Before this year has ended England will know something of what war means. In English country towns there will be many familiar faces missing, many widows and orphans, and many mourning hearts. Dimly and in a far-off way, the people who have stayed at home will understand the misery of war and its brutalities. But in spite of all our national effort to raise great armies, and our immense national sacrifice in sending the best of our young manhood to foreign battlefields, the imagination of the people as a whole will still fail to realize the full significance of war as it is understood in France and Belgium. They will not know the meaning of invasion.
It is a great luck to be born in an island. The girdle of sea is a safeguard which gives a sense of security to the whole psychology of a race, and for that reason there is a gulf of ignorance about the terrors of war which, happily, may never be bridged by the collective imagination of English and Scottish people. A continental nation, divided by a few hills, a river, or a line on the map, from another race with other instincts and ideals, is haunted throughout its history by a sense of peril. Even in times of profound peace, the thought is there, in the background, with a continual menace. It shapes the character of a people and enters into all their political and educational progress. To keep on friendly terms with a powerful next-door neighbour, or to build defensive works high enough to make hostility a safe game, is the lifework of its statesmen and its politicians. Great crises and agitations shake the nation convulsively when cowardice or treachery or laziness has allowed that boundary wall to crumble or has made a breach in it. The violence of the Dreyfus affair was not so much due to a Catholic detestation of the Jewish race, but in its root-instincts to a fear of the German people over the frontier making use of French corruption to sap the defensive works which had been raised against them.
The necessity of conscription is obvious beyond argument to a continental people still cherishing old traditions of nationality, and the military training which is compulsory for all young men of average health, not only shapes the bodies of their lads, but also shapes their minds, so that their outlook upon life is largely different from that of an island people protected by the sea. They know that they have been born of women for one primary object—to fight when the time comes in, defence of the Fatherland, to make one more human brick in the great wall of blood and spirit dividing their country and race from some other country and race. At least that is the lesson taught them from first to last in the schools and in the national assemblies, and there are only a few minds which are able to see another way of life when the walls of division may be removed and when the fear of a next-door neighbour may be replaced by friendship and common interests.
The difference between the intellectual instincts of an island people and that of a continental race was the cause of the slow way in which England groped her way to an understanding of the present war, so that words of scorn and sarcasm, a thousand mean tricks of recruiting sergeants in high office, and a thousand taunts had to be used to whip up the young men of Great Britain, and induce them to join the Army. Their hearths and homes were not in immediate danger. They could not see any reasonable prospect of danger upon English soil. Their women were safe. Their property, bought on the hire system out of hard-earned wages, was not, they thought, in the least likely to be smashed into small bits or carried off as loot. They could not conceive the idea of jerry-built walls which enshrined all the treasures of their life suddenly falling with a crash like a house of cards, and burying their babies. The British Expeditionary Force which they were asked to join was after all only a sporting party going out to foreign fields for a great adventure.
2
In France there were no such illusions. As soon as war was imminent the people thought of their frontiers, and prayed God in divers ways that the steel hedges there were strong enough to keep back the hostile armies until the general call to the colours had been answered. Every able-bodied man in France was ready, whatever the cowardice in his heart, to fling himself upon the frontier to keep out, with his own body, the inrushing tide of German troops. The memory of 1870 had taught them the meaning of Invasion.
I saw the meaning of it during the first months of the war, when I wandered about France. In the north, nearest to the enemy, and along the eastern frontier, it was a great fear which spread like a plague, though more swiftly and terribly, in advance of the enemy's troops. It made the bravest men grow pale when they thought of their women and children. It made the most callous man pitiful when he saw those women with their little ones and old people, whose place was by the hearthside, trudging along the highroads, faint with hunger and weariness, or pleading for places in cattle-trucks already overpacked with fugitives, or wandering about un-lighted towns at night for any kind of lodging, and then, finding none, sleeping on the doorsteps of shuttered houses and under the poor shelter of overhanging gables.
For months, in every part of France there were thousands of husbands who had lost their wives and children, thousands of families who had been divided hopelessly in the wild confusion of retreats from a brutal soldiery. They had disappeared into the maelstrom of fugitives—wives, daughters, sisters, mothers, and old grandmother, most of them without money and all of them dependent for their lives upon the hazard of luck. Every day in the French newspapers there were long lists of inquiries.
"M. Henri Planchet would be deeply grateful to anyone who can inform him of the whereabouts of his wife, Suzanne, and of his two little girls, Berthe and Marthe, refugees from ArmentiÈres."
"Mme. Tardieu would be profoundly grateful for information about her daughter, Mme. des Rochers, who fled from the destroyed town of Albert on October 10, with her four children."
Every day I read some of these lists, finding a tragedy in every line, and wondering whether any of these missing people were among those whom I had met in the guard vans of troop trains, huddled among their bundles, or on wayside platforms, or in the long columns of retreating inhabitants from a little town deep in a wooded valley below the hills where German guns were vomiting their shrapnel.
Imagine such a case in England. A man leaves his office in London and takes the train to Guildford, where his wife and children are waiting supper for him. At Weybridge the train comes to a dead-halt. The guard runs up to the engine-driver, and comes back to say that the tunnel has been blown up by the enemy. It is reported that Guildford and all the villages around have been invaded. Families flying from Guildford describe the bombardment of the town. A part of it is in flames. The Guildhall is destroyed. Many inhabitants have been killed. Most of the others have fled.
The man who was going home to supper wants to set out to find his wife and children. His friends hold him back in spite of his struggles. "You are mad!" they shout. "Mad!"… He has no supper at home that night. His supper and his home have been burnt to cinders. For weeks he advertises in the papers for the whereabouts of his wife and babes. Nobody can tell him. He does not know whether they are dead or alive.
There were thousands of such cases in France. I have seen this tragedy—a man weeping for his wife and children swallowed up into the unknown after the destruction of Fives, near Lille. A new-born babe was expected. On the first day of life it would receive a baptism of fire. Who could tell this distracted man whether the mother or child were alive?
3
There were many villages in France around Lille and ArmentiÈres, Amiens and Arras, and over a wide stretch of country in Artois and Picardy, where, in spite of all weariness, women who lay down beside their sleeping babes could find no sleep for themselves. For who could say what the night would bring forth? Perhaps a patrol of Uhlans, who shot peasants like rabbits as they ran across the fields, and who demanded wine, and more wine, until in the madness of drink they began to burn and destroy for mere lust of ruin. So it was at Senlis, at Sermaize, and in many villages in the region through which I passed.
It was never possible to tell the enemy's next move. His cavalry came riding swiftly far from the main lines of the hostile troops, and owing to the reticence of official news, the inhabitants of a town or village found themselves engulfed in the tide of battle before they guessed their danger. They were trapped by the sudden tearing-up of railway lines and blowing-up of bridges, as I was nearly trapped one day when the Germans cut a line a few hundred yards away from my train.
Yet the terror was as great when no Germans were seen, and no shells heard. It was enough that they were coming. They had been reported—often falsely—across distant hills. So the exodus began and, with perambulators laden with bread and apples, in any kind of vehicle—even in a hearse—drawn by poor beasts too bad for army requisitions, ladies of quality left their chÂteaux and drove in the throng with peasant women from whitewashed cottages. Often in a little while both the chÂteau and the cottage were buried in the same heap of ruins.
In a week or two, the enemy was beaten back from some of these places, and then the most hardy of the townsfolk returned "home." I saw some of them going home-at Senlis, at Sermaize, and other places. They came back doubtful of what they would find, but soon they stood stupefied in front of some charred timbers which were once their house. They did not weep, but just stared in a dazed way. They picked over the ashes and found burnt bits of former treasures— the baby's cot, the old grandfather's chair, the parlour clock. Or they went into houses still standing neat and perfect, and found that some insanity of rage had smashed up all their household, as though baboons had been at play or fighting through the rooms. The chest of drawers had been looted or its contents tumbled out upon the floor. Broken glasses, bottles, jugs, were mixed up with a shattered violin, the medals of a grandfather who fought in '70, the children's broken toys, clothes, foodstuff, and picture frames. I saw many of such houses after the coming and going of the German soldiers.
Even for a correspondent in search of a vantage-ground from which he might see something of this war, with a reasonable chance of being able to tell the story afterwards, the situation in France during those early days was somewhat perilous.
It is all very well to advance towards the fighting lines when the enemy is opposed by allied forces in a known position, but it is a quite different thing to wander about a countryside with only the vaguest idea of the direction in which the enemy may appear, and with the disagreeable thought that he may turn up suddenly round the corner after cutting off one's line of retreat. That was my experience on more than one day of adventure when I went wandering with those two friends of mine, whom I have alluded to as the Strategist and the Philosopher. Not all the strategy of the one or the philosophy of the other could save us from unpleasant moments when we blundered close to the lines of an unexpected enemy.
That was our experience on an early day in October, when we decided to go to BÉthune, which seemed an interesting place in the war-zone.
It may seem strange in England that railway trains should still be running in the ordinary way, according to the time-tables of peace, in these directions, and that civilians should have been allowed to take their tickets without any hint as to the danger at the journey's end. But in spite of the horror of invasion, French railway officials showed an extraordinary sang-froid and maintained their service, even when they knew that their lines might be cut, and their stations captured, within an hour or two. Ignorance also helped their courage and, not knowing the whereabouts of the enemy even as well as I did, they ran their trains to places already threatened by advancing squadrons.
On this October day, for example, there was no sign of surprise on the part of the buxom lady behind the guichet of the booking-office when I asked for a ticket to BÉthune, although there had been heavy fighting in that district only a few hours before, at the end of a great battle extending over several days.
In the train itself were several commercial gentlemen, on their way to Lille, by way of the junction at Arques, where they had to change; and with two or three French soldiers, and a lady entirely calm and self- possessed, they discussed the possibility of getting into a city round which the German cavalry were reported to be sweeping in a great tide. Another man who entered into conversation with me was going to BÉthune. He had a wife and family there and hoped they were safe. It was only by a sudden thoughtfulness in his eyes that I could guess that behind that hope was a secret fear, which he did not express even to himself. We might have been a little party of people travelling, say, between Surbiton and Weybridge on an autumn afternoon, when the golf-ball flies across the links. Not one of them showed the least sign of anxiety, the least consciousness of peril close at hand.
Looking out of the carriage window I saw that trenches had been dug in all the adjacent fields, and that new trenches were being made hastily but efficiently by gangs of soldiers, who had taken off their blue coats for once, and were toiling cheerily at their task. In all the villages we passed were battalions of infantry guarding the railway bridges and level crossings. Patrols of cavalry rode slowly down the roads. Here and there some of them were dismounted, with their horses tethered, and from behind the cover of farmhouses or haystacks, looked across the country, with their carbines slung across their shoulders, as though waiting for any Uhlans that might appear that way.
All around us was the noise of guns, firing in great salvoes across the hills, ten miles or more away. Suddenly, as we approached the junction at Arques, there was an explosion which sounded very close to us; and the train came to a dead stop on grinding brakes.
"What's that?" asked a man in the carriage, sharply.
I thrust my head out of the carriage window and saw that all along the train other faces were staring out. The guard was running down the platform. The station-master was shouting to the engine-driver. In a moment or two we began to back, and kept travelling backwards until we were out of the station… The line had just been blown up beyond Arques by a party of Uhlans, and we were able to thank our stars that we had stopped in time. We could get no nearer to BÉthune, over which next day the tide of war had rolled. I wondered what had happened to the wife and children of the man who was in the carriage with me.
At Aire-sur-Lys there were groups of women and children who, like so many others in those days, had abandoned their houses and left all they had in the world save a few bundles of clothes and baskets of food. I asked them what they would do when the food was finished.
"There will always be a little charity, m'sieur," said one woman, "and at least my children are safe."
After the first terror of the invasion those women were calm and showed astounding courage and resignation.
It was more than pitiful to see the refugees on the roads from Hazebrouck. There was a constant stream of them in those two cross-currents, and they came driving slowly along in bakers' carts and butchers' carts, with covered hoods, in farm carts loaded up with several families or trudging along with perambulators and wheelbarrows. The women were weary. Many of them had babies in their arms. The elder children held on to their mother's skirts or tramped along together, hand in hand. But there was no trace of tears. I heard no wailing cry. Some of them seemed utterly indifferent to this retreat from home. They had gone beyond the need of tears.
From one of these women, a lady named Mme. Duterque, who had left Arras with a small boy and girl, I heard the story of her experiences in the bombarded town. There were hundreds of women who had similar stories, but this one is typical enough of all those individual experiences of women who quite suddenly, and almost without warning, found themselves victims of the Invasion.
