Elizabeth Cleghorn Gaskell

I. POETRY

II. ARTICLES AND SKETCHES

Poetry was not Mrs. Gaskell’s forte, but her poetical instinct revealed itself especially in her prose idylls—Cranford and Cousin Phillis.

Almost all her articles and sketches were written for Household Words and All the Year Round, though Mrs. Gaskell’s fame rests on her novels. Charles Dickens eagerly secured Mrs. Gaskell as a regular contributor to his magazine, and her versatility was shown by the many different subjects which she discussed with so much ability.

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Poetry

Sketches Among the Poor

Blackwood’s Magazine, January, 1837

No. I

This poem was written by Mrs. Gaskell in collaboration with her husband, and is her first published work. Writing to Mary Howitt in 1838, she says: “We once thought of trying to write sketches among the poor, rather in the manner of Crabbe (now don’t think this presumptuous), but in a more seeing-beauty spirit; and one—the only one—was published in Blackwood, January, 1837. But I suppose we spoke our plan near a dog rose, for it never went any further.” The poem is interesting, as it foreshadows Mrs. Gaskell’s sympathetic insight into the lives of the poor, and is a worthy prelude to her first novel, for the character of “Mary” is based on the same original as “Old Alice” in Mary Barton.

In childhood’s days, I do remember me

Of one dark house behind an old elm tree,

By gloomy streets surrounded, where the flower

Brought from the fresher air, scarce for an hour

Retained its fragrant scent; yet men lived there,

Yea, and in happiness; the mind doth clear

In most dense airs its own bright atmosphere.

But in the house of which I spake there dwelt

One by whom all the weight of smoke was felt.

She had o’erstepped the bound ’twixt youth and age

A single, not a lonely, woman, sage

And thoughtful ever, yet most truly kind:

Without the natural ties, she sought to bind

Hearts unto hers, with gentle, useful love,

Prompt at each change in sympathy to move.

And so she gained the affection, which she prized

From every living thing, howe’er despised—

A call upon her tenderness whene’er

The friends around her had a grief to share;

And, if in joy the kind one they forgot,

She still rejoiced, and more was wanted not.

Said I not truly, she was not alone,

Though none at evening shared her clean hearthstone?

To some she might prosaic seem, but me

She always charmed with daily poesy.

Felt in her every action, never heard,

E’en as the mate of some sweet singing-bird,

That mute and still broods on her treasure-nest,

Her heart’s fond hope hid deep within her breast.

In all her quiet duties, one dear thought

Kept ever true and constant sway, not brought

Before the world, but garnered all the more

For being to herself a secret store.

Whene’er she heard of country homes, a smile

Came brightening o’er her serious face the while;

She knew not that it came, yet in her heart

A hope leaped up, of which that smile was part.

She thought the time might come, e’er yet the bowl

Were broken at the fountain, when her soul

Might listen to its yearnings, unreproved

By thought of failure to the cause she loved;

When she might leave the close and noisy street,

And once again her childhood’s home might greet.

It was a pleasant place, that early home!

The brook went singing by, leaving its foam

Among the flags and blue forget-me-not;

And in a nook, above that shelter’d spot,

For ages stood a gnarlÈd hawthorn-tree;

And if you pass’d in spring-time, you might see

The knotted trunk all coronal’d with flowers,

That every breeze shook down in fragrant showers;

The earnest bees in odorous cells did lie,

Hymning their thanks with murmuring melody;

The evening sun shone brightly on the green,

And seem’d to linger on the lonely scene.

And, if to others Mary’s early nest

Show’d poor and homely, to her loving breast

A charm lay hidden in the very stains

Which time and weather left; the old dim panes,

The grey rough moss, the house-leek, you might see

Were chronicled in childhood’s memory;

And in her dreams she wander’d far and wide

Among the hills, her sister at her side—

That sister slept beneath a grassy tomb

Ere time had robbed her of her first sweet bloom.

O Sleep! thou bringest back our childhood’s heart,

Ere yet the dew exhale, the hope depart;

Thou callest up the lost ones, sorrow’d o’er

Till sorrow’s self hath lost her tearful power;

Thine is the fairy-land, where shadows dwell,

Evoked in dreams by some strange hidden spell.

But Day and Waking have their dreams, O Sleep,

When Hope and Memory their fond watches keep;

And such o’er Mary held supremest sway,

When kindly labours task’d her hands all day.

Employ’d her hands, her thoughts roam’d far and free,

Till sense call’d down to calm reality.

A few short weeks, and then, unbound the chains

Which held her to another’s woes or pains,

Farewell to dusky streets and shrouded skies,

Her treasur’d home should bless her yearning eyes,

And fair as in the days of childish glee

Each grassy nook and wooded haunt should be.

Yet ever, as one sorrow pass’d away,

Another call’d the tender one to stay,

And, where so late she shared the bright glad mirth,

The phantom Grief sat cowering at the hearth.

So days and weeks pass’d on and grew to years,

Unwept by Mary, save for others’ tears.

As a fond nurse, that from the mother’s breast

Lulls the tired infant to its quiet rest,

First stills each sound, then lets the curtain fall

To cast a dim and sleepy light o’er all,

So age grew gently o’er each wearied sense

A deepening shade to smooth the parting hence.

Each cherish’d accent, each familiar tone

Fell from her daily music, one by one;

Still her attentive looks could rightly guess

What moving lips by sound could not express,

O’er each loved face next came a filmy veil,

And shine and shadow from her sight did fail.

And, last of all, the solemn change they saw

Depriving Death of half its regal awe;

The mind sank down to childishness, and they,

Relying on her counsel day by day

(As some lone wanderer, from his home afar,

Takes for his guide some fix’d and well-known star,

Till clouds come wafting o’er its trembling light,

And leave him wilder’d in the pathless night),

Sought her changed face with strange uncertain gaze,

Still praying her to lead them through the maze.

They pitied her lone fate, and deemed it sad;

Yet as in early childhood she was glad;

No sense had she of change, or loss of thought,

With those around her no communion sought;

Scarce knew she of her being. Fancy wild

Had placed her in her father’s house a child;

It was her mother sang her to her rest;

The lark awoke her, springing from his nest;

The bees sang cheerily the live long day,

Lurking ’mid flowers wherever she did play;

The Sabbath bells rang as in years gone by,

Swelling and falling on the soft wind’s sigh;

Her little sisters knelt with her in prayer,

And nightly did her father’s blessing share;

So, wrapt in glad imaginings, her life

Stole on with all her sweet young memories rife.

I often think (if by this mortal light

We e’er can read another’s lot aright),

That for her loving heart a blessing came,

Unseen by many, clouded by a name;

And all the outward fading from the world

Was like the flower at night, when it has furled

Its golden leaves, and lapped them round its heart,

To nestle closer in its sweetest part.

Yes! angel voices called her childhood back,

Blotting out life with its dim sorrowy track;

Her secret wish was ever known in heaven,

And so in mystery was the answer given.

In sadness many mourned her latter years,

But blessing shone behind that mist of tears,

And, as the child she deemed herself, she lies

In gentle slumber, till the dead shall rise.

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Articles and Sketches

Clopton Hall

From W. Howitt’s Visits to Remarkable Places, 1840

This account of a visit to Clopton House, written in 1838, is Mrs. Gaskell’s first separate contribution to literature. It took the form of a letter addressed to William Howitt, after reading his Visits to Remarkable Places, and was included in his Visit to Stratford-on-Avon, published in 1840. The Mr. and Mrs. W? mentioned here are Mr. and Mrs. Wyatt. The oil-painting of Charlotte Clopton “with paly gold hair” now hangs on the staircase of Clopton House.

