In our character of poet we have the right to lift the saffron-coloured flammeum which concealed the young bride, being more fortunate in this wise than the Sardians, who after a whole day’s waiting were obliged to return to their houses, and were left, as before, to their own conjectures.

Nyssia was really far superior to her reputation, great as it was. It seemed as though Nature in creating her had resolved to exhaust her utmost powers, and thus make atonement for all former experimental attempts and fruitless essays. One would have said that, moved by jealousy of the future marvels of the Greek sculptors, she also had resolved to model a statue herself, and to prove that she was still sovereign mistress in the plastic art.

The grain of snow, the micaceous brilliancy of Parian marble, the sparkling pulp of balsamine flowers, would render but a feeble idea of the ideal substance whereof. Nyssia had been formed. That flesh, so fine, so delicate, permitted daylight to penetrate it, and modelled itself in transparent contours, in lines as sweetly harmonious as music itself. According to different surroundings, it took the colour of the sunlight or of purple, like the aromal body of a divinity, and seemed to radiate light and life. The world of perfections inclosed within the nobly lengthened oval of her chaste face could have been rendered by no earthly art—neither by the chisel of the sculptor, nor the brush of the painter, nor the style of any poet—though it were Praxiteles, Apelles, or Mimnernus; and on her smooth brow, bathed by waves of hair amber-bright as molten electrum and sprinkled with gold filings, according to the Babylonian custom, sat as upon a jasper throne the unalterable serenity of perfect loveliness.

As for her eyes, though they did not justify what popular credulity said of them, they were at least wonderfully strange eyes; brown eyebrows, with extremities ending in points elegant as those of the arrows of Eros, and which were joined to each other by a streak of henna after the Asiatic fashion, and long fringes of silkily-shadowed eyelashes contrasted strikingly with the twin sapphire stars rolling in the heaven of dark silver which formed those eyes. The irises of those eyes, whose pupils were blacker than atrament, varied singularly in shades of shifting colour. From sapphire they changed to turquoise, from turquoise to beryl, from beryl to yellow amber, and sometimes, like a limpid lake whose bottom is strewn with jewels, they offered, through their incalculable depths, glimpses of golden and diamond sands upon which green fibrils vibrated and twisted themselves into emerald serpents. In those orbs of phosphoric lightning the rays of suns extinguished, the splendours of vanished worlds, the glories of Olympus eclipsed—all seemed to have concentrated their reflections. When contemplating them one thought of eternity, and felt himself seized with a mighty giddiness, as though he were leaning over the verge of the Infinite.

The expression of those extraordinary eyes was not less variable than their tint. At times their lids opened like the portals of celestial dwellings; they invited you into elysiums of light, of azure, of ineffable felicity; they promised you the realisation, tenfold, a hundredfold, of all your dreams of happiness, as though they had divined your soul’s most secret thoughts; again, impenetrable as sevenfold plated shields of the hardest metals, they flung back your gaze like blunted and broken arrows. With a simple inflexion of the brow, a mere flash of the pupil, more terrible than the thunder of Zeus, they precipitated you from the heights of your most ambitious escalades into depths of nothingness so profound that it was impossible to rise again. Typhon himself, who writhes under Ætna, could not have lifted the mountains of disdain with which they overwhelmed you. One felt that though he should live for a thousand Olympiads endowed with the beauty of the fair son of Latona, the genius of Orpheus, the unbounded might of Assyrian kings, the treasures of the Cabeirei, the Telchines, and the Dactyli, gods of subterranean wealth, he could never change their expression to mildness.

At other times their languishment was so liquidly persuasive, their brilliancy and irradiation so penetrating, that the icy coldness of Nestor and Priam would have melted under their gaze, like the wax of the wings of Icarus when he approached the flaming zones. For one such glance a man would have gladly steeped his hands in the blood of his host, scattered the ashes of his father to the four winds, overthrown the holy images of the gods, and stolen the fire of heaven itself, like the sublime thief, Prometheus.

Nevertheless, their most ordinary expression, it must be confessed, was of a chastity to make one desperate—a sublime coldness—an ignorance of all possibilities of human passion, such as would have made the moon-bright eyes of Phoebe or the sea-green eyes of Athena appear by comparison more liquidly tempting than those of a young girl of Babylon sacrificing to the goddess Mylitta within the cord-circled enclosure of Succoth-Benohl. Their invincible virginity seemed to bid love defiance.

