BOOK II

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CHAPTER FIFTEEN

A Summer in the High Country

My first morning in the old Homestead without my mother was so poignant with its sense of loss, so rich with memories both sweet and sorrowful, that I shut myself in my study and began a little tribute to her, a sketch which I called The Wife of a Pioneer. Into this I poured the love I had felt but failed to express as fully as I should have done while she was alive. To make this her memorial was my definite purpose.

As I went on I found myself deep in her life on the farm in Iowa, and the cheerful heroism of her daily treadmill came back to me with such appeal that I could scarcely see the words in which I was recording her history. Visioning the long years of her drudgery, I recalled her early rising, and suffered with her the never-ending round of dish-washing, churning, sewing, and cooking, realizing more fully than ever before that in all of this slavery she was but one of a million martyrs. All our neighbors' wives walked the same round. On such as they rests the heavier part of the home and city building in the West. The wives of the farm are the unnamed, unrewarded heroines of the border.

For nearly a week I lingered upon this writing, and having completed it I was moved to print it, in order that it might remind some other son of his duty to his ageing parents sitting in the light of their lonely hearth, and in doing this I again vaguely forecast the composition of an autobiographic manuscript—one which should embody minutely and simply the homely daily toil of my father's family, although I could not, at the moment, define the precise form into which the story would fall.

The completion of the memorial to my mother eased my heart of its bitter self-accusation, and a little later I returned to my accustomed routine, realizing that in my wife now lay my present incentive and my future support. She became the center of my world. In her rested my hope of happiness. My mother was a memory.

To remain longer in the old home was painful, for to me everything suggested the one for whom it had been established. The piano I had bought for her, the chair in which she had loved to sit, her spectacles on the stand—all these mute witnesses of her absence benumbed me as I walked about her room. Only in my work-shop was I able to find even momentary relief from my sense of irreparable and eternal loss.

Father, as though bewildered by the sudden change in his life, turned to Zulime with a pathetic weakness which she met with a daughter's tender patience and a woman's intuitive understanding. He talked to her of his first meeting with "Belle" and his tone was that of a lover, one who had loved long and deeply, and this I believe was true. In spite of unavoidable occasional moments of friction, he and Isabel McClintock had lived in harmony. They had been spiritually married, and now, in looking back over the long road he and she had traveled together, he recalled only its pleasant places. His memories were all of the sunlit meadows and starry nights along the way. Prairie pinks and wild roses hid the thorns and the thistles of the wayside.

His joy in the songs she had sung came back, intensified now by tender association with her face and voice. The knowledge that she who had voiced them so often, could voice them no more, gave to some of the words an almost overpowering pathos, and when he asked me to sing them, I could not immediately comply. To him they brought grateful tears and a consoling sadness, to me they came with tragic significance.

"But that mother she is gone
Calm she sleeps beneath the stone"

was not a song but a reality.

More and more he dwelt upon the time when she was young, and as the weeks went by his sorrow took on a wistful, vague longing for the past. Through the gate of memory he reËntered the world of his youth and walked once more with William and David and Luke. The mists which filled his eyes had nothing hot or withering in their touch—they comforted him. Whether he hoped to meet his love in some other world or not I do not know—but I think he did.

In the midst of these deep emotional personal experiences, I began to write (almost as if in self-defense), a novel which I called The Gray Horse Troop, a story which had been slowly forming in my mind ever since my visit to Lame Deer in 1897. This was my first actual start upon its composition and I was soon in full drive again, and just in proportion as I took on these fictional troubles did my own lose their power. To Zulime, with a feeling of confidence in myself, I now said, "You need not remain here any longer. Go down to Chicago and wait for me. I'll come as soon as father feels like letting me go. I am all right now. I am at work."

She smiled but replied with firm decision, "I shall stay right here until you can go with me. Father needs me more than he needs you."