I wonder if you know Clopton Hall, about a mile from Stratford-on-Avon. Will you allow me to tell you of a very happy day I once spent there? I was at school in the neighbourhood, and one of my schoolfellows was the daughter of a Mr. W?, who then lived at Clopton. Mrs. W? asked a party of the girls to go and spend a long afternoon, and we set off one beautiful autumn day, full of delight and wonder respecting the place we were going to see. We passed through desolate half-cultivated fields, till we came within sight of the house—a large, heavy, compact, square brick building, of that deep, dead red almost approaching to purple. In front was a large formal court, with the massy pillars surmounted with two grim monsters; but the walls of the court were broken down, and the grass grew as rank and wild within the enclosure as in the raised avenue walk down which we had come. The flowers were tangled with nettles, and it was only as we approached the house that we saw the single yellow rose and the Austrian briar trained into something like order round the deep-set diamond-paned windows. We trooped into the hall, with its tesselated marble floor, hung round with strange portraits of people who had been in their graves two hundred years at least; yet the colours were so fresh, and in some instances they were so life-like, that looking merely at the faces, I almost fancied the originals might be sitting in the parlour beyond. More completely to carry us back, as it were, to the days of the civil wars, there was a sort of military map hung up, well finished with pen and ink, shewing the stations of the respective armies, and with old-fashioned writing beneath, the names of the principal towns, setting forth the strength of the garrison, etc. In this hall we were met by our kind hostess, and told we might ramble where we liked, in the house or out of the house, taking care to be in the ‘recessed parlour’ by tea-time. I preferred to wander up the wide shelving oak staircase, with its massy balustrade all crumbling and worm-eaten. The family then residing at the hall did not occupy one-half—no, not one-third of the rooms; and the old-fashioned furniture was undisturbed in the greater part of them. In one of the bed-rooms (said to be haunted), and which, with its close pent-up atmosphere and the long shadows of evening creeping on, gave me an ‘eerie’ feeling, hung a portrait so singularly beautiful! a sweet-looking girl, with paly gold hair combed back from her forehead and falling in wavy ringlets on her neck, and with eyes that ‘looked like violets filled with dew,’ for there was the glittering of unshed tears before their deep dark blue—and that was the likeness of Charlotte Clopton, about whom there was so fearful a legend told at Stratford church. In the time of some epidemic, the sweating-sickness or the plague, this young girl had sickened, and to all appearance died. She was buried with fearful haste in the vaults of Clopton chapel, attached to Stratford church, but the sickness was not stayed. In a few days another of the Cloptons died, and him they bore to the ancestral vault; but as they descended the gloomy stairs, they saw by the torchlight, Charlotte Clopton in her grave-clothes leaning against the wall; and when they looked nearer, she was indeed dead, but not before, in the agonies of despair and hunger, she had bitten a piece from her white, round shoulder! Of course, she had walked ever since. This was ‘Charlotte’s chamber,’ and beyond Charlotte’s chamber was a state-chamber carpeted with the dust of many years, and darkened by the creepers which had covered up the windows, and even forced themselves in luxuriant daring through the broken panes. Beyond, again, there was an old Catholic chapel, with a chaplain’s room, which had been walled up and forgotten till within the last few years. I went in on my hands and knees, for the entrance was very low. I recollect little in the chapel; but in the chaplain’s room were old, and I should think rare, editions of many books, mostly folios. A large yellow-paper copy of Dryden’s ‘All for Love, or the World Well Lost,’ date 1686, caught my eye, and is the only one I particularly remember. Every here and there, as I wandered, I came upon a fresh branch of a staircase, and so numerous were the crooked, half-lighted passages, that I wondered if I could find my way back again. There was a curious carved old chest in one of these passages, and with girlish curiosity I tried to open it; but the lid was too heavy, till I persuaded one of my companions to help me, and when it was opened, what do you think we saw?—BONES!—but whether human, whether the remains of the lost bride, we did not stay to see, but ran off in partly feigned and partly real terror.

The last of these deserted rooms that I remember, the last, the most deserted, and the saddest was the Nursery—a nursery without children, without singing voices, without merry chiming footsteps! A nursery hung round with its once inhabitants, bold, gallant boys, and fair, arch-looking girls, and one or two nurses with round, fat babies in their arms. Who were they all? What was their lot in life? Sunshine, or storm? or had they been ‘loved by the gods, and died young?’ The very echoes knew not. Behind the house, in a hollow now wild, damp, and overgrown with elder-bushes, was a well called Margaret’s Well, for there had a maiden of the house of that name drowned herself.

I tried to obtain any information I could as to the family of Clopton of Clopton. They had been decaying ever since the civil wars; had for a generation or two been unable to live in the old house of their fathers, but had toiled in London, or abroad, for a livelihood; and the last of the old family, a bachelor, eccentric, miserly, old, and of most filthy habits, if report said true, had died at Clopton Hall but a few months before, a sort of boarder in Mr. W?’s family. He was buried in the gorgeous chapel of the Cloptons in Stratford Church, where you see the banners waving, and the armour hung over one or two splendid monuments. Mr. W? had been the old man’s solicitor, and completely in his confidence, and to him he left the estate, encumbered and in bad condition. A year or two afterwards, the heir-at-law, a very distant relation living in Ireland, claimed and obtained the estate, on the plea of undue influence, if not of forgery, on Mr. W?’s part; and the last I heard of our kind entertainers on that day was that they were outlawed, and living at Brussels.

A Greek Wedding

From “Modern Greek Songs,” Household Words, 1854

Mrs. Gaskell was a keen student of popular customs and traditions, and several of her articles prove how observant and delightfully inquisitive she always was, where an opportunity of investigating any tradition or custom presented itself.

Now let us hear about the marriage-songs. Life seems like an opera amongst the modern Greeks; all emotions, all events, require the relief of singing. But a marriage is a singing time among human beings as well as birds. Among the Greeks the youth of both sexes are kept apart, and do not meet excepting on the occasion of some public feast, when the young Greek makes choice of his bride, and asks her parents for their consent. If they give it, all is arranged for the betrothal; but the young people are not allowed to see each other again until that event. There are parts of Greece where the young man is allowed to declare his passion himself to the object of it. Not in words, however, does he breathe his tender suit. He tries to meet with her in some path, or other place in which he may throw her an apple or a flower. If the former missile be chosen, one can only hope that the young lady is apt at catching, as a blow from a moderately hard apple is rather too violent a token of love. After this apple or flower throwing, his only chance of meeting with his love is at the fountain; to which all Greek maidens go to draw water, as Rebekah went, of old, to the well.

The ceremony of betrothal is very simple. On an appointed evening, the relations of the lovers meet together in the presence of a priest, either at the house of the father of the future husband, or at that of the parents of the bride elect. After the marriage contract is signed, two young girls bring in the affianced maiden—who is covered all over with a veil—and present her to her lover, who takes her by the hand, and leads her up to the priest. They exchange rings before him, and he gives them his blessing. The bride then retires; but all the rest of the company remain, and spend the day in merry-making and drinking the health of the young couple. The interval between the betrothal and the marriage may be but a few hours; it may be months and it may be years; but, whatever the length of time, the lovers must never meet again until the wedding day comes. Three or four days before that time, the father or mother of the bride send round their notes of invitation; each of which is accompanied by the present of a bottle of wine. The answers come in with even more substantial accompaniments. Those who have great pleasure in accepting, send a present with their reply; the most frequent is a ram or lamb dressed up with ribands and flowers; but the poorest send their quarter of mutton as their contribution to the wedding-feast.

The eve of the marriage, or rather during the night, the friends on each side go to deck out the bride and groom for the approaching ceremony. The bridegroom is shaved by his paranymph or groom’s man, in a very grave and dignified manner, in the presence of all the young ladies invited. Fancy the attitude of the bridegroom, anxious and motionless under the hands of his unpractised barber, his nose held lightly up between a finger and thumb, while a crowd of young girls look gravely on at the graceful operation! The bride is decked, for her part, by her young companions; who dress her in white, and cover her all over with a long veil made of the finest stuff. Early the next morning the young man and all his friends come forth, like a bridegroom out of his chamber, to seek the bride, and carry her off from her father’s house. Then she, in songs as ancient as the ruins of the old temples that lie around her, sings her sorrowful farewell to the father who has cared for her and protected her hitherto; to the mother who has borne her and cherished her; to the companions of her maidenhood; to her early home; to the fountain whence she daily fetched water; to the trees which shaded her childish play; and every now and then she gives way to natural tears; then, according to immemorial usage, the paranymph turns to the glad yet sympathetic procession and says in a sentence which has become proverbial on such occasions—“Let her alone! she weeps!” To which she must make answer, “Lead me away, but let me weep!” After the cortÈge has borne the bride to the house of her husband, the whole party adjourn to church, where the religious ceremony is performed. Then they return to the dwelling of the bridegroom, where they all sit down and feast; except the bride, who remains veiled, standing alone, until the middle of the banquet, when the paranymph draws near, unlooses the veil, which falls down, and she stands blushing, exposed to the eyes of all the guests. The next day is given up to the performance of dances peculiar to a wedding. The third day the relations and friends meet all together, and lead the bride to the fountain, from the waters of which she fills a new earthen vessel; and into which she throws various provisions. They afterwards dance in circles round the fountain.

Tenir un Salon

From “Company Manners,” Household Words, 1854

This article gives an insight into the remark which has often been made, “if anybody in Manchester knew how tenir un salon it was certainly Mrs. Gaskell”; she studied and practised the art of entertaining to perfection.

Madame de SablÉ had all the requisites which enabled her tenir un salon with honour to herself and pleasure to her friends.

Apart from this crowning accomplishment, the good French lady seems to have been commonplace enough. She was well-born, well-bred, and the company she kept must have made her tolerably intelligent. She was married to a dull husband, and doubtless had her small flirtations after she early became a widow; M. Cousin hints at them, but they were never scandalous or prominently before the public. Past middle life, she took to the process of “making her salvation,” and inclined to the Port-Royalists. She was given to liking dainty things to eat, in spite of her Jansenism. She had a female friend that she quarrelled with, off and on, during her life. And (to wind up something like Lady O’Looney, of famous memory) she knew how tenir un salon. M. Cousin tells us that she was remarkable in no one thing or quality, and attributes to that single, simple fact the success of her life.

