  Miss BrontË left Roe Head in 1832, having won the affectionate regard both of her teacher and her school-fellows, and having formed there the two fast friendships which lasted her whole life long; the one with “Mary,” who has not kept her letters; the other with “E.,” who has kindly entrusted me with a large portion of Miss BrontË’s correspondence with her. This she has been induced to do by her knowledge of the urgent desire on the part of Mr. BrontË that the life of his daughter should be written, and in compliance with a request from her husband that I should be permitted to have the use of these letters, without which such a task could be but very imperfectly executed. In order to shield this friend, however, from any blame or misconstruction, it is only right to state that, before granting me this privilege, she throughout most carefully and completely effaced the names of the persons and places which occurred in them; and also that such information as I have obtained from her bears reference solely to Miss BrontË and her sisters, and not to any other individuals whom I may find it necessary to allude to in connection with them. In looking over the earlier portion of this correspondence, I am struck afresh by the absence of hope, which formed such a strong characteristic in Charlotte. At an age when girls, in general, look forward to an eternal duration of such feelings as they or their friends entertain, and can therefore see no hindrance to the fulfilment of any engagements dependent on the future state of the affections, she is surprised that “E.” keeps her promise to write. In after-life, I was painfully impressed with the fact, that Miss BrontË never dared to allow herself to look forward with hope; that she had no confidence in the future; and I thought, when I heard of the sorrowful years she had passed through, that it had been this this pressure of grief which had crushed all buoyancy of expectation out of her. But it appears from the letters, that it must have been, so to speak, constitutional; or, perhaps, the deep pang of losing her two elder sisters combined with a permanent state of bodily weakness in producing her hopelessness. If her trust in God had been less strong, she would have given way to unbounded anxiety, at many a period of her life. As it was, we shall see, she made a great and successful effort to leave “her times in His hands.” After her return home, she employed herself in teaching her sisters, over whom she had had superior advantages. She writes thus, July 21st, 1832, of her course of life at the parsonage:— “An account of one day is an account of all. In the morning, from nine o’clock till half-past twelve, I instruct my sisters, and draw; then we walk till dinner-time. After dinner I sew till tea-time, and after tea I either write, read, or do a little fancy-work, or draw, as I please. Thus, in one delightful, though somewhat monotonous course, my life is passed. I have been only out twice to tea since I came home. We are expecting company this afternoon, and on Tuesday next we shall have all the female teachers of the Sunday-school to tea.” I may here introduce a quotation from a letter which I have received from “Mary” since the publication of the previous editions of this memoir. “Soon after leaving school she admitted reading something of Cobbett’s. ‘She did not like him,’ she said; ‘but all was fish that came to her net.’ At this time she wrote to me that reading and drawing were the only amusements she had, and that her supply of books was very small in proportion to her wants. She never spoke of her aunt. When I saw Miss Branwell she was a very precise person, and looked very odd, because her dress, &c., was so utterly out of fashion. She corrected one of us once for using the word ‘spit’ or ‘spitting.’ She made a great favourite of Branwell. She made her nieces sew, with purpose or without, and as far as possible discouraged any other culture. She used to keep the girls sewing charity clothing, and maintained to me that it was not for the good of the recipients, but of the sewers. ‘It was proper for them to do it,’ she said. Charlotte never was ‘in wild excitement’ that I know of. When in health she used to talk better, and indeed when in low spirits never spoke at all. She needed her best spirits to say what was in her heart, for at other times she had not courage. She never gave decided opinions at such times . . . “Charlotte said she could get on with any one who had a bump at the top of their heads (meaning conscientiousness). I found that I seldom differed from her, except that she was far too tolerant of stupid people, if they had a grain of kindness in them.” It was about this time that Mr. BrontË provided his children with a teacher in drawing, who turned out to be a man of considerable talent, but very little principle. Although they never attained to anything like proficiency, they took great interest in acquiring this art; evidently, from an instinctive desire to express their powerful imaginations in visible forms. Charlotte told me, that at this period of her life, drawing, and walking out with her sisters, formed the two great pleasures and relaxations of her day. The three girls used to walk upwards toward the “purple-black” moors, the sweeping surface of which was broken by here