This was true. She would have been deserting two men instead of one—and so she stayed while I worked away at my story, finding comfort in the realization of her presence.

At last my father said, "You mustn't stay here on my account; I can take care of myself."

Here spoke the stark spirit of the man. Accustomed to provide for himself in camp and on the trail, he saw no reason why he should not contrive to live here in the sheltered village, surrounded by his friends; but Zulime insisted upon his retaining our housekeeper, and to this he consented, although he argued against it. "I've been keeping house alone for six years out there in Dakota; I guess I can do as well here."

"All right, father," I said, "we'll go, but if you need me let me know."

A return to the city did not interrupt my writing. My new novel now had entire possession of me. So far as my mornings were concerned I was forgetful of everything else—and yet, often, as I put aside my work for the day, I caught myself saying, "Now I must write to mother,"—and a painful clutch came into my throat as I realized, once again, that I no longer had a mother waiting for a letter. For twenty years no matter where I had been or what I had been doing I had written to her an almost daily message and now she was no longer in my reach!—Was she near me on some other plane?

The good friendship of the Eagles' Nest Campers was of the highest value to me at this time. Without them Chicago would have been a desert. Henry Fuller's gay spirit, Lorado's swift wit and the good fraternal companionship of Charles Francis Browne were of daily comfort; but above all others I depended upon my wife whose serenely optimistic spirit carried me over many a deep slough of despond. How I leaned upon her! Her patience with me was angelic.

A writer, like an artist, is apt to be a selfish brute, tending to ignore everything which does not make for the progress of his beloved manuscript. He resents every interruption every hindering distraction, as a hellish contrivance, maliciously designed to worry or obstruct him—At least I am that way. That I was a burden, an intolerable burden to my wife, at times—many times—I must admit—but she understood and was charitable. She defended me as best she could from interruption and smoothed my daily course with deft hand. Slowly my novel began to take shape and as I drew farther away from the remorseful days which made my work seem selfish and vain, I recovered an illogical cheerfulness.

We saw very few Chicago people and in contrast with our previous "season" in New York our daily walk was uneventful, almost rural, in its quiet round. Christmas came to us without special meaning but 1900 went out with The Eagle's Heart on the market, and Her Mountain Lover going to press. Aside from my sense of bereavement, and a certain anxiety concerning my lonely old father, I was at peace and Zulime seemed happy and confident.

There was no escaping my filial responsibility, however, for in the midst of this serene season, a sudden call for help came from West Salem. "Your father is ill and needs you," wrote the doctor and I went at once to his aid.

It was a cheerless home-coming,—one that I could hardly endure the thought of, and yet I was glad that I had not followed my first impulse to delay it, for as I entered the door of the desolate lonely house I found the old soldier stretched out on a couch, piteously depressed in mind and flushed with fever. I had not arrived a minute too soon.

What a change had come over the Homestead! It was but a shell, a mansion from which the spirit for whom it had been built was fled. Its empty, dusty rooms, so cold and silent and dead—were dreadful to me, but I did my best to fill them with cheer for my father's sake.

As the day wore on I said to him, "It seems like Sunday to me. I have a feeling that mother and Zulime are away at church and that they may, at any moment, come in together."

"I wish Zuleema would come," my father said, and as if in answer to his wish, she surprised us by a telegram. "I am coming home," she wired, "meet me at the station to-morrow morning," and this message made my father so happy that it troubled me, for it revealed to me how deeply he had missed her, and made plain to me also how difficult it would be for me to take her away from him thereafter.

Her coming put such life in the house that I decided to invite a number of my father's friends and neighbors to spend the evening with us, and the thought of this party quite restored him to his natural optimism. His confidence in his new daughter's ability had become fixed. He accepted her judgments almost instantly. He bragged of her skill as a cook, as an artist and as a musician, quite shamelessly; but as this only amused her I saw no reason for interfering—I even permitted him to boast of my singing. He believed me to be one of the most remarkable ballad singers in the world, and to hear me sing "The Ninety and Nine" with all the dramatic modulations of a professional evangelist afforded him the highest satisfaction.