Now, since I have read these memoirs of Madame de SablÉ, I have thought much and deeply thereupon. At first, I was inclined to laugh at the extreme importance which was attached to this art of “receiving company”—no, that translation will not do!—“holding a drawing-room” is even worse, because that implies the state and reserve of royalty;—shall we call it the art of “SablÉing”? But when I thought of my experience in English society—of the evenings dreaded before they came, and sighed over in recollection, because they were so ineffably dull—I saw that, to SablÉ well, did require, as M. Cousin implied, the union of many excellent qualities and not-to-be-disputed little graces. I asked some French people if they could give me the recipe, for it seemed most likely to be traditional, if not still extant in their nation. I offer to you their ideas, fragmentary though they be, and then I will tell you some of my own; at last, perhaps, with the addition of yours, oh most worthy readers! we may discover the lost art of SablÉing.

Said the French lady: “A woman to be successful in SablÉing must be past youth, yet not past the power of attracting. She must do this by her sweet and gracious manners, and quick, ready tact in perceiving those who have not had their share of attention, or leading the conversation away from any subject which may give pain to any one present.” “Those rules hold good in England,” said I. My friend went on: “She should never be prominent in anything; she should keep silence as long as anyone else will talk; but, when conversation flags, she should throw herself into the breach with the same spirit with which I notice that the young ladies of the house, where a ball is given, stand quietly by till the dancers are tired, and then spring into the arena, to carry on the spirit and the music till the others are ready to begin again.”

“But,” said the French gentleman, “even at this time, when subjects for conversation are wanted, she should rather suggest than enlarge—ask questions rather than give her own opinions.”

“To be sure,” said the lady. “Madame RÉcamier, whose salons were the most perfect of this century, always withheld her opinions on books, or men, or measures, until all around her had given theirs; then she, as it were, collected and harmonised them, saying a kind thing here, and a gentle thing there, and speaking ever with her own quiet sense, till people the most oppressed learnt to understand each other’s point of view, which it is a great thing for opponents to do.”

“Then the number of the people whom you receive is another consideration. I should say not less than twelve or more than twenty,” continued the gentleman. “The evenings should be appointed—say weekly—fortnightly at the beginning of January, which is our season. Fix an early hour for opening the room. People are caught then in their freshness, before they become exhausted by other parties.”

The lady spoke: “For my part, I prefer catching my friends after they have left the grander balls or receptions. One hears then the remarks, the wit, the reason, and the satire which they had been storing up during the evening of imposed silence or of ceremonious speaking.”

“A little good-humoured satire is a very agreeable sauce,” replied the gentleman, “but it must be good-humoured, and the listeners must be good-humoured; above all, the conversation must be general, and not the chat, chat, chat up in a corner, by which the English so often distinguish themselves. You do not go into society to exchange secrets with your intimate friends; you go to render yourselves agreeable to everyone present, and to help all to pass a happy evening.”

“Strangers should not be admitted,” said the lady, taking up the strain. “They would not start fair with the others; they would be ignorant of the allusions that refer to conversations on the previous evenings; they would not understand the—what shall I call it—slang? I mean those expressions having relation to past occurrences, or bygone witticisms common to all those who are in the habit of meeting.”

“Madame de Duras and Madame RÉcamier never made advances to any stranger. Their salons were the best that Paris has known in this generation. All who wished to be admitted had to wait and prove their fitness by being agreeable elsewhere: to earn their diploma, as it were, among the circle of these ladies’ acquaintances; and, at last, it was a high favour to be received by them.”

“They missed the society of many celebrities by adhering so strictly to this unspoken rule,” said the gentleman.

“Bah!” said the lady. “Celebrities! what has one to do with them in society? As celebrities, they are simply bores. Because a man has discovered a planet, it does not follow that he can converse agreeably, even on his own subjects; often people are drained dry by one action or expression of their lives—drained dry for all the purposes of a ‘salon.’ The writer of books, for instance, cannot afford to talk twenty pages for nothing, so he is either profoundly silent, or else he gives you the mere rinsings of his mind. I am speaking now of him as a mere celebrity, and justifying the wisdom of the ladies we were speaking of, in not seeking after such people; indeed, in being rather shy of them. Some of their friends were the most celebrated people of their day, but they were received in their old capacity of agreeable men; a higher character, by far. Then,” said she, turning to me, “I believe that you English spoil the perfection of conversation by having your rooms brilliantly lighted for an evening, the charm of which depends on what one hears, as for an evening when youth and beauty are to display themselves among flowers and festoons, and every kind of pretty ornament. I would never have a room affect people as being dark on their first entrance into it; but there is a kind of moonlight as compared to sunlight, in which people talk more freely and naturally; where shy people will enter upon a conversation without a dread of every change of colour or involuntary movement being seen—just as we are always more confidential over a fire than anywhere else—as women talk most openly in the dimly-lighted bedroom at curling-time.”

“Away with your shy people,” said the gentleman. “Persons who are self-conscious, thinking of an involuntary redness or paleness, an unbecoming movement of the countenance, more than the subject of which they are talking, should not go into society at all. But, because women are so much more liable to this nervous weakness than men, the preponderance of people in a salon should always be on the side of the men.”

I do not think I gained more hints as to the lost art from my French friends. Let us see if my own experience in England can furnish any more ideas.

First, let us take the preparations to be made before our house, our room, or our lodgings can be made to receive society. Of course, I am not meaning the preparations needed for dancing or musical evenings. I am taking those parties which have pleasant conversation and happy social intercourse for their affirmed intention. They may be dinners, suppers, tea—I don’t care what they are called, provided their end is defined. If your friends have not dined, and it suits you to give them a dinner, in the name of Lucullus, let them dine; but take care that there shall be something besides the mere food and wine to make their fattening agreeable at the time and pleasant to remember, otherwise you had better pack up for each his portions of the dainty dish, and send it separately, in hot-water trays, so that he can eat comfortably behind a door, like Sancho Panza, and have done with it. And yet I don’t see why we should be like ascetics; I fancy there is a grace of preparation, a sort of festive trumpet call, that is right and proper to distinguish the day on which we receive our friends from common days, unmarked by such white stones. The thought and care we take for them to set before them of our best, may imply some self-denial on our less fortunate days. I have been in houses where all, from the scullion-maid upward, worked double tides gladly, because “Master’s friends” were coming; and every thing must be nice, and good, and all the rooms must look bright, and clean, and pretty. And, as “a merry heart goes all the way,” preparations made in this welcoming, hospitable spirit, never seem to tire anyone half so much as where servants instinctively feel that it has been said in the parlour, “We must have so-and-so,” or “Oh, dear! we have never had the so-and-so’s.” Yes, I like a little pomp, and luxury, and stateliness, to mark our happy days of receiving friends as a festival; but I do not think I would throw my power of procuring luxuries solely into the eating and drinking line.

My friends would probably be surprised (some wear caps, and some wigs) if I provided them with garlands of flowers, after the manner of the ancient Greeks; but, put flowers on the table (none of your shams, wax or otherwise; I prefer an honest wayside root of primroses, in a common vase of white ware, to the grandest bunch of stiff rustling artificial rarities in a silver Épergne). A flower or two by the side of each person’s plate would not be out of the way, as to expense, and would be a very agreeable, pretty piece of mute welcome. Cooks and scullion-maids, acting in the sympathetic spirit I have described, would do their very best, from boiling the potatoes well, to sending in all the dishes in the best possible order. I think I would have every imaginary dinner sent up on the “original” Mr. Walker’s plan; each dish separately, hot and hot. I have an idea that, when I go to live in Utopia (not before next Christmas), I will have a kind of hot-water sideboard, such as I think I have seen in great houses, and that nothing shall appear on the table but what is pleasant to the eye. However simple the food, I would do it and my friends (and may I not add the Giver?) the respect of presenting it at table as well-cooked, as eatable, as wholesome as my poor means allowed; and to this end rather than to a variety of dishes, would I direct my care. We have no associations with beef and mutton; geese may remind us of the Capitol, and peacocks of Juno; a pigeon-pie, of the simplicity of Venus’ doves, but who thinks of the leafy covert which has been her home in life, when he sees a roasted hare? Now, flowers as an ornament do lead our thoughts away from their present beauty and fragrance. I am almost sure Madame de SablÉ had flowers in her salon; and, as she was fond of dainties herself, I can fancy her smooth benevolence of character, taking delight in some personal preparations made in the morning for the anticipated friends of the evening. I can fancy her stewing sweetbreads in a silver saucepan, or dressing salad with her delicate, plump, white hands—not that I ever saw a silver saucepan. I was formerly ignorant enough to think that they were only used in the Sleeping Beauty’s kitchen, or in the preparations for the marriage of Ricquet-with-the-Tuft; but I have been assured that there are such things, and that they impart a most delicate flavour, or no flavour to the victuals cooked therein; so I assert again, Madame de SablÉ cooked sweetbreads for her friends in a silver saucepan; but never to fatigue herself with those previous labours. She knew the true taste of her friends too well; they cared for her, firstly, as an element in their agreeable evening—the silver saucepan in which they were all to meet; the oil in which their several ingredients were to be softened of what was harsh or discordant—very secondary would be their interest in her sweetbreads.

“Of sweetbreads they’ll get mony an ane,

Of SablÉ ne’er anither.”

On Furnishing, Conversation, and Games

From “Company Manners,” Household Words, 1854

I heard, or read, lately, that we make a great mistake in furnishing our reception-rooms with all the light and delicate colours, the profusion of ornament, and flecked and spotted chintzes, if we wish to show off the human face and figure; that our ancestors and the great painters knew better, with their somewhat sombre and heavy-tinted backgrounds, relieving, or throwing out into full relief, the rounded figure and the delicate peach-like complexion.