and there a stone-quarry; and if they had strength and time to go far enough, they reached a waterfall, where the beck fell over some rocks into the “bottom.” They seldom went downwards through the village. They were shy of meeting even familiar faces, and were scrupulous about entering the house of the very poorest uninvited. They were steady teachers at the Sunday-School, a habit which Charlotte kept up very faithfully, even after she was left alone; but they never faced their kind voluntary, and always preferred the solitude and freedom of the moors. * * * * * In the September of this year, Charlotte went to pay her first visit to her friend “E.” It took her into the neighbourhood of Roe Head, and brought her into pleasant contact with many of her old school-fellows. After this visit she and her friend seem to have agreed to correspond in French, for the sake of improvement in the language. But this improvement could not be great, when it could only amount to a greater familiarity with dictionary words, and when there was no one to explain to them that a verbal translation of English idioms hardly constituted French composition; but the effort was laudable, and of itself shows how willing they both were to carry on the education which they had begun under Miss W-. I will give an extract which, whatever may be thought of the language, is graphic enough, and presents us with a happy little family picture; the eldest sister returning home to the two younger, after a fortnight’s absence. “J’arrivait À Haworth en parfaite sauvetÉ sans le moindre accident ou malheur. Mes petites soeurs couraient hors de la maison pour me rencontrer aussitÔt que la voiture se fit voir, et elles m’embrassaient avec autant d’empressement et de plaisir comme si j’avais ÉtÉ absente pour plus d’an. Mon Papa, ma Tante, et le monsieur dent men frÈre avoit parlÉ, furent tous assemblÉs dans le Salon, et en peu de temps je m’y rendis aussi. C’est souvent l’ordre du Ciel que quand on a perdu un plaisir il y en a un autre prÊt À prendre sa place. Ainsi je venois de partir de trÈs-chers amis, mais tout À l’heure je revins À des parens aussi chers et bon dans le moment. MÊme que vous me perdiez (ose-je croire que mon dÉpart vous Était un chagrin?) vous attendites l’arrivÉe de votre frÈre, et de votre soeur. J’ai donnÉ À mes soeurs les pommes que vous leur envoyiez avec tant de bontÉ; elles disent qu’elles sont sÛr que Mademoiselle E. est trÈs-aimable et bonne; l’une et l’autre sont extrÊmement impatientes de vous voir; j’espÈre qu’en peu de mois elles auront ce plaisir.” But it was some time yet before the friends could meet, and meanwhile they agreed to correspond once a month. There were no events to chronicle in the Haworth letters. Quiet days, occupied in reaching, and feminine occupations in the house, did not present much to write about; and Charlotte was naturally driven to criticise books. Of these there were many in different plights, and according to their plight, kept in different places. The well-bound were ranged in the sanctuary of Mr. BrontË’s study; but the purchase of books was a necessary luxury to him, but as it was often a choice between binding an old one, or buying a new one, the familiar volume, which had been hungrily read by all the members of the family, was sometimes in such a condition that the bedroom shelf was considered its fitting place. Up and down the house were to be found many standard works of a solid kind. Sir Walter Scott’s writings, Wordsworth’s and Southey’s poems were among the lighter literature; while, as having a character of their own—earnest, wild, and occasionally fanatical—may be named some of the books which came from the Branwell side of the family—from the Cornish followers of the saintly John Wesley—and which are touched on in the account of the works to which Caroline Helstone had access in “Shirley:”—“Some venerable Lady’s Magazines, that had once performed a voyage with their owner, and undergone a storm”—(possibly part of the relics of Mrs. BrontË’s possessions, contained in the ship wrecked on the coast of Cornwall)—“and whose pages were stained with salt water; some mad Methodist Magazines full of miracles and apparitions, and preternatural warnings, ominous dreams, and frenzied fanaticisms; and the equally mad letters of Mrs. Elizabeth Rowe from the Dead to the Living.” Mr. BrontË encouraged a taste for reading in his girls; and though Miss Branwell kept it in due bounds, by the variety of household occupations, in which she expected them not merely to take a part, but to become proficients, thereby occupying regularly a good portion of every day, they were allowed to get books from the circulating library at Keighley; and many a happy walk, up those long four miles, must they have had, burdened with some new book, into which they peeped as they hurried home. Not that the books were what would generally be called new; in the beginning of 1833, the two friends seem almost simultaneously to have fallen upon “Kenilworth,” and Charlotte writes as follows about it:— “I am glad you like ‘Kenilworth;’ it is certainly more resembling a romance than a novel: in my opinion, one of the most interesting works that ever emanated from the great Sir Walter’s pen. Varney is certainly the personification of consummate villainy; and in