John Logan was born in the year 1748. He was the son of a farmer at Soutra, in the parish of Fala, Mid-Lothian. He was educated for the church at Edinburgh, where he became intimate with Robertson, afterwards the historian. So, at least, Campbell asserts; but he strangely calls him a student of the same standing, whereas, in fact, Robertson saw light in 1721, and had been a settled minister five years before Logan was born. After finishing his studies, he became tutor in the family of Mr Sinclair of Ulbster, and the late well-known Sir John Sinclair was one of his pupils. When licensed to preach, Logan became popular, and was in his twenty-fifth year appointed one of the ministers of South Leith. In 1781, he read in Edinburgh a course of lectures on the Philosophy of History, and in 1782, he printed one of them, on the Government of Asia. In the same year he published a volume of poems, which were well received. In 1783, he wrote a tragedy called 'Runnymede,' which was, owing to some imagined incendiary matter, prohibited from being acted on the London boards, but which was produced on the Edinburgh stage, and afterwards published. This, along with some alleged irregularities of conduct on the part of Logan, tended to alienate his flock, and he was induced to retire on a small annuity. He betook himself to London, where, in conjunction with the Rev. Mr Thomson,—who had left the parish of Monzievaird, in Perthshire, owing to a scandal,—he wrote for the English Review, and was employed to defend Warren Hastings. This he did in an able manner, although a well-known story describes him as listening to Sheridan, on the Oude case, with intense interest, and exclaiming, after the first hour, 'This is mere declamation without proof'—after the next two, 'This is a man of extraordinary powers'—and ere the close of the matchless oration, 'Of all the monsters in history, Warren Hastings is the vilest.' Logan died in the year 1788, in his lodgings, Marlborough Street. His sermons were published shortly after his death, and if parts of them are, as is alleged, pilfered from a Swiss divine, (George Joachim Zollikofer,) they have not remained exclusively with the thief, since no sermons have been so often reproduced in Scottish pulpits as the elegant orations issued under the name of Logan.
We have already declined to enter on the controversy about 'The Cuckoo,' intimating, however, our belief, founded partly upon Logan's unscrupulous character and partly on internal evidence, that it was originally written by Bruce, but probably polished to its present perfection by Logan, whose other writings give us rather the impression of a man of varied accomplishments and excellent taste, than of deep feeling or original genius. If Logan were not the author of 'The Cuckoo,' there was a special baseness connected with the fact, that when Burke sought him out in Edinburgh, solely from his admiration of that poem, he owned the soft and false impeachment, and rolled as a sweet morsel praise from the greatest man of the age, which he knew was the rightful due of another.
THE LOVERS.
1 Har. 'Tis midnight dark: 'tis silence deep,
My father's house is hushed in sleep;
In dreams the lover meets his bride,
She sees her lover at her side;
The mourner's voice is now suppressed,
A while the weary are at rest:
'Tis midnight dark; 'tis silence deep;
I only wake, and wake to weep.
2 The window's drawn, the ladder waits,
I spy no watchman at the gates;
No tread re-echoes through the hall,
No shadow moves along the wall.
I am alone. 'Tis dreary night,
Oh, come, thou partner of my flight!
Shield me from darkness, from alarms;
Oh, take me trembling to thine arms!
3 The dog howls dismal in the heath,
The raven croaks the dirge of death;
Ah me! disaster's in the sound!
The terrors of the night are round;
A sad mischance my fears forebode,
The demon of the dark's abroad,
And lures, with apparition dire,
The night-struck man through flood and fire.
4 The owlet screams ill-boding sounds,
The spirit walks unholy rounds;
The wizard's hour eclipsing rolls;
The shades of hell usurp the poles;
The moon retires; the heaven departs.
From opening earth a spectre starts:
My spirit dies—Away, my fears!
My love, my life, my lord, appears!
5 Hen. I come, I come, my love! my life!
And, nature's dearest name, my wife!
Long have I loved thee; long have sought:
And dangers braved, and battles fought;
In this embrace our evils end;
From this our better days ascend;
The year of suffering now is o'er,
At last we meet to part no more!
6 My lovely bride! my consort, come!
The rapid chariot rolls thee home.
Har. I fear to go——I dare not stay.
Look back.——I dare not look that way.
Hen. No evil ever shall betide
My love, while I am at her side.
Lo! thy protector and thy friend,
The arms that fold thee will defend.
7 Har. Still beats my bosom with alarms:
I tremble while I'm in thy arms!
What will impassioned lovers do?
What have I done—to follow you?
I leave a father torn with fears;
I leave a mother bathed in tears;
A brother, girding on his sword,
Against my life, against my lord.
