  The author of this work, Mr. Maurice Genevoix, is a second-year student at the Ecole Normale, Paris. Having finished the second year of his course and, incidentally, completed a study "on Maupassant," he was in a position to regard with pleasant anticipation the vacation due to fall in July, 1914—a month later he received his baptism of fire, and of what a fire! He supplies us with an invaluable picture of the war. In the first place, the writer is endowed with astonishing powers of observation; he sees all in a glance, he hears everything. The intense power of concentration he possesses enables him instantly to seize upon all essentials of a particular incident or scene, and so to harmonize them as to produce a picture true to life. Nothing escapes him—the song or hiss of bullets, the diverse notes of hurtling shells, the explosions, the shatterings—every tone of the infernal uproar; the breezes that pass, those that follow the explosions, those that have caressed the bodies of the dead "Whose frightful odour poisons the air;" the faces of men in moments of great crisis, their words, their dialogues; and, finally, the changing appearances of inanimate things, for are not actions for ever associated in the mind with the changing aspects of nature? The pre-eminent, outstanding merit of the work, however, consists in the never failing sincerity of its author. Many of those accounts already published—joyous greetings from the trenches, or light-hearted letters most carefully selected from among many thousands—due to many reasons, such as the precautions taken by the Censor; the reluctance among non-combatants to emphasize their own inaction and well-being by contrast with the suffering of others; a natural and universal desire to make the best of things; the very human habit of seeking to explain numerous and diverse manifestations by one simple idea, for example, to attribute every great event to the heroism of every man involved—a heroism without an end; and finally, the tone of the Press, the banality of its optimism—all these things contribute to present a picture of war softened and sweetened, abounding in "good times." Such travesty of the truth at once revolts and fills with indignation those who fight. A war such as this has proved to be merits at least that we should hear and face unflinchingly the truth of it in all its entirety. The regiment is on the march; towards the close of day it passes through a village: "The entrance to the village, which is indeed little more than a hamlet, was choked with carriages, with ploughs and horse-rakes, which had been drawn to one side. In silence we pass before the shattered houses. Nothing remains but the mere shells of walls and distorted chimneys still standing above the wrecked hearths. Some charred beams have rolled almost into the middle of the roadway; a large mechanical mowing-machine raises its broken shaft like a stump. "The regiment defiles through the gloomy evening; our steps resound lugubriously and violate the surrounding desolation. In a short while, when the last section will have disappeared over the summit of the hill, the cold and silent night will descend again on the village, and peace shroud the poor, dead houses." The regiment is on the march, and it is raining: "Resignation indeed is difficult of attainment when one knows, as we do, the increase of our sufferings the rain involves: the heavy clothes; the coldness which penetrates with the water; the hardened leather of our boots; trousers flapping against the legs and hindering each stride; the linen at the bottom of the knapsack—that precious linen, to feel which against one's skin is a sheer delight—hopelessly stained, transformed little by little into a sodden mass on which papers and bottles of pickles have left their stain; the mud that spurts into one's face and covers one's hands; the confused arrival; the night all too short for sleep passed beneath a coat that freezes instead of warming; the whole body stiff, joints without suppleness, painful; and the departure with boots of wood which crush the feet like the torture-shoe. Hard, indeed, is resignation!" But something turns up which makes the regiment forget the rain and its own sufferings. It passes between lines of strangely still bodies—and those are the bodies of Frenchmen, their brothers. "They seem attired all in new clothes, those still figures, so continuously has the unceasing rain poured down upon them. Their flesh is decomposed. Seeing them so darkened, with lips so swollen, some of the men exclaimed: "'Hullo! These are Turks!'" Their bodies had been "sloped backwards," facing the road, as though "to watch us pass." The Germans, retreating after the days of the Marne, indulged freely in the folly of arranging the bodies of their victims after this fashion. The officer himself was for a moment overcome by this horrifying spectacle, but: "Come! Head erect and fists clenched! No more of that weakness that a moment ago assailed me. We must look unmoved on these poor dead and seek from them the inspiration of hate. It was the Boche in his flight who dragged these sorry things to the side of the road, who arranged this horrid spectacle for our express benefit, and we must never rest until the brute has drunk our cup of vengeance to the dregs." The regiment has come to War; night falls, a night towards the end of September: "The cold became intense … those wounded who had not yet been recovered moan and cry aloud in their sufferings and distress…. 'Are you going to let me die here?… Drink!… Ah!… Stretcher-bearers!…' "And the soldiers, hearing those agonized cries, but chained to their posts by the word of duty, groan in anguish: 'What are they fooling about, those stretcher-bearers?… (Censored) "'They are like fleas—never to be found when one most wants them!' And the cries continue—voices soft and strained and weary from having called so often and long: (Censored) "'…?' 'Mother! Oh! Mother!—Jeanne!… P'tite 'Jeanne!… Oh! say that you can hear me, 'Jeanne!… I am thirsty … so thirsty!…' The cries of others make one shudder. 'Still, 'I say I won't … I won't die here, my God!… 'Stretcher-bearers!… Stretcher-bearers!… 'You joint-shearers, carve me up!… 'Ah!