At his urging we made elaborate preparations for feeding our guests, and Zulime arranged a definite program of entertainment. When conversation slackened I was to sing while she played my accompaniment, and to fill out the program I volunteered to read one of my short stories.

The outcome of the evening was amusingly destructive of all our kindly plans. Before the women had fairly removed their wraps, Lottridge drew a box of dominoes from his pocket, saying, "I didn't know but you'd be a little short on 'bones,'" and Shane called out, "Well, now, Richard, what about tables?" In five minutes they were all—every mother's son and daughter of them—bent above a row of dominoes!

No entertainment on the part of host or hostess was necessary till the time came to serve supper. All our literary and musical preparations went for naught!—At ten o'clock they rose as one man, thanked us for a pleasant evening and went home!

Zulime laughed merrily over the wreck of our self-sacrificing program when we were alone. "Well, we'll know exactly what to do next time. All we need to do is to furnish dominoes and tables, our guests will do the rest."

My young wife's presence in the Homestead almost redeemed it from its gloom, and yet I was not content. The complications in the situation defied adjustment. My father needed us, but the city was essential to me. As a writer, I should have been remorselessly selfish. I should have taken my wife back to Chicago at once, but my New England conscience would not let me forget how lonely that old man would be in this empty house, silent, yet filled with voices of the moaning, swaying branches of its bleak midwinter elms.

My problem was, in fact, only another characteristic cruel phase of American family history. In a new land like ours, the rising generation finds itself, necessarily, almost cruelly, negligent of its progenitors. Youth moves on, away and up from the farm and the village. Age remains below and behind. The tragedy of this situation lies in the fact that there is no happy solution of the problem. Youth can not be shackled, age can not be transplanted.

In my case, I foresaw that the situation would inevitably become more and more difficult year by year. My father could not live in any city, and for me to give up my life in Chicago and New York in order to establish a permanent home in West Salem, involved a sacrifice which I was not willing to make,—either on my own account or Zulime's. I had no right to demand such devotion from her. Like thousands of other men of my age I was snared in circumstances—forced to do that which appeared unfilial and neglectful.

In the midst of these perplexities I was confronted by a new and surprising problem—I had money to invest! For the serial use of The Eagle's Heart and Her Mountain Lover I had received thirty-five hundred dollars, and as each of these books had also brought in an additional five hundred dollars advance royalty, I was for the moment embarrassed with cash.

In this extremity I turned, naturally, toward Oklahoma. I recalled the beautiful prairies I had crossed on my way to the Washitay. "Another visit to Darlington will not only furnish new material for my book of Indian stories, but enable me to survey and purchase a half-section of land," I explained to my father. "Like Henry George we both understand the value of unearned increment."

In this plan he agreed and two days after making this decision I was at Colony, Oklahoma, where I spent nearly the entire month of May, and when I returned I was the owner of three hundred and twenty acres of land.

My return to the Homestead found Zulime deep in the rush of the berry season. As mistress of a garden her interest in its produce was almost comical. She thought less of art, she neither modeled nor painted. She cared less and less for the Camp at Eagle's Nest, exulting more and more in the spacious rooms of her home, and in the abundance of her soil. Her love of the Homestead delighted me, but I was a little disappointed by the coolness with which she received my gift of a deed to a quarter section of Oklahoma land. She smiled and handed it back to me as if it were a make-believe deed.

It chanced that July came in unusually dry and hot, and in the midst of a dreadful week, she fell ill, so ill that she was confined to her bed for nearly three weeks, and as I watched beside her during those cloudless days and sultry nights, my mind turned with keenest longing toward the snow-lined crests of the Colorado mountains, and especially to the glorious forests of the White River Plateau. The roar of snowy Uncompagre, the rush of the deep-flowing Gunnison, and the serrate line of The Needle Peaks, called us both, and when at last, she was strong enough to travel, we packed our trunks and fled the low country, hurrying in almost desperate desire to reach the high, cool valleys of Colorado.

