CHAPTER VII JULY

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“As late each flower that sweetest blows,
I plucked the garden’s pride;
Within the petals of a rose,
A sleeping love I spied.”
Coleridge.

I wandered round the garden some ten days later. It was July, the Queen of Summer in the North. I heard the swish of the mowers’ scythes, as wave after wave of blossoming grass fell beneath their feet. As I looked, I noticed that the trees had taken a darker, fuller shade of green, and that the apple and emerald tints which delighted me so much in budding June, had fled before the fierce days of full summer heat. Although the lawns were still verdant, and such as you could only see where the summer rainfall is great, all traces of spring were gone. The polyanthus and cowslips’ umbels were crowned with seeds, and the narcissi in the grass had almost vanished. Birds, that a few weeks ago were funny little fluffy creatures, with orange, gaping throats, were now strong on the wing. Tramp and Tartar pursued one day a thrush across the lawn. I ran out of the house to save him, but found, to my relief, that he could take good care of himself. With a triumphant scream he flew to the top of the high yew hedge. In vain the two little terriers leapt and whimpered below, and besought him to come down and be killed. For all he was young, he was wise, and continued to sit on a twig, and to look down on their efforts with complacent indifference.

MOSS ROSES IN BLOOM

When I went into the walled garden, I found the moss roses in full blossom. They are most beautiful, the most delicate, perhaps, of all the roses. There was an old-fashioned pink, such as one used to see at Covent Garden Market years ago.

I had in my row Blanche Moreau, an exquisite paper white, MaÎtre Soisons, another beautiful white, and the crested and deep purple Deuil de Paul Fontaine. How delicious they all were! Just a little sticky, perhaps, but very sweet; especially an old cottage pink variety that I was given from a garden at Harley, and the name of which I have never known. The kind donor, an old dame, I remember, told me, when she gave me a cutting and I pressed for the name, that it hadn’t no name as far as she knew, but that she called it her “double sweetness,” for it was to her nose, she affirmed, “honey and candy in one.”

Then I noted, bursting into bloom on the other side of the path, rows of Chinese Delphiniums of all colours, that Burbidge had raised from some seed sent to me from a lovely Scotch garden in the far north. The blossoms were of all colours. There were some of an exquisite watery tender turquoise blue, some deep blue de Marie, and others, a faint and celestial tint, as of the sky on soft February days. Besides these there were opal twilights, and darkest indigoes.

I paused and looked down the Ercal gravel path, and stood gazing at my forests of peonies. The English ones were over, but round the clematises were masses of the Chinese sorts. They were of all colours—crimson, carmine, white, purple, cream, pink, rose. How wonderfully beautiful they were, what satiny pinks, what splendid roses, what creamy whites!

In the borders I noticed a few plants of the beautiful tree or Moutan peony, the most glorious kind of all, but which had flowered rather earlier. My plants as yet were small, but “Elisabeth” had had one blossom of deepest scarlet. And I was led to hope that Athlete, Comte de Flandres, and Lambertiana would be strong enough next year to be allowed to flower.

A few steps beyond I paused to look at my Austrian briar hedge, which was then literally, a line of flame in my garden. It was a glorious note of colour, and planted next to the hedge were patches of purple peonies. What a beautiful contrast the two made! one that Sandro Botticelli loved. Then I made my way to a bed of hybrid teas.

These delightful roses, as has been justly said, combine all that is best of old and new. Almost all of them are sweet scented, and even in cold latitudes they flower twice, freely, in each year. Amongst those that I love best are Augustine Guinoiseau, and Camoens. Beyond these, on the southern side of the garden, extend my great bed of hybrid perpetuals, which stand our cold Shropshire climate so bravely and bloom often into late November. I stopped to admire a beautiful specimen of the Earl of Dufferin that seemed almost purple in its sombre magnificence, and felt almost dazzled at the splendour of Éclair. Then I paused to smell a Fisher Holmes, and gathered an almost black rose, which Burbidge told me a few days ago was a new rose to him, and was called the Black Prince. Such a mysterious black rose as it was, with a faint sweet distant smell, like new-mown grass after a summer shower.

IRISES AND ROSES

Between each row of roses I have planted rows of the beautiful English and Spanish irises in turns. These bulbs, I find, like the damp and shade caused by the neighbourhood of the bushes, and the effect of yellow, purple, blue, and lavender, between the pink, red, and white of the roses was enchantingly beautiful. Then I looked upwards and was delighted to see that my Crimson Ramblers and Ayrshire and Penzance briers were all ramping away to my, and to their, hearts’ content over their pillars, and covering their bowers and arches with trails and clusters of glory. I call my arches and bowers my garden in the clouds. Nobody quite knows how beautiful the Crimson Rambler can be till they have seen it against a background of summer sky. Just out of the garden stretched the plantation of firs, Scotch and Austrian, with a border of ribes, laurels, hollies, and yews. The plantation is very small, but it gives a sense of silence between the Abbey and the old town.

Before I returned to the house, I made my way to my bed of annuals. They were on the southern side of the greengages. How gay and gorgeous they looked with a few orange-tip butterflies flying over them. There were patches of African marigold, all a blaze of rich velvety gold, pale Love-in-the-Mist, sea-tinted and mysterious. Love-in-the-Mist is just such a flower as one can imagine Venus wore when she appeared for the first time from the depth of the sea foam, with its curious shadow of green, and its sea-green petals of blue. Then I had in full flower little square beds of larkspur, raised from some wonderful seed I bought from Messrs. Smith, of Worcester, that had blossomed forth in a hundred shades of opalescent beauty. There were shadowy unreal reds, and purples of many shades and colours in one flower, and as I looked at them, they recalled the wonderful draperies of some Burne Jones figures in that great artist’s paintings from the Idylls of the King. A little further off there were lines of stocks of all colours, warm-tinted buff, like the hue of Scotch cattle browsing on a moorland, primrose, bluish rose, dusky red, and spotless white, with creamy hearts. Then flame-coloured nasturtiums ran along in places, black and brown, and twisted and twined wherever there was a little space. At the end of the long border there were patches of the primrose-tinted sweet sultan, with its exquisite scent, mixed with crimson cockscomb, over which old Gerard fell into ecstasies, and wrote of the “gentle,” as he called it, that it “far exceeded his skill to describe so beautiful, and excellent a plant.”

Before I returned to the Abbey, I slipped off to the kitchen garden to ascertain what progress my sweet peas had made. They were only as yet showing buds and long tendrils, but in another month they would be a glory of sweetness and brilliancy, I felt certain. As I retraced my steps to the Abbey, I was greeted by the children. During his visit to the Abbey little Hals had lost his delicate look, and fine pink roses bloomed on each cheek. He and Bess came dancing up the path hand-in-hand, and the little fox-terriers scampered behind them, joyously.

“I am sure we have found something,” cried Bess, excitedly. “Burbidge wouldn’t look because he’s been stung by a bee. ‘But,’ I said, ‘you don’t hear all that chattering for nothing. If only Thady were here we should soon know.’ I wanted to run off to the Bull Ring to fetch him, but Nana said I wasn’t to mess myself, as Aunty Constance was coming down to luncheon to-day. Much she’d care! She knows I can have as much soap as I like.”

THE GARDEN MYSTERY

“Much you’d use, miss, if you had your own way,” I answered laughing. And then I turned and begged Bess, pouting and looking rather irate, to show me where there was this wonderful chattering.

“It is a secret,” cried Bess, “I am sure—a real secret.”