She was in her dressing-room in one of the old houses of the Grande Place in Arras, when at half-past nine in the morning the first shell burst over the town very close to her own dwelling-place. For days there had been distant firing on the heights round Arras, but now this shell came with a different, closer, more terrible sound.
"It seemed to annihilate me for a moment," said Mme. Duterque. "It stunned all my senses with a frightful shock. A few moments later I recovered myself and thought anxiously of my little girl who had gone to school as usual a few streets away. I was overjoyed when she came trotting home, quite unafraid, although by this time the shells were falling in various parts of the town."
On the previous night Mme. Duterque had already made preparations in case the town should be bombarded. Her house, like most of the old houses in Arras, had a great cellar, with a vaulted roof, almost as strong as a castle dungeon. She had stocked it with a supply of sardines and bread and other provisions, and as soon as she had her little daughter safe indoors again she took her children and the nurse down to this subterranean hiding-place, where there was greater safety. The cave, as she called it, was dimly lighted with a paraffin lamp, and was very damp and chilly, but it was good to be there in this hiding-place, for at regular intervals she could hear the terrible buzzing noises of a shell, like some gigantic hornet, followed by its exploding boom; and then, more awful still, the crash of a neighbouring house falling into ruins.
"Strange to say," said Mme. Duterque, "after my first shock I had no sense of fear, and listened only with an intense interest to the noise of these shells, estimating their distance by their sound. I could tell quite easily when they were close overhead, and when they fell in another part of the town, and it seemed to me that I could almost tell which of my friends' houses had been hit. My children, too, were strangely fearless. They seemed to think it an exciting adventure to be here in the great cellar, making picnic meals by the light of a dim lamp. My little boy amused himself by playing canes (hop-scotch), and my daughter was very cheerful. Still, after a little while we suffered. I had forgotten to bring down water or wine, and we also craved for something more comforting than cold sardines. In spite of the noise of houses falling into ruins—and at any moment mine might fall above my head—I went upstairs and began to cook some macaroni. I had to retreat in a hurry, as a shell burst quite close to my house, and for a moment I thought that I should be buried under my own roof. But I went up again in one of the intervals of silence, found the macaroni cooked to a turn and even ventured to peep out of doors. There I saw a dreadful sight. The whole of the Grande Place was littered with broken roofs and shattered walls, and several of the houses were burning furiously. From other parts of the town there came up great volumes of smoke and the red glare of flames."
For three days Mme. Duterque kept to her cellar. Unknown to herself, her husband, who had come from Boulogne to rescue her, was watching the battle from one of the heights outside the town, which he was forbidden to enter by the soldiers. On a Thursday morning she resolved to leave the shelter of her underground vault. News had been brought to her by a daring neighbour that the Germans had worked round by the railway station and might enter the town.
"I had no fear of German shells," she said, "but I had a great fear of German officers and soldiers. Imagine my fate if I had been caught by them, with my little daughter. For the first time I was filled with a horrible fear, and I decided to fly from Arras at all costs."
With her children and the nurse, she made her way through the streets, above which the shells were still crashing, and glanced with horror at all the destruction about her. The HÔtel de Ville was practically destroyed, though at that time the famous belfry still stood erect above the ruined town, chiming out the hours of this tragedy.
Mme. Duterque told me her story with great simplicity and without any self-consciousness of her fine courage. She was only one of those thousands of women in France who, with a spiritual courage beyond one's understanding, endured the horrors of this war. It was good to talk with them, and I was left wondering at such a spirit.
It was with many of these fugitives that I made my way back. Away in the neighbourhood of Hazebrouck the guns were still booming, and across the fields the outposts of French cavalry were waiting for the enemy.
4
It was better for women and children to be in Arras under continual shell-fire than in some of those villages along the valleys of the Marne and the Meuse and in the Department of the Seine, through which the Germans passed on their first march across the French frontier. It was a nicer thing to be killed by a clean piece of shell than to suffer the foulness of men whose passions had been unleashed by drink and the devil and the madness of the first experience of war, and by fear which made them cruel as beasts.
I think fear was at the heart of a good deal of those atrocious Bets by which the German troops stained the honour of their race in the first phases of the war. Advancing into a hostile country, among a people whom they knew to be reckless in courage and of a proud spirit, the generals and high officers were obsessed with the thought of peasant warfare, rifle-shots from windows, murders of soldiers billeted in farms, spies everywhere, and the peril of franc-tireurs, goading their troops on the march. Their text-books had told them that all this was to be expected from the French people and could only be stamped out by ruthlessness. The proclamations posted on the walls of invaded towns reveal fear as well as cruelty. The mayor and prominent citizens were to surrender themselves as hostages. If any German soldier were killed, terrible reprisals would be exacted. If there were any attempt on the part of the citizens to convey information to the French troops, or to disobey the regulations of the German commander, their houses would be burned and their property seized, and their lives would pay the forfeit. These bald- headed officers in pointed helmets, so scowling behind their spectacles, had fear in their hearts and concealed it by cruelty.
When such official proclamations were posted up on the walls of French villages, it is no wonder that the subordinate officers and their men were nervous of the dangers suggested in those documents, and found perhaps without any conscious dishonesty clear proof of civilian plots against them. A shot rang out down a village street. "The peasants are firing on us!" shouted a German soldier of neurotic temperament. "Shoot them at sight!" said an officer who had learnt his lesson of ruthlessness. "Burn these wasps out! Lieber Gott, we will teach them a pretty lesson!"
They had all the material for teaching the pretty lessons of war— inflammable tablets which would make a house blaze in less than five minutes after they had been strewn about the floors and touched by a lighted match (I have a few specimens of the stuff)—incendiary bombs which worked even more rapidly, torches for setting fire to old barns and thatched roofs. In the wonderful equipment of the German army in the field this material of destruction had not been forgotten and it was used in many little towns and villages where German soldiers heard real or imaginary shots, suspected betrayal from any toothless old peasant, and found themselves in the grip of fear because these Frenchwomen, these old men of the farm and the workshop, and even the children, stared at them as they passed with contemptuous eyes and kept an uncomfortable silence even when spoken to with cheerful Teuton greetings, and did not hide the loathing of their souls. All this silence of village people, all these black looks seemed to German soldiers like an evil spell about them. It got upon their nerves and made them angry. They had come to enjoy the fruits of victory in France, or at best the fruits of life before death came. So these women would not smile, eh? Nor give their kisses nor their love with amiability? Well, a German soldier would have his kisses even though he had to hold a shrieking woman to his lips. He would take his love even though he had to kill the creature who refused it. These Frenchwomen were not so austere as a rule in times of peace. If they would not be fondled they should be forced. Herr Gott! they should know their masters.
5
At the little town of Rebais in the department of Seine-et-Marne there was a pretty Frenchwoman who kept a grocer's shop and did not care for the way in which some German soldiers made free with her biscuits and sweetmeats. She was a proud and fearless young woman, and when the soldiers grinned at her and tried to put their arms about her she struck them and called them unpleasant names and drew an open knife. So she wanted her lesson? Well, she had a soft white neck, and if they could not put their arms about it they would put a rope round it and hang her with her pride. But she was strong and quick as well as proud. She cut their rope with her knife and fought like a wild thing. So they slashed at her with their fists and bruised all her beauty by the time one of their officers came in and ordered them away. No one would court her after the lesson they had given her.
At Saint-Denis-en-Rebais, on September 7, an Uhlan who was eager for a woman's love saw another pretty woman who tried to hide from him. There was a mother-in-law with her, and a little son, eight years of age. But in war-time one has to make haste to seize one's victim or one's loot. Death is waiting round the corner. Under the cover of his rifle—he had a restless finger on the trigger—the Uhlan bade the woman strip herself before him. She had not the pride or the courage of the other woman. She did not want to die, because of that small boy who stared with horror in his eyes. The mother-in-law clasped the child close and hid those wide staring eyes in her skirts, and turned her own face away from a scene of bestial violence, moaning to the sound of her daughter's cries.
6
At the town of Coulommiers on September 6 a German soldier came to the door of a small house where a woman and her husband were sitting with two children, trying to hide their fear of this invasion of German troops. It was half-past nine in the evening and almost dark, except for a glow in the sky. The soldier was like a shadow on the threshold until he came in, and they saw a queer light in his eyes. He was very courteous, though rather gruff in his speech. He asked the husband to go outside in the street to find one of his comrades. The man, afraid to refuse, left the room on this errand, but before he had gone far heard piercing cries. It was his wife's voice, screaming in terror. He rushed back again and saw the German soldier struggling with his wife. Hearing her husband's shout of rage, the soldier turned, seized his rifle, and clubbed the man into an adjoining room, where he stayed with the two little children who had fled there, trying to soothe them in their fright and listening, with madness in his brain, to his wife's agony through the open door a yard away. The husband was a coward, it seems. But supposing he had flung himself upon the soldier and strangled him, or cut his throat? We know what would have happened in the Village of Coulommiers.
7
On September 7 ten German horsemen rode into the farm of Lamermont, in the commune of Lisle-en-Barrois. They were in good humour, and having drunk plenty of fresh milk, left the farmhouse in a friendly way. Shortly after their departure, when Farmer Elly and his friend, the sieur Javelot, breathed more easily and thanked God because the danger had passed, some rifle-shots rang out. Somewhere or other a dreadful thing was happening. A new danger came to the farm at Lamermont, with thirty men of a different patrol, who did not ask for milk but blood. They accused the farm people of having killed a German soldier, and in spite of the protests of the two men, who had been sitting quietly in the kitchen, they were shot in the yard.
8
At Triaucourt the Germans were irritated by the behaviour of a young girl named Mlle. HÉlÈne ProcÈs, who was bold enough to lodge a complaint to one of their officers about a soldier who had tried to make love to her in the German way. It was a fine thing if German soldiers were to be punished for a little sport like that in time of war! "Burn them out!" said one of the men. On a cold autumn night a bonfire would warm things up a little. … It was the house of M. Jules Gaude which started the bonfire. It blazed so quickly after the torch had touched his thatch that he had to leap through the flames to save himself, and as he ran the soldiers shot him dead. When the houses were burning the Germans had a great game shooting at the people who rushed about the streets. A boy of seventeen, named George Lecourtier, was killed as he thrust his way through the flames. A gentleman named Alfred Lallemand—his name ought to have saved him—was chased by some soldiers when he fled for refuge to the kitchen of his fellow-citizen Tautelier, and shot there on his hearthside. His friend had three bullet-wounds in the hand with which he had tried to protect the hunted man. Mlle. ProcÈs, the young girl who had made the complaint which led to this trouble, fled into the garden with her mother and her grandmother and an aunt named Mile. Mennehard, who was eighty-one years old. The girl was able to climb over the hedge into the neighbour's garden, where she hid among the cabbages like a frightened kitten. But the old people could not go so fast, and as they tried to climb the hedge they were shot down by flying bullets. The curÉ of the village crept out into the darkness to find the bodies of those ladies, who had been his friends. With both hands he scooped up the scattered brains of Mile. Mennehard, the poor old dame of eighty-one, and afterwards brought her body back into her house, where he wept at this death and destruction which had made a hell of his little village in which peace had reigned so long.
And while he wept merry music played, and its lively notes rattled out into the quiet night from an open window quite close to where dead bodies lay. The German soldiers enjoyed themselves that night in Triaucourt. Like so many Neros on a smaller scale, they played and sang while flames leapt up on either side of them. Thirty-five houses in this village were burnt to cinders after their old timbers had blazed fiercely with flying sparks which sparkled above the helmets of drunken soldiery. An old man of seventy named Jean Lecourtier, and a baby who had been only two months in this strange world of ours were roasted to death in the furnace of the village. A farmer named Igier, hearing the stampede of his cattle, tried to save these poor beasts, but he had to run the gauntlet of soldiers who shot at him as he stumbled through the smoke, missing him only by a hair's-breadth, so that he escaped as by a miracle, with five holes in his clothes. The village priest, PÈre Viller, leaving the body of his old friend, went with the courage of despair to the Duke of Wurtemberg, who had his lodging near by, and complained to him passionately of all these outrages. The Duke of Wurtemberg shrugged his shoulders. "Que voulez-vous?" he said. "We have bad soldiers, like you have!"