I fancy Madame de SablÉ’s salon was furnished with deep warm soberness of tone; lighted up by flowers, and happy animated people, in a brilliancy of dress which would be lost nowadays against our satin walls and flower-bestrewn carpets, and gilding, gilding everywhere. Then, somehow, conversation must have flowed naturally into sense or nonsense, as the case might be. People must have gone to her house well prepared for either lot. It might be that wit would come uppermost, sparkling, crackling, leaping, calling out echoes all around; or the same people might talk with all their might and wisdom, on some grave and important subject of the day, in that manner which we have got into the way of calling “earnest,” but which term has struck me as being slightly flavoured by cant, ever since I heard of an “earnest uncle.” At any rate, whether grave or gay, people did not go up to Madame de SablÉ’s salons with a set purpose of being either the one or the other. They were carried away by the subject of the conversation, by the humour of the moment. I have visited a good deal among a set of people who piqued themselves on being rational. We have talked what they called sense, but what I call platitudes, till I have longed, like Southey, in the “Doctor,” to come out with some interminable nonsensical word (Aballibogibouganorribo was his, I think) as a relief for my despair at not being able to think of anything more that was sensible. It would have done me good to have said it, and I could have started afresh on the rational tack. But I never did. I sank into inane silence, which I hope was taken for wisdom. One of this set paid a relation of mine a profound compliment, for so she meant it to be: “Oh, Miss F.; you are so trite!” But as it is not in everyone’s power to be rational, and “trite,” at all times and in all places, discharging our sense at a given place, like water from a fireman’s hose; and as some of us are cisterns rather than fountains, and may have our stores exhausted, why is it not more general to call in other aids to conversation, in order to enable us to pass an agreeable evening?

But I will come back to this presently. Only let me say that there is but one thing more tiresome than an evening when everybody tries to be profound and sensible, and that is an evening when everybody tries to be witty. I have a disagreeable sense of effort and unnaturalness at both times; but the everlasting attempt, even when it succeeds, to be clever and amusing is the worst of the two. People try to say brilliant rather than true things; they not only catch eager hold of the superficial and ridiculous in other persons and in events generally, but, from constantly looking out for subjects for jokes, and “mots,” and satire, they become possessed of a kind of sore susceptibility themselves, and are afraid of their own working selves, and dare not give way to any expression of feeling, or any noble indignation or enthusiasm. This kind of wearying wit is far different from humour, which wells up and forces its way out irrepressibly, and calls forth smiles and laughter, but not very far apart from tears. Depend upon it, some of Madame de SablÉ’s friends had been moved in a most abundant and genial measure. They knew how to narrate, too. Very simple, say you? I say, no! I believe the art of telling a story is born with some people, and these have it to perfection; but all might acquire some expertness in it, and ought to do so, before launching out into the muddled, complex, hesitating, broken, disjointed, poor, bald, accounts of events which have neither unity, nor colour, nor life, nor end in them, that one sometimes hears.

But as to the rational parties that are in truth so irrational, when all talk up to an assumed character instead of showing themselves what they really are, and so extending each other’s knowledge of the infinite and beautiful capacities of human nature—whenever I see the grave sedate faces, with their good but anxious expression, I remember how I was once, long ago, at a party like this; everyone had brought out his or her wisdom, and aired it for the good of the company; one or two had, from a sense of duty, and without any special living interest in the matter, improved us by telling us of some new scientific discovery, the details of which were all and each of them wrong, as I learnt afterwards; if they had been right, we should not have been any the wiser—and just at the pitch when any more useful information might have brought on congestion of the brain, a stranger to the town—a beautiful, audacious, but most feminine romp—proposed a game, and such a game, for us wise men of Gotham! But she (now long still and quiet after her bright life, so full of pretty pranks) was a creature whom all who looked on loved; and with grave, hesitating astonishment we knelt round a circular table at her word of command. She made one of the circle, and producing a feather out of some sofa pillow, she told us she should blow it up into the air, and whichever of us it floated near, must puff away to keep it from falling on the table. I suspect we all looked like Keeley in the “Camp at Chobham,” and were surprised at our own obedience to this ridiculous, senseless mandate, given with a graceful imperiousness, as if it were too royal to be disputed. We knelt on, puffing away with the utmost intentness, looking like a set of elderly—

“Fools!” No, my dear sir. I was going to say elderly cherubim. But making fools of ourselves was better than making owls, as we had been doing.

On Books

From “Company Manners,” Household Words, 1854

I have said nothing of books. Yet I am sure that, if Madame de SablÉ lived now, they would be seen in her salon as part of its natural indispensable furniture; not brought out, and strewed here and there when “company was coming,” but as habitual presences in her room, wanting which, she would want a sense of warmth and comfort and companionship. Putting out books as a sort of preparation for an evening, as a means for making it pass agreeably, is running a great risk. In the first place, books are by such people, and on such occasions, chosen more for their outside than their inside. And in the next, they are the “mere material with which wisdom (or wit) builds”; and if persons don’t know how to use the material, they will suggest nothing. I imagine Madame de SablÉ would have the volumes she herself was reading, or those which, being new, contained any matter of present interest, left about, as they would naturally be. I could also fancy that her guests would not feel bound to talk continually, whether they had anything to say or not, but that there might be pauses of not unpleasant silence—a quiet darkness out of which they might be certain that the little stars would glimmer soon. I can believe that in such pauses of repose, some one might open a book, and catch on a suggestive sentence, might dash off again into a full flow of conversation. But I cannot fancy any grand preparations for what was to be said among people, each of whom brought the best dish in bringing himself; and whose own store of living, individual thought and feeling, and mother-wit, would be indefinitely better than any cut-and-dry determination to devote the evening to mutual improvement. If people are really good and wise, their goodness and their wisdom flow out unconsciously, and benefit like sunlight. So, books for reference, books for impromptu suggestion, but never books to serve for texts to a lecture. Engravings fall under something like the same rules. To some they say everything; to ignorant and unprepared minds, nothing. I remember noticing this in watching how people looked at a very valuable portfolio belonging to an acquaintance of mine, which contained engraved and authentic portraits of almost every possible person; from king and kaiser down to notorious beggars and criminals; including all the celebrated men, women, and actors, whose likenesses could be obtained. To some, this portfolio gave food for observation, meditation, and conversation. It brought before them every kind of human tragedy—every variety of scenery and costume and grouping in the background, thronged with figures called up by their imagination. Others took them up and laid them down, simply saying, “This is a pretty face!” “Oh, what a pair of eyebrows!” “Look at this queer dress!”

Yet, after all, having something to take up and to look at is a relief, and of use to persons who, without being self-conscious, are nervous from not being accustomed to society, O Cassandra! Remember when you, with your rich gold coins of thought, with your noble power of choice expression, were set down, and were thankful to be set down, to look at some paltry engravings, just because people did not know how to get at your ore, and you did not care a button whether they did or not, and were rather bored by their attempts, the end of which you never found out. While I, with my rattling tinselly rubbish, was thought “agreeable and an acquisition!” You would have been valued at Madame de SablÉ’s, where the sympathetic and intellectual stream of conversation would have borne you and your golden fragments away with it by its soft, resistless, gentle force.

French Receptions

From “French Life,” Fraser’s Magazine, 1864

Mrs. Gaskell spent many happy days in France, often staying in Paris with the eccentric but faithful Madame Mohl. When on holiday there in 1862 she kept a diary which supplied her with the material for the three bright, chatty papers, which appeared anonymously in Fraser’s Magazine in April, May, and June, 1864.

Our conversation drifted along to the old French custom of receiving in bed. It was so highly correct, that the newly-made wife of the Duc de St. Simon went to bed, after the early dinner of those days, in order to receive her wedding-visits. The Duchesse de Maine, of the same date, used to have a bed in the ball-room at Sceaux, and to lie (or half-sit) there, watching the dancers. I asked if there was not some difference in dress between the day- and the night-occupation of the bed. But Madame A? seemed to think there was very little. The custom was put an end to by the Revolution; but one or two great ladies preserved the habit until their death. Madame A? had often seen Madame de Villette receiving in bed; she always wore white gloves, which Madame A? imagined was the only difference between the toilet of day and night. Madame de Villette was the adopted daughter of Voltaire, and, as such, all the daring innovators upon the ancient modes of thought and behaviour came to see her, and pay her their respects. She was also the widow of the Marquis de Villette, and as such she received the homage of the ladies and gentlemen of the ancien rÉgime.

Altogether her weekly receptions must have been very amusing, from Madame A?’s account. The old Marquise lay in bed; around her sat the company, and, as the climax of the visit, she would desire her femme de chambre to hand round the heart of Voltaire, which he had bequeathed to her, and which she preserved in a little golden case. Then she would begin and tell anecdotes about the great man; great to her, and with some justice. For he had been travelling in the South of France, and had stopped to pass the night in a friend’s house, where he was very much struck by the deep sadness on the face of a girl of seventeen, one of his friend’s daughters; and, on inquiring the cause, he found out that, in order to increase the portion of the others, this young woman was to be sent into a convent—a destination which she extremely disliked. Voltaire saved her from it by adopting her, and promising to give her a dot sufficient to insure her a respectable marriage. She had lived with him for some time at Ferney before she became Marquise de Villette. (You will remember the connexion existing between her husband’s family and Madame de Maintenon, as well as with Bolingbroke’s second wife.)