Then, without another word, we turned in through the wooden door at the back of the great yew hedge. As we entered I heard such a twittering and indignant chirping, that I was thoroughly puzzled to guess the cause. The children and I peered through the branches.

“There must be a cat somewhere,” I said. I have read that birds will chatter round a sick cat or dying fox, but I could discover no beast about. At our approach, two brilliant greenfinches alone took flight with a beautiful flash of apple-green wings, and vanished into the recesses of the great walnut tree.

Still the harsh discordant cries continued. Suddenly I saw a nest.

“A nest!” I cried, “and the noise comes from there. What can it be?” I tried to touch it, but the nest of moss and twigs was beyond my reach. “We must get the steps and then we shall know what makes the noise,” I said. “But only Mouse amongst the dogs may see; Tramp and Tartar must be shut up in the shed, for if the birds fluttered down or could not fly, they would kill them, before we could save them.”

We shut up the terriers and fetched the steps. “I wish,” I said, “that one of the boys”—as Burbidge calls them—“were here to hold them.” For the ground at the back of the hedge was uneven, and it was difficult to get the steps reared firmly up.

“I’ll hold them, dear,” said Hals, politely. And added with pride, “You know I’m very good at doing any man’s job.”

But as they were heavy and rather clumsy, being an old-fashioned pair, I declined this and begged Hals to get out of the way, for fear of an accident happening to him. Then I mounted. I reached the summit of the ladder and looked down into the nest. As I did so I was conscious, at the “back of my head,” as Nana says, that the children were watching me intently.

“What is it?” they cried breathlessly.

I saw below me a greenfinch’s nest made out of green moss and twigs and lined with cow’s hair, and in it, filling almost the entire space, was a gigantic grey-barred bird with an enormous mouth, which he opened at me in great wrath. Nothing daunted, I stretched out my hand to seize him, and obtained my prize; but in the effort, of doing so, I overbalanced myself, the steps clattered down with a crash, and I fell, bird in hand, to the ground.

In my endeavour to save the bird from harm, I came in contact with a projecting piece of lime rock. I felt a sharp pain in my right knee, and then a giddy, confused sensation possessed me, and a hundred lights, red, blue, and white, danced before my eyes. The bird escaped from my hand and fluttered into the hedge with a guttural cry. Hals and Bess approached me in terror.

“Mum, Mum, you’re not dead?” asked Bess. I saw the little face twitching above me, and as she spoke, hot tears ran down her cheeks.

“No, no,” I whispered dreamily; and then all the trees and the hedge seemed to mingle in a senseless dance, and everything bobbed up and down before me. But I did not entirely lose consciousness, for I heard the children whisper together. At last Bess took Hals’ hand and came quite close to where I was lying.

“They do not always die,” Hals said soothingly.

“No, not mothers,” Bess answered, with a gulp. But my poor little maid looked white with fear—she was trembling, and added, “But mothers can die.”

I tried to say something to reassure them, but all my words seemed to die on my lips, and as I lay there everything seemed to get further and further off, and to become indistinct and unreal.

At last Hals seemed to remember what to do in the emergency. “Run, Bess, run, and get some one,” I heard him say.

MOUSE’S ROUGH KIND TONGUE

As the two children started off to the house, Mouse gave a whimper, and I felt her rough, kind tongue against my face. Then a mist gathered round me and I remembered nothing more.

In a little while, however, I heard voices. Kindly Auguste led the way, talking volubly. “Madame est morte,” I heard him call out in theatrical tones. Then old Mrs. Langdale followed, wringing her hands; then CÉlestine, like a whirlwind; and Nana and Burbidge a second later hobbled up across the lawn.

Madame, vite,” exclaimed CÉlestine, and then followed a string of proposed remedies in the most astonishingly quick French. As she spoke, she tried to raise me, but I could not move without acute pain; and Mouse, watching my face, growled angrily. At this, Burbidge forced himself to the front.

“Have done with your gibberish,” he cried, in a surly tone. “For an English blow an English remedy. Yer might have broken my steps, marm,” he said to me, with a catch in his throat. Burbidge is full of kindness; “but at times his tongue is as rough as pig bristles,” as his old wife, Hester says, and just then he was thoroughly angry with me for having hurt myself chasing “mere wild birds, like a village loseller.”

Then he called to his boys, and somehow, with their aid, I got back to the house. The children were both in tears.

“She has broken her leg,” cried Bess. “Mothers can, I know it, besides beggars and princes.”

But Hals would not allow this, and said, with dogged steadfastness, “Mothers don’t break like dolls, I know that.”

For this remark Burbidge commended him. “Stick to it, young squire,” he said; and then he bade Roderick run for the doctor, like greased lightning.

After a minute or two, Nana begged all to go out, and took possession of the injured knee, and began to bathe it with a decoction of arnica and boiled lily-root, which last is an excellent remedy, still used in Shropshire, for cuts or bruises. Gradually the pain diminished, and as I lay, feeling much shaken and a little foolish, the doctor made his appearance.

He begged me to remain on the sofa, to rest, and discontinue all exercise for the present; and before going wrote out the prescription for another lotion. When he had left, I weakly suggested I would use both, and hoped for the best. But this “trimming” course did not pacify Nana, who declared “he might say what he liked, but Dr. Browne had no call to change her lotion.”

After luncheon I felt better, and was carried out on a sofa to the lawn on the east side of the house, some favourite books were placed near me, and the letters I had received that morning. Burbidge was by that time very penitent and full of compunction, now that he was no longer terrified, and was sure that my leg was not broken. He brought me a sprig of lavender, “to have summat nice to sniff,” and assured me “that them birds of mine in the aviary should be looked after proper;” and added, by way of gloomy consolation, “I wouldn’t let ’em nohow suffer, not even if you’d broken both legs.”

When Burbidge had left me, I took up my letters sadly, and felt grieved that I must forego that week the pleasure of calling on friends and of visiting their lovely gardens, decked in the full glory of summer; and that I could not see, as I had intended to do, the stately garden of Cundover, the glowing borders of Burwarton, or the splendour of the Crimson Rambler at Benthall. All these beautiful things, as far as I was concerned, must remain unseen, and flower their sweetness away in the desert air.

Not even my own garden might I visit, for my orders were to lie down and not to put foot to the ground for some days; so I said sadly to myself I must only think of gardens. I remained therefore quite quiet, for the children had both gone off to tea at the Red House, and Mouse, and I were left alone, to enjoy each other’s society.

I lay back amongst the cushions, and thought of all the beautiful gardens that I had ever seen.

THE GARDEN OF MY CHILDHOOD

My mind flew back to the old Hampshire garden, where I had played as a child, with its glowing anemones in May, its auriculas, and its golden patches of alyssum, which we called as children, “golden tuft.” Its great hedges of lavender, its masses of fruit trees, and its big beds of hautbois strawberries all returned to me. How well I remembered the quinces, medlars, and mulberries, and a hundred other delights. I recollected also, the groves of filberts and great coverts of gooseberries and raspberries, where the old gardener used to allow us to “forage,” as he termed it, for ten minutes at a time, and never more, by his great silver watch, presented to him years ago “by the earl,” in the first quarter of the nineteenth century.

Then how beautiful the walls were in summer and autumn, laden with apricots, peaches, delicious black figs, and later on, with beautiful pears of brilliant colours and gigantic proportions.

How carefully the fruit trees were trained—some in toasting-forks and others to make perfect fans. And then what beautiful long alleys of close-shorn turf there were, and what plantations of beautiful standard roses he grew for my mother.

