however uncongenial, left him ample leisure for pursuing his private studies. In an unlucky hour, some evil genius seemed to have whispered to this extra-ordinary youth,—'Do not find or force, but forge thy way to renown; the other paths to the summit of the hill are worn and common-place; try a new and dangerous course, the rather as I forewarn thee that thy time is short.' When, accordingly, the new bridge at Bristol was finished in October 1768, Chatterton sent to a newspaper a fictitious account of the opening of the old bridge, alleging in a note that he had found the principal part of the description in an ancient MS. And having thus fairly begun to work the mint of forgery, it was amazing what a number of false coins he threw off, and with what perfect ease and mastery! Ancient poems, pretending to have been written four hundred and fifty years before; fragments of sermons on the Holy Spirit, dated from the fifteenth century; accounts of all the churches of Bristol as they had appeared three hundred years before; with drawings and descriptions of the castle—most of them professing to be drawn from the writings of 'ane gode prieste, Thomas Rowley'—issued in thick succession from this wonderful, and, to use the Shakspearean word in a twofold sense, 'forgetive' brain. He next ventured to send to Horace Walpole, who was employed on a History of British Painters, an account of eminent 'Carvellers and Peyneters,' who, according to him, once flourished in Bristol. These labours he plied in secret, and with the utmost enthusiasm. He used to write by the light of the moon, deeming that there was a special inspiration in the rays of that planet, and reminding one of poor Nat Lee inditing his insane tragedies in his asylum under the same weird lustre. On Sabbaths he was wont to stroll away into the country around Bristol, which is very beautiful, and to draw sketches of those objects which impressed his imagination. He often lay down on the meadows near St Mary's Redcliffe Church, admiring the ancient edifice; and some years ago we saw a chamber near the summit of that edifice where he used to sit and write, his 'eye in a fine frenzy rolling,' and where we could imagine him, when a moonless night fell, composing his wild Runic lays by the light of a candle burning in a human skull. It was actually in one of the rooms of this church that some ancient chests had been deposited, including one called the 'Coffre of Mr Canynge,' an eminent merchant in Bristol, who had rebuilt the church in the reign of Edward IV. This coffer had been broken up by public authority in 1727, and some valuable deeds had been taken out. Besides these, they contained various MSS., some of which Chatterton's father, whose uncle was sexton of the church, had carried off and used as covers to the copy-books of his scholars. This furnished a hint to Chatterton's inventive genius. He gave out that among these parchments he had found many productions of Mr Canynge's, and of the aforesaid Thomas Rowley's, a priest of the fifteenth century, and a friend of Canynge's. Chatterton had become a contributor to a periodical of the day called The Town and Country Magazine, and to it from time to time he sent these poems. A keen controversy arose as to their genuineness. Horace Walpole shewed some of them, which Chatterton had sent him, to Gray and Mason, who were deemed, justly, first-rate authorities on antiquarian matters, and who at once pronounced them forgeries. It is deeply to be regretted that these men, perceiving, as they must have done, the great merit of these productions, had not made more particular inquiries about them, and tried to help and save the poet. Walpole, to say the least of it, treated him coldly, telling him, when he had discovered the forgery, to attend to his own business, and keeping some of his MSS. in his hands, till an indignant letter from the author compelled him to restore them.

Chatterton now determined to go to London. His three years' apprenticeship had expired, and there was in Bristol no further field for his aspiring genius. He found instant employment among the booksellers, and procured an introduction to Beckford, the patriot mayor, who tried to get him engaged upon the Opposition side in politics. Our capricious and unprincipled poet, however, declared that he was a poor author that could not write on both sides; and although his leanings were to the popular party, yet on the death of Beckford he addressed a letter to Lord North in support of his administration. He had projected some large works, such as a History of England and a History of London, and wrote flaming letters to his mother and sisters about his prospects, enclosing them at the same time small remittances of money. But his bright hopes were soon overcast. Instead of a prominent political character, he found himself a mere bookseller's hack. To this his poverty no more than his will would consent, for though that was great it was equalled by his pride. His life in the country had been regular, although his religious principles were loose; but in town, misery drove him to intemperance, and intemperance, in its reaction, to remorse and a desperate tampering with the thought,

'There is one remedy for all.'