9
At Montmirail a man named FranÇois Fontaine lived with his widowed daughter, Mme. NaudÉ, and his little grandchild Juliette. A German noncommissioned officer demanded lodging at the house, and on the night of September 5, when all was quiet, he came undressed into the young widow's room and, seizing her roughly, tried to drag her into his own chamber. She cried and struggled so that her father came running to her, trembling with fear and rage. The Unter-qffizier seems to have given some signal, perhaps by the blowing of a whistle. It is certain that immediately after the old man had left his room fifteen or twenty German soldiers burst into the house and dragged him out into the street, where they shot him dead. At that moment the child Juliette opened her bedroom window, looking out into the darkness at this shadow scene. It was not Romeo but Death who called this little Juliette. A bullet hit her in the stomach, and twenty-four hours later she died in agony.
I need not add to these stories, nor plunge deeper into the vile obscenity of all those crimes which in the months of August and September set hell loose in the beautiful old villages of France along a front of five hundred miles. The facts are monotonous in the repetition of their horror, and one's imagination is not helped but stupefied by long records of outrages upon defenceless women, with indiscriminate shooting down village streets, with unarmed peasants killed as they trudged across their fields or burned in their own homesteads, with false accusations against innocent villagers, so that hostages were collected and shot in groups as a punishment for alleged attacks upon German soldiers, with old French chÂteaux looted of all their treasures by German officers in search of souvenirs and trophies of victory for their womenfolk, and with drunken orgies in which men of decent breeding became mere animals inflamed with lust.
10
The memory of those things has burnt deep into the brains of the French people, so deep that in some cases there is the fire of madness there.
In a small chÂteau in France an English friend of mine serving with a volunteer ambulance column with the French troops on the Meuse was sitting at ease one night with some of his comrades and fellow- countrymen. The conversation turned to England, because April was there, and after ten months of war the thoughts of these men yearned back to their homes. They spoke of their mothers and wives and children. One man had a pretty daughter, and read a piece of her latest letter, and laughed at her gay little jests and her descriptions of the old pony and the dogs and the antics of a black kitten. Other men gave themselves away and revealed the sentiment which as a rule Englishmen hide. In the room was a French officer, who sat very still, listening to these stories. The candles were burning dim on the table when he spoke at last in a strange, hard voice:
"It is good for you Englishmen when you go back home. Those who are not killed out here will be very happy to see their women again. You do not want to die, because of that. … If I were to go home now, gentlemen, I should not be happy. I should find my wife and my daughter both expecting babies whose fathers are German soldiers… England has not suffered invasion."
11
The most complete destruction I saw in France was in Champagne, when I walked through places which had been the villages of Sermaize, Heiltz-le-Maurupt, Blesmes, and Huiron. Sermaize was utterly wiped out. As far as I could see, not one house was left standing. Not one wall was spared. It was laid flat upon the earth, with only a few charred chimney-stacks sticking out of the piles of bricks and cinders. Strange, piteous relics of pretty dwelling-places lay about in the litter, signifying that men and women with some love for the arts of life had lived here in decent comfort. A notice-board of a hotel which had given hospitality to many travellers before it became a blazing furnace lay sideways on a mass of broken bricks with a legend so frightfully ironical that I laughed among the ruins: "Chauffage central"—the system of "central heating" invented by Germans in this war had been too hot for the hotel, and had burnt it to a wreck of ashes. Half a dozen peasants stood in one of the "streets"—marked by a line of rubbish-heaps which had once been their homes. Some of them had waited until the first shells came over their chimney-pots before they fled. Several of their friends, not so lucky in timing their escape, had been crushed to death by the falling houses. But it was not shell-fire which did the work. The Germans strewed the cottages with their black inflammable tablets, which had been made for such cases, and set their torches to the window- curtains before marching away to make other bonfires on their road of retreat. Sermaize became a street of fire, and from each of its houses flames shot out like scarlet snakes, biting through the heavy pall of smoke. Peasants hiding in ditches a mile away stared at the furnace in which all their household goods were being consumed. Something of their own life seemed to be burning there, leaving the dust and ashes of old hopes and happiness.
"That was mine," said one of the peasants, pointing to a few square yards of wreckage. "I took my woman home across the threshold that was there. She was a fine girl, with hair like gold, Monsieur. Now her hair has gone quite white, during these recent weeks. That's what war does for women. There are many like that hereabouts, white-haired before their time."
I saw some of those white-haired women in Blesmes and Huiron and other scrap-heaps of German ruthlessness. They wandered in a disconsolate way about the ruins, watching rather hopelessly the building of wooden huts by a number of English "Quakers" who had come here to put up shelters for these homeless people of France. They were doing good work—one of the most beautiful works of charity which had been called out of this war, and giving a new meaning to their name of the Society of Friends. But though they were handy in the use of the wood given them by the French Government for this purpose, not all their industry nor all their friendliness could bring back the beauty of these old-world villages of Champagne, built centuries ago by men of art and craft, and chiselled by Time itself, so that the stones told tales of history to the villagers. It would be difficult to patch up the grey old tower of Huiron Church, through which shells had come crashing, or to rebuild its oak roof whose beams were splintered like the broken ribs of a rotting carcase. A white-haired priest passed up and down the roadway before the place in which he had celebrated Mass and praised God for the blessings of each day. His hands were clenched behind his bent back, and every now and then he thrust back his broad felt hat and looked up at the poor, battered thing which had been his church with immense sadness in his eyes.
There was an old chÂteau near Huiron in which a noble family of France had lived through centuries of war and revolution. It had many pointed gables and quaint turrets and mullioned windows, overlooking a garden in which there were arbours for love-in-idleness where ladies had dreamed awhile on many summer days in the great yesterday of history. When I passed it, after the Germans had gone that way, the gables and the turrets had fallen down, and instead of mullioned windows there were gaping holes in blackened walls. The gardens were a wild chaos of trampled shrubberies among the cinder-heaps, the twisted iron, and the wreckage of the old mansion. A flaming torch or two had destroyed all that time had spared, and the chÂteau of Huiron was a graveyard in which beauty had been killed, murderously, by outrageous hands.
In one of these villages of Champagne—I think it was at Blesmes—I saw one relic which had been spared by chance when the flames of the incendiaries had licked up all other things around, and somehow, God knows why, it seemed to me the most touching thing in this place of desolation.
It was a little stone fountain, out of which a jet of water rose playfully, falling with a splash of water-drops into the sculptured basin. While the furnace was raging in the village this fountain played and reflected the glare of crimson light in its bubbling jet. The children of many generations had dabbled their hands in its basin. Pretty girls had peeped into their own bright eyes mirrored there. On summer days the village folk had sauntered about this symbol of grace and beauty. Now it was as though I had discovered a white Venus in the dust- heap of a burying-place.
12
The great horror of Invasion did not reach only a few villages in France and blanch the hair of only a few poor women. During the long months of this stationary war there was a long black line on all the maps, printed day after day with depressing repetition in all the newspapers of the world. But I wonder how many people understood the meaning of that black line marking the length of the German front through France, and saw in their mind's eye the blackness of all those burnt and shattered villages, for ten miles in width, on that border-line of the war trail? I wonder how many people, searching for news of heroic bayonet charges or for thrilling stories of how Private John Smith kept an army corps at bay, single-handed, with a smile on his face, saw even faintly and from afar the flight of all the fugitives from that stricken zone, the terror of women and children trapped in its hell-fire, and the hideous obscenity of that long track across the fields of France, where dead bodies lay rotting in the rain and sun and the homesteads of a simple people lay in heaps from Artois to Lorraine?
Along the valley of the Aisne and of the Vesle the spirit of destruction established its kingdom. It was a valley of death. In the official reports only a few villages were mentioned by name, according to their strategical importance, but there were hundreds of hamlets, unrecorded in dispatches, which were struck by death and became the charnel-houses of bones and ruins.
In the single district of Vie-sur-Aisne, the little communities of Saconin, Pernant, Ambleny, and Ressons—beautiful spots in old days of peace, where Nature displayed all her graciousness along the winding river and where Time itself seemed to slumber—French soldiers stared upon broken roofs, shattered walls, and trampled gardens, upon the twisted iron of ploughs and the broken woodwork of farmers' carts, and all the litter of war's ruthless damage. Week after week, turn and turn about, German, French, and British shells crashed over these places, making dust and ashes of them. Peasants who clung to their cots, hid in their cellars and at last fled, described all this in a sentence or two when I questioned them. They had no grievance even against fate—their own misery was swallowed up in that of their neighbours; each family knew a worse case than its own, and so, with a shake of the head, they said there were many who suffered these things.
Shopkeepers and peasants of Celles, of Conde, of Attichy, along the way to Berry-au-Bac and from Billy to Sermoise, all those who have now fled from the Valley of the Vesle and the valley of the Aisne had just the same story to tell—monotonous, yet awful because of its tragedy. It was their fate to be along the line of death. One old fellow who came from Vailly had lived for two months in a continual cannonade. He had seen his little town taken and retaken ten times in turn by the French and the Germans.
When I heard of this eye-witness I thought: "Here is a man who has a marvellous story to tell. If all he has seen, all the horrors and heroism of great engagements were written down, just as he describes them in his peasant speech, it would make an historic document to be read by future generations."
But what did he answer to eager questions about his experience? He was hard of hearing and, with a hand making a cup for his right ear, stared at me a little dazed. He said at last, "It was difficult to get to sleep."
That was all he had to say about it, and many of these peasants were like him, repeating some trivial detail of their experience, the loss of a dog or the damage to an old teapot, as though that eclipsed all other suffering. But little by little, if one had the patience, one could get wider glimpses of the truth. Another old man from the village of Soupir told a more vivid tale. His dwelling-place sheltered some of the Germans when they traversed the district. The inhabitants of Soupir, he said, were divided into two groups. Able-bodied prisoners were sent off to Germany, and women and children who were carried off in the retreat were afterwards allowed to go back, but not until several poor little creatures had been killed, and pretty girls subjected to gross indignities by brutal soldiers. Upon entering Soupir the French troops found in cellars where they had concealed themselves thirty people who had gone raving mad and who cried and pleaded to remain so that they could still hear the shells and gibber at death. "War is so bracing to a nation," says the philosopher. "War purges peoples of their vanities." If there is a devil—and there must be many old-time sceptics who believe now not in one but in a hundred thousand devils—how the old rogue must chuckle at such words!
13
It was astounding to any student of psychology wandering in the war zone to see how many of the peasants of France clung to their houses, in spite of all their terror of German shells and German soldiers. When in the first month of 1915 the enemy suddenly swarmed over the ridges of Cuffies and Crouy, to the north of Soissons, and with overwhelming numbers smashed the French back across the Aisne at a time, when the rising of the river had broken many pontoon bridges, so that the way of escape was almost cut off, they drove out crowds of peasant folk who had remained along this fifteen miles of front until actually shelled out in that last attack which put the ruins of their houses into the hands of the Germans. As long as three months before Crouy itself had been a target for the enemy's guns, so that hardly a cottage was standing with solid walls.
Nevertheless, with that homing instinct which is the strongest emotion in the heart of the French peasant, many of the inhabitants had been living an underground life in their cellars, obtaining food from French soldiers and cowering close together as shells came shrieking overhead, and as the shattered buildings collapsed into greater ruin.
So it was in Rheims and Arras and other towns which were not spared in spite of the glories of an architecture which can never be rebuilt in beauty. Only a few days before writing these lines, I stood on the edge of the greatest battlefield in France and from an observation post perched like an eyrie in a tree above the valley, looked across to the cathedral of Rheims, that shrine of history, where the bones of kings lie, and where every stone speaks of saints and heroes and a thousand years of worship. The German shells were still falling about it, and its great walls stood grim and battered in a wrack of smoke. For nine months the city of Rheims has suffered the wounds of war. Shrapnel and air-bombs, incendiary shells and monstrous marmites had fallen within its boundaries week by week; sometimes only one or two on an idle day, sometimes in a raging storm of fire, but always killing a few more people, always shattering another house or two, always spoiling another bit of sculptured beauty. Nevertheless, there were thousands of citizens, women as well as men, who would not leave their city. They lived in cellars, into which they had dragged their beds and stores, and when the shell fire slackened they emerged, came out into the light of day, looked around at the new damage, and went about their daily business until cleared underground again by another storm of death. There were two old ladies with an elderly daughter who used to sit at table in the salle-À-manger of a hotel in Paris a week or two ago. I saw them arrive one day, and watched the placid faces of these stately old dames in black silk with little lace caps on their white hair. It was hardly possible to believe that for three months they had lived in a cellar at Rheims, listening through the day and night to the cannonading of the city, and to the rushing of the shells above their own house.
Yet I think that even in a cellar those old women of France preserved their dignity, and in spite of dirty hands (for water was very scarce) ate their meagre rations with a stately grace.