8 Now, without father, mother, friend,
On thee my future days depend;
Wilt thou, for ever true to love,
A father, mother, brother, prove?
O Henry!——to thy arms I fall,
My friend! my husband! and my all!
Alas! what hazards may I run?
Shouldst thou forsake me—I'm undone.
9 Hen. My Harriet, dissipate thy fears,
And let a husband wipe thy tears;
For ever joined our fates combine,
And I am yours, and you are mine.
The fires the firmament that rend,
On this devoted head descend,
If e'er in thought from thee I rove,
Or love thee less than now I love!
10 Although our fathers have been foes,
From hatred stronger love arose;
From adverse briars that threatening stood,
And threw a horror o'er the wood,
Two lovely roses met on high,
Transplanted to a better sky;
And, grafted in one stock, they grow.
In union spring, in beauty blow.
11 Har. My heart believes my love; but still
My boding mind presages ill:
For luckless ever was our love,
Dark as the sky that hung above.
While we embraced, we shook with fears,
And with our kisses mingled tears;
We met with murmurs and with sighs,
And parted still with watery eyes.
12 An unforeseen and fatal hand
Crossed all the measures love had planned;
Intrusion marred the tender hour,
A demon started in the bower;
If, like the past, the future run,
And my dark day is but begun,
What clouds may hang above my head?
What tears may I have yet to shed?
13 Hen. Oh, do not wound that gentle breast,
Nor sink, with fancied ills oppressed;
For softness, sweetness, all, thou art,
And love is virtue in thy heart.
That bosom ne'er shall heave again
But to the poet's tender strain;
And never more these eyes o'erflow
But for a hapless lover's woe.
14 Long on the ocean tempest-tossed,
At last we gain the happy coast;
And safe recount upon the shore
Our sufferings past, and dangers o'er:
Past scenes, the woes we wept erewhile,
Will make our future minutes smile:
When sudden joy from sorrow springs,
How the heart thrills through all its strings!
15 Har. My father's castle springs to sight;
Ye towers that gave me to the light!
O hills! O vales! where I have played;
Ye woods, that wrap me in your shade!
O scenes I've often wandered o'er!
O scenes I shall behold no more!
I take a long, last, lingering view:
Adieu! my native land, adieu!
16 O father, mother, brother dear!
O names still uttered with a tear!
Upon whose knees I've sat and smiled,
Whose griefs my blandishments beguiled;
Whom I forsake in sorrows old,
Whom I shall never more behold!
Farewell, my friends, a long farewell,
Till time shall toll the funeral knell.
17 Hen. Thy friends, thy father's house resign;
My friends, my house, my all is thine:
Awake, arise, my wedded wife,
To higher thoughts, and happier life!
For thee the marriage feast is spread,
For thee the virgins deck the bed;
The star of Venus shines above,
And all thy future life is love.
18 They rise, the dear domestic hours!
The May of love unfolds her flowers;
Youth, beauty, pleasure spread the feast,
And friendship sits a constant guest;
In cheerful peace the morn ascends,
In wine and love the evening ends;
At distance grandeur sheds a ray,
To gild the evening of our day.
19 Connubial love has dearer names,
And finer ties, and sweeter claims,
Than e'er unwedded hearts can feel,
Than wedded hearts can e'er reveal;
Pure as the charities above,
Rise the sweet sympathies of love;
And closer cords than those of life
Unite the husband to the wife.
20 Like cherubs new come from the skies,
Henries and Harriets round us rise;
And playing wanton in the hall,
With accent sweet their parents call;
To your fair images I run,
You clasp the husband in the son;
Oh, how the mother's heart will bound!
Oh, how the father's joy be crowned!
WRITTEN IN A VISIT TO THE COUNTRY IN AUTUMN.
1 'Tis past! no more the Summer blooms!
Ascending in the rear,
Behold congenial Autumn comes,
The Sabbath of the year!
What time thy holy whispers breathe,
The pensive evening shade beneath,
And twilight consecrates the floods;
While nature strips her garment gay,
And wears the vesture of decay,
Oh, let me wander through the sounding woods!
2 Ah! well-known streams!—ah! wonted groves,
Still pictured in my mind!
Oh! sacred scene of youthful loves,
Whose image lives behind!
While sad I ponder on the past,
The joys that must no longer last;
The wild-flower strown on Summer's bier
The dying music of the grove,
And the last elegies of love,
Dissolve the soul, and draw the tender tear!
3 Alas! the hospitable hall,
Where youth and friendship played,
Wide to the winds a ruined wall
Projects a death-like shade!
The charm is vanished from the vales;
No voice with virgin-whisper hails
A stranger to his native bowers:
No more Arcadian mountains bloom,
Nor Enna valleys breathe perfume;
The fancied Eden fades with all its flowers!