At last, after a vain attempt to obtain an appointment as a surgeon's mate to Africa, he made up his mind to suicide. A guinea had been sent him by a gentleman, which he declined. Mrs Angel, his landlady, knowing him to be in want, the day before his death offered him his dinner, but this also he spurned; and, on the 25th of August 1770, having first destroyed all his papers, he swallowed arsenic, and was found dead in his bed.

He was buried in a shell in the burial-place of Shoe-Lane Workhouse.
He was aged seventeen years nine months and a few days. Alas for

'The sleepless soul that perished in his pride!'

Chatterton, had he lived, would, perhaps, have become a powerful poet, or a powerful character of some kind. But we must now view him chiefly as a prodigy. Some have treated his power as unnatural—resembling a huge hydrocephalic head, the magnitude of which implies disease, ultimate weakness, and early death. Others maintain that, apart from the extraordinary elements that undoubtedly characterised Chatterton, and constituted him a premature and prodigious birth intellectually, there was also in parts of his poems evidence of a healthy vigour which only needed favourable circumstances to develop into transcendent excellence. Hazlitt, holding with the one of these opinions, cries, 'If Chatterton had had a great work to do by living, he would have lived!' Others retort on the critic, 'On the same principle, why did Keats, whom you rate so high, perish so early?' The question altogether is nugatory, seeing it can never be settled. Suffice it that these songs and rhymes of Chatterton have great beauties, apart from the age and position of their author. There may at times be madness, but there is method in it. The flight of the rhapsody is ever upheld by the strength of the wing, and while the reading discovered is enormous for a boy, the depth of feeling exhibited is equally extraordinary; and the clear, firm judgment which did not characterise his conduct, forms the root and the trunk of much of his poetry. It was said of his eyes that it seemed as if fire rolled under them; and it rolls still, and shall ever roll, below many of his verses.

BRISTOWE TRAGEDY.

1 The feathered songster, chanticleer,
Hath wound his bugle-horn,
And told the early villager
The coming of the morn.

2 King Edward saw the ruddy streaks
Of light eclipse the gray,
And heard the raven's croaking throat
Proclaim the fated day.

3 'Thou'rt right,' quoth he, 'for by the God
That sits enthroned on high!
Charles Bawdin and his fellows twain
To-day shall surely die.'

4 Then with a jug of nappy ale
His knights did on him wait;
'Go tell the traitor that to-day
He leaves this mortal state.'

5 Sir Canterlone then bended low,
With heart brimful of woe;
He journeyed to the castle-gate,
And to Sir Charles did go.

6 But when he came, his children twain,
And eke his loving wife,
With briny tears did wet the floor,
For good Sir Charles' life.

7 'O good Sir Charles!' said Canterlone,
'Bad tidings I do bring.'
'Speak boldly, man,' said brave Sir Charles;
'What says the traitor king?'

8 'I grieve to tell; before that sun
Doth from the heaven fly,
He hath upon his honour sworn,
That thou shalt surely die.'

9 'We all must die,' quoth brave Sir Charles;
'Of that I'm not afeard;
What boots to live a little space?
Thank Jesus, I'm prepared:

10 'But tell thy king, for mine he's not,
I'd sooner die to-day
Than live his slave, as many are,
Though I should live for aye.'

11 Then Canterlone he did go out,
To tell the mayor straight
To get all things in readiness
For good Sir Charles' fate.

12 Then Master Canynge sought the king,
And fell down on his knee;
'I'm come,' quoth he, 'unto your Grace
To move your clemency.'

13 'Then,' quoth the king, 'your tale speak out;
You have been much our friend;
Whatever your request may be,
We will to it attend.'

14 'My noble liege! all my request
Is for a noble knight,
Who, though perhaps he has done wrong,
He thought it still was right:

15 'He has a spouse and children twain—
All ruined are for aye,
If that you are resolved to let
Charles Bawdin die to-day.'

16 'Speak not of such a traitor vile,'
The king in fury said;
'Before the evening star doth shine,
Bawdin shall lose his head:

17 'Justice does loudly for him call,
And he shall have his meed;
Speak, Master Canynge! what thing else
At present do you need?'