SHIPTON GARDEN

Then my mind flew back to the beautiful pleasaunces of Highclere, just seven miles away. How magnificent were the great cedars round the house, the masses of gorgeous rhododendrons, and the wonderful beds of azaleas. Then, amidst shady groves with sparkling patches of sunlight, I remembered, also, beautiful examples of the great tree or Moutan peony—the highest and biggest bushes that I have ever seen; and across the park, delicious Milford, with its islands of blossom, its swans, and its sunlit lake. Gardens are great pleasures. The state gardens of the world remain with us as beautiful and wonderful pictures of the tastes and manners of past centuries. They are the living splendours of past ages. I recalled such examples as Levens, Hatfield, Longleat, and Littlecote. Then I turned in thought to homelier, what Bess calls, “more your own kind of places;” and I thought of the lovely little old manor-house gardens that I had seen. There is one not far from Wenlock, by name Shipton. A little terraced garden, with old stone vases of Elizabethan time. The present house dates mostly from Mary Tudor’s reign, and belonged later to Sir Christopher Hatton, the Maiden Queen’s dancing Chancellor, who won all hearts by his grace and amiability, it is said. On each side of the little narrow garden run high walls, festooned with roses—and such old-fashioned roses! Old kinds that I have never seen elsewhere—such as Waller might have thought of when he penned his exquisite verses to Saccharissa—dainty, small, and deliciously fragrant. Then, just outside the garden are big bushes of brilliant berberries, that turn in autumn, red, like a regiment of English soldiers in peace-time, and that were so highly esteemed for the making of “conserves,” in the Middle Ages.

How pretty such old-fashioned gardens are—very tiny, very dainty, and meant to be very formal and trim. They seem little worlds all of their own; little centres of human care and affection, and outside all appears a wilderness in comparison.

Then, as I lay idly back, looking into the blue mist and enjoying the far green of the poplars, my mind turned to all the lovely gardens that I had read about. I thought of “that railit garden,” that James I. of Scotland—poet, musician, and artist—loved; and where he fell in love with the Lady Jane, the fair daughter of the Earl of Somerset. There, he tells us, he passed his deadly life—“full of peyne and penance.” From a grim tower he first saw his lady-love. He tells us in the “King’s Quhair,” how he saw her walking in a fair garden, and how, in seeing her, “it sent the blude of all my body to my hert;” and how, for ever afterwards, “his heart became her thrall,” although “there was no token of menace in her face.”

There, amidst “a garden fair,” by towered walls, knit round with hawthorn hedges, where thick boughs beshaded long alleys, and where the sweet green juniper gave out its aromatic fragrance, he, poor poet-king, sang of love, listening all the while to the “little sweet nightingale that sat on small green twists, and that sang ‘now soft, now lowd,’ till all the garden and the walls rung ‘right of the song.’”

Then I thought of that still garden at St. Mary’s chapel, at Westminster, where the great father of English poetry wrote his treatise on the “Astrolabe” for his little son Lewis. I imagined him with his wise and tender face, and far-off, deep-set grey eyes looking out on the world kindly, serious, gentle.

I liked to remember the great man’s peaceful deathbed, and thought of his last sweet verses—

“Flie fro the prese, and dwell with sothfastnesse;
Suffise unto thy Goode, though it be small,
For horde hath hate, and climbing tikelnesse.”

It is an old, old story, and yet always a new one; but in Chaucer’s time, failure met with a sharp ending.

I thought also of that fair garden near the Temple, which our greatest poet has touched with the divine intuition of genius, and made bloom with roses that no frost can kill, or smoke can soil. Where Plantagenet plucked the white rose of York, and Somerset the red one of Lancaster.

Then I thought of unfortunate Richard’s queen in the garden at Langley, and of the old faithful, rugged gardener and of his bitter cry of pity. “Here did she drop a tear. Here in this place I’ll set a bank of rue, sour herb of grace.”

CHAPTER HOUSE AT WENLOCK.

Photo by Frith.

CHAPTER HOUSE AT WENLOCK.

BACON’S GARDEN

Then I thought of Lord Bacon’s beautiful garden of “prince-like” proportions. According to him, the ideal garden did not measure less than thirty acres, and was to be divided into three parts—a garden proper, a greene, a heath, or desert.

In the garden there was to be a succession of flowers. Germander, sweet briars, and gilly flowers, were some of those named, and the garden was always to be gay. He advocated many kinds of fruit, “cherries, rasps, apples, pears, plummes, grapes, and also peaches.”

In the heath or desert, were to be planted thickets of honeysuckle, and garlands of wild vine; while mole-hills were to be skilfully covered with wild thyme, with pinks, and in opening glades, sheets of violets, cowslips, daisies, and beare-foot, were each to have their place. Then long alleys were to be planted with burnet, wild thyme, and water-mint, which, when crushed, would, he tells us, “give out rich perfume.”

“Great Princes may add statues and such things for state and magnificence,” wrote Bacon; “but beyond these things is the true pleasure of a garden.” And there the great Chancellor was right, for we all know little plots and tiny greenhouses, worked and tended by loving hands, where the owner, and toiler, gets more pleasure out of a very small enclosure or a single frame, than a ducal proprietor out of many acres of horticultural magnificence. God is very just in pleasure, if not in wealth.

It was in his own beautiful garden at Gorhambury, that the great philosopher and master-mind wrote much that was beautiful. His was a strange character. He soared to heaven by his intellect, and fell to hell by his baseness. Ben Johnson wrote, “In his adversity I ever prayed that God would give him strength, for greatness he could not want.”

Bacon, be it said in sorrow, was one of the last of the bench who descended to torturing his victims. He wrote of the unfortunate Peacham, when he refused to answer his questions, “that he had a dumb devil.” Yet this man loved at other moments pure pleasures. His love of a garden was real, and deep, and no man understood more fully the heights and depths of the Christian Faith, or the higher flights of redeemed souls. “Prosperity,” he wrote, “is the blessing of the Old Testament; Adversity, the blessing of the New, which carrieth the greater benediction, and the clearer evidence of God’s favour.” “Prosperity,” he declared, “was not without many fears and distastes, and Adversity not without comforts and hopes. Prosperity doth best discover vice, but Adversity doth best discover virtue.” Nobody has ever approached Bacon for his beauty of expression. Shelley wrote of his style, “His language has a sweet, majestic rhythm, which satisfies the sense no less than the almost superhuman wisdom of his philosophy satisfies the intellect.” Such natures as Lord Verulam’s are difficult for commonplace mortals to understand, for the head is of a god, and the feet, those of a beast. The young or inexperienced might call such men humbugs, or hypocrites; but, perhaps, the real truth is, that such men possess dual natures. In them is a spirit that knows the light, and seeks it, as the Chancellor swore he would seek the light; but to whom, also, the ways of darkness are not repellent, and who cannot resist the favour of man, and the false glamour of courts.

Then I thought of the fair gardens of history. I imagined the splendours of Nonsuch, laid out by bluff Harry, of which men said, “that the palace was encumbered with parks full of deer, and surrounded with delicious gardens and groves, ornamented with trellis works and cabinets of verdure, so that it seemed a place pitched upon by Pleasure herself, to dwell in along with Youth.”

It was also good to think of John Evelyn in his plantings, and during his long rides. I thought of him journeying in the south of France, along the Mediterranean coast, enjoying the sight there of the vineyards and olives. In fancy I beheld him scenting the orange and citron groves, and stopping to gaze “at the myrtle, pomegranates, and the like sweet plantations,” as he passed villa after villa, built, as he said, of glittering free-stone, which, in that clear atmosphere, made him think “of snow dropped from the clouds, amongst the verdure of the ilexes and perennial greens.”