the delineation of his dark and profoundly artful mind, Scott exhibits a wonderful knowledge of human nature, as well as a surprising skill in embodying his perceptions, so as to enable others to become participators in that knowledge.” Commonplace as this extract may seem, it is noteworthy on two or three accounts: in the first place, instead of discussing the plot or story, she analyses the character of Varney; and next, she, knowing nothing of the world, both from her youth and her isolated position, has yet been so accustomed to hear “human nature” distrusted, as to receive the notion of intense and artful villainy without surprise. What was formal and set in her way of writing to “E.” diminished as their personal acquaintance increased, and as each came to know the home of the other; so that small details concerning people and places had their interest and their significance. In the summer of 1833, she wrote to invite her friend to come and pay her a visit. “Aunt thought it would be better” (she says) “to defer it until about the middle of summer, as the winter, and even the spring seasons, are remarkably cold and bleak among our mountains.” The first impression made on the visitor by the sisters of her school-friend was, that Emily was a tall, long-armed girl, more fully grown than her elder sister; extremely reserved in manner. I distinguish reserve from shyness, because I imagine shyness would please, if it knew how; whereas, reserve is indifferent whether it pleases or not. Anne, like her eldest sister, was shy; Emily was reserved. Branwell was rather a handsome boy, with “tawny” hair, to use Miss BrontË’s phrase for a more obnoxious colour. All were very clever, original, and utterly different to any people or family “E.” had ever seen before. But, on the whole, it was a happy visit to all parties. Charlotte says, in writing to “E.,” just after her return home—“Were I to tell you of the impression you have made on every one here, you would accuse me of flattery. Papa and aunt are continually adducing you as an example for me to shape my actions and behaviour by. Emily and Anne say ‘they never saw any one they liked so well as you.’ And Tabby, whom you have absolutely fascinated, talks a great deal more nonsense about your ladyship than I care to repeat. It is now so dark that, notwithstanding the singular property of seeing in the night-time, which the young ladies at Roe Head used to attribute to me, I can scribble no longer.” To a visitor at the parsonage, it was a great thing to have Tabby’s good word. She had a Yorkshire keenness of perception into character, and it was not everybody she liked. Haworth is built with an utter disregard of all sanitary conditions: the great old churchyard lies above all the houses, and it is terrible to think how the very water-springs of the pumps below must be poisoned. But this winter of 1833-4 was particularly wet and rainy, and there were an unusual number of deaths in the village. A dreary season it was to the family in the parsonage: their usual walks obstructed by the spongy state of the moors—the passing and funeral bells so frequently tolling, and filling the heavy air with their mournful sound—and, when they were still, the “chip, chip,” of the mason, as he cut the grave-stones in a shed close by. In many, living, as it were, in a churchyard, and with all the sights and sounds connected with the last offices to the dead things of everyday occurrence, the very familiarity would have bred indifference. But it was otherwise with Charlotte BrontË. One of her friends says:—“I have seen her turn pale and feel faint when, in Hartshead church, some one accidentally remarked that we were walking over graves. Charlotte was certainly afraid of death. Not only of dead bodies, or dying people. She dreaded it as something horrible. She thought we did not know how long the ‘moment of dissolution’ might really be, or how terrible. This was just such a terror as only hypochondriacs can provide for themselves. She told me long ago that a misfortune was often preceded by the dream frequently repeated which she gives to ‘Jane Eyre,’ of carrying a little wailing child, and being unable to still it. She described herself as having the most painful sense of pity for the little thing, lying inert, as sick children do, while she walked about in some gloomy place with it, such as the aisle of Haworth Church. The misfortunes she mentioned were not always to herself. She thought such sensitiveness to omens was like the cholera, present to susceptible people,—some feeling more, some less.” About the beginning of 1834, “E.” went to London for the first time. The idea of her friend’s visit seems to have stirred Charlotte strangely. She appears to have formed her notions of its probable consequences from some of the papers in the “British Essayists,” “The Rambler,” “The Mirror,” or “The Lounger,” which may have been among the English classics on the parsonage bookshelves; for she evidently imagines that an entire change of character for the worse is the usual effect of a visit to “the great metropolis,” and is delighted to find that “E.” is “E.” still. And, as her faith in her friend’s stability is restored, her own imagination is deeply moved by the idea of what great wonders are to be seen in that vast and famous city.