Madame de Villette must have been an exceedingly inconsÉquente person, to judge from Madame A?’s very amusing description of her conversation. Her sentences generally began with an assertion which was disproved by what followed. Such as, “It was wonderful with what ease Voltaire uttered witty impromptus. He would shut himself up in his library all the morning, and in the evening he would gracefully lead the conversation to the point he desired, and then bring out the verse or the epigram he had composed for the occasion, in the most unpremeditated and easy manner!” Or, “He was the most modest of men. When a stranger arrived at Ferney, his first care was to take him round the village, and to show him all the improvements he had made, the good he had done, the church he had built. And he was never easy until he had given the new-comer the opportunity of hearing his most recent compositions.” Then she would show an old grandfather’s high-backed, leather arm-chair in which she said he wrote his Henriade, forgetting that he was at that time quite a young man.

Madame A? said that Madame de Villette’s receptions were worth attending, because they conveyed an idea of the ways of society before the Revolution.

February 16th, 1863.—Again in Paris! and, as I remember a young English girl saying with great delight, “we need never be an evening at home!” But her visions were of balls; our possibilities are the very pleasant one of being allowed to go in on certain evenings of the week to the houses of different friends, sure to find them at home ready to welcome any who may come in. Thus, on Mondays, Madame de Circourt receives; Tuesdays, Madame ?; Wednesdays, Madame de M?; Thursdays, Monsieur G?; and so on. There is no preparation of entertainment; a few more lights, perhaps a Baba, or cake savouring strongly of rum, and a little more tea is provided. Every one is welcome, and no one is expected. The visitors may come dressed just as they would be at home; or in full toilette, on their way to balls and other gaieties. They go without any formal farewell; whence, I suppose, our expression “French leave.”

Of course the agreeableness of these informal receptions depends on many varying circumstances, and I doubt if they would answer in England. A certain talent is required in the hostess; and this talent is not kindness of heart, or courtesy, or wit, or cleverness, but that wonderful union of all these qualities, with a dash of intuition besides, which we call tact. Madame RÉcamier had it in perfection. Her wit or cleverness was of the passive or receptive order; she appreciated much, and originated little. But she had the sixth sense, which taught her when to speak, and when to be silent. She drew out other people’s powers by her judicious interest in what they said; she came in with sweet words before the shadow of a coming discord was perceived. It could not have been all art; it certainly was not all nature. As I have said, invitations are not given for these evenings. Madame receives on Tuesdays. Any one may go. But there are temptations for special persons which can be skilfully thrown out. You may say in the hearing of one whom you wish to attract, “I expect M. Guizot will be with us on Tuesday; he is just come back to Paris”—and the bait is pretty sure to take; and of course you can vary your fly with your fish. Yet, in spite of all experience and all chances, some houses are invariably dull. The people who would be dreary at home, go to be dreary there. The gay, bright spirits are always elsewhere; or perhaps come in, make their bows to the hostess, glance round the room, and quietly vanish. I cannot make out why this is; but so it is.

But a delightful reception, which will never take place again—a more than charming hostess, whose virtues, which were the real source of her charms, have ere this “been planted in our Lord’s garden”—awaited us to-night. In this one case I must be allowed to chronicle a name—that of Madame de Circourt—so well known, so fondly loved, and so deeply respected. Of her accomplished husband, still among us, I will for that reason say nothing, excepting that it was, to all appearances, the most happy and congenial marriage I have ever seen. Madame de Circourt was a Russian by birth, and possessed that gift for languages which is almost a national possession. This was the immediate means of her obtaining the strong regard and steady friendship of so many distinguished men and women of different countries. You will find her mentioned as a dear and valued friend in several memoirs of the great men of the time. I have heard an observant Englishman, well qualified to speak, say she was the cleverest woman he ever knew. And I have also heard one, who is a saint for goodness, speak of Madame de Circourt’s piety and benevolence and tender kindness, as unequalled among any woman she had ever known. I think it is Dekker who speaks of our Saviour as “the first true gentleman that ever lived.” We may choose to be shocked at the freedom of expression used by the old dramatist; but is it not true? Is not Christianity the very core of the heart of all gracious courtesy? I am sure it was so with Madame de Circourt. There never was a house where the weak and dull and humble got such kind and unobtrusive attention, or felt so happy and at home. There never was a place that I heard of, where learning and genius and worth were more truly appreciated, and felt more sure of being understood. I have said that I will not speak of the living; but of course every one must perceive that this state could not have existed without the realisation of the old epitaph—

In the prime of life, in the midst of her healthy relish for all social and intellectual pleasures, Madame de Circourt met with a terrible accident; her dress caught fire, she was fearfully burnt, lingered long and long on a sick-bed, and only arose from it with nerves and constitution shattered for life. Such a trial was enough, both mentally and physically, to cause that form of egotism which too often takes possession of chronic invalids, and which depresses not only their spirits, but the spirits of all who come near them. Madame de Circourt was none of these folks. Her sweet smile was perhaps a shade less bright; but it was quite as ready. She could not go about to serve those who needed her; but, unable to move without much assistance, she sat at her writing-table, thinking and working for others still. She could never again seek out the shy or the slow or the awkward; but, with a pretty, beckoning movement of her hand, she could draw them near her, and make them happy with her gentle sensible words. She would no more be seen in gay, brilliant society; but she had a very active sympathy with the young and the joyful who mingled in it; could plan their dresses for them; would take pains to obtain a supply of pleasant partners at a ball to which a young foreigner was going; and only two or three days before her unexpected death—for she had suffered patiently for so long that no one knew how near the end was—she took much pains to give a great pleasure to a young girl of whom she knew very little, but who, I trust, will never forget her.

Description of Duncombe

From “Mr. Harrison’s Confessions,” The Ladies’ Companion, 1851

I was too lazy to do much that evening, and sat in the little bow-window which projected over Jocelyn’s shop, looking up and down the street. Duncombe calls itself a town, but I should call it a village. Really, looking from Jocelyn’s, it is a very picturesque place. The houses are anything but regular; they may be mean in their details; but altogether they look well; they have not that flat unrelieved front, which many towns of far more pretensions present. Here and there a bow-window—every now and then a gable, cutting up against the sky—occasionally a projecting upper story—throws good effect of light and shadow along the street; and they have a queer fashion of their own of colouring the whitewash of some of the houses with a sort of pink blotting-paper tinge, more like the stone of which Mayence is built than anything else. It may be very bad taste, but to my mind it gives a rich warmth to the colouring. Then, here and there a dwelling house has a court in front, with a grass-plot on each side of the flagged walk, and a large tree or two—limes or horse-chestnuts—which send their great projecting upper branches over into the street, making round dry places of shelter on the pavement in the times of summer showers.

A Race for Life Across the Quicksands in Morecambe Bay

From “The Sexton’s Hero,” Howitt’s Journal, 1847

Well! we borrowed a shandry, and harnessed my old grey mare, as I used in th’ cart, and set off as grand as King George across the sands about three o’clock, for you see it were high-water about twelve, and we’d to go and come back same tide, as Letty could not leave her baby for long. It were a merry afternoon were that; last time I ever saw Letty laugh heartily; and, for that matter, last time I ever laughed downright hearty myself. The latest crossing-time fell about nine o’clock, and we were late at starting. Clocks were wrong; and we’d a piece of work chasing a pig father had given Letty to take home; we bagged him at last, and he screeched and screeched in the back part o’ th’ shandry, and we laughed and they laughed; and in the midst of all the merriment the sun set, and that sobered us a bit, for then we knew what time it was. I whipped the old mare, but she was a deal beener than she was in the morning, and would neither go quick up nor down the brows, and they’ve not a few ’twixt Kellet and the shore. On the sands it were worse. They were very heavy, for the fresh had come down after the rains we’d had. Lord! how I did whip the poor mare, to make the most of the red light as yet lasted. You, maybe, don’t know the sands, gentlemen! From Bolton side, where we started from, it is better than six mile to Cart Lane, and two channels to cross, let alone holes and quicksands. At the second channel from us the guide waits, all during crossing-time from sunrise to sunset; but for the three hours on each side high-water he’s not there, in course. He stays after sunset if he’s forespoken, not else. So now you know where we were that awful night. For we’d crossed the first channel about two mile, and it were growing darker and darker above and around us, all but one red line of light above the hills, when we came to a hollow (for all the sands look so flat, there’s many a hollow in them where you lose all sight of the shore). We were longer than we should ha’ been in crossing the hollow, the sand was so quick; and when we came up again, there, against the blackness, was the white line of the rushing tide coming up the bay! It looked not a mile from us; and when the wind blows up the bay it comes swifter than a galloping horse. “Lord help us!” said I; and then I were sorry I’d spoken, to frighten Letty; but the words were crushed out of my heart by the terror. I felt her shiver up by my side and clutch my coat. And as if the pig (as had screeched himself hoarse some time ago) had found out the danger we were all in, he took to squealing again, enough to bewilder any man. I cursed him between my teeth for his noise; and yet it was God’s answer to my prayer, blind sinner as I was. Ay! you may smile, sir, but God can work through many a scornful thing, if need be.