The cheeks of Nyssia, which no human gaze had ever profaned, save that of Gyges on the day when the veil was blown away, possessed a youthful bloom, a tender pallor, a delicacy of grain, and a downiness whereof the faces of our women, perpetually exposed to sunlight and air, cannot convey the most distant idea. Modesty created fleeting rosy clouds upon them like those which a drop of crimson essence would form in a cup of milk, and when uncoloured by any emotion they took a silvery sheen, a warm light, like an alabaster vessel illumined by a lamp within. That lamp was her charming soul, which exposed to view the transparency of her flesh.

A bee would have been deceived by her mouth, whose form was so perfect, whose corners were so purely dimpled, whose crimson was so rich and warm that the gods would have descended from their Olympian dwellings in order to touch it with lips humid with immortality, but that the jealousy of the goddesses restrained their impetuosity. Happy the wind which passed through that purple and pearl, which dilated those pretty nostrils, so finely cut and shaded with rosy tints like the mother-of-pearl of the shells thrown by the sea on the shore of Cyprus at the feet of Venus Anadyomene! But are there not a multitude of favours thus granted to things which cannot understand them? What lover would not wish to be the tunic of his well-beloved or the water of her bath?

Such was Nyssia, if we dare make use of the expression after so vague a description of her face. If our foggy Northern idioms had the warm liberty, the burning enthusiasm of the Sir Hasirim, we might, perhaps, by comparisons—awakening in the mind of the reader memories of flowers and perfumes, of music and sunlight, evoking, by the magic of words, all the graceful and charming images that the universe can contain—have been able to give some idea of Nyssia’s features; but it is permitted to Solomon alone to compare the nose of a beautiful woman to the tower of Lebanon which looketh toward Damascus. And yet what is there in the world of more importance than the nose of a beautiful woman? Had Helen, the white Tyndarid, been flat-nosed, would the Trojan War have taken place? And if the profile of Semiramis had not been perfectly regular, would she have bewitched the old monarch of Nineveh and encircled her brow with the mitre of pearls, the symbol of supreme power?

Although Candaules had brought to his palace the most beautiful slaves from the people of the Sorse, of Askalon, of Sogdiana, of the Sacse, of Rhapta, the most celebrated courtesans from Ephesus, from Pergamus, from Smyrna, and from Cyprus, he was completely fascinated by the charms of Nyssia. Up to that time he had not even suspected the existence of such perfection.

Privileged as a husband to enjoy fully the contemplation of this beauty, he found himself dazzled, giddy, like one who leans over the edge of an abyss, or fixes his eyes upon the sun; he felt himself seized, as it were, with the dilirium of possession, like a priest drunk with the god who fills and moves him. All other thoughts disappeared from his soul, and the universe seemed to him only as a vague mist in the midst of which beamed the shining phantom of Nyssia. His happiness transformed itself into ecstasy, and his love into madness. At times his very felicity terrified him. To be only a wretched king, only a remote descendant of a hero who had become a god by mighty labours, only a common man formed of flesh and bone, and without having in aught rendered himself worthy of it—without having even, like his ancestor, strangled some hydra, or torn some lion asunder—to enjoy a happiness whereof Zeus of the ambrosial hair would scarce be worthy, though lord of all Olympus! He felt, as it were, a shame to thus hoard up for himself alone so rich a treasure, to steal this marvel from the world, to be the dragon with scales and claws who guarded the living type of the ideal of lovers, sculptors, and poets. All they had ever dreamed of in their hope, their melancholy, and their despair, he possessed—he, Candaules, poor tyrant of Sardes, who had only a few wretched coffers filled with pearls, a few cisterns filled with gold pieces, and thirty or forty thousand slaves, purchased or taken in war.

Candaules’s felicity was too great for him, and the strength which he would doubtless have found at his command in time of misfortune was wanting to him in time of happiness. His joy overflowed from his soul like water from a vase placed upon the fire, and in the exasperation of his enthusiasm for Nyssia he had reached the point of desiring that she were less timid and less modest, for it cost him no little effort to retain in his own breast the secret of such wondrous beauty.

