The Forester's Daughter: A Romance of the Bear-Tooth Range

THE FORESTER’S

DAUGHTER

A ROMANCE OF THE BEAR-TOOTH RANGE

BY

HAMLIN GARLAND

AUTHOR OF

“THE CAPTAIN OF THE GRAY-HORSE TROOP”

“MAIN-TRAVELLED ROADS” ETC.

ILLUSTRATED


HARPER & BROTHERS PUBLISHERS

NEW YORK AND LONDON

MCMXIV


COPYRIGHT. 1914. BY HAMLIN GARLAND

PRINTED IN THE UNITED STATES OF AMERICA

PUBLISHED FEBRUARY, 1914

A-O


Contents

CHAPTER PAGE
I The Happy Girl   1
II A Ride In The Rain   19
III Wayland Receives a Warning   46
IV The Supervisor of the Forest   68
V The Golden Pathway   82
VI Storm-Bound   110
VII The Walk in the Rain   123
VIII The Other Girl   142
IX Further Perplexities   159
X The Camp on the Pass   173
XI The Death-Grapple   195
XII Berrie’s Vigil   204
XIII The Gossips Awake   223
XIV The Summons   247
XV A Matter of Millinery   260
XVI The Private Car   274

Illustrations

PAGE
Her Face Shone as She Called Out: “Well, How Do You Stack Up This Morning?” Frontispiece
The Girl Behind Him was a Wondrous Part of This Wild and Unaccountable Country 6
She Found Herself Confronted by an Endless Maze of Blackened Tree-Trunks 140
The Slender Youth Went Down Before the Big Rancher as though Struck by a Catapult 196

AUTHOR’S FOREWORD

This little story is the outcome of two trips (neither of which was in the Bear Tooth Forest) during the years 1909 and 1910. Its main claim on the reader’s interest will lie, no doubt, in the character of Berea McFarlane; but I find myself re-living with keen pleasure the splendid drama of wind and cloud and swaying forest which made the expeditions memorable.

The golden trail is an actuality for me. The camp on the lake was mine. The rain, the snow I met. The prying camp-robbers, the grouse, the muskrats, the beaver were my companions. But Berrie was with me only in imagination. She is a fiction, born of a momentary, powerful hand-clasp of a Western rancher’s daughter. The story of Wayland Norcross is fiction also. But the McFarlane ranch, the mill, and the lonely ranger-stations are closely drawn pictures of realities. Although the stage of my comedy is Colorado, I have not held to any one locality. The scene is composite.

It was my intention, originally, to write a much longer and more important book concerning Supervisor McFarlane, but Berrie took the story into her own strong hands and made of it something so intimate and so idyllic that I could not bring the more prosaic element into it. It remained personal and youthful in spite of my plans, a divergence for which, perhaps, most of my readers will be grateful.

As for its title, I had little to do with its selection. My daughter, Mary Isabel, aged ten, selected it from among a half-dozen others, and for luck I let it stand, although it sounds somewhat like that of a paper-bound German romance. For the sub-title my publishers are responsible.

Finally, I warn the reader that this is merely the very slender story of a young Western girl who, being desired of three strong men, bestows her love on a “tourist” whose weakness is at once her allurement and her care. The administration problem, the sociologic theme, which was to have made the novel worth while, got lost in some way on the low trail and never caught up with the lovers. I’m sorry—but so it was!

    Chicago, January, 1914.


THE FORESTER’S DAUGHTER


THE FORESTER’S DAUGHTER


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