The most impressive approach to Clumber is by way of Normanton Inn, a red-brick hostelry draped luxuriantly with virginia creeper. At some slight distance is a magnificent glade of varied greens, with great patches of blood-coloured bent-grass. In the neighbourhood grow many fine Spanish chestnuts; when I was last there the ground was littered with the fallen flowers. A vast, festooned cloud, grey as the smoke of some monstrous fire, drifted from the east; then lightning sported wickedly amongst the trees, and the rain fell in torrents. Beside the balustraded bridge the water seemed covered with an army of white puppets. But it was at the entrance to the Lime Tree Avenue that I looked upon the greatest wonder of the day. Behind the shifting veil the view of that curving road seemed as fantastically unreal as the background of some ancient Italian masterpiece. This avenue, three miles in length, has on either side two rows of limes, and on a hot July midday the fragrance is overpoweringly sweet. From this the house is not visible—to reach it one must pass down a private drive to the left. Whilst the present The house, though not one of the most impressive in its exterior aspect, contains treasures of priceless worth. The pillared entrance hall has several fine statues, notably one of Napoleon and another of the author of The Seasons. All the state chambers are extremely handsome, and in the large drawing-room may be seen five ebony cabinets and four pedestals surmounted with crystal chandeliers, which were brought from the Doge's Palace. Perhaps the most notable is the dining-room, 60 feet long, 34 feet wide, and 30 feet high. We are told that it can easily accommodate one hundred and fifty guests at dinner. The library, a fine room panelled with mahogany, contains many treasures, notably three Caxtons—The History of Reynard the Fox, 1481; The Chronicles of England, 1482; and The Golden Legend, 1493: the first and second folios of Shakespeare: and many examples—one printed on vellum—of Froissart's Chronicles. There is also a fifteenth-century manuscript of Gower's Confessio Amantis. In the smoking-room is to be seen a remarkable chimney-piece of carved marble, which once stood in Fonthill Abbey, the house of the author of Vathek. To the antiquarian, perhaps the most interesting objects are four funeral cysts, dating from two thousand years ago. There is a fine collection of pictures, chiefly of old masters of distinction, amongst which may be found portraits by Holbein, Vandyke, Lely, and Hogarth, of folk intimately associated with the history of our country. Near by stands the Church of the Holy Virgin, built by the present Duke of Newcastle. Its walls and spire are of rich red and yellowish sandstone, in the fourteenth-century style. This is probably one of the most ornately beautiful churches in the kingdom, and the view from the open doorway is surpassingly rich in colour. The interior contains much fine carving—the altar-piece is of alabaster, with the Virgin and child for central figures. The windows are delicately tinted: in spite of the excess of splendour naught can offend the artistic taste. The Clinton family, of which the Duke of Newcastle is head, is one of the oldest and most celebrated in our annals. Geoffrey de Clinton, a distinguished forbear, Chamberlain and Treasurer to Henry the First, was the builder of Warwick Castle, and after his day his collateral descendants devoted their lives to serving the Crown faithfully. Edward the First called one his "beloved squire"; others fought with glory in the French battles. A Clinton was in the deputation that received Anne of Cleves when she journeyed to meet her spouse. Another assisted in the suppression of Sir Thomas Wyatt's rebellion, and was afterwards one of Queen Elizabeth's Privy Council, being employed in various matters of high import, notably in the projected marriage of his royal mistress and the Duke of Anjou. He died in the fullness of honour, |