‘Ah,’ he would murmur to himself during the deep reveries which absorbed him at all hours that he did not spend at the queen’s side, ‘how strange a lot is mine! I am wretched because of that which would make any other husband happy. Nyssia will not leave the shadow of the gynaeceum, and refuses, with barbarian modesty, to lift her veil in the presence of any other than myself. Yet with what an intoxication of pride would my love behold her, radiantly sublime, gaze down upon my kneeling people from the summit of the royal steps, and, like the rising dawn, extinguish all those pale stars who during the night thought themselves suns! Proud Lydian women, who believe yourselves beautiful, but for Nyssia’s reserve you would appear, even to your lovers, as ugly as the oblique-eyed and thick-lipped slaves of Nahasi and Kush. Were she but once to pass along the streets of Sardes with face unveiled, you might in vain pull your adorers by the lappet of their tunic, for none of them would turn his head, or, if he did, it would be to demand your name, so utterly would he have forgotten you! They would rush to precipitate themselves beneath the silver wheels of her chariot, that they might have even the pleasure of being crushed by her, like those devotees of the Indus who pave the pathway of their idol with their bodies.

‘And you, O goddesses, whom Paris-Alexander judged, had Nyssia appeared among you, not one of you would have borne away the golden apple, not even Aphrodite, despite her cestus and her promise to the shepherd-arbiter that she would make him beloved by the most beautiful woman in the world!…

‘Alas! to think that such beauty is not immortal, and that years will alter those divine outlines, that admirable hymn of forms, that poem whose strophes are contours, and which no one in the world has ever read or may ever read save myself; to be the sole depositary of so splendid a treasure! If I knew even by imitating the play of light and shadow with the aid of lines and colours, how to fix upon wood a reflection of that celestial face; if marble were not rebellious to my chisel, how well would I fashion in the purest vein of Paros or Pentelicus an image of that charming body, which would make the proud effigies of the goddesses fall from their altars! And long after, when deep below the slime of deluges, and beneath the dust of ruined cities, the men of future ages should find a fragment of that petrified shadow of Nyssia, they would cry: “Behold, how the women of this vanished world were formed!” And they would erect a temple wherein to enshrine the divine fragment. But I have naught save a senseless admiration and a love that is madness! Sole adorer of an unknown divinity, I possess no power to spread her worship through the world.’

Thus in Candaules had the enthusiasm of the artist extinguished the jealousy of the lover. Admiration was mightier than love. If in place of Nyssia, daughter of the Satrap Megabazus, all imbued with Oriental ideas, he had espoused some Greek girl from Athens or Corinth, he would certainly have invited to his court the most skilful painters and sculptors, and have given them the queen for their model, as did afterward Alexander his favourite Campaspe, who posed naked before Apelles. Such a whim would have encountered no opposition from a woman of the land where even the most chaste made a boast of having contributed—some for the back, some for the bosom—to the perfection of a famous statue. But hardly would the bashful Nyssia consent to unveil herself in the discreet shadow of the thalamus, and the earnest prayers of the king really shocked her rather than gave her pleasure. The sentiment of duty and obedience alone induced her to yield at times to what she styled the whims of Candaules.

Sometimes he besought her to allow the flood of her hair to flow over her shoulders in a river of gold richer than the Pactolus, to encircle her brow with a crown of ivy and linden leaves like a bacchante of Mount Maenalus, to lie, hardly veiled by a cloud of tissue finer than woven wind, upon a tiger-skin with silver claws and ruby eyes, or to stand erect in a great shell of mother-of-pearl, with a dew of pearls falling from her tresses in lieu of drops of sea-water.

When he had placed himself in the best position for observation, he became absorbed in silent contemplation. His hand, tracing vague contours in the air, seemed to be sketching the outlines for some picture, and he would have remained thus for whole hours if Nyssia, soon becoming weary of her rÔle of model, had not reminded him in chill and disdainful tones that such amusements were unworthy of royal majesty and contrary to the holy laws of matrimony. ‘It is thus,’ she would exclaim, as she withdrew, draped to her very eyes, into the most mysterious recesses of her apartment, ‘that one treats a mistress, not a virtuous woman of noble blood!’

These wise remonstrances did not cure Candaules, whose passion augmented in inverse ratio to the coldness shown him by the queen. And it had at last brought him to that point that he could no longer keep the secrets of the nuptial couch. A confidant became as necessary to him as to the prince of a modern tragedy. He did not proceed, you may feel assured, to fix his choice upon some crabbed philosopher of frowning mien, with a flood of gray-and-white beard rolling down over a mantle in proud tatters; nor a warrior who could talk of nothing save ballista, catapults, and scythed chariots; nor a sententious Eupatrid full of councils and politic maxims; but Gyges, whose reputation for gallantry caused him to be regarded as a connoisseur in regard to women.