O, that torturing journey! As we neared Omaha the thermometer rose to 105 in the Pullman car, and remained there nearly all day. For twelve hours we steamed, sitting rigidly erect in our chairs, dreading to move, sweltering in silence, waiting with passionate intensity for the cool wind which we knew was certain to meet us somewhere on our upward course.

The sun went down in murky flame and the very shadows were hot, but deep in the night I was roused by a delicious puff of mountain air, and calling to Zulime, suffering in her berth, I said, "Worry no longer about the heat. From this hour on, every moment will be joy. You can forget the weather in Colorado."

What exquisite relief came with that change of air! What sweetness of promise! What buoyancy of expectation!—We went to sleep with the wind blowing in upon us, and when we woke the mountains were in sight.

At the station in the Springs, our good friend Louis Ehrich again met us, and in half an hour we stood in the same room which we had occupied on our wedding trip, a room whose windows faced directly upon the Rampart range, already deep purple with the shadow of the clouds. By contrast with our torrid railway car this was Paradise itself—so clean, so cool, so sweet, so tonic was the air, and when at noon a storm hid the peaks, and lightning crashed above the foot hills, the arid burning plain over which we came was forgotten—or remembered only to make our enjoyment of the mountain air more complete.

The splendor of that mighty wall, the kiss of that wind, the memory of that majestic peak looming amid the stars, comes back to me as I write, filling me with an almost intolerable longing to recover the magic of that summer, a summer which has receded with the speed of an eagle.

Each day we breakfasted and lunched and dined on a vine-clad porch in full view of the mountains. Each afternoon we drove or rode horseback or loitered on the lawn. Never in all my life had I come so near to flawless content, and Zulime, equally joyous, swiftly returned to perfect health. Her restoration was magical.

Louis Ehrich, one of the gentlest men I have ever known, rejoiced in our presence. He lived but to fill our days with pleasure. He and I had been friends for ten years, and his family now took my wife into favor—I was about to say into equal favor, but that would not be true. They very properly put her above me in the scale of their affection, and to this subordination I submitted without complaint, or even question.

It chanced that on the second day of our stay the Ehrichs were due at a garden party in "Glen Eyrie," General Palmer's palatial home in the foot hills, and kindly obtained permission to bring us with them. That drive across the mesa was like a journey into some far country—passage to a land which was neither America nor England, neither East nor West. To reach the Castle we entered a gate at the mouth of a narrow, wooded caÑon and drove for nearly a mile toward the west through a most beautiful garden in which all the native shrubs and wild flowers had been assembled and planted with exquisite art.

People were streaming in over the mountain roads, some on horseback, some on bicycles, some in glittering, gayly-painted wagons, and when we reached the lawn before the great stone mansion, we found a very curious and interesting throng of guests, and in the midst of them, the General, tall, soldierly, clothed in immaculate linen and wearing a broad white western hat, was receiving his friends, assisted by his three pretty young daughters.

The house was a veritable chateau—the garden a wonderland of Colorado plants and flowers, skilfully disposed among the native ledges and scattered along the bases of the cliffs whose rugged sides enclosed the mansion grounds. The towers (of gray stone) were English, but the plants and blooms were native to the Rampart foot hills. In a very real fashion "Glen Eyrie" bodied forth the singular and powerful character of its owner, who was at once an English squire, a Pennsylvania civil war veteran, and a western railway engineer.

Food and drink and ices of various kinds were being served under the trees with lavish hospitality, and groups of young people were wandering about the spacious grounds—grounds so beautiful by reason of nature's adjustment, as well as by way of the landscape gardener's art, that they made the senses ache with a knowledge of their exquisite impermanency. It was a kind of poem expressed in green and gold and scarlet.