By this time the mare was all in a lather, and trembling and panting, as if in mortal fright; for, though we were on the last bank afore the second channel, the water was gathering up her legs; and she so tired out! When we came close to the channel she stood still, and not all my flogging could get her to stir; she fairly groaned aloud, and shook in a terrible quaking way. Till now Letty had not spoken; only held my coat tightly. I heard her say something, and bent down my head.

“I think, John—I think—I shall never see baby again!”

And then she sent up such a cry—so loud, and shrill, and pitiful! It fairly maddened me. I pulled out my knife to spur on the old mare, that it might end one way or the other, for the water was stealing sullenly up to the very axle-tree, let alone the white waves that knew no mercy in their steady advance. That one quarter of an hour, sir, seemed as long as all my life since. Thoughts and fancies, and dreams and memory ran into each other. The mist, the heavy mist, that was like a ghastly curtain, shutting us in for death, seemed to bring with it the scents of the flowers that grew around our own threshold; it might be, for it was falling on them like blessed dew, though to us it was a shroud. Letty told me after that she heard her baby crying for her, above the gurgling of the rising waters, as plain as ever she heard anything; but the sea-birds were skirling, and the pig shrieking; I never caught it; it was miles away, at any rate.

Just as I’d gotten my knife out, another sound was close upon us, blending with the gurgle of the near waters, and the roar of the distant (not so distant though); we could hardly see, but we thought we saw something black against the deep lead colour of wave, and mist, and sky. It neared and neared: with slow, steady motion, it came across the channel right to where we were.

Oh, God! it was Gilbert Dawson on his strong bay horse.

Few words did we speak, and little time had we to say them in. I had no knowledge at that moment of past or future—only of one present thought—how to save Letty, and, if I could, myself. I only remembered afterwards that Gilbert said he had been guided by an animal’s shriek of terror; I only heard when all was over, that he had been uneasy about our return, because of the depth of fresh, and had borrowed a pillion, and saddled his horse early in the evening, and ridden down to Cart Lane to watch for us. If all had gone well, we should ne’er have heard of it. As it was, Old Jonas told it, the tears down-dropping from his withered cheeks.

We fastened his horse to the shandry. We lifted Letty to the pillion. The waters rose every instant with sullen sound. They were all but in the shandry. Letty clung to the pillion handles, but drooped her head as if she had yet no hope of life. Swifter than thought (and yet he might have had time for thought and for temptation, sir—if he had ridden off with Letty, he would have been saved, not me) Gilbert was in the shandry by my side.

“Quick!” said he, clear and firm. “You must ride before her, and keep her up. The horse can swim. By God’s mercy I will follow. I can cut the traces, and if the mare is not hampered with the shandry, she’ll carry me safely through. At any rate, you are a husband and a father. No one cares for me.”

Do not hate me, gentlemen. I often wish that night was a dream. It has haunted my sleep ever since like a dream, and yet it was no dream. I took his place on the saddle, and put Letty’s arms around me, and felt her head rest on my shoulder. I trust in God I spoke some word of thanks; but I can’t remember. I only recollect Letty raising her head, and calling out—

“God bless you, Gilbert Dawson, for saving my baby from being an orphan this night.” And then she fell against me, as if unconscious.

I took Letty home to her baby, over whom she wept the livelong night. I rode back to the shore about Cart Lane; and to and fro, with weary march, did I pace along the brink of the waters, now and then shouting out into the silence a vain cry for Gilbert. The waters went back and left no trace. Two days afterwards he was washed ashore near Flukeborough. The shandry and poor old mare were found half-buried in a heap of sand by Arnside Knot. As far as we could guess, he had dropped his knife while trying to cut the traces, and so had lost all chance of life. Any rate, the knife was found in a cleft of the shaft.

Advice to a Young Doctor

From “Mr. Harrison’s Confessions,” The Ladies’ Companion, 1851

The next morning Mr. Morgan came before I had finished breakfast. He was the most dapper little man I ever met. I see the affection with which people cling to the style of dress that was in vogue when they were beaux and belles, and received the most admiration. They are unwilling to believe that their youth and beauty are gone, and think that the prevailing mode is unbecoming. Mr. Morgan will inveigh by the hour together against frock-coats, for instance, and whiskers. He keeps his chin close shaven, wears a black dress-coat, and dark grey pantaloons; and in his morning round to his town patients, he invariably wears the brightest and blackest of Hessian boots, with dangling silk tassels on each side. When he goes home, about ten o’clock, to prepare for his ride to see his country patients, he puts on the most dandy top-boots I ever saw, which he gets from some wonderful bootmaker a hundred miles off. His appearance is what one calls “jemmy”; there is no other word that will do for it. He was evidently a little discomfited when he saw me in my breakfast costume, with the habits which I brought with me from the fellows at Guy’s; my feet against the fire-place, my chair balanced on its hind-legs (a habit of sitting which I afterwards discovered he particularly abhorred); slippers on my feet (which, also, he considered a most ungentlemanly piece of untidiness “out of a bedroom”); in short, from what I afterwards learned, every prejudice he had was outraged by my appearance on this first visit of his. I put my book down, and sprang up to receive him. He stood, hat and cane in hand.

“I came to inquire if it would be convenient for you to accompany me on my morning’s round, and to be introduced to a few of our friends.” I quite detected the little tone of coldness, induced by his disappointment at my appearance, though he never imagined that it was in any way perceptible. “I will be ready directly, sir,” said I, and bolted into my bedroom, only too happy to escape his scrutinising eye.

When I returned, I was made aware, by sundry indescribable little coughs and hesitating noises, that my dress did not satisfy him. I stood ready, hat and gloves in hand; but still he did not offer to set off on our round. I grew very red and hot. At length he said:

“Excuse me, my dear young friend, but may I ask if you have no other coat besides that—‘cut-away,’ I believe you call them? We are rather sticklers for propriety, I believe, in Duncombe; and much depends on a first impression. Let it be professional, my dear sir. Black is the garb of our profession. Forgive my speaking so plainly; but I consider myself in loco parentis.”

He was so kind, so bland, and, in truth, so friendly that I felt it would be most childish to take offence; but I had a little resentment in my heart at this way of being treated. However, I mumbled, “Oh, certainly, sir, if you wish it,” and returned once more to change my coat—my poor cut-away.

“Those coats, sir, give a man rather too much of a sporting appearance, not quite befitting the learned profession; more as if you came down here to hunt than to be the Galen or Hippocrates of the neighbourhood.” He smiled graciously, so I smothered a sigh; for, to tell you the truth, I had rather anticipated—and, in fact, had boasted at Guy’s of—the runs I hoped to have with the hounds; for Duncombe was in a famous hunting district. But all these ideas were quite dispersed when Mr. Morgan led me to the inn-yard, where there was a horse-dealer on his way to a neighbouring fair, and “strongly advised me”—which in our relative circumstances was equivalent to an injunction—to purchase a little, useful, fast-trotting, brown cob, instead of a fine showy horse, “who would take any fence I put him to,” as the horse-dealer assured me. Mr. Morgan was evidently pleased when I bowed to his decision, and gave up all hopes of an occasional hunt.

“My dear young friend, there are one or two hints I should like to give you about your manner. The great Sir Everard Home used to say, ‘A general practitioner should either have a very good manner, or a very bad one.’ Now, in the latter case, he must be possessed of talents and acquirements sufficient to ensure his being sought after, whatever his manner might be. But the rudeness will give notoriety to these qualifications. Abernethy is a case in point. I rather, myself, question the taste of bad manners. I, therefore, have studied to acquire an attentive, anxious politeness, which combines ease and grace with a tender regard and interest. I am not aware whether I have succeeded (few men do) in coming up to my ideal; but I recommend you to strive after this manner, peculiarly befitting our profession. Identify yourself with your patients, my dear sir. You have sympathy in your good heart, I am sure, to really feel pain when listening to their account of their sufferings, and it soothes them to see the expression of this feeling in your manner. It is, in fact, sir, manners that make the man in our profession. I don’t set myself up as an example—far from it; but—— This is Mr. Huttons, our vicar; one of the servants is indisposed, and I shall be glad of the opportunity of introducing you. We can resume our conversation at another time.”

I had not been aware that we had been holding a conversation, in which, I believe, the assistance of two persons is required.