18 'My noble liege!' good Canynge said,
'Leave justice to our God,
And lay the iron rule aside;—
Be thine the olive rod.

19 'Was God to search our hearts and reins,
The best were sinners great;
Christ's vicar only knows no sin,
In all this mortal state.

20 'Let mercy rule thine infant reign;
'Twill fix thy crown full sure;
From race to race thy family
All sovereigns shall endure:

21 'But if with blood and slaughter thou
Begin thy infant reign,
Thy crown upon thy children's brow
Will never long remain.'

22 'Canynge, away! this traitor vile
Has scorned my power and me;
How canst thou then for such a man
Entreat my clemency?'

23 'My noble liege! the truly brave
Will valorous actions prize;
Respect a brave and noble mind,
Although in enemies.'

24 'Canynge, away! By God in heaven,
That did me being give,
I will not taste a bit of bread
While this Sir Charles doth live.

25 'By Mary, and all saints in heaven,
This sun shall be his last.'—
Then Canynge dropped a briny tear,
And from the presence passed.

26 With heart brimful of gnawing grief,
He to Sir Charles did go,
And sat him down upon a stool,
And tears began to flow.

27 'We all must die,' quoth brave Sir Charles;
'What boots it how or when?
Death is the sure, the certain fate
Of all us mortal men.

28 'Say why, my friend, thy honest soul
Runs over at thine eye?
Is it for my most welcome doom
That thou dost child-like cry?'

29 Quoth godly Canynge, 'I do weep,
That thou so soon must die,
And leave thy sons and helpless wife;
'Tis this that wets mine eye.'

30 'Then dry the tears that out thine eye
From godly fountains spring;
Death I despise, and all the power
Of Edward, traitor king.

31 'When through the tyrant's welcome means
I shall resign my life,
The God I serve will soon provide
For both my sons and wife.

32 'Before I saw the lightsome sun,
This was appointed me;—
Shall mortal man repine or grudge
What God ordains to be?

33 'How oft in battle have I stood,
When thousands died around;
When smoking streams of crimson blood
Imbrued the fattened ground?

34 'How did I know that every dart,
That cut the airy way,
Might not find passage to my heart,
And close mine eyes for aye?

35 'And shall I now from fear of death
Look wan and be dismayed?
No! from my heart fly childish fear,
Be all the man displayed.

36 'Ah, godlike Henry! God forefend
And guard thee and thy son,
If 'tis his will; but if 'tis not,
Why, then his will be done.

37 'My honest friend, my fault has been
To serve God and my prince;
And that I no timeserver am,
My death will soon convince.

38 'In London city was I born,
Of parents of great note;
My father did a noble arms
Emblazon on his coat:

39 'I make no doubt that he is gone
'Where soon I hope to go;
Where we for ever shall be blest,
From out the reach of woe.

40 'He taught me justice and the laws
With pity to unite;
And likewise taught me how to know
The wrong cause from the right:

41 'He taught me with a prudent hand
To feed the hungry poor;
Nor let my servants drive away
The hungry from my door:

42 'And none can say but all my life
I have his counsel kept,
And summed the actions of each day
Each night before I slept.

43 'I have a spouse; go ask of her
If I denied her bed;
I have a king, and none can lay
Black treason on my head.

44 'In Lent, and on the holy eve,
From flesh I did refrain;
Why should I then appear dismayed
To leave this world of pain?

45 'No, hapless Henry! I rejoice
I shall not see thy death;
Most willingly in thy just cause
Do I resign my breath.

46 'O fickle people, ruined land!
Thou wilt know peace no moe;
While Richard's sons exalt themselves,
Thy brooks with blood will flow.

47 'Say, were ye tired of godly peace,
And godly Henry's reign,
That you did change your easy days
For those of blood and pain?

48 'What though I on a sledge be drawn,
And mangled by a hind?
I do defy the traitor's power,—
He cannot harm my mind!

49 'What though uphoisted on a pole,
My limbs shall rot in air,
And no rich monument of brass
Charles Bawdin's name shall bear?

50 'Yet in the holy book above,
Which time can't eat away,
There, with the servants of the Lord,
My name shall live for aye.

51 'Then welcome death! for life eterne
I leave this mortal life:
Farewell, vain world! and all that's dear,
My sons and loving wife!