14
More miserable and less armed with courage were the people of France who lived in cities held by the enemy and secure from shell- fire—in Lille, and St. Quentin, and other towns of the North, where the Germans paraded in their pointed casques. For the most part in these great centres of population the enemy behaved well. Order was maintained among the soldiers with ruthless severity by German officers in high command. There were none of the wild and obscene acts which disgraced the German army in its first advance to and its retreat from the Marne. No torch bearers and tablet scatterers were let loose in the streets. On the contrary any German soldier misbehaving himself by looting, raping, or drunken beastliness found a quick death against a white wall. But to the French citizens it was a daily agony to see those crowds of hostile troops in their streets and houses, to listen to their German speech, to obey the orders of generals who had fought their way through Northern France across the bodies of French soldiers, smashing, burning, killing along the bloody track of war. These citizens of the captured soil of France knew bitterness of invasion more poignantly than those who hid in cellars under shell-fire. Their bodies were unwounded, but their spirits bled in agony. By official placards posted on the walls they read of German victories and French defeats. In the restaurants and cafÉs, and in their own houses, they had to serve men who were engaged in slaughtering their kinsfolk. It was difficult to be patient with those swaggering young officers who gave the glad eye to girls whose sweethearts lay dead somewhere between the French and German trenches.
From a lady who had been seven months in St. Quentin, I heard the story of how invasion came suddenly and took possession of the people. The arrival of the German troops was an utter surprise to the population, who had had no previous warning. Most of the French infantry had left the town, and there remained only a few detachments, and some English and Scottish soldiers who had lost their way in the great retreat, or who were lying wounded in the hospitals. The enemy came into the town at 4 P.M. on August 28, having completely surrounded it, so that they entered from every direction. The civil population, panic-stricken, remained for the most part in their houses, staring through their windows at the columns of dusty, sun-baked men who came down the streets. Some of the British soldiers, caught in this trap, decided to fight to the death, which they knew was inevitable. Several English and Scottish soldiers fired at the Germans as they advanced into the chief square and were instantly shot. One man, a tall young soldier, stationed himself at the corner of the Place du Huit Octobre, and with extraordinary coolness and rapidity fired shot after shot, so that several German soldiers were killed or wounded. The enemy brought up a machine gun and used it against this one man who tried to stop an army. He fell riddled with bullets, and was blown to pieces as he lay.
On the whole the Germans behaved well at St. Quentin. Their rule was stern but just, and although the civil population had been put on rations of black bread, they got enough and it was not, after all, so bad. As one of the most important bases of the German army in France, the town was continually filled with troops of every regiment, who stayed a little while and then passed on. Meanwhile the permanent troops in occupation of the town settled down and made themselves thoroughly at home. They established many of their own shops—bakeries, tailoring establishments, and groceries; and in consequence of the lack of discipline and decency which prevailed in some of the cafÉs and restaurants, these places were conducted by German officers, who acted as censors of morals and professors of propriety.
Astounding as it seems, there were Frenchwomen in St. Quentin who sold themselves for German money and gave their kisses for a price to men who had ravaged France and killed the sons of France. Such outrageous scenes took place, that the German order to close some of the cafÉs was hailed as a boon by the decent citizens, who saw the women expelled by order of the German commandant with enormous thankfulness.
It is strange that the Huns, as they are called, should have been so strict in moral discipline. Many of them were not so austere in the villages when they let their passions loose and behaved like drunken demons or satyrs with flaming torches. There is a riddle in the psychology of all these contrasts between the iron discipline and perfect organization by which all outrage was repressed in the large towns occupied for any length of time by German troops, and the lawlessness and rapine of the same race in villages through which they passed hurriedly, giving themselves just time enough to wreak a cruel ferocity upon unoffending people. Riddle as it is, it holds perhaps the key to the mystery of the German character and to their ideal of war. Whenever there was time to establish discipline, the men were well behaved, and did not dare to disobey the orders of their chiefs. It was only when special orders for "frightfulness" had been issued, or when officers in subordinate command let their men get out of hand, or led the way to devilry by their own viciousness of action, that the rank and file of the enemy's army committed its brutalities.
Even now, after all that I have seen in the ruined villages in France, I cannot bring myself to believe that the German race is distinguished from all other peoples in Europe by the mark of the beast, or that 'they are the exclusive possession of the devil. The prisoners I have spoken to, the blue-eyed Saxons and plump Bavarians with whom I travelled for awhile after the battle of Neuve Chapelle, seemed to me uncommonly like the yokels of our own Somersetshire and Devonshire. Their officers were polite and well-bred men in whom I saw no sign of fiendish lusts and cruelties. In normal moods they are a good-natured people, with a little touch of Teuton grossness perhaps, which makes them swill overmuch beer, and with an arrogance towards their womenfolk which is not tolerable to Englishmen, unless they have revolted from the older courtesies of English life because the Suffragettes have challenged their authority.
It was in abnormal moods that they committed their atrocities, for in the hot sun of the first September of the war their blood was overheated, and in the first intoxication of their march through France, drunk with the thrill of butcher's work as well as with French wine, brought back suddenly to the primitive lusts of nature by the spirit of war, which strips men naked of all refinements and decent veils, they became for a time savages, with no other restraint than that of Red Indians on the warpath. They belonged to an Army of Invasion, marching through hostile territory, and the soul of war robbed the individual of his own separate soul and put a spell of madness on him, so that his eyes were bloodshot and his senses inflamed with lust. In the Peninsular War young Englishmen from decent villages in quiet countrysides, with pious mothers praying for them at home in grey old churches, and with pretty sisters engaged in hero-worship, were bewitched by the same spell of wizardry and did foul and frightful things which afterwards made them dream of nights and wake in a cold sweat of shame and horror. There are many young Germans who will wake out of such dreams when they get back to Dusseldorf and Bingen-am-Rhein, searching back in their hearts to find a denial of the deeds which have become incredible after their awakening from the nightmare. For a little while they had been caught up in the soul of war and their heroism had been spoilt by obscenity, and their ideals debased by bestial acts. They will have only one excuse to their recaptured souls: "It was War." It is the excuse which man has made through all the ages of his history for the bloody thing which, in all those ages, has made him a liar to his faith and a traitor to the gentle gods.
on the sunny side of a white wall. Out of the silence of that night came shriek after shriek. The two women abandoned themselves to a wild and terror- stricken grief. One of them flung herself on to her knees, clutching at an agent de police, clasping him with piteous and pleading hands, until he jerked her away from him. Then she picked herself up and leant against a wall, moaning and wailing like a wounded animal. The drunkard was sobered enough to stand upright in the grasp of two policemen while the third searched him. By the light of the street lamp I saw his blanched face and sunken eyes. Two minutes later the police led both men away, leaving the women behind, very quiet now, sobbing in their shawls.
It was the general belief in Paris that many apaches were shot pour encourager les autres. I cannot say that is true—the police of Paris keep their own secrets—but I believe a front place was found for some of them in the fighting lines. Paris lost many of its rebels, who will never reappear in the Place Pigalle and the Avenue de Clichy on moonless nights. Poor devils of misery! They did but make war on the well-to-do, and with less deadly methods, as a rule, than those encouraged in greater wars when, for trade interests also, men kill each other with explosive bombs and wrap each other's bowels round their bayonets and blow up whole companies of men in trenches which have been sapped so skilfully that at the word "Fire!" no pair of arms or legs remains to a single body and God Himself would not know His handiwork.
4
For several months there was a spy mania in Paris, and the police, acting under military orders, showed considerable activity in "Boche" hunting. It was a form of chase which turned me a little sick when I saw the captured prey, just as I used to turn sick as a boy when I saw a rat caught in a trap and handed over to the dogs, or any other animal run to earth. All my instincts made me hope for the escape of the poor beast, vermin though it might be.
One day as I was sitting in the CafÉ Napolitain on one of my brief excursions to Paris from the turmoil in the wake of war, I heard shouts and saw a crowd of people rushing towards a motor-car coming down the Boulevard des Italiens. One word was repeated with a long-drawn sibilance:
"Espion! Espion!"
The spy was between two agents de police. He was bound with cords and his collar had been torn off, so that his neck was bare, like a man ready for the guillotine. Somehow, the look of the man reminded me in a flash of those old scenes in the French Revolution, when a French aristocrat was taken in a tumbril through the streets of Paris. He was a young man with a handsome, clear-cut face, and though he was very white except where a trickle of blood ran down his cheek from a gash on his forehead, he smiled disdainfully with a proud curl of the lip. He knew he was going to his death, but he had taken the risk of that when he stayed in Paris for the sake of his country. A German spy! Yes, but a brave man who went rather well to his death through the sunlit streets of Paris, with the angry murmurs of a crowd rising in waves about him.
On the same night I saw another episode of this spy-hunting period, and it was more curious. It happened in a famous restaurant not far from the ComÉdie FranÇaise, where a number of French soldiers in a variety of uniforms dined with their ladies before going to the front after a day's leave from the fighting lines. Suddenly, into the buzz of voices and above the tinkle of glasses and coffee-cups one voice spoke in a formal way, with clear, deliberate words. I saw that it was the manager of the restaurant addressing his clients.
"Messieurs et Mesdames,—-My fellow-manager has just been arrested on a charge of espionage. I have been forbidden to speak more than these few words, to express my personal regret that I am unable to give my personal attention to your needs and pleasure."
With a bow this typical French "patron"—surely not a German spy!— turned away and retreated from the room. A look of surprise passed over the faces of the French soldiers. The ladies raised their pencilled eyebrows, and then—so quickly does this drama of war stale after its first experience—continued their conversation through whiffs of cigarette smoke.
5
But it was not of German spies that the French Government was most afraid. Truth to tell, Paris was thronged with Germans, naturalized a week or two before the war and by some means or other on the best of terms with the police authorities, in spite of spy- hunts and spy-mania, which sometimes endangered the liberty of innocent Englishmen, and Americans more or less innocent. It was only an accident which led to the arrest of a well-known milliner whose afternoon-tea parties among her mannequins were attended by many Germans with business in Paris of a private character. When this lady covered up the Teutonic name of her firm with a Red Cross flag and converted her showrooms into a hospital ward, excellently supplied except with wounded men, the police did not inquire into the case until a political scandal brought it into the limelight of publicity.
The French Government was more afraid of the true Parisians. To sober them down in case their spirit might lead to trouble, the streets of Paris were kept in darkness and all places of amusement were closed as soon as war was declared. In case riots should break forth from secret lairs of revolutionary propaganda, squadrons of Gardes Republicains patrolled the city by day and night, and the agents de police were reinforced by fusiliers marins with loaded rifles, who— simple fellows as they are—could hardly direct a stranger to the Place de la Concorde or find their own way to the Place de la Bastille.
At all costs Paris was not to learn the truth about the war if there were any unpleasant truths to tell. For Paris there must always be victories and no defeats. They must not even know that in war time there were wounded men; otherwise they might get so depressed or so enraged that (thought the French Government) there might be the old cry of "Nous sommes trahis!" with a lopping off of Ministers' heads and dreadful orgies in which the streets of Paris would run red with blood. This reason alone—so utterly unreasonable, as we now know—may explain the farcical situation of the hospitals in Paris during the first two months of the war. Great hotels like the Astoria, Claridge's, and the Majestic had been turned into hospitals magnificently equipped and over-staffed. Nothing that money could buy was left unbought, so that these great palaces might be fully provided with all things necessary for continual streams of wounded men. High society in France gave away its wealth with generous enthusiasm. Whatever faults they might have they tried to wash them clean by charity, full- hearted and overflowing, for the wounded sons of France. Great ladies who had been the beauties of the salons, whose gowns had been the envy of their circles, took off their silks and chiffons and put on the simple dress of the infirmiÈre and volunteered to do the humblest work, the dirty work of kitchen-wenches and scullery-girls and bedroom-maids, so that their hands might help, by any service, the men who had fought for France. French doctors, keen and brilliant men who hold a surgeon's knife with a fine and delicate skill, stood in readiness for the maimed victims of the war. The best brains of French medical science were mobilized in these hospitals of Paris.
But the wounded did not come to Paris until the war had dragged on for weeks. After the battle of the Marne, when the wounded were pouring into Orleans and other towns at the rate of seven thousand a day, when it was utterly impossible for the doctors there to deal with all that tide of agony, and when the condition of the French wounded was a scandal to the name of a civilized country, the hospitals of Paris remained empty, or with a few lightly wounded men in a desert of beds. Because they could not speak French, perhaps, these rare arrivals were mostly Turcos and Senegalese, so that when they awakened in these wards and their eyes rolled round upon the white counterpanes, the exquisite flowers and the painted ceilings, and there beheld the beauty of women bending over their bedsides— women whose beauty was famous through Europe—they murmured "Allahu akbar" in devout ecstasy and believed themselves in a Mohammedan paradise.