The Choice of Odours

From “My Lady Ludlow,” Household Words, 1858

The room was full of scent, partly from the flowers outside, and partly from the great jars of pot-pourri inside. The choice of odours was what my lady piqued herself upon, saying nothing showed birth like a keen susceptibility of smell. We never named musk in her presence, her antipathy to it was so well understood through the household; her opinion on the subject was believed to be, that no scent derived from an animal could ever be of a sufficiently pure nature to give pleasure to any person of good family, where, of course, the delicate perception of the senses had been cultivated for generations. She would instance the way in which sportsmen preserve the breed of dogs who have shown keen scent; and how such gifts descend for generations amongst animals, who cannot be supposed to have anything of ancestral pride, or hereditary fancies about them. Musk, then, was never mentioned at Hanbury Court. No more were bergamot or southernwood, although vegetable in their nature. She considered these two latter as betraying a vulgar taste in the person who chose to gather or wear them. She was sorry to notice sprigs of them in the button-hole of any young man in whom she took an interest, either because he was engaged to a servant of hers or otherwise, as he came out of church on a Sunday afternoon. She was afraid that he liked coarse pleasures; and I am not sure if she did not think that his preference for these coarse sweetnesses did not imply a probability that he would take to drinking. But she distinguished between vulgar and common. Violets, pinks, and sweetbriar were common enough; roses and mignonette, for those who had gardens, honeysuckle for those who walked along the bowery lanes; but wearing them betrayed no vulgarity of taste; the queen upon her throne might be glad to smell at a nosegay of the flowers. A beaupot (as we call it) of pinks and roses freshly gathered was placed every morning that they were in bloom on my lady’s own particular table. For lasting vegetable odours she preferred lavender and sweet-woodruff to any extract whatever. Lavender reminded her of old customs, she said, and of homely cottage-gardens, and many a cottager made his offering to her of a bundle of lavender. Sweet-woodruff, again, grew in wild, woodland places, where the soil was fine and the air delicate; the poor children used to go and gather it for her up in the woods on the higher lands; and for this service she always rewarded them with bright new pennies, of which my lord, her son, used to send her down a bagful fresh from the Mint in London every February.

Attar of roses, again, she disliked. She said it reminded her of the city and of merchants’ wives, over-rich, over-heavy in its perfume. And lilies of the valley somehow fell under the same condemnation. They were most graceful and elegant to look at (my lady was quite candid about this), flower, leaf, and colour—everything was refined about them but the smell. That was too strong. But the great hereditary faculty on which my lady piqued herself, and with reason, for I never met with any person who possessed it, was the power she had of perceiving the delicious odour arising from a bed of strawberries in the late autumn, when the leaves were all fading and dying. Bacon’s Essays was one of the few books that lay about in my lady’s room; and, if you took it up and opened it carelessly, it was sure to fall apart at his “Essay on Gardens.” “Listen,” her ladyship would say, “to what that great philosopher and statesman says. ‘Next to that’—he is speaking of violets, my dear—‘is the musk-rose—of which you will remember the great bush at the corner of the south wall just by the Blue Drawing-room windows; that is the old musk-rose, Shakespeare’s musk-rose, which is dying out through the kingdom now. But to return to my Lord Bacon: ‘Then the strawberry leaves, dying with a most cordial excellent smell.’ Now the Hanburys can always smell this excellent cordial odour, and very delicious and refreshing it is. You see, in Lord Bacon’s time there had not been so many intermarriages between the court and the city as there have been since the needy days of his Majesty Charles the Second; and altogether, in the time of Queen Elizabeth, the great old families of England were a distinct race, just as a cart-horse is one creature and very useful in its place, and Childers or Eclipse is another creature, though both are of the same species. So the old families have gifts and powers of a different and higher class to what the other orders have. My dear, remember that you try if you can smell the scent of dying strawberry leaves in this next autumn. You have some of Ursula Hanbury’s blood in you, and that gives you a chance.”

But when October came, I sniffed and sniffed, and all to no purpose; and my lady—who had watched the little experiment rather anxiously—had to give me up as a hybrid. I was mortified, I confess, and thought that it was in some ostentation of her own powers that she ordered the gardener to plant a border of strawberries on that side of the terrace that lay under her windows.

St. Valentine’s Day

From “Libbie Marsh’s Three Eras,” Howitt’s Journal, 1847

Her idea was this; her mother came from the east of England, where, as perhaps you know, they have the pretty custom of sending presents on St. Valentine’s Day, with the donor’s name unknown, and, of course, the mystery constitutes half the enjoyment. The fourteenth of February was Libbie’s birthday too, and many a year, in the happy days of old, had her mother delighted to surprise her with some little gift, of which she more than half guessed the giver, although each Valentine’s Day the manner of its arrival was varied. Since then the fourteenth of February had been the dreariest of all the year because the most haunted by memory of departed happiness. But now, this year, if she could not have the old gladness of heart herself, she would try and brighten the life of another. She would save, and she would screw, but she would buy a canary and a cage for that poor little laddie opposite, who wore out his monotonous life with so few pleasures and so much pain.

I doubt I may not tell you here of the anxieties and the fears, of the hopes and the self-sacrifices—all, perhaps, small in the tangible effect as the widow’s mite, yet not the less marked by the viewless angels who go about continually among us—which varied Libbie’s life before she accomplished her purpose. It is enough to say it was accomplished. The very day before the fourteenth she found time to go with her half-guinea to a barber’s who lived near Albemarle Street, and who was famous for his stock of singing-birds. There are enthusiasts about all sorts of things, both good and bad, and many of the weavers in Manchester know and care more about birds than anyone would easily credit. Stubborn, silent, reserved men on many things, you have only to touch on the subject of birds to light up their faces with brightness. They will tell you who won the prizes at the last canary show, where the prize birds may be seen, and give you all the details of those funny but pretty and interesting mimicries of great people’s cattle shows. Among these amateurs, Emanuel Morris, the barber, was an oracle.

He took Libbie into his little back room, used for private shaving of modest men, who did not care to be exhibited in the front shop decked out in the full glories of lather; and which was hung round with birds in rude wicker cages, with the exception of those who had won prizes, and were consequently honoured with gilt-wire prisons. The longer and thinner the body of the bird was, the more admiration it received, as far as external beauty went; and when, in addition to this, the colour was deep and clear, and its notes strong and varied, the more did Emanuel dwell upon its perfections. But these were all prize birds; and, on inquiry, Libbie heard, with some little sinking at heart, that their price ran from one to two guineas.

“I’m not over-particular as to shape and colour,” said she. “I should like a good singer, that’s all!”

She dropped a little in Emanuel’s estimation. However, he showed her his good singers, but all were above Libbie’s means.

“After all, I don’t think I care so much about the singing very loud; it’s but a noise after all, and sometimes noise fidgets folks.”

“They must be nesh folks as is put out with the singing o’ birds,” replied Emanuel, rather affronted.

“It’s for one who is poorly,” said Libbie deprecatingly.

“Well,” said he, as if considering the matter, “folk that are cranky often take more to them as shows ’em love than to them as is clever and gifted. Happen yo’d rather have this’n,” opening a cage door and calling to a dull-coloured bird, sitting moped up in a corner. “Here—Jupiter, Jupiter!”

The bird smoothed its feathers in an instant, and, uttering a little note of delight, flew to Emanuel, putting his beak to his lips, as if kissing him, and then, perching on his head, it began a gurgling warble of pleasure, not by any means so varied or so clear as the song of the others, but which pleased Libbie more; for she was always one to find out she liked the gooseberries that were accessible, better than the grapes that were beyond her reach. The price, too, was just right, so she gladly took possession of the cage, and hid it under her cloak, preparatory to carrying it home. Emanuel meanwhile was giving her directions as to its food, with all the minuteness of one loving his subject.

“Will it soon get to know anyone?” asked she.

“Give him two days only, and you and he’ll be as thick as him and me are now. You’ve only to open his door and call him, and he’ll follow you round the room; but he’ll first kiss you, and then perch on your head. He only wants larning, which I have no time to give him, to do many another accomplishment.”

“What’s his name? I did not rightly catch it.”

“Jupiter—it’s not common; but the town’s overrun with Bobbies and Dickies, and as my birds are thought a bit out o’ the way, I like to have better names for ’em, so I just picked a few out o’ my lad’s school-books. It’s just as ready, when you’re used to it, to say Jupiter as Dicky.”

“I could bring my tongue round to Peter better; would he answer to Peter?” asked Libbie, now on the point of departing.

“Happen he might, but I think he’d come readier to the three syllables.”

On Valentine’s Day, Jupiter’s cage was decked round with ivy leaves, making quite a pretty wreath on the wicker-work; and to one of them was pinned a slip of paper, with these words, written in Libbie’s best round hand:

“From your faithful Valentine. Please take notice his name is Peter, and he’ll come if you call him, after a bit.”

But little work did Libbie do that afternoon; she was so engaged in watching for the messenger who was to bear her present to her little Valentine, and run away as soon as he had delivered up the canary, and explained to whom it was sent.

At last he came; then there was a pause before the woman of the house was at liberty to take it upstairs. Then Libbie saw the little face flush up into a bright colour, the feeble hands tremble with delighted eagerness, the head bent down to try and make out the writing (beyond his power, poor lad, to read), the rapturous turning round of the cage in order to see the canary in every point of view, head, tail, wings, and feet; an intention in which Jupiter, in his uneasiness at being again among strangers, did not second, for he hopped round so as continually to present a full front to the boy. It was a source of never-wearying delight to the little fellow, till daylight closed in; he evidently forgot to wonder who had sent it him, in his gladness at his possession of such a treasure; and when the shadow of his mother darkened on the blind, and the bird had been exhibited, Libbie saw her do what, with all her tenderness, seemed rarely to have entered into her thoughts—she bent down and kissed her boy, in a mother’s sympathy with the joy of her child.