…'" The advance of the regiment is checked. The enemy, following his early retreat, which at times assumed the appearance of a veritable rout, turned at bay. The section in command of our lieutenant dig a trench and pass forty hours in it. It has rained and it is still raining. A furious downpour is succeeded by a trickling stream which drips ceaselessly above their heads: "Motionless, and packed tight together in cramped and painful attitudes, we shiver in silence. Our sodden clothes freeze our skin; our saturated caps bear down on our temples with slow and painful pressure. We raise our feet as high as we can before us, but often it occurs that our frozen fingers give way, letting our feet slip down into the muddy torrent rushing along the bottom of the trench. Already our knapsacks have slipped into the water, while the tails of our greatcoats trail in it." So one night was passed—and then a second. The relief was due to arrive at any moment; but would it ever appear, that relief? "As for myself, I no longer hoped for it. I had gone past caring. We had been there a long time…. No one will come. No one could possibly relieve us placed as we were, at the edge of this forest, in this trench, beneath this rain! Never again would we see houses with the lights glowing in the windows, never again see barns in which the well-packed hay never got wet. Nor ever again would we undress ourselves to rest our bodies and free them of this terrible iciness…." Then comes the end of endurance and patience: "It is no longer worth while even to trouble oneself by hoping!" Heart-rending scenes these, are they not? Is it imperative that they should be discounted? It is conceivable they may upset, even disgust, the reader; but because they cause us pain we must not shrink from them, for it is precisely through the medium of that pain that we enter into intimate contact and communion with our soldiers; in compelling ourselves to contemplate these realities, however unpalatable they may be, we learn to accord our soldiers that recognition, that admiration, that pity which is their due! Equally candid are his observations on the morale of the combatants. There are moments when they are demoralized, when they are afraid, yes, afraid! During a bombardment, for example: "With bodies hunched together, heads hidden beneath knapsacks, muscles strained and contorted, agonizedly awaiting the nerve-shattering shock of the explosions." One day the regiment just about to enter the firing-line encounters a column of wounded making for the clearing stations—a long column which seems unending, and: "It is as if, in merely showing themselves, with their wounds and their bloodstains, with their appearance of exhaustion and their masques of suffering, they had said to our men: See! It is a battle that is being waged! See what it has brought us…. Don't go on! And the men who were going forward looked upon them with faces anxious and troubled with dread, with eyes wide and fevered, in the grip of a moral tempest." Is it necessary to record these weaknesses? It is, because they represent nothing but the truth, and it is natural that the "living flesh should shrink," willing not to die. When Henry IV. was on the point of charging in battle his emotions so overcame him that he was compelled to dismount from his horse. But for a moment only. And then he charged! The enemy found it incredible that this man who hurled himself into the fight as recklessly as any mere carabineer could conceivably be the king of France himself. And Turenne, trembling in the face of peril, reprimanded his body, saying: "Thou tremblest, carcass!" After which he forced himself to go where he least wished to go. And so is it with our soldiers: "They are marching; each step they take brings them nearer that zone where Death reigns to-day, and still they march onwards. They go to enter that region of death, each with his living body; that body which, in the clutch of terror, performs involuntarily the motions of men fighting, eyes straight levelled, finger resting on rifle trigger; and that must continue as long as may be necessary notwithstanding the whistling bullets flying by unceasingly, bullets which often times embed themselves with a horrible, dread little noise, which makes one swiftly turn one's head as though to say: 'Hallo! Look!' And looking, they see a comrade crumple up and say to themselves: 'Soon perhaps it will be I; maybe in an hour or in a minute or even in this passing second, it will be my turn.' Then fear makes its kingdom of the living flesh. They are afraid; unquestionably they fear. But being afraid, they remain at their posts. And they fight the flesh, compel their bodies to obedience, because that is as it should be, and because, indeed, they are men!" Such is the truth, the reality, which truth and reality, far from depressing me, gives me strength. I see the soldier as he is, I know him as he is, I love and admire him with complete confidence! This work of Genevoix glorifies our poilu: reveals him as a man, highly strung and impressionable, capable of panic—the work quotes instances of such panic—but, at the same time, patient despite his temperament, enduring well-nigh beyond the powers of human endurance; a grumbler against heaven and earth, desiring always to be able precisely to account for all things—in particular he wishes to know where he is going and why he is going!