It was a comedy in which there was a frightful tragedy. The doctors and surgeons standing by these empty beds, wandering through operating-theatres magnificently appointed, asked God why their hands were idle when so many soldiers of France were dying for lack of help, and why Paris, the nerve-centre of all railway lines, so close to the front, where the fields were heaped with the wreckage of the war, should be a world away from any work of rescue. It was the same old strain of falsity which always runs through French official life. "Politics!" said the doctors of Paris; "those cursed politics!"
But it was fear this time. The Government was afraid of Paris, lest it should lose its nerve, and so all trains of wounded were diverted from the capital, wandering on long and devious journeys, side-tracked for hours, and if any ambulances came it was at night, when they glided through back streets under cover of darkness, afraid of being seen.
They need not have feared, those Ministers of France. Paris had more courage than some of them, with a greater dignity and finer faith. When the French Ministry fled to Bordeaux without having warned the people that the enemy was at their gates, Paris remained very quiet and gave no sign of wild terror or of panic-stricken rage. There was no political cry or revolutionary outburst. No mob orator sprang upon a cafÉ chair to say "Nous sommes trahis!" There was not even a word of rebuke for those who had doctored the official communiquÉs and put a false glamour of hope upon hideous facts. Hurriedly and dejectedly over a million people of Paris fled from the city, now that the Government had led the way of flight. They were afraid, and there was panic in their exodus, but even that was not hysterical, and men and women kept their heads, though they had lost their hopes. It was rare to see a weeping woman. There was no wailing of a people distraught. Sadly those fugitives left the city which had been all the world to them, and the roads to the south were black with their multitudes, having left in fear but full of courage on the road, dejected, but even then finding a comedy in the misery of it, laughing —as most French women will laugh in the hour of peril—even when their suffering was greatest and when there was a heartache in their humour.
6
After all the soul of Paris did not die, even in those dark days when so many of its inhabitants had gone, and when, for a little while, it seemed a deserted city. Many thousands of citizens remained, enough to make a great population, and although for a day or two they kept for the most part indoors, under the shadow of a fear that at any moment they might hear the first shells come shrieking overhead, or even the clatter of German cavalry, they quickly resumed the daily routine of their lives, as far as it was possible at such a time. The fruit and vegetable-stalls along the Rue St. HonorÉ were thronged as usual by frugal housewives who do their shopping early, and down by Les Halles, to which I wended my way through the older streets of Paris, to note any change in the price of food, there were the usual scenes of bustling activity among the baskets and the litter of the markets. Only a man who knew Paris well could detect a difference in the early morning crowds—the absence of many young porters who used to carry great loads on their heads before quenching their thirst at the Chien Qui Fume, and the presence of many young girls of the midinette class, who in normal times lie later in bed before taking the metro to their shops.
The shops were closed now. Great establishments like the Galeries Lafayette had disbanded their armies of girls and even many of the factories in the outer suburbs, like Charenton and La Villette, had suspended work, because their mechanics and electricians and male factory hands had been mobilized at the outset of the war. The women of Paris were plunged into dire poverty, and thousands of them into idleness, which makes poverty more awful. Even now I can hardly guess how many of these women lived during the first months of the war. There were many wives who had been utterly dependent for the upkeep of their little homes upon men who were now earning a sou a day as soldiers of France, with glory as a pourboire. So many old mothers had been supported by the devotion of sons who had denied themselves marriage, children, and the little luxuries of life in order that out of their poor wages in Government offices they might keep the woman to whom they owed their being. Always the greater part of the people of Paris lives precariously on the thin edge of a limited income, stinting and scraping, a sou here, a sou there, to balance the week's accounts and eke out a little of that joie de vivre, which to every Parisian is an essential need. Now by the edict of war all life's economies had been annihilated. There were no more wages out of which to reckon the cost of an extra meal, or out of which to squeeze the price of a seat at a PathÉ cinema. Mothers and wives and mistresses had been abandoned to the chill comfort of national charity, and oh, the coldness of it!
The French Government had promised to give an allowance of 1 franc 25 centimes a day to the women who were dependent on soldier husbands. Perhaps it is possible to live on a shilling a day in Paris, though, by Heaven, I should hate to do it. Nicely administered it might save a woman from rapid starvation and keep her thin for quite a time. But even this measure of relief was difficult to get. French officials are extraordinarily punctilious over the details of their work, and it takes them a long time to organize a system which is a masterpiece of safeguards and regulations and subordinate clauses. So it was with them in the first weeks of the war, and it was a pitiable thing to watch the long queues of women waiting patiently outside the mairies, hour after hour and sometimes day after day, to get that one franc twenty-five which would buy their children's bread. Yet the patience of these women never failed, and with a resignation which had something divine in it, they excused the delays, the official deliberations, the infinite vexations which they were made to suffer, by that phrase which has excused everything in France: "C'est la guerre!" Because it was war, they did not raise their voices in shrill protest, or wave their skinny arms at imperturbable men who said, "Attendez, s'il vous plaÎt!" with damnable iteration, or break the windows of Government offices in which bewildering regulations were drawn up in miles of red tape.
"C'est la guerre!" and the women of Paris, thinking of their men at the front, dedicated themselves to suffering and were glad of their very hunger pains, so that they might share the hardships of the soldiers.
By good chance, a number of large-hearted men and women, more representative of the State than the Ministry in power, because they had long records of public service and united all phases of intellectual and religious activity in France, organized a system of private charity to supplement the Government doles, and under the title of the Secours Nationale, relieved the needs of the destitute with a prompt and generous charity in which there was human love beyond the skinflint justice of the State. It was the Secours Nationale which saved Paris in those early days from some of the worst miseries of the war and softened some of the inevitable cruelties which it inflicted upon the women and children. Their organization of ouvroirs, or workshops for unemployed girls, where a franc a day (not much for a long day's labour, yet better than nothing at all) saved many midinettes from sheer starvation.
There were hard times for the girls who had not been trained to needlework or to the ordinary drudgeries of life, though they toil hard enough in their own professions. To the dancing girls of Montmartre, the singing girls of the cabarets, and the love girls of the streets, Paris with the Germans at its gates was a city of desolation, so cold as they wandered with questing eyes through its loneliness, so cruel to those women of whom it has been very tolerant in days of pleasure. They were unnecessary now to the scheme of things. Their merchandise— tripping feet and rhythmic limbs, shrill laughter and roguish eyes, carmined lips and pencilled lashes, singing voices and cajoleries—had no more value, because war had taken away the men who buy these things, and the market was closed. These commodities of life were no more saleable than paste diamonds, spangles, artificial roses, the vanities of fashion showrooms, the trinkets of the jeweller in the Rue de la Paix, and the sham antiques in the Rue Mazarin. Young men, shells, hay, linen for bandages, stretchers, splints, hypodermic syringes were wanted in enormous quantities, but not light o' loves, with cheap perfume on their hair, or the fairies of the footlights with all the latest tango steps. The dance music of life had changed into a funeral march, and the alluring rhythm of the tango had been followed by the steady tramp of feet, in common time, to the battlefields of France. Virtue might have hailed it as a victory. Raising her chaste eyes, she might have cried out a prayer of thankfulness that Paris had been cleansed of all its vice, and that war had purged a people of its carnal weakness, and that the young manhood of the nation had been spiritualized and made austere. Yes, it was true. War had captured the souls and bodies of men, and under her discipline of blood and agony men's wayward fancies, the seductions of the flesh, the truancies of the heart were tamed and leashed.
Yet a Christian soul may pity those poor butterflies of life who had been broken on the wheels of war. I pitied them, unashamed of this emotion, when I saw some of them flitting through the streets of Paris on that September eve when the city was very quiet, expecting capture, and afterwards through the long, weary weeks of war. They had a scared look, like pretty beasts caught in a trap. They had hungry eyes, filled with an enormous wistfulness. Their faces were blanched, because rouge was dear when food had to be bought without an income, and their lips had lost their carmine flush. Outside the Taverne Royale one day two of them spoke to me—I sat scribbling an article for the censor to cut out. They had no cajoleries, none of the little tricks of their trade. They spoke quite quietly and gravely.
"Are you an Englishman?"
"Yes."
"But not a soldier?"
"No. You see my clothes!"
"Have you come to Paris for pleasure? That is strange, for now there is nothing doing in that way."
"Non, c'est vrai. Il n'y a rien À faire dans ce genre."
I asked them how they lived in war time.
One of the girls—she had a pretty delicate face and a serious way of speech—smiled, with a sigh that seemed to come from her little high- heeled boots.
"It is difficult to live. I was a singing girl at Montmartre. My lover is at the war. There is no one left. It is the same with all of us. In a little while we shall starve to death. Mais, pourquoi pas? A singing girl's death does not matter to France, and will not spoil the joy of her victory!"
She lifted a glass of amer picon—for the privilege of hearing the truth she could tell me I was pleased to pay for it—and said in a kind of whisper, "Vive la France!" and then, touching her glass with her lips: "Vive l'Angleterre!"
The other girl leaned forward and spoke with polite and earnest inquiry.
"Monsieur would like a little love?"
I shook my head.
"Ça ne marche pas. Je suis un homme sÉrieux." "It is very cheap to- day," said the girl. "Ça ne coÛte pas cher, en temps de guerre."
7
After the battle of the Marne the old vitality of Paris was gradually restored. The people who had fled by hundreds of thousands dribbled back steadily from England and provincial towns where they had hated their exile and had been ashamed of their flight. They came back to their small flats or attic room rejoicing to find all safe under a layer of dust—shedding tears, some of them, when they saw the children's toys, which had been left in a litter on the floor, and the open piano with a song on the music-rack, which a girl had left as she rose in the middle of a bar, wavering off into a cry of fear, and all the domestic treasures which had been gathered through a life of toil and abandoned—for ever it seemed—when the enemy was reported within twenty miles of Paris in irresistible strength. The city had been saved. The Germans were in full retreat. The great shadow of fear had been lifted and the joy of a great hope thrilled through the soul of Paris, in spite of all that death lÀ-bas, where so many young men were making sacrifices of their lives for France.
As the weeks passed the streets became more thronged, and the shops began to re-open, their business conducted for the most part by women and old people. A great hostile army was entrenched less than sixty miles away. A ceaseless battle, always threatening the roads to Paris, from Amiens and Soissons, Rheims and Vic-sur- Aisne, was raging night and day, month after month. But for the moment when the enemy retreated to the Aisne, the fear which had been like a black pall over the spirit of Paris, lifted as though a great wind had blown it away, and the people revealed a sane, strong spirit of courage and confidence and patience, amazing to those who still believed in the frivolity and nervousness and unsteady emotionalism of the Parisian population.
Yet though normal life was outwardly resumed (inwardly all things had changed), it was impossible to forget the war or to thrust it away from one's imagination for more than half an hour or so of forgetfulness. Those crowds in the streets contained multitudes of soldiers of all regiments of France, coming and going between the base depots and the long lines of the front. The streets were splashed with the colours of all those uniforms—crimson of Zouaves, azure of chasseurs d'Afrique, the dark blue of gunners, marines. Figures of romance walked down the boulevards and took the sun in the gardens of the Tuileries. An Arab chief in his white burnous and flowing robes padded in soft shoes between the little crowds of cocottes who smiled into his grave face with its dark liquid eyes and pointed beard, like Othello the Moor. Senegalese and Turcos with rolling eyes and wreathed smiles sat at the tables in the CafÉ de la Paix, paying extravagantly for their fire-water, and exalted by this luxury of life after the muddy hell of the trenches and the humid climate which made them cough consumptively between their gusts of laughter. Here and there a strange uniform of unusual gorgeousness made all men turn their heads with a "Qui est Ça?" such as the full dress uniform of a dandy flight officer of cardinal red from head to foot, with a golden wing on his sleeve. The airman of ordinary grade had no such magnificence, yet in his black leather jacket and blue breeches above long boots was the hero of the streets and might claim any woman's eyes, because he belonged to a service which holds the great romance of the war, risking his life day after day on that miracle of flight which has not yet staled in the imagination of the crowd, and winging his way god-like above the enemy's lines, in the roar of their pursuing shells.