ELIZABETH OF YORK’S BOWER

Besides these fair gardens, I thought in the dawn of gardening, of Elizabeth of York’s bower, “in the little park of Wyndsor,” and I liked to dream of that arbour in Baynarde’s Castle in London put up for her, by order of the king. I should have liked also to have walked with Sir Thomas More in that fair garden (probably his) from which he imagined the one in his “Utopia,” where “we went and sat down on a green bank and entertained one another in discourse.”

Then I should have liked to have crept into the great gardens at Hampton Court laid out by the great cardinal, where “there was a flower garden to supply the queen’s bower with roses, and where John Chapman, the most famous gardener of his time, grew his herbs for the king’s table.”

I should have liked to have had the invisible cap, and to have stepped past the guard and entered the Privy garden, and have read the mottoes on the sundials, and to have slyly scented the roses, and pinched the rosemary, juniper, and lavender.

Had I possessed the magic cap, I should not have forgotten to wander into the Bird garden and to have seen “the beestes,” holding in stone their vanes; and I should have liked also dearly to have seen all the strange animals, amongst which there were harts, badgers, hounds, dragons, antelopes, and one stately lion.

Could I have walked there, perhaps I might have caught a glance of that “sweetest lady from Spain” whom Shakespeare honoured most of all women; or perhaps in the joyous hey-day of her youth have met Anne of the slender neck, for whom Fate had reserved so terrible a fate, although for a time all seemed to go so smilingly with her.

Then I should have liked to have been a favourite guest at Moor Park, in the days when the stately Countess of Bedford lived there, and to have heard the wits talk, and perhaps have followed the countess and Doctor Donne up the trim gravel walks, and have admired the standard laurels, and rejoiced in the stately fountains in a garden that, in the words of the great Minister of the Hague, “was too pleasant ever to forget.” I should have liked also to have walked into Sir William Temple’s own garden at Sheen, had a chat with him about his melons, of which he was so proud, or have paced with him the trim alleys of his own Moor Park in Surrey. Later, I should have liked to have seen his stiff beds, reflections of the parterres of Holland, and have heard from his own lips the account of the Triple Alliance. And beyond this garden of men’s hands, I should like to have seen the glorious extent of firs and heather that enclosed his garden, and to have heard the murmur of the distant rivulet, and to have felt the charm of the distant view that he gazed upon.

Perhaps even, if fortune had been kind, I might have seen Lady Gifford in all the splendour of silk or satin, or heard some brilliant witticism from the lips of young Jonathan, or even have caught a fleeting glimpse of lovely Stella.

Now all these pretty, all these interesting shades of the past are gone. Yet Sir William’s sundial still stands in his favourite garden, and below it lies buried his heart, placed there by his own desire, whilst the rest of his remains lie in Westminster Abbey, beside those of his charming wife, Dorothy Osborne.

THE GARDENS OF THE EAST

No sound anywhere, on this lovely July day, greeted me, but the trilling jubilation of a thrush in a lilac, so I could dream on at will about gardens and their delights. After a while my mind wandered to the gardens of the ancients. I thought of those deep groves where Epicurus walked and talked, of the rose-laden bowers where Semiramis feasted and reposed, of the moonlit gardens where Solomon sung his Oriental rhapsodies, where fountains played day and night, and in which hundreds of trees flowered and fruited.

Where were the gardens of “the Hesperides?” I asked myself. That spot of wonderful delight which none ever wished to leave, where flowers blossomed all the year, and where fair nymphs danced and sang through all the seasons.

Then where was the garden of Alcinous, where the trees formed a dark and impenetrable shade, where fountains refreshed the weary and where fruit followed fruits in endless succession?

With us in England, a garden means a place of joyous sunlight, a place where flowers glitter in the sunshine, and where throughout the day feathered songsters sing in joyous chorus. In the Oriental imagination, a garden means cool alleys, flowing water, marble basins; a place to wander in beneath the stars, and to hear the nightingale sing his chant of melody and grief. Even in the matter of gardens, the aspirations of the West must always be different from those of the East. Then my mind turned to the gardens of fancy.

“Where sprang the violet and the periwinkle rich of hue”—where “all the ground was poudred as if it had been peynt, and where every flower cast up a good savour.” Where amongst the trees “birdis sang with voices like unto the choir of angels, where sported also little conyes, the dreadful roo, the buck, the hert, and hynde, and squirrels, and bestes small of gentil kynde.” Where sweet musicians played, and where, as Chaucer wrote, with the naivetÉ of the early poets, that God who is Maker and Lord of all good things, he guessed, never heard sweeter music, “where soft winds blew, making sweet murmurs in the green trees, whilst scents of every holsom spice, and grass were wafted in the breeze.”

Then in the peace of that exquisite summer day, I saw as in a dream that blest region which Sir Philip Sidney has painted and called Arcadia, “where the morning did strew roses and violets in the heavenly floor against the coming of the sun, where nightingales sung their wrong-caused sorrow;” where the hills rose, their proud heights garnished with stately trees, beneath which silver streams murmured softly amidst meadows enamelled with all sorts of eye-pleasing flowers. Where pretty lambs with bleating outcry craved their dam’s comfort, and where a shepherd-boy piped as though he never could grow old, whilst a shepherdess sang and knitted all the while, so that it seemed “that the voice comforted her hands to work, and the hands kept time to the voice music.”

In that sweet and happy country, where light and sun and blue sky were constant joys, where the houses were all scattered, “but not from mutual succour,” where the joys of “accompanable solitariness were to be found combined with the pleasures of civil wildness,” I allowed my fancy to linger.

Then as butterflies flitted past in all the pomp of summer splendour in my Abbey garden, I thought for a moment of Mistress Tuggy’s bowers of passion-flower at Westminster, of which Gerard wrote, and of which he told us “there was always good plenty.” I thought also of that gay procession to the Parson of Tittershall, where merry maids went, bearing with them garlands of red roses, and of that wreath laid through many centuries, in beautiful Tong Church.

I liked to imagine Theobalds, where it was said a man might wander two miles and yet never come to the end of the great gardens; or to think of that great pleasaunce of Frederick, Duke of WÜrzburg, where it was said that it was easy for a stranger to lose his way, so vast was the space of the enclosure.

ELIZABETHAN GARDENS

Then I should have liked to have known the great gardens of Kenilworth, where proud Dudley entertained the Maiden Queen.

There, according to Master Humphrey Martin, every fruit tree had its place. In the centre of the pleasaunce stood, he wrote, an aviary and a fountain of white marble, where tench, bream, and carp, eel and perch “all did play pleasantly,” and “beside which delicious fruits, cherries, strawberries, might be eaten from the stalk.”

In the Elizabethan garden men were not content with gay blossoms alone; sweet odours were necessary to complete their standard of delight.

Bacon wrote, because the breath of flowers is “farr sweeter in the air, where it comes, and goes, like the warbling of music, then in the hand, so there is nothing more fit for delight than to know what be the flowers and plants that doe best perfume the aire.” He recommended amongst other sweet scents, two specially, that of violets, and the perfume of dying strawberry leaves, “an excellent cordial in autumn.” He also mentioned the perfume of sweet-briar, and recommended that wallflowers should be planted under a parlour or lower chamber window.

Andrew Borde, writing in the same century, declared that it was deemed necessary for the country house of his time to be surrounded by orchards well-filled with sundry fruits and commodious, and to have a fair garden “repleat with herbs aromatic and redolent of savours.”