4 Companions of the youthful scene,
Endeared from earliest days!
With whom I sported on the green,
Or roved the woodland maze!
Long exiled from your native clime,
Or by the thunder-stroke of time
Snatched to the shadows of despair;
I hear your voices in the wind,
Your forms in every walk I find;
I stretch my arms: ye vanish into air!
5 My steps, when innocent and young,
These fairy paths pursued;
And wandering o'er the wild, I sung
My fancies to the wood.
I mourned the linnet-lover's fate,
Or turtle from her murdered mate,
Condemned the widowed hours to wail:
Or while the mournful vision rose,
I sought to weep for imaged woes,
Nor real life believed a tragic tale!
6 Alas! misfortune's cloud unkind
May summer soon o'ercast!
And cruel fate's untimely wind
All human beauty blast!
The wrath of nature smites our bowers,
And promised fruits and cherished flowers,
The hopes of life in embryo sweeps;
Pale o'er the ruins of his prime,
And desolate before his time,
In silence sad the mourner walks and weeps!
7 Relentless power! whose fated stroke
O'er wretched man prevails!
Ha! love's eternal chain is broke,
And friendship's covenant fails!
Upbraiding forms! a moment's ease—
O memory! how shall I appease
The bleeding shade, the unlaid ghost?
What charm can bind the gushing eye,
What voice console the incessant sigh,
And everlasting longings for the lost?
8 Yet not unwelcome waves the wood
That hides me in its gloom,
While lost in melancholy mood
I muse upon the tomb.
Their chequered leaves the branches shed;
Whirling in eddies o'er my head,
They sadly sigh that Winter's near:
The warning voice I hear behind,
That shakes the wood without a wind,
And solemn sounds the death-bell of the year.
9 Nor will I court Lethean streams,
The sorrowing sense to steep;
Nor drink oblivion of the themes
On which I love to weep.
Belated oft by fabled rill,
While nightly o'er the hallowed hill
AËrial music seems to mourn;
I'll listen Autumn's closing strain;
Then woo the walks of youth again,
And pour my sorrows o'er the untimely urn!
COMPLAINT OF NATURE.
1 Few are thy days and full of woe,
O man of woman born!
Thy doom is written, dust thou art,
And shalt to dust return.
2 Determined are the days that fly
Successive o'er thy head;
The numbered hour is on the wing
That lays thee with the dead.
3 Alas! the little day of life
Is shorter than a span;
Yet black with thousand hidden ills
To miserable man.
4 Gay is thy morning, flattering hope
Thy sprightly step attends;
But soon the tempest howls behind,
And the dark night descends.
5 Before its splendid hour the cloud
Comes o'er the beam of light;
A pilgrim in a weary land,
Man tarries but a night.
6 Behold, sad emblem of thy state!
The flowers that paint the field;
Or trees that crown the mountain's brow,
And boughs and blossoms yield.
7 When chill the blast of Winter blows,
Away the Summer flies,
The flowers resign their sunny robes,
And all their beauty dies.
8 Nipt by the year the forest fades;
And shaking to the wind,
The leaves toss to and fro, and streak
The wilderness behind.
9 The Winter past, reviving flowers
Anew shall paint the plain,
The woods shall hear the voice of Spring,
And flourish green again.
10 But man departs this earthly scene,
Ah! never to return!
No second Spring shall e'er revive
The ashes of the urn.
11 The inexorable doors of death
What hand can e'er unfold?
Who from the cerements of the tomb
Can raise the human mould?
12 The mighty flood that rolls along
Its torrents to the main,
The waters lost can ne'er recall
From that abyss again.
13 The days, the years, the ages, dark
Descending down to night,
Can never, never be redeemed
Back to the gates of light.
14 So man departs the living scene,
To night's perpetual gloom;
The voice of morning ne'er shall break
The slumbers of the tomb.
15 Where are our fathers? Whither gone
The mighty men of old?
The patriarchs, prophets, princes, kings,
In sacred books enrolled?
16 Gone to the resting-place of man,
The everlasting home,
Where ages past have gone before,
Where future ages come,
17 Thus nature poured the wail of woe,
And urged her earnest cry;
Her voice, in agony extreme,
Ascended to the sky.
18 The Almighty heard: then from his throne
In majesty he rose;
And from the heaven, that opened wide,
His voice in mercy flows:
19 'When mortal man resigns his breath,
And falls a clod of clay,
The soul immortal wings its flight
To never-setting day.
20 'Prepared of old for wicked men
The bed of torment lies;
The just shall enter into bliss
Immortal in the skies.'