The canary was placed for the night between the little bed and window; and when Libbie rose once, to take her accustomed peep, she saw the little arm put fondly round the cage, as if embracing his new treasure even in his sleep. How Jupiter slept this first night is quite another thing.

Whit-Monday in Dunham Park.

From “Libbie Marsh’s Three Eras,” Howitt’s Journal, 1847

For years has Dunham Park been the favourite resort of the Manchester workpeople; for more years than I can tell; probably ever since “the Duke,” by his canals, opened out the system of cheap travelling. Its scenery, too, which presents such a complete contrast to the whirl and turmoil of Manchester; so thoroughly woodland, with its ancestral trees (here and there lightning-blanched); its “verdurous walls”; its grassy walks leading far away into some glade, where you start at the rabbit rustling among the last year’s fern, and where the wood-pigeon’s call seems the only fitting and accordant sound. Depend upon it, this complete sylvan repose, this accessible quiet, this lapping the soul in green images of the country, forms the most complete contrast to a town’s-person, and consequently has over such the greatest power of charm.

Presently Libbie found out she was very hungry. Now they were but provided with dinner, which was, of course, to be eaten as near twelve o’clock as might be; and Margaret Hall, in her prudence, asked a working-man near to tell her what o’clock it was.

“Nay,” said he, “I’ll ne’er look at clock or watch to-day. I’ll not spoil my pleasure by finding out how fast it’s going away. If thou’rt hungry, eat. I make my own dinner-hour, and I have eaten mine an hour ago.”

So they had their veal pies, and then found out it was only half-past ten o’clock; by so many pleasureable events had that morning been marked. But such was their buoyancy of spirits, that they only enjoyed their mistake, and joined in the general laugh against the man who had eaten his dinner somewhere about nine. He laughed most heartily of all till, suddenly stopping, he said:

“I must not go on at this rate; laughing gives one such an appetite.”

“Oh, if that’s all,” said a merry-looking man lying at full length, and brushing the fresh scent out of the grass, while two or three little children tumbled over him, and crept about him, as kittens or puppies frolic with their parents, “if that’s all, we’ll have a subscription of eatables for them improvident folk as have eaten their dinner for their breakfast. Here’s a sausage pasty and a handful of nuts for my share. Bring round the hat, Bob, and see what the company will give.”

Bob carried out the joke, much to little Franky’s amusement; and no one was so churlish as to refuse, although the contributions varied from a peppermint drop up to a veal pie and a sausage pasty.

“It’s a thriving trade,” said Bob, as he emptied his hatful of provisions on the grass by Libbie’s side. “Besides, it’s tiptop, too, to live on the public. Hark! what is that?”

The laughter and the chat were suddenly hushed, and mothers took their little ones to listen—as, far away in the distance, now sinking and falling, now swelling and clear, came a ringing peal of children’s voices, blended together in one of those psalm tunes which we are all of us so familiar with, and which bring to mind the old, old days, when we, as wondering children, were first led to worship “Our Father,” by those beloved ones who have since gone to the more perfect worship. Holy was that distant choral praise, even to the most thoughtless; and when it, in fact, was ended, in the instant’s pause, during which the ear awaits the repetition of the air, they caught the noontide hum and buzz of the myriads of insects who danced away their lives in the glorious day; they heard the swaying of the mighty woods in the soft but resistless breeze, and then again once more burst forth the merry jests and the shouts of childhood; and again the elder ones resumed their happy talk, as they lay or sat “under the greenwood tree.” Fresh parties came dropping in; some laden with wild flowers—almost with branches of hawthorn, indeed; while one or two had made prizes of the earliest dog-roses, and had cast away campion, stitchwort, ragged robin, all to keep the lady of the hedges from being obscured or hidden by the community.

One after another drew near to Franky, and looked on with interest as he lay sorting the flowers given to him. Happy parents stood by, with their household bands around them, in health and comeliness, and felt the sad prophecy of those shrivelled limbs, those wasted fingers, those lamp-like eyes, with their bright, dark lustre. His mother was too eagerly watching his happiness to read the meaning of those grave looks, but Libbie saw them and understood them; and a chill shudder went through her, even on that day, as she thought on the future.

“Ay! I thought we should give you a start!”

A start they did give, with their terrible slap on Libbie’s back, as she sat idly grouping flowers, and following out her sorrowful thoughts. It was the Dixons. Instead of keeping their holiday by lying in bed, they and their children had roused themselves, and had come by the omnibus to the nearest point. For an instant the meeting was an awkward one, on account of the feud between Margaret Hall and Mrs. Dixon, but there was no long resisting of kindly mother Nature’s soothings, at that holiday time, and in that lonely tranquil spot; or if they could have been unheeded, the sight of Franky would have awed every angry feeling into rest, so changed was he since the Dixons had last seen him; and since he had been the Puck or Robin Goodfellow of the neighbourhood, whose marbles were always rolling under other people’s feet, and whose top-strings were always hanging in nooses to catch the unwary. Yes, he, the feeble, mild, almost girlish-looking lad had once been a merry, happy rogue, and as such often cuffed by Mrs. Dixon, the very Mrs. Dixon who now stood gazing with the tears in her eyes. Could she, in sight of him, the changed, the fading, keep up a quarrel with his mother?

“How long hast thou been here?” asked Dixon.

“Welly on for all day,” answered Libbie.

“Hast never been to see the deer, or the king and queen oaks? Lord! how stupid!”

His wife pinched his arm, to remind him of Franky’s helpless condition, which, of course, tethered the otherwise willing feet. But Dixon had a remedy. He called Bob, and one or two others; and, each taking a corner of the strong plaid shawl, they slung Franky as in a hammock, and thus carried him merrily along, down the wood paths, over the smooth, grassy turf, while the glimmering shine and shadow fell on his upturned face. The women walked behind, talking, loitering along, always in sight of the hammock; now picking up some green treasure from the ground, now catching at the low-hanging branches of the horse-chestnut. The soul grew much on this day, and in these woods, and all unconsciously, as souls do grow. They followed Franky’s hammock-bearers up a grassy knoll, on the top of which stood a group of pine trees, whose stems looked like dark red gold in the sunbeams. They had taken Franky there to show him Manchester, far away in the blue plain, against which the woodland foreground cut with a soft clear line. Far, far away in the distance, on that flat plain, you might see the motionless cloud of smoke hanging over a great town, and that was Manchester—ugly, smoky Manchester—dear, busy, earnest, noble-working Manchester; where their children had been born, and where, perhaps, some lay buried; where their homes were, and where God had cast their lives, and told them to work out their destiny.

“Hurrah! for oud smoke-jack!” cried Bob, putting Franky softly down on the grass, before he whirled his hat round, preparatory to a shout. “Hurrah! hurrah!” from all the men. “There’s the rim of my hat lying like a quoit yonder,” observed Bob quietly, as he replaced his brimless hat on his head with the gravity of a judge.

“Here’s the Sunday-school children a-coming to sit on this shady side, and have their buns and milk. Hark! they’re singing the infant-school grace.”

They sat close at hand, so that Franky could hear the words they sang, in rings of children, making, in their gay summer prints, newly donned for that week, garlands of little faces, all happy and bright upon that green hill-side. One little “dot” of a girl came shyly behind Franky, whom she had long been watching, and threw her half-bun at his side, and then ran away and hid herself, in very shame at the boldness of her own sweet impulse. She kept peeping from her screen at Franky all the time; and he meanwhile was almost too pleased and happy to eat; the world was so beautiful, and men, women, and children all so tender and kind; so softened, in fact, by the beauty of this earth, so unconsciously touched by the spirit of love, which was the Creator of this lovely earth. But the day drew to an end; the heat declined; the birds once more began their warblings; the fresh scents again hung about plant, and tree, and grass, betokening the fragrant presence of the reviving dew, and—the boat time was near. As they trod the meadow path once more, they were joined by many a party they had encountered during the day, all abounding in happiness, all full of the day’s adventures. Long-cherished quarrels had been forgotten, new friendships formed. Fresh tastes and higher delights had been imparted that day. We have all of us our look, now and then, called up by some noble or loving thought (our highest on earth), which will be our likeness in heaven. I can catch the glance on many a face, the glancing light of the cloud of glory from heaven, “which is our home.” That look was present on many a hard-worked, wrinkled countenance, as they turned backwards to catch a longing, lingering look at Dunham woods, fast deepening into blackness of night, but whose memory was to haunt, in greenness and freshness, many a loom, and workshop, and factory, with images of peace and beauty.

That night, as Libbie lay awake, revolving the incidents of the day, she caught Franky’s voice through the open windows. Instead of the frequent moan of pain, he was trying to recall the burden of one of the children’s hymns:

She recalled his question, the whispered question, to her in the happiest part of the day. He asked Libbie: “Is Dunham like Heaven? The people here are as kind as angels, and I don’t want Heaven to be more beautiful than this place. If you and mother would but die with me, I should like to die, and live always there!” She had checked him, for she feared he was impious; but now the young child’s craving for some definite idea of the land to which his inner wisdom told him he was hastening, had nothing in it wrong, or even sorrowful, for—