Khaki came to Paris, too, and although it was worn by many who did not hold the King's commission but swaggered it as something in the Red Cross—God knows what!—the drab of its colour gave a thrill to all those people of Paris who, at least in the first months of the war, were stirred with an immense sentiment of gratitude because England had come to the rescue in her hour of need, and had given her blood generously to France, and had cemented the Entente Cordiale with deathless ties of comradeship. "Comme ils sont chics, ces braves anglais!" They did not soon tire of expressing their admiration for the "chic" style of our young officers, so neat and clean-cut and workmanlike, with their brown belts and brown boots, and khaki riding breeches.
"Ulloh… Engleesh boy? Ahlright, eh?" The butterfly girls hovered about them, spread their wings before those young officers from the front and those knights of the Red Cross, tempted them with all their wiles, and led them, too many of them, to their mistress Circe, who put her spell upon them.
At every turn in the street, or under the trees of Paris, some queer little episode, some startling figure from the great drama of the war arrested the interest of a wondering spectator. A glimpse of tragedy made one's soul shudder between two smiles at the comedy of life. Tears and laughter chased each other through Paris in this time of war.
"CoupÉ gorge, comme Ça. Sale boche, mort. Sa tÊte, voyez. TombÉ À terre. Sang! Mains, en bain de sang. Comme Ça!"
So the Turco spoke under the statue of Aphrodite in the gardens of the Tuileries to a crowd of smiling men and girls. He had a German officer's helmet. He described with vivid and disgusting gestures how he had cut off the man's head—he clicked his tongue to give the sound of it—and how he had bathed his hands in the blood of his enemy, before carrying this trophy to his trench. He held out his hands, staring at them, laughing at them as though they were still crimson with German blood. … A Frenchwoman shivered a little and turned pale. But another woman laughed—an old creature with toothless gums—with a shrill, harsh note.
"Sale race!" she said; "a dirty race! I should be glad to cut a German throat!"
Outside the Invalides, motor-cars were always arriving at the headquarters of General GaliÈni. French staff officers came at full speed, with long shrieks on their motor-horns, and little crowds gathered round the cars to question the drivers.
"Ça marche, la guerre? Il y a du progrÈs?"
British officers came also, with dispatches from headquarters, and two soldiers with loaded rifles in the back seats of cars that had been riddled with bullets and pock-marked with shrapnel.
Two of these men told their tale to me. They had left the trenches the previous night to come on a special mission to Paris, and they seemed to me like men who had been in some torture chamber and suffered unforgettable and nameless horrors. Splashed with mud, their faces powdered with a greyish clay and chilled to the bone by the sharp shrewd wind of their night near Soissons and the motor journey to Paris, they could hardly stand, and trembled and spoke with chattering teeth.
"I wouldn't have missed it," said one of them, "but I don't want to go through it again. It's absolutely infernal in those trenches, and the enemy's shell-fire breaks one's nerves."
They were not ashamed to confess the terror that still shook them, and wondered, like children, at the luck—the miracle of luck—which had summoned them from their place in the firing-line to be the escort of an officer to Paris, with safe seats in his motor-car.
8
For several weeks of the autumn while the British were at Soissons, many of our officers and men came into Paris like this, on special missions or on special leave, and along the boulevards one heard all accents of the English tongue from John o' Groats to Land's End and from Peckham Rye to Hackney Downs. The Kilties were the wonder of Paris, and their knees were under the fire of a multitude of eyes as they went swinging to the Gare du Nord The shopgirls of Paris screamed with laughter at these brawny lads in "jupes," and surrounded them with shameless mirth, while Jock grinned from ear to ear and Sandy, more bashful, coloured to the roots of his fiery hair. Cigarettes were showered into the hands of these soldier lads. They could get drunk for nothing at the expense of English residents of Paris—the jockeys from Chantilly, the bank clerks of the Imperial Club, the bar loungers of the St. Petersbourg. The temptation was not resisted with the courage of Christian martyrs. The Provost-Marshal had to threaten some of his own military police with the terrors of court-martial.
The wounded were allowed at last to come to Paris, and the surgeons who had stood with idle hands found more than enough work to do, and the ladies of France who had put on nurses' dresses walked very softly and swiftly through long wards, no longer thrilled with the beautiful sentiment of smoothing the brows of handsome young soldiers, but thrilled by the desperate need of service, hard and ugly and terrible, among those poor bloody men, agonizing through the night, helpless in their pain, moaning before the rescue of death. The faint-hearted among these women fled panic-stricken, with blanched faces, to Nice and Monte Carlo and provincial chÂteaux, where they played with less unpleasant work. But there were not many like that. Most of them stayed, nerving themselves to the endurance of those tragedies, finding in the weakness of their womanhood a strange new courage, strong as steel, infinitely patient, full of pity cleansed of all false sentiment. Many of these fine ladies of France, in whose veins ran the blood of women who had gone very bravely to the guillotine, were animated by the spirit of their grandmothers and by the ghosts of French womanhood throughout the history of their country, from GeneviÈve to Sister Julie, and putting aside the frivolity of life which had been their only purpose, faced the filth and horrors of the hospitals without a shudder and with the virtue of nursing nuns.
Into the streets of Paris, therefore, came the convalescents and the lightly wounded, and one-armed or one-legged officers or simple poilus with bandaged heads and hands could be seen in any restaurant among comrades who had not yet received their baptism of fire, had not cried "TouchÉ!" after the bursting of a German shell.
It was worth while to spend an evening, and a louis, at Maxim's, or at Henry's, to see the company that came to dine there when the German army was still entrenched within sixty miles of Paris. They were not crowded, those places of old delight, and the gaiety had gone from them, like the laughter of fair women who have passed beyond the river. But through the swing doors came two by two, or in little groups, enough people to rob these lighted rooms of loneliness. Often it was the woman who led the man, lending him the strength of her arm. Yet when he sat at table—this young officer of the Chasseurs in sky-blue jacket, or this wounded Dragoon with a golden casque and long horse-hair tail—hiding an empty sleeve against the woman's side, or concealing the loss of a leg beneath the table cloth, it was wonderful to see the smile that lit up his face and the absence of all pain in it.
"Ah! comme il fait bon!"
I heard the sigh and the words come from one of these soldiers—not an officer but a fine gentleman in his private's uniform—as he looked round the room and let his brown eyes linger on the candle-lights and the twinkling glasses and snow-white table-cloths. Out of the mud and blood of the trenches, with only the loss of an arm or a leg, he had come back to this sanctuary of civilization from which ugliness is banished and all grim realities.
So, for this reason, other soldiers came on brief trips to Paris from the front. They desired to taste the fine flavour of civilization in its ultra- refinement, to dine delicately, to have the fragrance of flowers about them, to sit in the glamour of shaded lights, to watch a woman's beauty through the haze of cigarette-smoke, and to listen to the music of her voice. There was always a woman by the soldier's side, propping her chin in her hands and smiling into the depths of his eyes. For the soul of a Frenchman demands the help of women, and the love of women, however strong his courage or his self-reliance. The beauty of life is to him a feminine thing, holding the spirit of motherhood, romantic love and comradeship more intimate and tender than between man and man. Only duty is masculine and hard.
9
The theatres and music-halls of Paris opened one by one in the autumn of the first year of war. Some of the dancing girls and the singing girls found their old places behind the footlights, unless they had coughed their lungs away, or grown too pinched and plain. But for a long time it was impossible to recapture the old spirit of these haunts, especially in the music-halls, where ghosts passed in the darkness of deserted promenoirs, and where a chill gave one goose- flesh in the empty stalls,
Paris was half ashamed to go to the Folies BergÈres or the Renaissance, while away lÀ-bas men were lying on the battlefields or crouching in the trenches. Only when the monotony of life without amusement became intolerable to people who have to laugh so that they may not weep, did they wend their way to these places for an hour or two. Even the actors and actresses and playwrights of Paris felt the grim presence of death not far away. The old Rabelaisianism was toned down to something like decency and at least the grosser vulgarities of the music-hall stage were banned by common consent.
The little indecencies, the sly allusions, the candour of French comedy remained, and often it was only stupidity which made one laugh. Nothing on earth could have been more ridiculous than the little lady who strutted up and down the stage, in the uniform of a British Tommy, to the song of "Tipperary," which she rendered as a sentimental ballad, with dramatic action. When she lay down on her front buttons and died a dreadful death from German bullets, still singing in a feeble voice: "Good-bye, Piccadilly; farewell, Leicester Square," there were British officers in the boxes who laughed until they wept, to the great astonishment of a French audience, who saw no humour in the exhibition.
The kilted ladies of the Olympia would have brought a blush to the cheeks of the most brazen-faced Jock from the slums of Glasgow, though they were received with great applause by respectable French bourgeois with elderly wives. And yet the soul of Paris, the big thing in its soul, the spirit which leaps out to the truth and beauty of life, was there even in Olympia, among the women with the roving eyes, and amidst all those fooleries.
Between two comic "turns" a patriotic song would come. They were not songs of false sentiment, like those patriotic ballads which thrill the gods in London, but they had a strange and terrible sincerity, not afraid of death nor of the women's broken hearts, nor of the grim realities of war, but rising to the heights of spiritual beauty in their cry to the courage of women and the pity of God. They sang of the splendours of sacrifice for France and of the glory of that young manhood which had offered its blood to the Flag. The old Roman spirit breathed through the verses of these music-hall songs, written perhaps by hungry poets au sixiÈme Étage, but alight with a little flame of genius. The women who sang them were artists. Every gesture was a studied thing. Every modulation of the voice was the result of training and technique. But they too were stirred with a real emotion, and as they sang something would change the audience, some thrill would stir them, some power, of old ideals, of traditions strong as natural instinct, of enthusiasm for their country of France, for whom men will gladly die and women give their heart's blood, shook them and set them on fire.
10
The people of Paris, to whom music is a necessity of life, were not altogether starved, though orchestras had been abolished in the restaurants. One day a well-known voice, terrific in its muscular energy and emotional fervour, rose like a trumpet-call in a quiet courtyard off the Rue St. HonorÉ. It was the voice of "Bruyant Alexandre"—"Noisy Alexander"—who had new songs to sing about the little soldiers of France and the German vulture and the glory of the Tricolour. Giving part of his proceeds to the funds for the wounded, he went from courtyard to courtyard—one could trace his progress by vibration of tremendous sound—and other musicians followed him, so that often when I came up the Rue Royale or along quiet streets between the boulevards, I was tempted into the courts by the tinkle of guitars and women's voices singing some ballad of the war with a wonderful spirit and rhythm which set the pulses beating at a quicker pace. In the luncheon hour crowds of midinettes surrounded the singers, joining sometimes in the choruses, squealing with laughter at jests in verse not to be translated in sober English prose and finding a little moisture in their eyes after a song of sentiment which reminded them of the price which must be paid for glory by young men for whose homecoming they had waited through the winter and the spring.
11
No German soldier came through the gates of Paris, and no German guns smashed a way through the outer fortifications. But now and then an enemy came over the gates and high above the ramparts, a winged messenger of death, coming very swiftly through the sky, killing a few mortals down below and then retreating into the hiding- places behind the clouds. There were not many people who saw the "Taube"—the German dove—make its swoop and hurl its fire-balls. There was just a speck in the sky, a glint of metal, and the far- humming of an aerial engine. Perhaps it was a French aviator coming back from a reconnaissance over the enemy's lines on the Aisne, or taking a joy ride over Paris to stretch his wings. The little shop-girls looked up and thought how fine it would be to go riding with him, as high as the stars—with one of those keen profiled men who have such roguish eyes when they come to earth. Frenchmen strolling down the boulevards glanced skywards and smiled. They were brave lads who defended the air of Paris. No Boche would dare to poke the beak of his engine above the housetops. But one or two men were uneasy and stood with strained eyes. There was something peculiar about the cut of those wings en haut. They seemed to bend back at the tips, unlike a BlÉriot, with its straight spread of canvas.
"Sapristi! une Taube! … Attention, mon vieux!" In some side streets of Paris a hard thing hit the earth and opened it with a crash. A woman crossing the road with a little girl—she had just slipped out of her courtyard to buy some milk—felt the ground rise up and hit her in the face. It was very curious. Such a thing had never happened to her before. "Suzette?" She moaned and cried, "Suzette?" But Suzette did not answer. The child was lying sideways, with her face against the kerbstone. Her white frock was crimsoning with a deep and spreading stain. Something had happened to one of her legs. It was broken and crumpled up, like a bird's claw.
