Christmas had gone and there was a vague suggestion of spring in the air; but it was cold still, and a huge fire burned in the great drawing-room of Leyton Court. It was after dinner, and the room, though by no means full, contained a fair number of people representing a small house party which had been spending the Christmas with the new earl: for the old earl had died a week after Blair and Violet Graham's wedding, and Blair reigns in his stead. Not only is he in possession of the old title and the estates and the large sum of money bequeathed by the old earl, but he has married one of the wealthiest young women in England, and consequently the world speaks of Lord Blair with bated breath, murmuring, "Lucky beggar!" And so they point him out to country cousins as he walks down Pall Mall, and whisper: "The Earl of Ferrers—the famous Lord Leyton, you know," and his county neighbors regard him with awe not far short of adoration, and everybody, great and small, combines to envy him. Some say that the long course of reckless dissipation has told upon his constitution and the general break up, which is always and inevitably the result of burning the candle at both ends, has arrived. And yet those who are intimate with him have never heard him complain, and it is notorious that there is no harder rider in the hunt, and that the earl can out-walk, out-box, and generally out-do any man of his age and weight, just as he has always done. There is not a stoop, not a sign of weakness in the stalwart, well-knit figure; the face is as handsome, is even more distinguished looking than ever; but there is a strange look upon it, an expression of utter weariness and lassitude, a far-off, preoccupied air which falls upon it whenever he is silent and alone. And he is very silent of late, and very fond of being alone. Leyton Court is a charming place to visit, it is in very truth Liberty Hall, and so long as a guest does not bore his host or his fellow guests, he may do just what he pleases. And this freedom which is enjoyed by his guests, the earl claims for himself. Sometimes days will pass without his being seen, excepting at the dinner table, or for a few hours afterward in the drawing-room; but while there he is a model of what a host should be. Courteous, attentive, gentle mannered, everything but the smiling and light-hearted Blair who is still remembered in club land as the one man who never had the "blues!" If he is attentive to his guests, to his wife he seems devoted. It is easy to gratify your wife's desires when you happen to be an earl, and wealthy to boot, but Blair, it would appear, aims at something higher than this—to anticipate the countess' wishes. "Your rake makes the best husband!" exclaims a character in one of the old comedies, and it would really seem as if the saying were exemplified in Blair. The countess never leaves the room, but he is at the door to open it for her. In these days of sixteen-button gloves, that useful animal, man, has discovered a task suited to his energies, but no man save her husband ever buttons the countess' gloves; it is he who assists her with her pony carriage, rides beside her in her morning gallop, turns her music at the piano, and is ever at hand to perform those hundred For the rest, Austin Ambrose is as close a friend of the countess as of the earl, much to the surprise and annoyance of their friends, to whom it is still a mystery what those two young people can see in him. It is he who assists Blair in the management of his vast estates, interviewing tenants, engaging servants, etc. And it is he who helps Lady Ferrers with her visiting lists, and executes all the little offices which a lady of rank and title is so glad to find some one to undertake. This evening the countess is seated in her accustomed chair, exquisitely dressed—it is said that she takes Mr. Austin Ambrose's advice on this point also—and playing the part of hostess with admirable tact and judgment; but every now and then the keen observer might see that her eyes turned toward the earl, who leaned against the mantel, his hands folded behind him, his eyes bent on the ground, and that look on his face which had become habitual to it. Presently the tall, thin figure of Austin Ambrose came between her and the earl, and sauntering up, stood beside him. "Blair," he said, "here are the letters." There was a late mail, and the special messenger brought the letters from the office to the Court. Blair awoke with a little start, and took them and glanced at the addresses indifferently. "One from Tyler & Driver, isn't there?" said Austin Ambrose. Blair nodded. "Yes," he said, listlessly. "I expect it is about the late earl's will," said Austin Ambrose. Blair walked into an anteroom, and dropping into a chair, threw the letters on to a writing table. "See what it is they want, will you, Austin?" he said. Austin took the letter and opened it. "It's about that five thousand pounds which the earl left to——" Blair turned and leaned his head on his hand, so that his face was concealed. "Well?" "They say that every effort has been made to discover Miss Hale's whereabouts, by advertising and inquiries, and that they can find no trace of her." "Ah, no!" said Blair, with a deep sigh. "And they give the usual advice, that the money should be funded. It is the best