52 'Now death as welcome to me comes
As e'er the month of May;
Nor would I even wish to live,
With my dear wife to stay.'

53 Quoth Canynge, ''Tis a goodly thing
To be prepared to die;
And from this world of pain and grief
To God in heaven to fly.'

54 And now the bell began to toll,
And clarions to sound;
Sir Charles he heard the horses' feet
A-prancing on the ground:

55 And just before the officers
His loving wife came in,
Weeping unfeigned tears of woe,
With loud and dismal din.

56 'Sweet Florence! now, I pray, forbear;
In quiet let me die;
Pray God that every Christian soul
May look on death as I.

57 'Sweet Florence! why those briny tears?
They wash my soul away,
And almost make me wish for life,
With thee, sweet dame, to stay.

58 ''Tis but a journey I shall go
Unto the land of bliss;
Now, as a proof of husband's love,
Receive this holy kiss.'

59 Then Florence, faltering in her say,
Trembling these words she spoke,—
'Ah, cruel Edward! bloody king!
My heart is well-nigh broke.

60 'Ah, sweet Sir Charles! why wilt thou go
Without thy loving wife?
The cruel axe that cuts thy neck
Shall also end my life.'

61 And now the officers came in
To bring Sir Charles away,
Who turned to his loving wife,
And thus to her did say:

62 'I go to life, and not to death;
Trust thou in God above,
And teach thy sons to fear the Lord,
And in their hearts him love:

63 'Teach them to run the noble race
That I their father run;
Florence! should death thee take—adieu!—
Ye officers, lead on.'

64 Then Florence raved as any mad,
And did her tresses tear;—
'Oh, stay, my husband, lord, and life!'—
Sir Charles then dropped a tear;—

65 Till tired out with raving loud,
She fell upon the floor:
Sir Charles exerted all his might,
And marched from out the door.

66 Upon a sledge he mounted then,
With looks full brave and sweet;
Looks that did show no more concern
Than any in the street.

67 Before him went the council-men,
In scarlet robes and gold,
And tassels spangling in the sun,
Much glorious to behold:

68 The friars of St Augustine next
Appeared to the sight,
All clad in homely russet weeds
Of godly monkish plight:

69 In different parts a godly psalm
Most sweetly they did chaunt;
Behind their backs six minstrels came,
Who tuned the strong bataunt.

70 Then five-and-twenty archers came;
Each one the bow did bend,
From rescue of King Henry's friends
Sir Charles for to defend.

71 Bold as a lion came Sir Charles,
Drawn on a cloth-laid sled
By two black steeds, in trappings white,
With plumes upon their head.

72 Behind him five-and-twenty more
Of archers strong and stout,
With bended bow each one in hand,
Marched in goodly rout:

73 Saint James's friars marched next,
Each one his part did chaunt;
Behind their backs six minstrels came
Who tuned the strong bataunt:

74 Then came the mayor and aldermen,
In cloth of scarlet decked;
And their attending men, each one
Like eastern princes tricked:

75 And after them a multitude
Of citizens did throng;
The windows were all full of heads,
As he did pass along.

76 And when he came to the high cross,
Sir Charles did turn and say,—
'O Thou that savest man from sin,
Wash my soul clean this day!'

77 At the great minster window sat
The king in mickle state,
To see Charles Bawdin go along
To his most welcome fate.

78 Soon as the sledge drew nigh enough
That Edward he might hear,
The brave Sir Charles he did stand up,
And thus his words declare:

79 'Thou seest me, Edward! traitor vile!
Exposed to infamy;
But be assured, disloyal man!
I'm greater now than thee.

80 'By foul proceedings, murder, blood,
Thou wearest now a crown;
And hast appointed me to die,
By power not thine own.

81 'Thou thinkest I shall die to-day;
I have been dead till now,
And soon shall live to wear a crown
For ever on my brow:

82 'Whilst thou, perhaps, for some few years
Shall rule this fickle land,
To let them know how wide the rule
'Twixt king and tyrant hand:

83 'Thy power unjust, thou traitor slave!
Shall fall on thy own head'——
From out of hearing of the king
Departed then the sled.