"Suzette! Ma petite! O, mon Dieu!" A policeman was bending over little Suzette. Then he stood straight and raised a clenched fist to the sky. "Sale Boche! … Assassin! … Sale cochon!" People came running up the street and out of the courtyards. An ambulance glided swiftly through the crowd. A little girl whose name was Suzette was picked up from the edge of the kerbstone out of a pool of blood. Her face lay sideways on the policeman's shoulder, as white as a sculptured angel on a tombstone. It seemed that she would never walk again, this little Suzette, whose footsteps had gone dancing through the streets of Paris. It was always like that when a Taube came. That bird of death chose women and children as its prey, and Paris cursed the cowards who made war on their innocents.
But Paris was not afraid. The women did not stay indoors because between one street and another they might be struck out of life, without a second's warning. They glanced up to the sky and smiled disdainfully. They were glad even that a Taube should come now and then, so that they, the women of Paris, might run some risks in this war and share its perils with their men, who every day in the trenches lÀ-bas, faced death for the sake of France. "Our chance of death is a million to one," said some of them. "We should be poor things to take fright at that!"
12
But there were other death-ships that might come sailing through the sky on a fair night without wind or moon. The enemy tried to affright the soul of Paris by warnings of the destruction coming to them with a fleet of Zeppelins. But Paris scoffed. "Je m'en fiche de vos Zeppelins!" said the spirit of Paris. As the weeks passed by and the months, and still no Zeppelins came, the menace became a jest. The very word of Zeppelin was heard with hilarity. There were comic articles in the newspapers, taunting the German Count who had made those gas-bags. There were also serious articles proving the impossibility of a raid by airships. They would be chased by French aviators as soon as they were sighted. They would be like the Spanish Armada, surrounded by the little English warships, pouring shot and shell into their unwieldy hulks. Not one would escape down the wind.
The police of Paris, more nervous than the public, devised a system of signals if Zeppelins were sighted. There were to be bugle-calls throughout the city, and the message they gave would mean "lights out!" in every part of Paris. For several nights there were rehearsals of darkness, without the bugle-calls, and the city was plunged into abysmal gloom, through which people who had been dining in restaurants lost themselves in familiar streets and groped their way with little shouts of laughter as they bumped into substantial shadows.
Paris enjoyed the adventure, the thrill of romance in the mystery of darkness, the weird beauty of it. The Tuileries gardens, without a single light except the faint gleams of star-dust, was an enchanted place, with the white statues of the goddesses very vague and tremulous in the shadow world above banks of invisible flowers which drenched the still air with sweet perfumes. The narrow streets were black tunnels into which Parisians plunged with an exquisite frisson of romantic fear. High walls of darkness closed about them, and they gazed up to the floor of heaven from enormous gulfs. A man on a balcony au cinquiÈme was smoking a cigarette, and as he drew the light made a little beacon-flame, illumining his face before dying out and leaving a blank wall of darkness. Men and women took hands like little children playing a game of bogey-man. Lovers kissed each other in this great hiding-place of Paris, where no prying eyes could see. Women's laughter, whispers, swift scampers of feet, squeals of dismay made the city murmurous. La Ville LumiÈre was extinguished and became an unlighted sepulchre thronged with ghosts. But the Zeppelins had not come, and in the morning Paris laughed at last night's jest and said, "C'est idiot!"
But one night—a night in March—people who had stayed up late by their firesides, talking of their sons at the front or dozing over the Temps, heard a queer music in the streets below, like the horns of elf-land blowing. It came closer and louder, with a strange sing-song note in which there was something ominous.
"What is that?" said a man sitting up in an easy-chair and looking towards a window near the Boulevard St. Germain.
The woman opposite stretched herself a little wearily. "Some drunken soldier with a bugle. . . . Good gracious, it is one o'clock and we are not in bed!"
The man had risen from his chair and flung the window open.
"Listen! … They were to blow the bugles when the Zeppelins came… Perhaps…"
There were other noises rising from the streets of Paris. Whistles were blowing, very faintly, in far places. Firemen's bells were ringing, persistently.
"L'alerte!" said the man. "The Zeppelins are coming!"
The lamp at the street corner was suddenly extinguished, leaving absolute darkness.
"Fermez vos rideaux!" shouted a hoarse voice.
Footsteps went hurriedly down the pavement and then were silent.
"It is nothing!" said the woman; "a false alarm!" "Listen!"
Paris was very quiet now. The bugle-notes were as faint as far-off bells against the wind. But there was no wind, and the air was still. It was still except for a peculiar vibration, a low humming note, like a great bee booming over clover fields. It became louder and the vibration quickened, and the note was like the deep stop of an organ. Tremendously sustained was the voice of a great engine up in the sky, invisible. Lights were searching for it now. Great rays, like immense white arms, stretched across the sky, trying to catch that flying thing. They crossed each other, flying backwards and forwards, travelled softly and cautiously across the dark vault as though groping through every inch of it for that invisible danger. The sound of guns shocked into the silence, with dull reports. From somewhere in Paris a flame shot up, revealing in a quick flash groups of shadow figures at open windows and on flat roofs.
"Look!" said the man who had a view across the Boulevard St. Germain.
The woman drew a deep breath.
"Yes, there is one of them! … And another! … How fast they travel!"
There was a black smudge in the sky, blacker than the darkness. It moved at a great rate, and the loud vibrations followed it. For a moment or two, touched by one of the long rays of light it was revealed—a death-ship, white from stem to stern and crossing the sky like a streak of lightning. It went into the darkness again and its passage could only be seen now by some little flames which seemed to fall from it. They went out like French matches, sputtering before they died.
In all parts of Paris there were thousands of people watching the apparition in the sky. On the heights of the SacrÉ Cur inhabitants of Montmartre gathered and thrilled to the flashing of the searchlights and the bursting of shrapnel.
The bugle-calls bidding everybody stay indoors had brought Paris out of bed and out of doors. The most bad-tempered people in the city were those who had slept through the alerte, and in the morning received the news with an incredulous "Quoi? Non, ce n'est pas possible! Les Zeppelins sont venus? Je n'ai pas entendu le moindre bruit!"
Some houses were smashed in the outer suburbs. A few people had been wounded in their beds. Unexploded bombs were found in gardens and rubbish heaps. After all, the Zeppelin raid had been a grotesque failure in the fine art of murder, and the casualty list was so light that Paris jeered at the death-ships which had come in the night. Count Zeppelin was still the same old blagueur. His precious airships were ridiculous.
A note of criticism crept into the newspapers and escaped the censor. Where were the French aviators who had sworn to guard Paris from such a raid? There were unpleasant rumours that these adventurous young gentlemen had taken the night off with the ladies of their hearts. It was stated that the telephone operator who ought to have sent the warning to them was also making la bombe, or sleeping away from his post. It was beyond a doubt that certain well- known aviators had been seen in Paris restaurants until closing time… Criticism was killed by an official denial from General GaliÈni, who defended those young gentlemen under his orders, and affirmed that each man was at the post of duty. It was a denial which caused the scandalmongers to smile as inscrutably as Mona Lisa.
13
The shadow of war crept through every keyhole in Paris, and no man or woman shut up in a high attic with some idea or passion could keep out the evil genii which dominated the intellect and the imagination, and put its cold touch upon the senses, through that winter of agony when the best blood in France slopped into the waterlogged trenches from Flanders to the Argonne. Yet there were coteries in Paris which thrust the Thing away from them as much as possible, and tried to pretend that art was still alive, and that philosophy was untouched by these brutalities. In the Restaurant des Beaux-Arts and other boÎtes where men of ideas pander to the baser appetites for 1 franc 50 (vin compris), old artists, old actors, sculptors whose beards seemed powdered with the dust of their ateliers, and littÉrateurs who will write you a sonnet or an epitaph, a wedding speech, or a political manifesto in the finest style of French poesy and prose (a little archaic in expression) assembled nightly just as in the days of peace. Some of the youngest faces who used to be grouped about the tables had gone, and now and then there was silence for a second as one of the habituÉs would raise his glass to the memory of a soldier of France (called to the colours on that fatal day in August) who had fallen on the Field of Honour. The ghost of war stalked even into the Restaurant des Beaux-Arts, but his presence was ignored as much as might be by these long-haired Bohemians with grease- stained clothes and unwashed hands who discussed the spirit of Greek beauty, the essential viciousness of women, the vulgarity of the bourgeoisie, the prose of Anatole France, the humour of Rabelais and his successors, and other eternal controversies with a pretext of their old fire. If the theme of war slipped in it was discussed with an intellectual contempt, and loose-lipped old men found a frightful mirth in the cut-throat exploits of Moroccans and Senegalese, in the bestial orgies of drunken Boches, and in the most revolting horrors of bayonet charges and the corps-À-corps. It was as though they wanted to reveal the savagery of war to the last indescribable madness of its lust. "Pah!" said an old cabotin, after one of these word-pictures. "This war is the last spasm of the world's barbarity. Human nature will finish with it this time. . . . Let us talk of the women we have loved. I knew a splendid creature once—she had golden hair, I remember—"
One of these shabby old gentlemen touched me on the arm.
"Would Monsieur care to have a little music? It is quite close here, and very beautiful. It helps one to forget the war, and all its misery."
I accepted the invitation. I was more thirsty for music than for vin ordinaire or cordiale MÉdoc. Yet I did not expect very much round the corner of a restaurant frequented by shabby intellectuals… That was my English stupidity.
A little group of us went through a dark courtyard lit by a high dim lantern, touching a sculptured figure in a far recess.
"Pas de bruit," whispered a voice through the gloom.
Up four flights of wooden stairs we came to the door of a flat which was opened by a bearded man holding a lamp.
"Soyez les bienvenus!" he said, with a strongly foreign accent.
It was queer, the contrast between the beauty of his salon into which we went and the crudeness of the restaurant from which we had come. It was a long room, with black wall-paper, and at the far end of it was a shaded lamp on a grand piano. There was no other light, and the faces of the people in the room, the head of a Greek god on a pedestal, some little sculptured figures on an oak table, and some portrait studies on the walls, were dim and vague until my eyes became accustomed to this yellowish twilight. No word was spoken as we entered, and took a chair if we could find one. None of the company here seemed surprised at this entry of strangers—for two of us were that—or even conscious of it. A tall, clean-shaven young man with a fine, grave face—certainly not French—was playing the violin, superbly; I could not see the man at the piano who touched the keys with such tenderness. Opposite me was another young man, with the curly hair and long, thin face of a Greek faun nursing a violoncello, and listening with a dream in his eyes. A woman with the beauty of some northern race sat in an oak chair with carved arms, which she clasped tightly. I saw the sparkle of a ring on her right hand. The stone had caught a ray from the lamp and was alive with light. Other people with strange, interesting faces were grouped about this salon, absorbed in that music of the violin, which played something of spring, so lightly, so delicately, that our spirit danced to it, and joy came into one's senses as on a sunlit day, when the wind is playing above fields of flowers. Afterwards the cellist drew long, deep chords from his great instrument, and his thin fingers quivered against the thick strings, and made them sing grandly and nobly. Then the man at the piano played alone, after five minutes of silence, in which a few words were spoken, about some theme which would work out with strange effects.
"I will try it," said the pianist. "It amuses me to improvise. If it would not worry you—"
It was not wearisome. He played with a master-touch, and the room was filled with rushing notes and crashing harmonies. For a little time I could not guess the meaning of their theme. Then suddenly I was aware of it. It was the tramp of arms, the roar of battle, the song of victory and of death. Wailing voices came across fields of darkness, and then, with the dawn, birds sang, while the dead lay still.
The musician gave a queer laugh. "Any good?"
"C'est la guerre!" said a girl by my side. She shivered a little.
They were Danes, Norwegians, and Swedes in that room, with a few Parisians among them. Students to whom all life is expressed in music, they went on with their work in spite of the war. But war had touched their spirit too, with its great tragedy, and found expression in their art. It was but one glimpse behind the scenes of Paris, in time of war, and in thousands of other rooms, whose window-curtains were drawn to veil their light from hostile aircraft, the people who come to Paris as the great university of intellect and emotion, continued their studies and their way of life, with vibrations of fiddle-strings and scraping of palettes and adventures among books.
Even the artists' clubs had not all closed their doors, though so many young painters were mixing blood with mud and watching impressionistic pictures of ruined villages through the smoke of shells. Through cigarette smoke I gazed at the oddest crowd in one of these clubs off the Boulevard Saint-Germain. Slavs with matted hair, American girls in Futurist frocks, Italians like figures out of pre- Raphaelite frescoes, men with monkey faces and monkey manners, men with the faces of mediaeval saints a little debauched by devilish temptations, filled the long bare room, spoke in strange tongues to each other, and made love passionately in the universal language and in dark corners provided with ragged divans. A dwarf creature perched on a piano stool teased the keys of an untuned piano and drew forth adorable melody, skipping the broken notes with great agility. … It was the same old Paris, even in time of war.