One evening he laid his hand upon his shoulder in a more than ordinarily familiar and cordial manner, and after giving him a look of peculiar significance, he suddenly strode away from the group of courtiers, saying in a loud voice:

‘Gyges, come and give me your opinion in regard to my effigy, which the Sicyon sculptors have just finished chiselling on the genealogical bas-relief where the deeds of my ancestors are celebrated.’

‘O king, your knowledge is greater than that of your humble subject, and I know not how to express my gratitude for the honour you do me in deigning to consult me,’ replied Gyges, with a sign of assent.

Candaules and his favourite traversed several halls ornamented in the Hellenic style, where the Corinthian acanthus and the Ionic volute bloomed or curled in the capitals of the columns, where the friezes were peopled with little figures in polychromatic plastique representing processions and sacrifices, and they finally arrived at a remote portion of the ancient palace whose walls were built with stones of irregular form, put together without cement in the cyclopean manner. This ancient architecture was colossally proportioned and weirdly grim. The immeasurable genius of the elder civilisations of the Orient was there legibly written, and recalled the granite and brick debauches of Egypt and Assyria. Something of the spirit of the ancient architects of the tower of Lylax survived in those thick-set pillars with their deep-fluted trunks, whose capitals were formed by four heads of bulls, placed forehead to forehead, and bound together by knots of serpents that seemed striving to devour them, an obscure cosmogonie symbol whereof the meaning was no longer intelligible, and had descended into the tomb with the hierophants of preceding ages. The gates were neither of a square nor rounded form. They described a sort of ogive much resembling the mitre of the Magi, and by their fantastic character gave still more intensity to the character of the building.

This portion of the palace formed a sort of court surrounded by a portico whose architecture was ornamented with the genealogical bas-relief to which Can-daules had alluded.

In the midst thereof sat Heracles upon a throne, with the upper part of his body uncovered, and his feet resting upon a stool, according to the rite for the representation of divine personages. His colossal proportions would otherwise have left no doubt as to his apotheosis, and the archaic rudeness and hugeness of the work, wrought by the chisel of some primitive artist, imparted to his figure an air of barbaric majesty, a savage grandeur more appropriate, perhaps, to the character of this monster-slaying hero than would have been the work of a sculptor consummate in his art.

On the right of the throne were Alcseus, son of the hero and of
Omphale; Ninus, Belus, Argon, the earlier kings of the dynasty of the
Heracleidae, then all the line of intermediate kings, terminating with
Ardys, Alyattes, Meles or Myrsus, father of Candaules, and finally
Candaules himself.

All these personages, with their hair braided into little strings, their beards spirally twisted, their oblique eyes, angular attitudes, cramped and stiff gestures, seemed to own a sort of factitious life, due to the rays of the setting sun, and the ruddy hue which time lends to marble in warm climates. The inscriptions in antique characters, graven beside them after the manner of legends, enhanced still more the mysterious weirdness of the long procession of figures in strange barbarian garb.

By a singular chance, which Gyges could not help observing, the statue of Candaules occupied the last available place at the right hand of Heracles; the dynastic cycle was closed, and in order to find a place for the descendants of Candaules it would be absolutely necessary to build a new portico and commence the formation of a new bas-relief.

Candaules, whose arm still rested on the shoulder of Gyges, walked slowly round the portico in silence. He seemed to hesitate to enter into the subject, and had altogether forgotten the pretext under which he had led the captain of his guards into that solitary place.

‘What would you do, Gyges,’ said Candaules, at last breaking the silence which had been growing painful to both, ‘if you were a diver, and should bring up from the green bosom of the ocean a pearl of incomparable purity and lustre, and of worth so vast as to exhaust the richest treasures of the earth?’

‘I would inclose it,’ answered Gyges, a little surprised at this brusque question, ‘in a cedar box overlaid with plates of brass, and I would bury it under a detached rock in some desert place; and from time to time, when I should feel assured that none could see me, I would go thither to contemplate my precious jewel and admire the colours of the sky mingling with its nacreous tints.’

‘And I,’ replied Candaules, his eye illuminated with enthusiasm, ‘if I possessed so rich a gem, I would enshrine it in my diadem, that I might exhibit it freely to the eyes of all men, in the pure light of the sun, that I might adorn myself with its splendour and smile with pride when I should hear it said: “Never did king of Assyria or Babylon, never did Greek or Trinacrian tyrant possess so lustrous a pearl as Candaules, son of Myrsus and descendant of Heracles, King of Sardes and of Lydia! Compared with Candaules, Midas, who changed all things to gold, were only a mendicant as poor as Irus.”’

