"In 'The Little Regiment' we have again studies of the volunteers waiting impatiently to fight and fighting, and the impression of the contest as a private soldier hears, sees, and feels it, is really wonderful. The reader has no privileges. He must, it seems, take his place in the ranks, and stand in the mud, wade in the river, fight, yell, swear, and sweat with the men. He has some sort of feeling, when it is all over, that he has been doing just these things. This sort of writing needs no praise. It will make its way to the hearts of men without praise."—New York Times.

"Told with a verve that brings a whiff of burning powder to one's nostrils.… In some way he blazons the scene before our eyes, and makes us feel the very impetus of bloody war."—Chicago Evening Post.

"By writing 'Maggie' Mr. Crane has made for himself a permanent place in literature.… Zola himself scarcely has surpassed its tremendous portrayal of throbbing, breathing, moving life."—New York Mail and Express.

"Mr. Crane's story should be read for the fidelity with which it portrays a life that is potent on this island, along with the best of us. It is a powerful portrayal, and, if somber and repellent, none the less true, none the less freighted with appeal to those who are able to assist in righting wrongs."—New York Times.

"Never before have we had the seamy side of glorious war so well depicted.… The action of the story throughout is splendid, and all aglow with color, movement, and vim. The style is as keen and bright as a sword-blade, and a Kipling has done nothing better in this line."—Chicago Evening Post.

"There is nothing in American fiction to compare with it.… Mr. Crane has added to American literature something that has never been done before, and that is, in its own peculiar way, inimitable."—Boston Beacon.

"A truer and completer picture of war than either Tolstoy or Zola."—London New Review.

"One could hardly imagine a more charming short historical tale.… It is almost classic in its simplicity and dignity."—Baltimore News.

"In each of these stories the author of 'The Green Carnation' shows his hand without intending to. There is the same cynicism, the same epigrammatic wit. Among the new English story writers there are none more brilliant than Mr. Hichens."—Chicago Tribune.

"Intense, extremely well told, and full of discriminating study of life and character."—Buffalo Commercial.

"This is a strong bit of good literary workmanship."—Philadelphia Public Ledger.

"A bright, moving study of an unusually interesting period in the life of Napoleon, … deliciously told; the characters are clearly, strongly, and very delicately modeled, and the touches of color most artistically done."—N. Y. Commercial Advertiser.

"Here is a tale to stir the most sluggish nature.… It is like standing on the deck of a wave tossed ship; you feel the soul of the storm go into your blood."—New York Home Journal.

"Reveals a wonderful knowledge of the workings of the human mind, and it tells a tale that not only stirs the emotions, but gives us a better insight into our own hearts."—San Francisco Argonaut.

"Powerful in conception, treatment, and influence."—Boston Globe.

"No adventures were ever better worth recounting than are those of Antonio of Monte Velluto, a very Bayard among outlaws.… To all those whose pulses still stir at the recital of deeds of high courage, we may recommend this book.… The chronicle conveys the emotion of heroic adventure, and is picturesquely written."—London Daily News.

"It has literary merits all its own, of a deliberate and rather deep order.… In point of execution 'The Chronicles of Count Antonio' is the best work that Mr. Hope has yet done. The design is clearer, the workmanship more elaborate, the style more colored.… The incidents are most ingenious, they are told quietly, but with great cunning, and the Quixotic sentiment which pervades it all is exceedingly pleasant."—Westminster Gazette.

"A romance worthy of all the expectations raised by the brilliancy of his former books, and likely to be read with a keen enjoyment and a healthy exaltation of the spirits by every one who takes it up."—The Scotsman.

"A gallant tale, written with unfailing freshness and spirit."—London Daily Telegraph.

"One of the most fascinating romances written in English within many days. The quaint simplicity of its style is delightful, and the adventures recorded in these 'Chronicles of Count Antonio' are as stirring and ingenious as any conceived even by Weyman at his best."—New York World.

"Romance of the real flavor, wholly and entirely romance, and narrated in true romantic style. The characters, drawn with such masterly handling, are not merely pictures and portraits, but statues that are alive and step boldly forward from the canvas."—Boston Courier.

"Told in a wonderfully simple and direct style, and with the magic touch of a man who has the genius of narrative, making the varied incidents flow naturally and rapidly in a stream of sparkling discourse."—Detroit Tribune.

"Easily ranks with, if not above, 'A Prisoner of Zenda.' … Wonderfully strong, graphic, and compels the interest of the most blasÉ novel reader."—Boston Advertiser.

"No adventures were ever better worth telling than those of Count Antonio.… The author knows full well how to make every pulse thrill, and how to hold his readers under the spell of his magic."—Boston Herald.

"A book to make women weep proud tears, and the blood of men to tingle with knightly fervor.… In 'Count Antonio' we think Mr. Hope surpasses himself, as he has already surpassed all the other story-tellers of the period."—New York Spirit of the Times.