14
The artists of neutral countries who still kept to their lodgings in the Quartier Latin and fanned the little flame of inspiration which kept them warm though fuel is dear, could not get any publicity for their works. There was no autumn or spring salon in the Palais des Beaux- Arts, where every year till war came one might watch the progress of French art according to the latest impulse of the time stirring the emotions of men and women who claim the fullest liberties even for their foolishness. War had killed the Cubists, and many of the Futurists had gone to the front to see the odd effects of scarlet blood on green grass. The Grand Palais was closed to the public. Yet there were war pictures here, behind closed doors, and sculpture stranger than anything conceived by Marinetti. I went to see the show, and when I came out again into the sunlight of the gardens, I felt very cold, and there was a queer trembling in my limbs.
The living pictures and the moving statuary in the Grand Palais exhibited the fine arts of war as they are practised by civilized men using explosive shells, with bombs, shrapnel, hand-grenades, mitrailleuses, trench-mines, and other ingenious instruments by which the ordinary designs of God may be re-drawn and re-shaped to suit the modern tastes of men. I saw here the Spring Exhibition of the Great War, as it is catalogued by surgeons, doctors, and scientific experts in wounds and nerve diseases.
It was not a pretty sight, and the only thing that redeemed its ugliness was the way in which all those medical men were devoting themselves to the almost hopeless task of untwisting the contorted limbs of those victims of the war spirit, and restoring the shape of man botched by the artists of the death machines.
In the Great Hall through which in the days of peace pretty women used to wander with raised eyebrows and little cries of "Ciel!" (even French women revolted against the most advanced among the Futurists), there was a number of extraordinary contrivances of a mechanical kind which shocked one's imagination, and they were being used by French soldiers in various uniforms and of various grades, with twisted limbs, and paralytic gestures. One young man, who might have been a cavalry officer, was riding a queer bicycle which never moved off its pedestal, though its wheels revolved to the efforts of its rider. He pedalled earnestly and industriously, though obviously his legs had stiffened muscles, so that every movement gave him pain. Another man, "bearded like the bard," sat with his back to the wall clutching at two rings suspended from a machine and connected with two weights. Monotonously and with utterly expressionless eyes, he raised and lowered his arms a few inches or so, in order to bring back their vitality, which had been destroyed by a nervous shock. Many wheels were turning in that great room and men were strapped to them, as though in some torture chamber, devilishly contrived. In this place, however, the work was to defeat the cruelties of War the Torturer, after it had done its worst with human flesh.
The worst was in other rooms, where poor wrecks of men lay face downwards in hot-air boxes, where they stayed immovable and silent as though in their coffins, or with half their bodies submerged in electrolysed baths. Nurses were massaging limbs which had been maimed and smashed by shell-fire, and working with fine and delicate patience at the rigid fingers of soldiers, some of whom had lost their other arms, so that unless they could use their last remaining fingers, three or four to a hand, they would be useless for any work in the world. But most pitiable of all were the long rows of the paralysed and the blind, who lay in the hospital ward, motionless and sightless, with smashed faces. In the Palace of Fine Arts this statuary might have made the stones weep.
15
At last the spring song sounded through the streets of Paris with a pagan joy.
There was a blue sky over the city—so clear and cloudless that if any Zeppelin came before the night, it would have been seen a mile high, as a silver ship, translucent from stem to stern, sailing in an azure sea. One would not be scared by one of these death-ships on such a day as this, nor believe, until the crash came, that it would drop down destruction upon this dream city, all aglitter in gold and white, with all its towers and spires clean-cut against the sky.
It was hard to think of death and war; because spring had come with its promise of life. There was a thrill of new vitality throughout the city. I seemed to hear the sap rising in the trees along the boulevards. Or was it only the wind plucking at invisible harp-strings, or visible telephone wires, and playing the spring song in Parisian ears?
In the Tuileries gardens, glancing aslant the trees, I saw the first green of the year, as the buds were burgeoning and breaking into tiny leaves. The white statues of goddesses—a little crumbled and weather-stained after the winter—were bathed in a pale sunshine. Psyche stretched out her arms, still half-asleep, but waking at the call of spring. Pomona offered her fruit to a young student, who gazed at her with his black hat pushed to the back of his pale forehead.
Womanhood, with all her beauty carved in stone, in laughing and tragic moods, in the first grace of girlhood, and in full maturity, stood poised here in the gardens of the Tuileries, and seemed alive and vibrant with this new thrill of life which was pulsing in the moist earth and whispering through the trees, because spring had come to Paris.
There was no doubt about it. The flower girls who had been early to les Halles came up the rue Royale one morning with baskets full of violets, so that all the street was perfumed as though great ladies were passing and wafting scent in their wake. Even the old cocher who drove me down the rue Cambon had put on a new white hat. He had heard the glad tidings, this old wrinkled man, and he clacked his whip to let others know, and gave the glad-eye—a watery, wicked old eye—to half a dozen midinettes who came dancing along the rue St. HonorÉ. They knew without his white hat, and the clack of his whip. The ichor of the air had got into their blood. They laughed without the reason for a jest, and ran, in a skipping way, because there was the spring-song in their feet.
Along the Champs ElysÉes there was the pathway of the sun. Through the Arc de Triomphe there was a glamorous curtain of cloth of gold, and arrows of light struck and broke upon the golden figures of Alexander's Bridge. Looking back I saw the dome of the Invalides suspended in space, like a cloud in the sky. It was painted over to baffle the way of hostile aircraft, but the paint was wearing off, and the gold showed through again, glinting and flashing in the air-waves.
The Seine was like molten liquid and the bridges which span it a dozen times or more between Notre Dame and the Pont de l'Aima were as white as snow, and unsubstantial as though they bridged the gulfs of dreams. Even the great blocks of stone and the balks of timber which lie on the mud banks below the Quai d'Orsay—it is where the bodies of suicides float up and bring new tenants to the Morgue— were touched with the beauty of this lady day, and invited an artist's brush.
The Eiffel Tower hung a cobweb in the sky. Its wires had been thrilling to the secrets of war, and this signal station was barricaded so that no citizens might go near, or pass the sentries pacing there with loaded rifles. But now it was receiving other messages, not of war. The wireless operator with the receiver at his ears must have heard those whispers coming from the earth: "I am spring… The earth is waking… I am coming with the beauty of life… I am gladness and youth…"
Perhaps even the sentry pacing up and down the wooden barricade heard the approach of some unseen presence when he stood still that morning and peered through the morning sunlight. "Halt! who goes there?" "A friend." "Pass, friend, and give the countersign."
The countersign was "Spring," and where the spirit of it stepped, golden crocuses had thrust up through the warming earth, not far from where, a night or two before, fire-balls dropped from a hostile air- craft.
Oh, strange and tragic spring, of this year 1915! Was it possible that, while Nature was preparing her beauty for the earth, and was busy in the ways of life, men should be heaping her fields with death, and drenching this fair earth with blood?
One could not forget. Even in Paris away from the sound of the guns which had roared in my ears a week before, and away from the moan of the wounded which had made my ears ache worse than the noise of battle, I could not forget the tragedy of all this death which was being piled up under the blue sky, and on fields all astir with the life of the year.
In the Tuileries gardens the buds were green. But there were black figures below them. The women who sat there all the afternoon, sewing, and knitting, or with idle hands in their laps, were clothed in widows' black. I glanced into the face of one of these figures as I passed. She was quite a girl to whom the spring-song should have called with a loud, clear note of joy. But her head drooped and her eyes were steadfast as they stared at the pathway, and the sunshine brought no colour into her white cheeks… She shivered a little, and pulled her crÊpe veil closer about her face.
Down the broad pathway between the white statues came a procession of cripples. They wore the uniforms of the French army, and were mostly young men in the prime of life, to whom also the spring should have brought a sense of vital joy, of intense and energetic life. But they dragged between their crutches while their lopped limbs hung free. A little further off in a patch of sunshine beyond the wall of the Jeu de Paumes, sat half a dozen soldiers of France with loose sleeves pinned to their coats, or with only one leg to rest upon the ground. One of them was blind and sat there with his face to the sun, staring towards the fountain of the nymphs with sightless eyes. Those six comrades of war were quite silent, and did not "fight their battles o'er again." Perhaps they were sad because they heard the spring-song, and knew that they could never step out again to the dance-tune of youth.
And yet, strangely, there was more gladness than sadness in Paris now that spring had come, in spite of the women in black, and the cripples in the gardens. Once again it brought the promise of life. "Now that the spring is here," said the old cab-driver in the white hat, "France will soon be free and the war will soon be over."
This hopefulness that the fine weather would end the war quickly was a splendid superstition which buoyed up many hearts in France. Through the long, wet months of winter the women and the old people had agonized over the misery of their soldiers in the trenches. Now that the earth was drying again, and the rain clouds were vanishing behind a blue sky, there was new hope, and a wonderful optimism in the spirit of the people. "The spring will bring victory to France" was an article of faith which comforted the soul of the little midinette who sang on her way to the Rue Lafayette, and the French soldier who found a wild flower growing in his trench.
16
I have written many words about the spirit of Paris in war. Yet all these little glimpses I have given reveal only the trivial characteristics of the city. Through all these episodes and outward facts, rising above them to a great height of spirituality, the soul of Paris was a white fire burning with a steady flame. I cannot describe the effect of it upon one's senses and imagination. I was only conscious of it, so that again and again, in the midst of the crowded boulevards, or in the dim aisles of Notre Dame, or wandering along the left bank of the Seine, I used to say to myself, silently or aloud: "These people are wonderful! They hold the spirit of an unconquerable race… Nothing can smash this city of intellect, so gay, and yet so patient in suffering, so emotional and yet so stoical in pride and courage!"
There was weakness, and vanity, in Paris. The war had not cleansed it of all its vice or of all its corruption, but this burning wind of love for La Patrie touched the heart of every man and woman, and inflamed them so that self-interest was almost consumed, and sacrifice for the sake of France became a natural instinct. The ugliest old hag in the markets shared this love with the most beautiful woman of the salons; the demi-mondaine with her rouged lips, knelt in spirit, like Mary Magdalene before the cross, and was glad to suffer for the sake of a pure and uncarnal love, symbolized to her by the folds of the Tricolour or by the magic of that word, "La France!" which thrilled her soul, smirched by the traffic of the streets. The most money-loving bourgeois, who had counted every sou and cheated every other one, was lifted out of his meanness and materialism and did astounding things, without a murmur, abandoning his business to go back to the colours as a soldier of France, and regarding the ruin of a life's ambitions without a heartache so that France might be free.
There were embusquÉs in Paris-perhaps hundreds, or even thousands of young men who searched for soft jobs which would never take them to the firing-line, or who pleaded ill-health with the successful influence of a family or political "pull." Let that be put down honestly, because nothing matters save the truth. But the manhood of Paris as a whole, after the first shudder of dismay, the first agonies of this wrench from the safe, familiar ways of life, rose superbly to the call of la Patrie en danger! The middle-aged fathers of families and the younger sons marched away singing and hiding their sadness under a mask of careless mirth. The boys of eighteen followed them in the month of April, after nine months of war, and not a voice in Paris was raised to protest against this last and dreadful sacrifice. Paris cursed the stupidity of the war, cried "How long, O Lord, how long?" as it dragged on in its misery, with accumulating sums of death, was faint at the thought of another winter campaign, and groaned in spirit when its streets were filled with wounded men and black-garbed women. But though Paris suffered with the finer agonies of the sensitive intelligence, it did not lose faith or courage, and found the heart to laugh sometimes, in spite of all its tears.
City of beauty, built out of the dreams of great artists and great poets, I have watched you through this time of war, walking through your silent streets in the ordeal of most dreadful days, mingling with your crowds when a multitude of cripples dragged their lopped limbs thiough the sunlight, studying your moods of depression, and hopefulness, and passionate fervour, wandering in your churches, your theatres and your hospitals, and lingering on mild nights under the star-strewn sky which made a vague glamour above your darkness; and always my heart has paid a homage to the spirit which after a thousand years of history and a thousand million crimes, still holds the fresh virtue of ardent youth, the courage of a gallant race, and a deathless faith in the fine, sweet, gentle things of art and life. The Germans, however great their army, could never have captured the soul of Paris.