In a postscript she adds:—
And in something of the same strain she writes on
In these days of cheap railway trips, we may smile at the idea of a short visit to London having any great effect upon the character, whatever it may have upon the intellect. But her London—her great apocryphal city—was the “town” of a century before, to which giddy daughters dragged unwilling papas, or went with injudicious friends, to the detriment of all their better qualities, and sometimes to the ruin of their fortunes; it was the Vanity Fair of the “Pilgrim’s Progress” to her. But see the just and admirable sense with which she can treat a subject of which she is able to overlook all the bearings.
From this list, we see that she must have had a good range of books from which to choose her own reading. It is evident, that the womanly consciences of these two correspondents were anxiously alive to many questions discussed among the stricter religionists. The morality of Shakspeare needed the confirmation of Charlotte’s opinion to the sensitive “E.;” and a little later, she inquired whether dancing was objectionable, when indulged in for an hour or two in parties of boys and girls. Charlotte replies, “I should hesitate to express a difference of opinion from Mr. ---, or from your excellent sister, but really the matter seems to me to stand thus. It is allowed on all hands, that the sin of dancing consists not in the mere action of ‘shaking the shanks’ (as the Scotch say), but in the consequences that usually attend it; namely, frivolity and waste of time; when it is used only, as in the case you state, for the exercise and amusement of an hour among young people (who surely may without any breach of God’s commandments be allowed a little light-heartedness), these consequences cannot follow. Ergo (according to my manner of arguing), the amusement is at such times perfectly innocent.” Although the distance between Haworth and B--- was but seventeen miles, it was difficult to go straight from the one to the other without hiring a gig or vehicle of some kind for the journey. Hence a visit from Charlotte required a good deal of pre-arrangement. The Haworth gig was not always to be had; and Mr. BrontË was often unwilling to fall into any arrangement for meeting at Bradford or other places, which would occasion trouble to others. The whole family had an ample share of that sensitive pride which led them to dread incurring obligations, and to fear “outstaying their welcome” when on any visit. I am not sure whether Mr. BrontË did not consider distrust of others as a part of that knowledge of human nature on which he piqued himself. His precepts to this effect, combined with Charlotte’s lack of hope, made her always fearful of loving too much; of wearying the objects of her affection; and thus she was often trying to restrain her warm feelings, and was ever chary of that presence so invariably welcome to her true friends. According to this mode of acting, when she was invited for a month, she stayed but a fortnight amidst “E.’s” family, to whom every visit only endeared her the more, and by whom she was received with that kind of quiet gladness with which they would have greeted a sister. She still kept up her childish interest in politics. In March, 1835, she writes: “What do you think of the course politics are taking? I make this enquiry, because I now think you take a wholesome interest in the matter; formerly you did not care greatly about it. B., you see, is triumphant. Wretch! I am a hearty hater, and if there is any one I thoroughly abhor, it is that man. But the Opposition is divided, Red-hots, and Luke-warms; and the Duke (par excellence the Duke) and Sir Robert Peel show no signs of insecurity, though they have been twice beat; so ‘Courage, mon amie,’ as the old chevaliers used to say, before they joined battle.” In the middle of the summer of 1835, a great family plan was mooted at the parsonage. The question was, to what trade or profession should Branwell be brought up? He was now nearly eighteen; it was time to decide. He was very clever, no doubt; perhaps to begin with, the greatest genius in this rare family. The sisters hardly recognised their own, or each others’ powers, but they knew his. The father, ignorant of many failings in moral conduct, did proud homage to the great gifts of his son; for Branwell’s talents were readily and willingly brought out for the entertainment of others. Popular admiration was sweet to him. And this led to his presence being sought at “arvills” and all the great village gatherings, for the Yorkshiremen have a keen relish for intellect; and it likewise procured him the undesirable distinction of having his company recommended by the landlord of the Black Bull to any chance traveller who might happen to feel solitary or dull over his liquor. “Do you want some one to help you with your bottle, sir? If you do, I’ll send up for Patrick” (so the villagers called him