84 King Edward's soul rushed to his face,
He turned his head away,
And to his brother Gloucester
He thus did speak and say:

85 'To him that so much dreaded death
No ghastly terrors bring,
Behold the man! he spake the truth,
He's greater than a king!'

86 'So let him die!' Duke Richard said;
'And may each of our foes
Bend down their necks to bloody axe,
And feed the carrion crows!'

87 And now the horses gently drew
Sir Charles up the high hill;
The axe did glisten in the sun,
His precious blood to spill.

88 Sir Charles did up the scaffold go,
As up a gilded car
Of victory, by valorous chiefs,
Gained in the bloody war:

89 And to the people he did say,—
'Behold, you see me die,
For serving loyally my king,
My king most rightfully.

90 'As long as Edward rules this land,
No quiet you will know;
Your sons and husbands shall be slain,
And brooks with blood shall flow.

91 'You leave your good and lawful king
When in adversity;
Like me unto the true cause stick,
And for the true cause die.'

92 Then he with priests, upon his knees,
A prayer to God did make,
Beseeching him unto himself
His parting soul to take.

93 Then, kneeling down, he laid his head
Most seemly on the block;
Which from his body fair at once
The able headsman stroke:

94 And out the blood began to flow,
And round the scaffold twine;
And tears, enough to wash't away,
Did flow from each man's eyne.

95 The bloody axe his body fair
Into four quarters cut;
And every part, likewise his head,
Upon a pole was put.

96 One part did rot on Kinwulph-hill,
One on the minster-tower,
And one from off the castle-gate
The crowen did devour:

97 The other on Saint Paul's good gate,
A dreary spectacle;
His head was placed on the high cross,
In high street most nobile.

98 Thus was the end of Bawdin's fate;—
God prosper long our king,
And grant he may, with Bawdin's soul,
In heaven God's mercy sing!

MINSTREL'S SONG.

1 O! sing unto my roundelay,
O! drop the briny tear with me;
Dance no more at holy-day,
Like a running river be:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

2 Black his cryne[1] as the winter night,
White his rode[2] as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

3 Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabour, cudgel stout;
O! he lies by the willow-tree:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

4 Hark! the raven flaps his wing,
In the briared dell below;
Hark! the death-owl loud doth sing
To the night-mares as they go:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

5 See! the white moon shines on high;
Whiter is my true love's shroud,
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

6 Here upon my true love's grave,
Shall the barren flowers be laid,
Not one holy saint to save
All the celness of a maid:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

7 With my hands I'll dent[3] the briars
Round his holy corse to gree;[4]
Ouphant[5] fairy, light your fires—
Here my body still shall be:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

8 Come, with acorn-cup and thorn,
Drain my heartË's-blood away;
Life and all its goods I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed,
All under the willow-tree.

9 Water-witches, crowned with reytes,[6]
Bear me to your lethal tide.
'I die! I come! my true love waits!'
Thus the damsel spake, and died.

[1] 'Cryne:' hair. [2] 'Rode:' complexion. [3] 'Dent:' fix. [4] 'Gree:' grow. [5] 'Ouphant:' elfish. [6] 'Reytes:' water-flags.

THE STORY OF WILLIAM CANYNGE.

1 Anent a brooklet as I lay reclined,
Listening to hear the water glide along,
Minding how thorough the green meads it twined,
Whilst the caves responsed its muttering song,
At distant rising Avon to he sped,
Amenged[1] with rising hills did show its head;

2 Engarlanded with crowns of osier-weeds
And wraytes[2] of alders of a bercie scent,
And sticking out with cloud-agested reeds,
The hoary Avon showed dire semblament,
Whilst blatant Severn, from Sabrina cleped,
Boars flemie o'er the sandËs that she heaped.

3 These eyne-gears swithin[3] bringeth to my thought
Of hardy champions knowen to the flood,
How on the banks thereof brave Aelle fought,
Aelle descended from Merce kingly blood,
Warder of Bristol town and castle stede,
Who ever and anon made Danes to bleed.

4 Methought such doughty men must have a sprite
Dight in the armour brace that Michael bore,
When he with Satan, king of Hell, did fight,
And earth was drenched in a sea of gore;
Or, soon as they did see the worldË's light,
Fate had wrote down, 'This man is born to fight.'