Gyges listened with astonishment to this discourse of Candaules, and sought to penetrate the hidden sense of these lyric divagations. The king appeared to be in a state of extraordinary excitement: his eyes sparkled with enthusiasm; a feverish rosiness tinted his cheeks; his dilated nostrils inhaled the air with unusual effort.

‘Well, Gyges,’ continued Candaules, without appearing to notice the uneasiness of his favourite, ‘I am that diver. Amid this dark ocean of humanity, wherein confusedly move so many defective or misshapen beings, so many forms incomplete or degraded, so many types of bestial ugliness, wretched outlines of nature’s experimental essays, I have found beauty, pure, radiant, without spot, without flaw, the ideal made real, the dream accomplished, a form which no painter or sculptor has ever been able to translate upon canvas or into marble—I have found Nyssia!’

‘Although the queen has the timid modesty of the women of the Orient, and that no man save her husband has ever beheld her features, Fame, hundred-tongued and hundred-eared, has celebrated her praise throughout the world,’ answered Gyges, respectfully inclining his head as he spoke.

‘Mere vague, insignificant rumours. They say of her, as of all women not actually ugly, that she is more beautiful than Aphrodite or Helen; but no person could form even the most remote idea of such perfection. In vain have I besought Nyssia to appear unveiled at some public festival, some solemn sacrifice, or to show herself for an instant leaning over the royal terrace, bestowing upon her people the immense favour of one look, the prodigality of one profile view, more generous than the goddesses who permit their worshippers to behold only pale simulacra of ivory or alabaster. She would never consent to that. Now there is one strange thing which I blush to acknowledge even to you, dear Gyges. Formerly I was jealous; I wished to conceal my amours from all eyes, no shadow was thick enough, no mystery sufficiently impenetrable. Now I can no longer recognise myself. I have the feelings neither of a lover nor a husband; my love has melted in adoration like thin wax in a fiery brazier. All petty feelings of jealousy or possession have vanished. No, the most finished work that heaven has ever given to earth, since the day that Prometheus held the flame under the right breast of the statue of clay, cannot thus be kept hidden in the chill shadow of the gynaeceum. Were I to die, then the secret of this beauty would for ever remain shrouded beneath the sombre draperies of widowhood! I feel myself culpable in its concealment, as though I had the sun in my house, and prevented it from illuminating the world. And when I think of those harmonious lines, those divine contours which I dare scarcely touch with a timid kiss, I feel my heart ready to burst; I wish that some friendly eye could share my happiness and, like a severe judge to whom a picture is shown, recognise after careful examination that it is irreproachable, and that the possessor has not been deceived by his enthusiasm. Yes, often do I feel myself tempted to tear off with rash hand those odious tissues, but Nyssia, in her fierce chastity, would never forgive me. And still I cannot alone endure such felicity. I must have a confidant for my ecstasies, an echo which will answer my cries of admiration, and it shall be none other than you.’

Having uttered these words, Candaules brusquely turned and disappeared through a secret passage. Gyges, left thus alone, could not avoid noticing the peculiar concourse of events which seemed to place him always in Nyssia’s path. A chance had enabled him to behold her beauty, though walled up from all other eyes. Among many princes and satraps she had chosen to espouse Candaules, the very king he served; and through some strange caprice, which he could only regard as fateful, this king had just made him, Gyges, his confidant in regard to the mysterious creature whom none else had approached, and absolutely sought to complete the work of Boreas on the plain of Bactria! Was not the hand of the gods visible in all these circumstances? That spectre of beauty, whose veil seemed to be lifted slowly, a little at a time, as though to enkindle a flame within him, was it not leading him, without his having suspected it, toward the accomplishment of some mighty destiny? Such were the questions which Gyges asked himself, but being unable to penetrate the obscurity of the future, he resolved to await the course of events, and left the Court of Images, where the twilight darkness was commencing to pile itself up in all the angles, and to render the effigies of the ancestors of Candaules yet more and more weirdly menacing.

Was it a mere effort of light, or was it rather an illusion produced by that vague uneasiness with which the boldest hearts are filled by the approach of night amid ancient monuments? As he stepped across the threshold Gyges fancied that he heard deep groans issue from the stone lips of the bas-reliefs, and it seemed to him that Heracles was making enormous efforts to loosen his granite club.