—A jester full of strange quips and cranks; but docile on the whole, loving those officers who show they care for him; familiar with those who permit it, with a familiarity purely deferential; in fine, possessed of attributes and virtues which defy precise definition, wholly admirable without the slightest consciousness of it. On the 12th September, 1914, when Genevoix was perusing a notice attached to a wall, "printed in letters two hands high," announcing the victory of the Marne, he watched some soldiers approach to read the placard in their turn. "The faces of all of them were mud-stained and hairy to the very lips … for the most part they were infinitely wearied and miserable. Nevertheless, these were the men who had just fought with a courage and energy more than human; these were the men who had proved themselves stronger far than German shells and steel; these men were the conquerors. I should have liked to have told each one of them of the glow of affection which suddenly surged through me; affection for these men who have now won for themselves the admiration and respect of the whole world, who have sacrificed themselves without ever uttering the word 'sacrifice,' without seeming conscious of the sublimity of their own heroism!" The work is not altogether devoid of moments of gaiety; the conversation of the soldiers to which each contributes his particular patois; the distribution of rations to the various sections; the claims which rain down upon the corporal: "What—that sugar! Not a very fat lump, is it? Why, the pile you just handed the 3rd is almost double as much!" To which the corporal: "If you are not satisfied go and make your complaint to the Ministry!"; the cutting up of a quarter of beef by one, Martin, a miner from the North, armed with a knife "which had been given to him by a prisoner—a good enough piece of goods, too, which knife indeed has not its equal among the whole company for carving up a piece of tough meat"—and the task ended, a sufficiently difficult one, achieved as it were by the inch, Martin triumphant, proclaiming himself to be "Some Butcher." Then there is that lunch which our lieutenant orders on pay-day: an omelette, never to be forgotten; a slice of juicy ham; most wonderful of jams; hunches large and thick from a loaf of fresh bread; afterwards a pipe, the blue, fragrant smoke of which drifts slowly up to the rafters above us. And following these wonders, the night passed in a bed, with real sheets and blankets upon it! The memories of other nights are evoked—rough nights spent on heaps of stones in the fields, or on the dÉbris of splintered trees which litter the woods, or amid the humidity and mud of the trenches, or the discomforting dryness of the stubble-fields—and now, to be covered from head to foot with bedclothes in a soft, real bed! "Not yet was our amazement exhausted … in vain we sought with every inch of our bodies for some hard spot, for some lurking corner which would hurt; but no spot or corner was there which was not soft and warm!… And we lapsed into bursts of laughter; we expressed our delight and enthusiasm in burlesque, in jokes, each one of which provoked fresh outbursts of laughter…." (Censored) "We, that is to say Porchon and myself: Lieutenant Porchon and Lieutenant Genevoix." There could be nothing more delightful than the comradeship existing between Genevoix of the Ecole Normale and the St. Cyrien, Porchon. They had been trained for widely different destinies, these two young men; the Ecole Normale on the one hand, Saint Cyr on the other! And if they both turned out to be excellent officers, with nothing to choose between them, that does not merely prove the value of the education obtained at the Ecole Normale. It proves something better and greater than that: the deep accord, the healthy unanimity which exists between French minds. So these two companions count the days gaily; they are young and they are French…. But Porchon is the gayer of the two; Genevoix envies him a little for his ready laughter, for the never failing and welcome good humour, to enter into the spirit of which, he says, "I compelled myself as though seeking the conquest of a virtue…." I like, too, the melancholy underlying this work. This war, foreseen and predicted, but whose horrors completely transcend the imagination, this retrograde movement towards the almost forgotten barbarity of a humanity we thought was marching towards new horizons, was there ever equal cause for human sadness? And there where the Germans, hailing from all parts of Germany, of all professions and creeds, steep themselves to satiation in joys purely cannibalistic, how shall a soldier of France control his tears, or rather how shall he find heart to weep?… I am pleased, too, that those superb sentiments which sustain courage in moments of superhuman fatigue, which exalt amid perils and horrors, should be touched upon, however lightly, in the following pages. They dwell in the inmost heart of us all, hidden by that timidity, that exaggerated sense of shame, which prohibits us from revealing what is best and most sacred in ourselves. A few words alone suffice, like those written after a reunion of officers when a Captain found himself in command of a Corps, because: "The Colonel had been wounded, the commander of the 1st Battalion also had been wounded, while the commanders of the 2nd and 3rd Battalions had been killed. "From the expression of the faces about me, from the serenity reflected in each man's eyes, I gathered we were all ready to face the future whatsoever it might contain…. It almost seemed we leaned on one another for support, brothers by the common faith within us. A grace exalted and fortified us!…" And how many times does the word "Patrie" occur in these pages? Once only, as far as I can remember. Genevoix, idling about the trenches one day, heard the chime of distant bells drifting over the woodlands. The Germans in their trenches heard the bells, as did our men in theirs, but they bore not the same message for us as for them. To our soldiers they said: "Hope, sons of France! I am quite near you, I, the voice of all those firesides you have left behind you. To each of you I bring a vision of that corner of the earth in which his heart is embowered. I am the heart of your homeland beating against your heart. Let confidence be always with you, sons of France, confidence and might always. I rhyme the immortal life of the Patrie!" But to the Germans they said: "Madmen, who believe that France could die! Listen to me: above the little church, the fragments of whose stained-glass windows strew the flagstones, the steeple still stands erect. It is from there I come to you, gaily, mockingly. Through me the whole village defies you. I can see!… I can see!… Whatsoever you have done I can see. Whatsoever you may yet do, I also will see. And I fear you not at all. For I know the day will come when the weather-cock on the steeple, who stares unceasingly towards the far horizon, will look down upon your mad, despairing flight, while the bodies of your numberless dead lie thick over all the land." Ernest Lavisse. 'NEATH VERDUN |
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