5 Aelle, I said, or else my mind did say,
Why is thy actions left so spare in story?
Were I to dispone, there should liven aye,
In earth and heaven's rolls thy tale of glory;
Thy acts so doughty should for aye abide,
And by their test all after acts be tried.

6 Next holy Wareburghus filled my mind,
As fair a saint as any town can boast,
Or be the earth with light or mirk ywrynde,[4]
I see his image walking through the coast:
Fitz-Hardynge, Bithrickus, and twenty moe,
In vision 'fore my fantasy did go.

7 Thus all my wandering faitour[5] thinking strayed,
And each digne[6] builder dequaced on my mind,
When from the distant stream arose a maid,
Whose gentle tresses moved not to the wind;
Like to the silver moon in frosty night,
The damoiselle did come so blithe and sweet.

8 No broidered mantle of a scarlet hue,
No shoe-pikes plaited o'er with riband gear,
No costly robes of woaden blue,
Nought of a dress, but beauty did she wear;
Naked she was, and looked sweet of youth,
All did bewrayen that her name was Truth.

9 The easy ringlets of her nut-brown hair
What ne a man should see did sweetly hide,
Which on her milk-white bodykin so fair
Did show like brown streams fouling the white tide,
Or veins of brown hue in a marble cuarr,[7]
Which by the traveller is kenned from far.

10 Astounded mickle there I silent lay,
Still scauncing wondrous at the walking sight;
My senses forgard,[8] nor could run away,
But was not forstraught[9] when she did alight
Anigh to me, dressed up in naked view,
Which might in some lascivious thoughts abrew.

11 But I did not once think of wanton thought;
For well I minded what by vow I hete,
And in my pocket had a crochee[10] brought;
Which in the blossom would such sins anete;
I looked with eyes as pure as angels do,
And did the every thought of foul eschew.

12 With sweet semblatË, and an angel's grace,
She 'gan to lecture from her gentle breast;
For Truth's own wordËs is her mindË's face,
False oratories she did aye detest:
Sweetness was in each word she did ywreene,
Though she strove not to make that sweetness seen.

13 She said, 'My manner of appearing here
My name and slighted myndruch may thee tell;
I'm Truth, that did descend from heaven-were,
Goulers and courtiers do not know me well;
Thy inmost thoughts, thy labouring brain I saw,
And from thy gentle dream will thee adawe.[11]

14 Full many champions, and men of lore,
Painters and carvellers[12] have gained good name,
But there's a Canynge to increase the store,
A Canynge who shall buy up all their fame.
Take thou my power, and see in child and man
What true nobility in Canynge ran.'

15 As when a bordelier[13] on easy bed,
Tired with the labours maynt[14] of sultry day,
In sleepË's bosom lays his weary head,
So, senses sunk to rest, my body lay;
Eftsoons my sprite, from earthly bands untied,
Emerged in flanched air with Truth aside.

16 Straight was I carried back to times of yore,
Whilst Canynge swathed yet in fleshly bed,
And saw all actions which had been before,
And all the scroll of fate unravelled;
And when the fate-marked babe had come to sight,
I saw him eager gasping after light.

17 In all his shepen gambols and child's play,
In every merry-making, fair, or wake,
I knew a purple light of wisdom's ray;
He eat down learning with a wastle cake.
As wise as any of the aldermen,
He'd wit enough to make a mayor at ten.

18 As the dulce[15] downy barbe began to gre,
So was the well thighte texture of his lore
Each day enheedynge mockler[16] for to be,
Great in his counsel for the days he bore.
All tongues, all carols did unto him sing,
Wond'ring at one so wise, and yet so ying.[17]

19 Increasing in the years of mortal life,
And hasting to his journey unto heaven,
He thought it proper for to choose a wife,
And use the sexes for the purpose given.
He then was youth of comely semelikede,
And he had made a maiden's heart to bleed.

20 He had a father (Jesus rest his soul!)
Who loved money, as his cherished joy;
He had a brother (happy man be's dole!)
In mind and body his own father's boy:
What then could Canynge wishen as a part
To give to her who had made exchange of heart?

21 But lands and castle tenures, gold and bighes,[18]
And hoards of silver rusted in the ent,[19]
Canynge and his fair sweet did that despise,
To change of truly love was their content;
They lived together in a house adigne,[20]
Of good sendaument commily and fine.