Markham also talked of the nosegay garden, which was to be planted with violets, and gilly-flowers, marigolds, lilies, daffodils, hyacinths, “tulipas,” narcissus, and the like. There were to be knots, or parterres of delightful interlacing patterns, and amongst the ribbon borders such sweet plants and flowers as thyme, pinks, gilly-flowers, and thrift, all neatly bordered and edged, with turrets and arbours to repose in.

Thomas Hill, writing in 1568, also suggested that there should be parterres filled with hyssop, thyme, and lavender, for the pleasure of the perfume. In the sixteenth and seventeenth centuries folks sought their flowers in their gardens, which it can well be imagined was a much healthier form of enjoyment than the modern one of masses of flowers in stuffy rooms and of having tables laden with strong-smelling blossoms, during hot and crowded banquets.

The delight in the garden was essentially a sixteenth and seventeenth century pride. Lawson exclaimed, “What can your eye desire to see, your ear to hear, your mouth to taste, or your nose to smell, that is not to be had in a garden, with abundance of beauty?”

Lawson also loved the birds, as did the Scotch poet king, and Chaucer, and, in the early nineteenth century, Shelley and Keats. He wrote lovingly of a brood of nightingales that turned his orchard into a paradise. “The voice of the cock bird,” he declared, “did bear him company, both day and night.”

Then I should have liked to have visited Gerard in his physic garden in Holborn, overlooking the Fleet, and how delightful it would have been to have had a chat with the old man, or to have brought him some new plant or flower.

Or perhaps, if fortune had smiled upon me, I might another day have popped in and got a talk with John Tradescant, whose father and grandfather were both gardeners to Queen Bess, and who himself was gardener in his time, to ill-fated Charles I. These Tradescants travelled all over the world in search of plants for the royal gardens, and one of them even went to Virginia in order to bring back new specimens.

WHERE ARE THE GARDENS OF THE PAST?

Where are the gardens of the sixteenth and seventeenth centuries? A few are the delight and joy of our own time, but most of them have perished, and are gone like the roses that Sir Philip Sidney picked for Stella, or the anemones that John Evelyn loved. The press of human feet has displaced nearly all the fair floral sites in London, and the hare and the partridges rove over many of those famed in Tudor and Stuart days in the country.

Of Nonsuch, Evelyn wrote, “they cut down the fair elms and defaced the stateliest seat that his Majesty possessed.”

Alone, near High Ercall, at Eyton, where George Herbert’s mother was born and bred, stands the old gazebo or pleasure-house that belonged to the ancient hall of the Newports. This still remains in red brick, a lovely sixteenth-century building. The old house has perished, and the old gardens have gone back into plough, or meadow-land. Alone the old pleasure-house stands and a gigantic ilex, which is said to have been planted at the same time.

Did “holy Mr. Herbert” ever pace that old pleasure-house, I have often asked myself, as a little lad? It is a pleasant thought. All loved him. Lord Pembroke, his kinsman, told the king, James I., that he loved him more for his learning and virtues than even for his name and his family, and all men sought his friendship. Amongst these the learned Bishop of Winchester and Francis Lord Bacon. Was it of such a man that the great essayist wrote, “A man having such a friend hath two lives in his desires”? If so, it was of the immortal side of life he spoke, for all George’s aspirations were for the treasure where “neither moth nor rust can corrupt, and where no thief can break through or steal.”

Then I let my fancy linger for a moment in the old bowling-green at Whitehall, all gone too; I thought of the prisoner, Sir Richard Fanshawe, in the chamber above: and of his devoted wife, standing morning after morning, whilst the rain fell in torrents, talking and listening with the desperation of love.

THE MASQUE OF FLOWERS

The shadows deepened, the sunlight faded, and the glory of red melted away into tender lavender and green. After a while I think I got drowsy, for in my imagination I saw a garden, gorgeous and resplendent. Loud music resounded within its precincts, and a pleasaunce extended before me of strange and fantastic beauty. In the centre I noted a beautiful fountain, reared on four columns of silver, with four golden masked faces, from whose lips clear water issued in sparkling streams. There were also curious beasts of gold and silver, in the shape of lions and unicorns.

The magic garden was hedged in with a sombre hedge of cypress. On the whole scene fell the brilliant glare of flaming torches. Gorgeous parterres of tulips, all a blaze of blossom, flashed with a hundred colours, whilst to me, borne on little eddying breezes, came wafted back the delicious sweetness of honeysuckle and eglantine. Then, as I looked, to the sound of lutes and to the tinkle of old stringed instruments, I saw nymphs clad in rich apparel dance a stately measure.

My book slipped off my knees, and fell with a flump upon the grass. A minute later I rubbed my eyes and laughed, and then remembered that I had not been to fairyland after all, as Bess would have said, but that I had fallen asleep, and had been dreaming about the Masque of Flowers, a great fÊte that was given in honour of the marriage of the Earl of Somerset and the Lady Frances, daughter of the Earl of Suffolk, by the gentlemen of Grays Inn, in the long past year of 1613. I laughed, for I really believed, as the children say, it was all true, and Mouse, suspicious probably by my puzzled look, gave a long deep growl. My faithful friend had never left my side. Since my accident she had remained with me, troubled, and annoyed and sullen to everybody else.

Mouse had a bad opinion of the doctor (most dogs have). She did not like his carriage, and thought badly of his coachman. Just then the world for her was full of evil characters, and they taxed narrowly her powers of observation.

As I leant over the sofa to pick up my book, the oak door of the chapel hall was flung violently open, and the two children, Bess and little Hals, danced in together.

“Oh, mamsie!” they cried, for Hals had caught up Bess’s manner of addressing me. “Such fun! such fun! We did all kinds of things. We played games in the garden—Kiss in the Ring, Stag a Roarning, Bell Horses, Draw Buckets, and Shrewsbury Blind Man’s Buff, Wallflowers, Garden Jumps, and heaps of others. Aunty Constance called them ‘Shropshire games.’”

“Were they good games?” I asked.

The children were too excited to speak, but nodded their heads furiously, whilst their eyes shone with excitement.

“Can you repeat to me any of the rhymes?” I asked.

“Hals can,” answered Bess; “I can’t long remember poetry. Things fly into my head, but they soon fly out again.”

I turned to Hals, and begged him to tell me those that he could remember.

Photo by Frith.

OLD WENLOCK TOWN.

“Well,” he replied, “I’ll try. Anyway it was great fun. Aunty Constance taught us a lot, but most of the children came from her class, and, besides, they knew a lot. Shropshire children, I think, even FrÄulein would call ‘very learned.’”

“They were all funny,” cried Bess; “and we danced on the grass, and Aunty Constance gave us sugar-plums, and red lolly-pops between the games, and we drank lemonade and orangeade.”

“Yes,” said Hals, grandly; “I don’t think even the king, or my father could have amused themselves better. They know how to be happy in Shropshire.”

Then Bess interrupted Hals and called out sharply, “Amuse mama.”

OLD SHROPSHIRE GAMES

“Do,” I said; “and begin by telling me all about the games, and repeat to me all the rhymes that you can remember.”

“Yes, we must,” said Bess, moved to pity, “for poor mama, she didn’t even go to Aunty Constance’s garden, although she was asked, or see Aunty Constance’s new flower with a long name that I am sure I can only misremember.”

There was a pause. Then Hals stood on the gravel path some five yards away, and said modestly, “I’ll do my best, but I am afraid all the games won’t come back to me. The first time you play at games, they are almost as hard as sums.”

“Oh no,” interrupted Bess, contemptuously. “Games can never be as bad as sums, for you can kick about and swing your feet in games. But in sums it’s always ‘keep quiet;’ and then,” added Bess sadly, with a note of pathos in her voice, “sums will always keep on changing, unless they are done by a governess.”