"A story of marvelous dramatic intensity, and in its ethical meaning has a force comparable only to Hawthorne's 'Scarlet Letter.'"—Boston Beacon.

"A work of power which is another stone added to the foundation of enduring fame to which Mr. Caine is yearly adding."—Public Opinion.

"A wonderfully strong study of character; a powerful analysis of those elements which go to make up the strength and weakness of a man, which are at fierce warfare within the same breast; contending against each other, as it were, the one to raise him to fame and power, the other to drag him down to degradation and shame. Never in the whole range of literature have we seen the struggle between these forces for supremacy over the man more powerfully, more realistically delineated than Mr. Caine pictures it."—Boston Home Journal.

"Hall Caine has already given us some very strong and fine work, and 'The Deemster' is a story of unusual power.… Certain passages and chapters have an intensely dramatic grasp, and hold the fascinated reader with a force rarely excited nowadays in literature."—The Critic.

"One of the strongest novels which has appeared in many a day."—San Francisco Chronicle.

"Fascinates the mind like the gathering and bursting of a storm."—Illustrated London News.

"Deserves to be ranked among the remarkable novels of the day."—Chicago Times.

"The welcome given to this story has cheered and touched me, but I am conscious that, to win a reception so warm, such a book must have had readers who brought to it as much as they took away.… I have called my story a saga, merely because it follows the epic method, and I must not claim for it at any point the weighty responsibility of history, or serious obligations to the world of fact. But it matters not to me what Icelanders may call 'The Bondman,' if they will honor me by reading it in the open-hearted spirit and with the free mind with which they are content to read of Grettir and of his fights with the Troll."—From the Author's Preface.

"A new departure by this author. Unlike his previous works, this little tale is almost wholly humorous, with, however, a current of pathos underneath. It is not always that an author can succeed equally well in tragedy and in comedy, but it looks as though Mr. Hall Caine would be one of the exceptions."—London Literary World.

"It is pleasant to meet the author of 'The Deemster' in a brightly humorous little story like this.… It shows the same observation of Manx character, and much of the same artistic skill."—Philadelphia Times.

"There is a vast extent of territory lying between the Missouri River and the Pacific coast which has barely been skimmed over so far. That the conditions of life therein are undergoing changes little short of marvelous will be understood when one recalls the fact that the first white male child born in Kansas is still living there; and Kansas is by no means one of the newer States. Revolutionary indeed has been the upturning of the old condition of affairs, and little remains thereof, and less will remain as each year goes by, until presently there will be only tradition of the Sioux and Comanches, the cowboy life, the wild horse, and the antelope. Histories, many of them, have been written about the Western country alluded to, but most if not practically all by outsiders who knew not personally that life of kaleidoscopic allurement. But ere it shall have vanished forever we are likely to have truthful, complete, and charming portrayals of it produced by men who actually knew the life and have the power to describe it."—Henry Edward Rood, in the Mail and Express.

"In every way worthy of an author who, as an authority upon the Western Indians, is second to none. A book full of color, abounding in observation, and remarkable in sustained interest, it is at the same time characterized by a grace of style which is rarely to be looked for in such a work, and which adds not a little to the charm of it."—London Daily Chronicle.

"Only an author qualified by personal experience could offer us a profitable study of a race so alien from our own as is the Indian in thought, feeling, and culture. Only long association with Indians can enable a white man measurably to comprehend their thoughts and enter into their feelings. Such association has been Mr. Grinnell's."—New York Sun.

"The author has written a book, not alone full of information, but replete with the true romance of the American mine."—New York Times.

"Few chapters of recent history are more fascinating than that which Mr. Shinn has told in 'The Story of the Mine.'"—The Outlook.

"Both a history and a romance.… Highly interesting, new, and thrilling."—Philadelphia Inquirer.

"Until the Appletons discovered the merits of Maarten Maartens, the foremost of Dutch novelists, it is doubtful if many American readers knew that there were Dutch novelists. His 'God's Fool' and 'Joost Avelingh' made for him an American reputation. To our mind this just published work of his is his best.… He is a master of epigram, an artist in description, a prophet in insight."—Boston Advertiser.

"It would take several columns to give any adequate idea of the superb way in which the Dutch novelist has developed his theme and wrought out one of the most impressive stories of the period.… It belongs to the small class of novels which one can not afford to neglect."—San Francisco Chronicle.

"Maarten Maartens stands head and shoulders above the average novelist of the day in intellectual subtlety and imaginative power."—Boston Beacon.

"Throughout there is an epigrammatic force which would make palatable a less interesting story of human lives or one less deftly told."—London Saturday Review.

"Perfectly easy, graceful, humorous.… The author's skill in character-drawing is undeniable."—London Chronicle.

"A remarkable work."—New York Times.

"Maarten Maartens has secured a firm footing in the eddies of current literature.… Pathos deepens into tragedy in the thrilling story of 'God's Fool.'"—Philadelphia Ledger.

"Its preface alone stamps the author as one of the leading English novelists of to-day."—Boston Daily Advertiser.