22 But soon his brother and his sire did die,
And left to William states and renting-rolls,
And at his will his brother John supply.
He gave a chauntry to redeem their souls;
And put his brother into such a trade,
That he Lord Mayor of London town was made.

23 Eftsoons his morning turned to gloomy night;
His dame, his second self, gave up her breath,
Seeking for eterne life and endless light,
And slew good Canynge; sad mistake of Death!
So have I seen a flower in summer-time
Trod down and broke and wither in its prime.

24 Near Redcliff Church (oh, work of hand of Heaven!
Where Canynge showeth as an instrument)
Was to my bismarde eyesight newly given;
'Tis past to blazon it to good content.
You that would fain the festive building see
Repair to Redcliff, and contented be.

25 I saw the myndbruch of his notte soul
When Edward menaced a second wife;
I saw what Pheryons in his mind did roll:
Now fixed from second dames, a priest for life,
This is the man of men, the vision spoke;
Then bell for even-song my senses woke.

[1] 'Amenged:' mixed. [2] 'Wraytes:' flags. [3] 'Swithin:' quickly. [4] 'Ywrynde:' covered. [5] 'Faitour:' vagrant. [6] 'Digne:' worthy. [7] 'Cuarr:' quarry. [8] 'Forgard:' lose. [9] 'Forstraught:' distracted. [10] 'A crochee:' a cross. [11] 'Adawe:' awake. [12] 'Carvellers:' sculptors. [13] 'A bordelier:' a cottager. [14] 'Maynt:' many. [15] 'Dulce:' sweet. [16] 'Mockler:' more. [17] 'Ying:' young. [18] 'Bighes:' jewels. [19] 'Ent:' bag. [20] 'Adigne:' worthy.

KENRICK.

TRANSLATED FROM THE SAXON.

When winter yelled through the leafless grove; when the black waves rode over the roaring winds, and the dark-brown clouds hid the face of the sun; when the silver brook stood still, and snow environed the top of the lofty mountain; when the flowers appeared not in the blasted fields, and the boughs of the leafless trees bent with the loads of ice; when the howling of the wolf affrighted the darkly glimmering light of the western sky; Kenrick, terrible as the tempest, young as the snake of the valley, strong as the mountain of the slain; his armour shining like the stars in the dark night, when the moon is veiled in sable, and the blasting winds howl over the wide plain; his shield like the black rock, prepared himself for war.

Ceolwolf of the high mountain, who viewed the first rays of the morning star, swift as the flying deer, strong as the young oak, fierce as an evening wolf, drew his sword; glittering like the blue vapours in the valley of Horso; terrible as the red lightning, bursting from the dark-brown clouds; his swift bark rode over the foaming waves, like the wind in the tempest; the arches fell at his blow, and he wrapped the towers in flames: he followed Kenrick, like a wolf roaming for prey.

Centwin of the vale arose, he seized the massy spear; terrible was his voice, great was his strength; he hurled the rocks into the sea, and broke the strong oaks of the forest. Slow in the race as the minutes of impatience. His spear, like the fury of a thunderbolt, swept down whole armies; his enemies melted before him, like the stones of hail at the approach of the sun.

Awake, O Eldulph! thou that sleepest on the white mountain, with the fairest of women. No more pursue the dark-brown wolf: arise from the mossy bank of the falling waters; let thy garments be stained in blood, and the streams of life discolour thy girdle; let thy flowing hair be hid in a helmet, and thy beauteous countenance be writhed into terror.

Egward, keeper of the barks, arise like the roaring waves of the sea: pursue the black companies of the enemy.

Ye Saxons, who live in the air and glide over the stars, act like yourselves.

Like the murmuring voice of the Severn, swelled with rain, the Saxons moved along; like a blazing star the sword of Kenrick shone among the Britons; Tenyan bled at his feet; like the red lightning of heaven he burnt up the ranks of his enemy.

Centwin raged like a wild boar. Tatward sported in blood; armies melted at his stroke. Eldulph was a flaming vapour; destruction sat upon his sword. Ceolwolf was drenched in gore, but fell like a rock before the sword of Mervin.

Egward pursued the slayer of his friend; the blood of Mervin smoked on his hand.