plan." "Yes, unless we tell the truth," said Blair, in a low, sad Austin Ambrose watched him closely. "Take my advice, Blair, and while trouble sleeps let it sleep. The past—that past—is dead and done with. The poor girl is dead, and lost to human ken! Why provide the public prints with sensational paragraphs? "No, I could not do it, and yet, I feel that it is due to my poor dead Margaret. I will think it over. If it should be done, if it is my duty to do it, I will do it," he added, with mournful firmness. "See what the other letters are about, will you, if it isn't too much trouble." "Not a bit; it amuses me to flatter myself I am of some use to you," was the prompt reply, as the speaker sat down to the table. Blair strolled back to the drawing-room. Some one was playing, and the vast room was filled with the music. For a moment Violet seemed left alone, and, with the courtesy which never deserted him, Blair walked across to her and took a chair by hers. "You look tired, Blair," she said. "Tired! Do I? I am not in the least," he replied. "All this bores you, does it not?" she asked, glancing round at the company. "Not at all," he replied, with a smile. "Why should it? They do not interfere with me——" "No, nothing is permitted to interfere with you," she broke in, with a sudden bitterness. "So that you are left alone, you are—satisfied. Is that not so, Blair?" "What do you wish me to do?" he asked, with grave earnestness. "Believe me, Violet, you have only to express a wish——" "And you will gratify it. I know!" she retorted, with a laugh that seemed hard and cold. "You are the model husband they all declare you, Blair. No, I haven't a wish, excepting, perhaps—but it isn't worth mentioning." "What is it?" He forced a laugh, and put his hand on her arm with a caress that was gentle enough, if it had no love in it. "Our old selves have a trick of disappearing, Violet," he said, "and once they are gone——" he stopped significantly. "And I think most people would admit that it is a good thing my old self cannot come back!" "Not I!" she said, in a low, quiet voice. "I would rather have you as you were. Yes; I know!—with all your wildness. I would rather you were unkind to me—struck me!—than as you are." He half rose, then sank back again with a troubled sigh. "You are wild enough for us both to-night, Violet," he said, trying to speak lightly. "Have you been reading some of the latest romances, or is it the professor's music that has affected you?" She looked at him fixedly, and the color died out from her face, leaving it waxen pale. "Yes, that is it," she said; "it is the music. It always did affect me," and she laughed. He looked at her anxiously. "Violet, this place does not suit you," he said. "You are looking pale and ill. It is my fault; I ought to have taken you abroad. You will go, will you not?" She shrugged her shoulders. "Oh, yes, if you like. I am perfectly indifferent. But I am quite well, all the same." Some one coming up to them, he rose and surrendered the chair, as a matter of course, and a moment or two afterward he heard her laugh as if nothing had passed between them. He walked about the room for some minutes, absently looking at the pictures, or exchanging a word with one person and another, then sauntered into the anteroom to consult Austin Ambrose as to the best place to take the countess, but that gentleman had left the room; and, ascertaining from a servant that he had gone into the library, Blair went there with the same listless step. As he opened the library door he heard voices and saw that Austin Ambrose was not alone; a thin, gentlemanly man was seated opposite him, a stranger to Blair, and he stepped back. "I beg your pardon; I thought you were alone, Austin," he said. "Don't go," said Austin Ambrose. "This is the earl, Mr. Snowdon; this is Mr. Snowdon, the detective, Blair." The gentlemanly man rose and bowed respectfully, and remained standing until Blair motioned him to resume his seat. "Mr. Snowdon has come to report on his inquiries respecting Miss Margaret Hale," said Austin Ambrose, quickly but fluently, and giving the man no chance to speak. "He simply confirms Tyler & Driver's letter. No trace of Miss Hale can be found, unfortunately; that is so, I think, Mr. Snowdon?" "Quite so," assented the detective, respectfully. Blair stood with his hand pressed on the table, his face white and drawn. "Thank you!" he said. "Yes, yes." He stood silently for a moment, and then left the room without another word. Austin Ambrose rose and slipped the bolt in the door. "You were mad to come down here!" he exclaimed in a low and angry voice. "I am very sorry," said the detective, humbly; "but you told me to let you know immediately if I got a clew, and I don't like writing; there's no knowing where a piece of paper will go to." "Well—well!" said Austin Ambrose. "Now tell me as quickly as you can," and he sank into the chair with an affectation of indifference which the close compression of his hands and the glint of his dark eyes belied. The detective took a note-book from his pocket. "First of all, sir, I've to admit that you were right and I was wrong. The young lady was not drowned on that rock, and you were right in supposing that the Days had a hand in getting her away—not that I got any information from them; I'll do them that