till the day of his death, though in his own family he was always “Branwell”). And while the messenger went, the landlord entertained his guest with accounts of the wonderful talents of the boy, whose precocious cleverness, and great conversational powers, were the pride of the village. The attacks of ill health to which Mr. BrontË had been subject of late years, rendered it not only necessary that he should take his dinner alone (for the sake of avoiding temptations to unwholesome diet), but made it also desirable that he should pass the time directly succeeding his meals in perfect quiet. And this necessity, combined with due attention to his parochial duties, made him partially ignorant how his son employed himself out of lesson-time. His own youth had been spent among people of the same conventional rank as those into whose companionship Branwell was now thrown; but he had had a strong will, and an earnest and persevering ambition, and a resoluteness of purpose which his weaker son wanted. It is singular how strong a yearning the whole family had towards the art of drawing. Mr. BrontË had been very solicitous to get them good instruction; the girls themselves loved everything connected with it—all descriptions or engravings of great pictures; and, in default of good ones, they would take and analyse any print or drawing which came in their way, and find out how much thought had gone to its composition, what ideas it was intended to suggest, and what it did suggest. In the same spirit, they laboured to design imaginations of their own; they lacked the power of execution, not of conception. At one time, Charlotte had the notion of making her living as an artist, and wearied her eyes in drawing with pre-Raphaelite minuteness, but not with pre-Raphaelite accuracy, for she drew from fancy rather than from nature. But they all thought there could be no doubt about Branwell’s talent for drawing. I have seen an oil painting of his, done I know not when, but probably about this time. It was a group of his sisters, life-size, three-quarters’ length; not much better than sign-painting, as to manipulation; but the likenesses were, I should think, admirable. I could only judge of the fidelity with which the other two were depicted, from the striking resemblance which Charlotte, upholding the great frame of canvas, and consequently standing right behind it, bore to her own representation, though it must have been ten years and more since the portraits were taken. The picture was divided, almost in the middle, by a great pillar. On the side of the column which was lighted by the sun, stood Charlotte, in the womanly dress of that day of gigot sleeves and large collars. On the deeply shadowed side, was Emily, with Anne’s gentle face resting on her shoulder. Emily’s countenance struck me as full of power; Charlotte’s of solicitude; Anne’s of tenderness. The two younger seemed hardly to have attained their full growth, though Emily was taller than Charlotte; they had cropped hair, and a more girlish dress. I remember looking on those two sad, earnest, shadowed faces, and wondering whether I could trace the mysterious expression which is said to foretell an early death. I had some fond superstitious hope that the column divided their fates from hers, who stood apart in the canvas, as in life she survived. I liked to see that the bright side of the pillar was towards her—that the light in the picture fell on her: I might more truly have sought in her presentment—nay, in her living face—for the sign of death—in her prime. They were good likenesses, however badly executed. From thence I should guess his family augured truly that, if Branwell had but the opportunity, and, alas! had but the moral qualities, he might turn out a great painter. The best way of preparing him to become so appeared to be to send him as a pupil to the Royal Academy. I dare say he longed and yearned to follow this path, principally because it would lead him to that mysterious London—that Babylon the great—which seems to have filled the imaginations and haunted the minds of all the younger members of this recluse family. To Branwell it was more than a vivid imagination, it was an impressed reality. By dint of studying maps, he was as well acquainted with it, even down to its by-ways, as if he had lived there. Poor misguided fellow! this craving to see and know London, and that stronger craving after fame, were never to be satisfied. He was to die at the end of a short and blighted life. But in this year of 1835, all his home kindred were thinking how they could best forward his views, and how help him up to the pinnacle where he desired to be. What their plans were, let Charlotte explain. These are not the first sisters who have laid their lives as a sacrifice before their brother’s idolized wish. Would to God they might be the last who met with such a miserable return!
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