Then a hush fell upon us all, for Hals said he must try and think of the games pat, and we were silent. I saw Hals’ lips move, and a pretty vision rose before me of a little figure clad in green velvet, with fair flaxen curls clustering round his brow and resting on his lace collar. After a few minutes the little boy stepped a little nearer, and in a treble key, began to explain the character of the old games and to recite some of the old verses that once delighted lad and lass of the far West country.

“First we played Kiss in the Ring. We ran about,” he explained, “and the boys dropped handkerchiefs on the shoulders of the girls they liked, and they said in turn—

“‘I wrote a letter to my love
And on the way I lost it;
Some one has picked it up,
Not you, not you, not you.’

That they said,” said Hals, “when the boys didn’t like a girl. I didn’t play,“ he remarked grandly, ”because I didn’t like being kissed by strange girls; so I played with the others at Cat and Mouse, which is better, for the kissing is understood.”

“And after that?” I asked.

“Oh, after that we played Bingo.”

“Bobby Bingo,” corrected Bess, severely. “You should call things by their proper name, Hals.”

“It was a game about a dog, and we came up, and all said together,” continued Hals unmoved—

“‘A farmer’s dog lay on the floor,
And Bingo was his name O.
B-I-N-G-O, B-I-N-G-O,
And Bingo was his name O.’

I cannot exactly say how that was played,” said Hals, puzzled, “but we danced and we sang, and one girl stood straight up in the middle, as if she had a punishment lesson to say. And when I’m grown up, I will get my father to buy me a dog, and I will call him Bingo.”

“Now I want to talk,” cried Bess, impatiently, “because I, too, know some of the games. We’ve often played at them, Nana and I and the maids, on Saturday afternoon when it was wet. There was Bell-horses. Nobody is so silly, mamsie, unless it’s members of parliament or governesses, as not to know ‘Bell-horses.’”

Then my little maid slipped off the wooden bench on which she had been swinging her feet, and went and stood by little Harry.

“Listen,” she cried, and blurted forth at double quick pace—

BELL-HORSES AND OTHER DELIGHTS
“‘Bell-horses, bell-horses, what time of day?
One o’clock, two o’clock, three and away.
Bell-horses, bell-horses what time of day?
Two o’clock, three o’clock, four and away.’”

Then we stood up, and cried out—

“‘Five o’clock, six o’clock, no time to stay.’”

At this point Hals came and sat quietly by me on the edge of my sofa, and Bess went on.

“Besides that we had Green Gravel, Green Gravel, and even Mrs. Burbidge says that is not a wicked game to play,” cried Bess; and repeated the old lines with a funny little tilt of her head—

“‘Green gravel, green gravel, the grass is so green,
She is the fairest young lady as ever was seen.
I’ll wash her in milk,
And I’ll clothe her in silk,
And I’ll write down her name
With a gold pen and ink.’”

Then came what Bess called “them that laughed,” who said—

“‘O Sally, O Sally, your true love is dead,
He sent you a letter to turn round your head.’”

“I like that,” remarked Bess. “The words are pretty. ‘Green gravel, green gravel,’ but I shouldn’t like to be washed in milk, soap and water are bad enough, but I should like letters to be written with a pen of gold. They sound as if they ought to be letters all about holidays or Christmas presents; leastways, they never ought to be rude or disagreeable, or have anything to do with lessons.’”

“Yes,” agreed Harry, “written only for fun, and because everybody may do as they like.”

Then we discussed Wallflowers. And as the children stood talking, for Hals had run to Bess’s side, old Nana came out of the Chapel Hall and joined our group.

“It is time, mam, for them to be in bed,” said Nana, sourly; “and I’m sure it will be a mercy if both childer are not ill to-morrow. By their own accounts they’ve eaten as many lolly-pops as they had a mind to. I did think as Mrs. Legarde had more sense than that. But them as feasts children, should physic ’em.”

“Wallflowers, wallflowers,” interrupted Bess, rudely. “Come and amuse mama, poor mamsie hasn’t had tea out, or done anything to please herself.”

So old Nana—whose bark, all the household acknowledges, is far worse than her bite—came and began to recite the old rhymes of her youth, and of the old days before that.

“I am just ashamed of the old nonsense,” she said, blushing like a girl, “but since it will amuse your mama,” and she turned to Bess, “I’ll try my best.” And Nana, in a funny old husky voice, with the Shropshire accent growing stronger and stronger at every line repeated—

“‘Wallflowers, wallflowers, wallflowers up so high,
Us shall all be maidens, and so us will die.
Excepting Alice Gittens—she is the youngest flower,
She can hop, and she can skip, and she can play the hour,
Three and four, and four and five,
Turn your back to the wall side.’”

And thereupon old Nana, animated by old recollections, turned her back upon me and stood facing the old bowling-green.

QUEEN BESS’S GAME

“Well done!” cried both children simultaneously. And then Bess called for “Nuts in May.” “You know, what we played last Christmas, when we could’nt go out,” she explained, “because the snow was so deep.”

For a moment Nana looked puzzled.

“You ought to recollect that,” cried Bess, “because it was you that learnt us it before.”

Nana thought for a minute, and then repeated the old Shropshire version of the ancient game, which, tradition says, was written by Queen Bess one Christmas time for Lord Burleigh’s children. But Nana first of all explained to us the action of the game.

“You must know, mam,” she said, “that there are two parties—one of lads and the other of lasses.” “The first come up and call (the lads)—

“‘Here we come gathering nuts in May,
Nuts in May, nuts in May,
Here we come gathering nuts in May
On a cold and frosty morning.’

“Then the second lot,” as Nana called the lasses, “answer back, and shout—

“‘Who have ye come to gather away?’

And the first lot (the lads) reply—

“‘We have come to gather sweet Maude away.’
‘And who will you send to fetch her away?’
‘We’ll send Corney Rodgers to fetch her away.’

“Then the two parties pull,” she added, “and in the end a lass has to leave, and to go over to the lads’ side.”

“Who was sweet Maude, and who was Corney Rodgers?” I asked of Nana.

But she declared she didn’t know for certain, “but most-like he was some bad bold man who lived in the hills, and took off any maid he had a mind to.”

“Go on, go on!” cried the children enthusiastically, and clapped Nana vociferously.

“You know them all,” exclaimed Bess, “although you like pretending; but nurses always do.”

At this Nana, for all her head of snow, fell a laughing. She forgot all about “bedtime,” and stood before us with pink cheeks, whilst she exclaimed—

“They comes back! They comes back, the old plays.” And therewith begins to repeat “Here comes Three Dukes a Riding.” “Us used to play that—and a right pretty game it was,” she explained,—“on the village green, when the leaves were budding, betwixt the hours of school.”

And she recited aloud in her dear, funny, old cracked voice—

“‘Here comes three dukes a riding
With a ransome, dansome, day.’

“Then the lasses used to answer,” she told us, “and cry out—

“‘And what is your intent, sirs, intent, sirs?
With a ransome, dansome, day.’

“At this the lads used to shout—

“‘My intent is to marry, to marry.’

“And the maids would reply—

“‘Will you marry one of my daughters, one of my daughters?’

“Then the lads used to look highty-tighty, for all they had in their bones only the making of ploughmen, ditchers, and shepherds,“ Nana declared, “and they would say—

“‘You be as stiff as pokers, as pokers.’

And turn up their noses and strut back.

“Then the maids would answer, mincing like—

“‘We can bend like you, sirs, like you, sirs!’