credit. Close as wax, both of 'em. I traced them down to Cardiff, and lodged in their house for a fortnight; but if I'd stayed twenty years, I don't believe I'd have got any light on the matter. If it hadn't been for an accident I'm afraid I should still be in the dark. If it hadn't been for spending the evening with the second mate of the Rose of Devon, I shouldn't have earned my money, Mr. Ambrose. I've had some tough business to do for you now and again, but this was the very toughest I ever had in hand." Austin Ambrose sat perfectly still, and apparently patient, but his hands closed and unclosed with a spasmodic movement. "From this sailor I discovered that the Rose had picked up the Days and a young lady one night, off the Devon coast, and an extra glass of brandy induced him to admit that she'd sailed in the Rose to Brest. At Brest I found that my man was correct. The Rose did have a lady on board. Two persons saw her land, and noticed her, as French people will! One of them, the harbor master, could even give me a description of her. There it is; you'll know best whether there can be any doubt!" Austin Ambrose did not snatch the paper out of his hand, but let it lie on the table for a second or two, then he took it up and read it, and, self-possessed as he was, could not help an exclamation of triumph. "It is she! She is alive! Well?" he demanded, quietly; "go on!" "Well, sir," said the detective, "having made certain of the young lady's being still in the land of the living, I posted straight off for England. Your instructions were, Mr. Ambrose, that I was to come to you the moment I "I know! I know!" interrupted Austin Ambrose. "You have carried out my instructions! A French mouchard will do the rest. She landed there—she did not go aboard again, you say?" The detective hesitated for a second. As a matter of fact, he was not certain on the point; but your detective never likes to admit that he does not know everything, so, after the imperceptible hesitation, he said, glibly enough: "No, Mr. Ambrose, she went straight on by land. She's in France, most likely Paris—for certain. Large cities are generally chosen by people who want to hide securely; every child knows that." "Yes, yes," muttered Austin Ambrose, "she is in Paris." He rose and took out his pocketbook. "I am much obliged to you, Snowdon. The matter can rest here now. I wanted to be certain of the young lady's existence, and for the rest, well, I dare say I can find her if I should require her, which at present I do not. There is the sum I promised you, and there is a bonus. You will find it in your interest to deserve my confidence; and now make yourself scarce as quickly and quietly as possible." "If you will kindly open that window, sir," said the detective, quietly, "I need not disturb any of the servants. I can find my way across the park," and with a respectful farewell he passed out. Austin Ambrose stood and mused, his sharp brain turning the situation this way and that. Then he looked up and smiled at his own face reflected in the mirror over the mantel. An hour afterward he re-entered the drawing-room, with his usual placid smile, and all his plans made. Lying on the couch was the countess. Her fingers were picking restlessly at the edge of the Indian shawl, a habit she had, and as she looked up he saw her face was pale and troubled. He bent over the head of the couch, murmuring softly: "Not in bed yet? You ladies are as dissipated as we men." "Yes, this is dreadful dissipation, is it not?" she retorted, ironically. "You look tired," he said. "Violet, I don't think this air suits you——" She laughed sarcastically. "Really you are too transparent. Blair has been telling you I want a change and you can't summon up courage to tell me so openly! What cowards men are!" "Blair has not been speaking to me," he said. "But, all the same, I think you should go away, both of you. He looks bored, don't you think; rather off tone——" "No, I don't think—I am sure," she retorted. "Leyton never is very good in the winter, I believe," he said, hastily. "What do you say to—Naples for instance?" "What do you say?" she responded, her keen eyes seeking his fixed steadily upon some point above her head. "That is the question, because whatever place you say, will doubtless be the one selected. I wonder why you take such an interest in us both?" and her eyes grew hard as steel. "You can say that I am pining for it, that it is the one desire of my heart, that I shall die if I'm not taken there at once——" "Don't jest on such a grewsome topic," he said. "Joking apart, I will venture to prophesy that you will be happier at Naples than you have ever been in your life. It is so warm there." "Even that will not be wonderful," she retorted; then suddenly her voice changed, and she looked up at him almost fiercely. "Do you think it will be warm enough to thaw Blair's heart? Austin, will he never forget that girl? Oh, Heaven! how I hate her." "Hush!" he said, in a low voice: "you forget—the dead!" "No," she retorted, the two bright spots burning fiercely on her cheeks, her eyes glittering like dagger-points; "I hate her more now she is dead, for if she had lived he would have tired of her, but now she comes between us like a ghost; and you cannot get rid of that for me, even you, clever as you are, Austin!" |