"The story is wonderfully brilliant.… The interest never lags; the style is realistic and intense; and there is a constantly underlying current of subtle humor.… It is, in short, a book which no student of modern literature should fail to read."—Boston Times.

"A story of remarkable interest and point."—New York Observer.

"So unmistakably good as to induce the hope that an acquaintance with the Dutch literature of fiction may soon become more general among us."—London Morning Post.

"In scarcely any of the sensational novels of the day will the reader find more nature or more human nature."—London Standard.

"A novel of a very high type. At once strongly realistic and powerfully idealistic."—London Literary World.

"Full of local color and rich in quaint phraseology and suggestion."—London Telegraph.

"Maarten Maartens is a capital story-teller."—Pall Mall Gazette.

"Our English writers of fiction will have to look to their laurels."—Birmingham Daily Post.

"The spirit and method of Kipling's fresh and virile song have taken the English reading world.… When we turn to the larger portion of 'The Seven Seas,' how imaginative it is, how impassioned, how superbly rhythmic and sonorous!… The ring and diction of this verse add new elements to our song.… The true laureate of Greater Britain."—E. C. Stedman, in the Book Buyer.

"The most original poet who has appeared in his generation.… His is the lustiest voice now lifted in the world, the clearest, the bravest, with the fewest false notes in it.… I do not see why, in reading his book, we should not put ourselves in the presence of a great poet again, and consent to put off our mourning for the high ones lately dead."—W. D. Howells.

"The new poems of Mr. Rudyard Kipling have all the spirit and swing of their predecessors. Throughout they are instinct with the qualities which are essentially his, and which have made, and seem likely to keep, for him his position and wide popularity."—London Times.

"He has the very heart of movement, for the lack of which no metrical science could atone. He goes far because he can."—London Academy.

"'The Seven Seas' is the most remarkable book of verse that Mr. Kipling has given us. Here the human sympathy is broader and deeper, the patriotism heartier and fuller, the intellectual and spiritual insight keener, the command of the literary vehicle more complete and sure, than in any previous verse work by the author. The volume pulses with power—power often rough and reckless in expression, but invariably conveying the effect intended. There is scarcely a line which does not testify to the strong individuality of the writer."—London Globe.

"If a man holding this volume in his hands, with all its extravagance and its savage realism, is not aware that it is animated through and through with indubitable genius—then he must be too much the slave of the conventional and the ordinary to understand that Poetry metamorphoses herself in many diverse forms, and that its one sovereign and indefeasible justification is—truth."—London Daily Telegraph.

"'The Seven Seas' is packed with inspiration, with humor, with pathos, and with the old unequaled insight into the mind of the rank and file."—London Daily Chronicle.

"Mr. Kipling's 'The Seven Seas' is a distinct advance upon his characteristic lines. The surpassing strength, the almost violent originality, the glorious swish and swing of his lines—all are there in increased measure.… The book is a marvel of originality and genius—a brand-new landmark in the history of English letters."—Chicago Tribune.

"In 'The Seven Seas' are displayed all of Kipling's prodigious gifts.… Whoever reads 'The Seven Seas' will be vexed by the desire to read it again. The average charm of the gifts alone is irresistible."—Boston Journal.

"A new and striking tale; the charm, the verity, the literary quality of the book depend upon its study of character, its 'local color,' its revelation to Americans of a social state at their very doors of which they have known nothing."—New York Times.

"The story is a revelation to us. It is written in a spirited, breezy way, with an originality in the telling of which is quite unexpected. The dialect is striking in its truth to Nature."—Boston Courier.

"Is in all probability the only true picture we have yet had of that most densely populated spot on the face of the earth—the ghetto of the metropolis, rather the metropolis of the ghettos of the world."—New York Journal.

"A series of vivid pictures of a strange people.… The people and their social life the author depicts with marvelous success."—Boston Transcript.

"The reader will become deeply interested in Mr. Cahan's graphic presentation of ghetto life in New York."—Minneapolis Journal.

"A strong, quaint story."—Detroit Tribune.

"Every feature of the book bears the stamp of truth.… Undoubtedly 'Yekl' has never been excelled as a picture of the distinctive life of the New York ghetto."—Boston Herald.

"The cleverest book by a woman that has been published for months.… Such books as 'The Sentimental Sex' are exemplars of a modern cult that will not be ignored."—New York Commercial Advertiser.

"There is a well-wrought mystery in the story and some surprises that preserve the reader's interest, and render it, when all is said, a story of considerable charm."—Boston Courier.

"An uncommonly knowing little book, which keeps a good grip on the reader up to the last page.… The author's method of handling the plot is adroit and original."—Rochester Herald.

"Miss Warden has worked out her contrasts very strikingly, and tells her story in a cleverly flippant way, which keeps the reader on the qui vive for the cynical but bright sayings she has interspersed."—Detroit Free Press.

"The story forms an admirable study. The style is graphic, the plot original and cleverly wrought out."—Philadelphia Evening Bulletin.