“Then the lads would scan the lasses up and down, and sing back, as if every one of ’em had been born a lord, or high sheriff of the county at least—

“‘You’re all too black and too blowsy, too blowsy
For a dilly-dally officer.’

“Then the maids would sing with a bit of spite—

“‘We’re good enough for you, sirs, good enough for you.’

“Then a lad would leave his fellows, and say with a shrug of his shoulders, and crestfallen like—

“‘If I must have one I will have this,
So away with you my pretty miss.’”

And then old Nana told us that the maids would laugh and the lads would jeer, for in turn each lad had to choose a lass, and sometimes the lass he had a mind to wouldn’t go.

A RING OF ROSES

Then Nana, after a short pause, said, “Then there be another game as us used to play. Ring of Roses, some used to call it, and others Grandfather’s Rheum. But I cannot remember but one verse—

“‘A ring, a ring of roses,
A pocket full of posies.
One for Jack, and one for Jan
And one for little Moses.
A-tisha, a-tisha, a-tisha.’

and the fun was who could sneeze loudest. I remember Mike Mallard and Mary Wilston was wonderful at it. ‘Yer’ll die in a sneeze,’ folk used to tell them.”

“Nana can you think of no more, just one more.” For Nana had beckoned to Bess to say good night and go.

“Yes,” I said, “just one more.”

So old Nana yielded to our united pleadings, asserted it must be only one, as it was high time for her lad and lass to be in bed, and ended by reciting aloud a strange old Shropshire rhyme—

“‘Walking up the green grass,
A dust, a frust, a dust.
We want a pretty maid
To walk along with us.’

“The lads used to say that in a chorus,” Nana explained. “Then the maids would answer—

“‘Fiddle faddle—fiddle faddle.’

“Then the boys would say—

“‘We’ll take a pretty maid,
We’ll catch her by the hand,
She shall go to Derby,
For Derby be her land.
She shall have a duck, my dear,
She shall have a lamb,
Hers shall be a nice young man,
A-fighting for her sake.
“‘Suppose this young man was to die,
And leave the lass alone,
Our bells would ring, and we should sing
And clap our hands together.’

“And the maids said—

“‘Fiddle faddle—fiddle faddle.’”

“I don’t like it,” said Bess, impulsively. “Why should they all be jolly because the poor gentleman died?”

“THERE’S THINGS AS GIRLS CAN’T UNDERSTAND”

But Hals did not take that view. “There’s things,” he said loftily, “as girls can’t understand.”

At this Bess turned very red, and in the spirit of the modern woman declared, “What she couldn’t understand, Hals couldn’t neither.” And in deep dudgeon she followed Nana into the house.

As the little party passed out of the garden Hals called back to me, “We’ve forgotten Stag a Roarning. The best of all the games we’ve not told you about. One that I played last year with my papa at a school feast.”

The twilight turned into night. The servants came out, and I was helped back to the Chapel Hall. After all it had not been a dull afternoon. One can go many miles in one’s room, if one knows how to ride on the wings of fancy, and many is the garden that I had visited that day, borne along on the pinions of imagination, for were not the gardens of all time open to me? No dragons or mailed warriors guarded the entrance gates, not even a modern policeman.

An hour after dinner I found myself in bed. The window of my chamber was wide open, an old lancet window of Norman days, one out of which Roger de Montgomery may have gazed, and, later, many of the Henry’s of England in succession. All was very still outside. In the little bit of dark sapphire-blue sky that met my eye as I lay in bed, I saw a mist of silver stars, and the scent of the creepers entered with entrancing sweetness. I was no longer in pain, but not sleepy, so I stretched out my hand and took hold of a book. My hand closed upon a volume of Milton, well worn, and much used; for John Milton has a solemn, sacred power, and touches you with the solemnity of some grand chords heard upon a cathedral organ, and the melody of his verse is often welcome in this holy place. But it was not to his “Paradise Lost” or “Regained” that I turned, nor to his exquisite sonnets. I was in a lighter mood; I turned to the most beautiful masque that ever was written; whilst I thought of the most beautiful of all ruins, Ludlow Castle, the early home of Sir Philip Sidney, England’s ideal knight, and the mirror of her chivalry.

The plot of the masque arose from a simple little mishap which happened in the life of the actors. John Milton was then tutor to the Earl of Bridgewater’s sons, Lord Brackley and Thomas Egerton. On their way to Ludlow, the young party went through Haywood Forest in Herefordshire. Travelling with her brothers was the Lady Alice Egerton. Somehow, in the depth of the wilderness, the young lady was lost for a short time.

Out of this slender plot Milton constructed his masque of “Comus.” His friend, Henry Lawes, set his songs to music, and the fair Alice and her two brothers all appeared in the play on Michaelmas night and acted at Ludlow Castle before their parents and assembled guests. As I lay in bed the grace and the charm of the masque returned to me. I thought in the tranquillity of the summer evening I heard the lady calling—

“Sweet Echo, sweetest nymph, that lives unseen
Within thy airy shell,
By slow meander’s margent green,
And in the violet-embroidered vale
Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
That likest thy narcissus are?
O, if thou have
Hid them in some flowery cave
Tell me where?
Sweet queen of parley, daughter of the sphere,
So mayest thou be translated to the skies
And give resounding grace to all heaven’s harmonies.”
THE MASQUE OF “COMUS”

How prettily the lines must have sounded, not through wood and glade, but through the stately presence chamber of Ludlow Castle to the graceful tinkling music Lawes had written for them. The earl and countess sat, I have read, in all the state of the Marches Court in the front row, and were surrounded by neighbours and dependents. There is the grace of great things in “Comus,” and a grace and finished purity of soul that have seldom belonged to youth.

The elder brother’s speech is worthy of Shakespeare—

“He that has light within his own clear breast,
May sit in the centre and enjoy bright day.
But he, that hides a dark soul and foul thoughts,
Benighted walks under the mid-day sun;
Himself is his own dungeon.”

What happened to fair Alice, I have often asked myself, in the time of trouble that was soon to come? I have never been able to find out much, save that she married Lord Carberry, and lived with him at his seat of Golden Grove.

In the unbroken calm, the old world seemed very near me. Ghosts, once dear to Ludlow, seemed to breathe around me. The little princes, with their fair curls, smiled upon me from the threshold of life; Prince Arthur, Sir Philip Sidney, Alice and her brothers, and Milton in the dawn of his poet’s career; ill-fated Charles; and brilliant, but broken-hearted, Butler. I thought of all of them, whilst the wind stirred faintly the summer leaves. At last I sank into repose. Sweet dreams are those suggested by old-world ghosts, and when the spirit is lulled by the graces of another age. I lay half-dreaming, half-awake, and thought of John Milton, young and beautiful, with the fire of inspiration in his deep grey-blue eyes. A man of wonderful learning and grace. A master swordsman, inasmuch as it was true of him “that he was not afraid of resenting an affront from any man.” Of deep erudition, for Hebrew, Chaldee, and Syriac were all known to him, besides being well versed in Italian, French, and Spanish. He could repeat aloud, I have heard, many portions of Homer. I thought of him later giving himself up to the delights of music, of which he was a master, as was his father; playing, it is said, both on the organ and on other instruments. He was also a composer, like his friend Henry Lawes, though none of his compositions have reached us. Certainly, as Bishop Newton wrote of him, “he was a man of great parts, for his was a quick apprehension, a sublime imagination, a strong memory, a piercing judgment, and a wit always ready.”