Like the rage of a tempest was the noise of the battle; like the roaring of the torrent, gushing from the brow of the lofty mountain.

The Britons fled, like a black cloud dropping hail, flying before the howling winds.

Ye virgins! arise and welcome back the pursuers; deck their brows with chaplets of jewels; spread the branches of the oak beneath their feet. Kenrick is returned from the war, the clotted gore hangs terrible upon his crooked sword, like the noxious vapours on the black rock; his knees are red with the gore of the foe.

Ye sons of the song, sound the instruments of music; ye virgins, dance around him.

Costan of the lake, arise, take thy harp from the willow, sing the praise of Kenrick, to the sweet sound of the white waves sinking to the foundation of the black rock.

Rejoice, O ye Saxons! Kenrick is victorious.

FEBRUARY, AN ELEGY.

1 Begin, my muse, the imitative lay,
Aeonian doxies, sound the thrumming string;
Attempt no number of the plaintive Gray;
Let me like midnight cats, or Collins, sing.

2 If in the trammels of the doleful line,
The bounding hail or drilling rain descend;
Come, brooding Melancholy, power divine,
And every unformed mass of words amend.

3 Now the rough Goat withdraws his curling horns,
And the cold Waterer twirls his circling mop:
Swift sudden anguish darts through altering corns,
And the spruce mercer trembles in his shop.

4 Now infant authors, maddening for renown,
Extend the plume, and hum about the stage,
Procure a benefit, amuse the town,
And proudly glitter in a title-page.

5 Now, wrapped in ninefold fur, his squeamish Grace
Defies the fury of the howling storm;
And whilst the tempest whistles round his face,
Exults to find his mantled carcase warm.

6 Now rumbling coaches furious drive along,
Full of the majesty of city dames,
Whose jewels, sparkling in the gaudy throng,
Raise strange emotions and invidious flames.

7 Now Merit, happy in the calm of place,
To mortals as a Highlander appears,
And conscious of the excellence of lace,
With spreading frogs and gleaming spangles glares:

8 Whilst Envy, on a tripod seated nigh,
In form a shoe-boy, daubs the valued fruit,
And darting lightnings from his vengeful eye,
Raves about Wilkes, and politics, and Bute.

9 Now Barry, taller than a grenadier,
Dwindles into a stripling of eighteen;
Or sabled in Othello breaks the ear,
Exerts his voice, and totters to the scene.

10 Now Foote, a looking-glass for all mankind,
Applies his wax to personal defects;
But leaves untouched the image of the mind;—
His art no mental quality reflects.

11 Now Drury's potent king extorts applause,
And pit, box, gallery, echo, 'How divine!'
Whilst, versed in all the drama's mystic laws,
His graceful action saves the wooden line.

12 Now—but what further can the muses sing?
Now dropping particles of water fall;
Now vapours riding on the north wind's wing,
With transitory darkness shadows all.

13 Alas! how joyless the descriptive theme,
When sorrow on the writer's quiet preys;
And like a mouse in Cheshire cheese supreme,
Devours the substance of the lessening bays.

14 Come, February, lend thy darkest sky,
There teach the wintered muse with clouds to soar:
Come, February, lift the number high;
Let the sharp strain like wind through alleys roar.

15 Ye channels, wandering through the spacious street,
In hollow murmurs roll the dirt along,
With inundations wet the sabled feet,
Whilst gouts, responsive, join the elegiac song.

16 Ye damsels fair, whose silver voices shrill
Sound through meandering folds of Echo's horn;
Let the sweet cry of liberty be still,
No more let smoking cakes awake the morn.

17 O Winter! put away thy snowy pride;
O Spring! neglect the cowslip and the bell;
O Summer! throw thy pears and plums aside;
O Autumn! bid the grape with poison swell.

18 The pensioned muse of Johnson is no more!
Drowned in a butt of wine his genius lies.
Earth! Ocean! Heaven! the wondrous loss deplore,
The dregs of nature with her glory dies.

19 What iron Stoic can suppress the tear!
What sour reviewer read with vacant eye!
What bard but decks his literary bier!—
Alas! I cannot sing—I howl—I cry!

                                                                                                                                                                                                                                                                                                           

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