The next day I sat out after breakfast. It was delicious weather. Soft rain had fallen during the night towards dawn, and refreshed the earth. I had begun to answer letters on a little bed-table, when my solitude was interrupted by the appearance of Auguste. He approached my couch with a profound bow. Under his arm was a book bound in vellum, and bearing on the side an inscription in manuscript. He advanced, placed both heels together, and then bowed profoundly.

Madame se porte mieux?” he inquired.

I replied in the affirmative, and thanked him for his kind enquiries.

L’ŒUVRE DE GRAND-PAPA

There was a pause; then Auguste bowed again, and after a long string of courteous words, in which our cook trusted that “le bon Dieu ferait vite son mÉtier,” and in which he assured me that he prayed that I should be soon restored to health, he put beside me “le cahier blanc” that he had been holding. “C’est l’oeuvre de mon grand-pÈre,” he explained with pride. “Il Était cuisinier dans la famille d’un marÉchal de l’Empire,” and added, “madame peut copier ce dont elle a besoin.

I felt overwhelmed at this proposal, for I realized that poor Auguste was giving me what he prized most in the world. Perhaps the great Napoleon had supped off grandpapa’s entrÉes, or Josephine had tasted an ice or some brioche made by grandpapa’s hands. These recipes have for Auguste the mysticism of the lore of Merlin. They are, in his words, magnifiques, superbes, and the last words of culinary art. “Mes secrets,” he generally calls them. Grand’maman bound them in white vellum, and the book has been handed down as a priceless heirloom in Auguste’s family.

I felt I could hardly thank my cook sufficiently for his kind thought. There Auguste stood in irreproachable white linen cap and coat. No prince could have believed that he could offer a more splendid gift, as he repeated, with a theatrical wave of his hand, “Madame peut tout copier.” And then added, with an indulgent smile, “Madame est malade, cela lui fera un plaisir Énorme.

I rose to the occasion and said, as “bonne mÉnagÈre.” I found it difficult to express my gratitude.

At this Auguste retired a step, and then, with a courtly bow, exclaimed grandly, his eye upon my embroidery which lay near on a chair, “Il faut que les artistes se consolent dans les jours de tristesse,” and so saying, vanished to reign over his own kingdom.

A little later Burbidge came in to see me. In his hand he held a bunch of roses, neatly tied with green matting, a new fad of mine. Amongst the roses that he had brought me, I found a lovely Caroline Testout, of great size and beauty, of a delicate pink with a glow of richer colour in the centre. Then there was an open bud of charming ThÉrÈse Levet, and a full blown splendour of Archiduchesse Marie Immaculata, with its curious red-brick tints; and two or three blossoms of the dear old-fashioned Prince Camille de Rohan of a deep, brownish crimson hue.

“Here’s a few on ’em, just a sprinklin’,” said Burbidge. “But oh, ’tis a pity as yer can’t see ’em growin’! The sop of rain has brought ’em out, like the sunshine brings out chickens from under a hen’s wing. They be popping and peering in the garden, as if they had the Lord Almighty to look at ’em Hisself.”

“Perhaps He is,” I said with a smile.

To this Burbidge didn’t give direct assent, but like a true Shropshire man, he declared that it was his belief, if the Lord was on earth, it might pleasure Him to see the place, for the whole of the red-walled garden was a garland of flowers. “There be irises, and roses, and peonies; and it be hard to tell the colours. There be all sorts and all shades, most like a glass window in the Abbey Church at Shrewsbury.” And Burbidge added, with that true sense of poetry that belongs to the peasant, that “the Wrekin doves they be cooing and fluttering round the firs, same as in a real poem.”

A POSY OF ROSES

Burbidge laid the bunch of roses close beside me, for they had slipped off the sofa whilst he was talking. Before going, he vouchsafed the information that there be a Reine d’Angleterre three parts in blow. He pronounced the French words strangely, but I understood from many talks what was meant in Gallic, and that he would bring it to me. “And ’tis a great deal, I think, the sight of a new rose—leastways, ’tis to me; for it allus pleases, and it never can be uncivil like many Christians,” he said. After which profound dictum, my good old gardener hobbled off. These kind gifts and little attentions touched me. I appreciated much Auguste’s thoughtful kindness, and Burbidge’s pity for my misfortune, for it was his invariable rule that a “first blow,” must show itself first in a garden. “Don’t ’e interfere with the Lord’s system,” he once said to me, when I wanted to gather a new tree peony. “Let it pleasure itself first time in the garden, and arter yer may please yerself.”

I smelt my bunch of roses, the fragrance was delicious, soft and sweet, and only to be fully appreciated by dipping one’s nose well into the centre of the sweetest.

Certainly a rose is a lovely flower, and it is wonderful what gardeners have done to tend, improve, and develop it, and it was hard to imagine that any of the great double complex blossoms that I held in my hand, were first cousin, and lineally descended from the wild rose of the hedges. Yet delicious as roses are, and beloved by most men, and women, there have been, and may be, for aught I know, some who still cordially hate them, as cordially as Lord Roberts is said to dislike the presence of a cat, or a certain Duchess that I have been told of, the approach of horses.

Marguerite of Navarre, the wife of Henry IV. of France, is said to have found the perfume of roses so repellent, that she fainted if one was brought her; and I remember in Evelyn’s Diary of 1670, an account of a dinner-party at Goring House, in which he tells us that, “Lord Stafford rose from table in some disorder, because there were roses stuck about the fruit at dessert.”

Sir Kenelm Digby also told a story of the same kind of Lady Selenger (St. Leger). Her antipathy to this flower he declared to have been so great, that some one laying a rose beside her cheek when asleep, thereby caused a blister to rise. Whether the story was true it is too long ago to tell; but by all accounts Sir Kenelm “was a teller of strange things.”

Whilst I was thinking over these old-world stories, I was suddenly interrupted by the entrance of my little girl.

“Oh, mamma,” cried Bess, with tears in her eyes, “only to think he—Hals—has to go, to go in two days.”

“Do not cry, little one,” I replied. “Papa and I have settled that I am to go off for a week to the seaside, and you shall come too; and even Mouse shall have her ticket.”

At this Bess was comforted, for the prospect of the sea, the sands, and a spade of her very own, were very consolatory. But the day that little Hals left us, she came to me just before going off to bed.

“Mum,” she said, “I’ve been thinking.”

“Yes, dear,” I replied.

“I’ve been thinking,” pursued Bess, “that somehow there ought to be—a way to keep a boy. Grown-up girls have husbands, I know,” she said. Then, after a momentary pause, “You have a great, great book of Harrod’s. Surely, somewhere, mamsie, they have a boy stall.”

I laughed and kissed my little girl. “We are poor creatures,” I said, “we girls and women. We have all for centuries wanted to buy some boy, and haven’t yet found out where or how to do it.”

“GOOD-BYE! GOOD-BYE!”

A few days later, Bess and I found ourselves on the Wenlock station platform. Masses of boxes surrounded us, and Mouse, with a label tied to her collar, sat watching us intently.

“Why aren’t you glad to go—glad as I am, mamsie?” cried Bess, impetuously. “You know the doctor said that it would make you quite better, and we can bathe together in the sea. Besides,” added my little maid, with wisdom beyond her years, “if you only go, you are always much gladder to come back.”

We jumped into a carriage, and Mouse looked out of the window. Burbidge took my last injunctions. Then the train moved off, and the ruins and old town of Wenlock faded before my eyes. “Good-bye, dear old place!” I murmured. And as we dashed on, faintly sounding on the breeze, I caught the last notes of the distant chimes—“Good-bye! Good-bye!”

                                                                                                                                                                                                                                                                                                           

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