Zulime greatly interested the Palmer girls, and the General, who remembered me pleasantly, was most amiable to us both. "You must come again," he said, and to me he added, "You must come over some day and ride my trails with me."

As I mingled with that throng of joyous folk, I lost myself. I became an actor in a prodigious and picturesque American social comedy. For stage we had the lawn, banks of flowers, and the massive towers of the castle. For background rose the rugged hills!—Nothing could have been farther from our home in Neshonoc. Glowing with esthetic delight in the remote and singular beauty of the place, Zulime took an artist's keen interest in alien loveliness. It threw our life into commonplace drab. And yet it was factitious. It had the transient quality of a dream in which we were but masqueraders.

Two days later, at the invitation of General Palmer, we joined his party in a trip over the short-line railway to Cripple Creek, traveling in his private car, and the luxury of this novel experience made my wife's eyes shine with girlish delight.—I professed alarm, "I don't know where all this glory is going to land us," I warned, "after this Aladdin's-lamp luxury and leisure, how can I get you back into washing dishes and canning fruit in West Salem?"

She laughed at this, as she did at most of my fears. Serene acceptance of what came was her dominant characteristic. Her faith in the future was so perfect that she was willing to make the fullest use of the present.

The day was gloriously clear, with great white clouds piled high above the peaks, and as the train crept steadily upward, feeling its way across the mountain's shoulder, we were able to look back and down and far out upon the plain which was a shoreless sea of liquid opal. At ten thousand feet the foot hills (flat as a rug) were so rich in color, so alluring in their spread that we could scarcely believe them to be composed of rocks and earth.

After a day of sight-seeing we returned, at sunset, to the Springs, with all of the pomp of railway magnates en tour, and as we were about to part at the railway station, the General in curt, off-hand way, asked, "Why not join my camping party at Sierra Blanca? We're going down there for a week or two, and I shall be very glad to have you with us. Come, and stay as long as you can. We shall probably move on to Wagon Wheel Gap later. Wagon Wheel ought to interest you."

He said this with a quizzical smile, for he had been reading my novel of Colorado, and recognized in my scene the splendors of the San Juan country. "Your friend Ehrich is coming," he added, "and I expect Sterling Morton for a day or two. Why not all come down together?"

"Would you like me to bring my bed and tent?" I asked.

"As you please, although I have plenty of room in my own outfit."

It happened that Colorado Springs was holding a Quarto-Centenary, a kind of Carnival and Wild-West Pageant, to which Vice-President Roosevelt was coming as the chief guest of honor, and as soon as he arrived I called upon him at his hotel. Almost at once he asked, "Where is your wife? I want to see her. Is she here?"

"Yes, she is staying with some friends," I replied.

"I am very glad to know it. I shall call upon her tomorrow afternoon as soon as my duties at the carnival are ended."

The thought of having the Vice-President of the United States go out of his way to make a call upon my wife gave me a great deal of pleasure for I realized how much it would mean to Zulime, but I replied, "We shall be very glad to call upon you."

"No," he replied in his decisive fashion—"I shall call to-morrow at four o'clock—if that is convenient to you. Meanwhile I want you and Mr. Ehrich to breakfast with me here, at the hotel. I shall have some hunters and rough riders at my table whom you will be interested to meet."

Of course I accepted this invitation instantly, and hurried home to tell my wife that "royalty" was about to call upon her.

The Vice-President's breakfast party turned out to be a very curious collection of mutually repellent, but highly-developed individualities. There was John Goff, well known as guide and hunter in western Colorado, and Marshall Davidson, a rough-rider from New Mexico, Lieutenant Llewellyn of the Rough Riders, Sterling Morton (former Secretary of Agriculture), a big impassive Nebraska pioneer; Louis Ehrich (humanist and art lover), and myself—I cannot say that I in any way reduced the high average of singularity, but I was at least in the picture—Morton and Ehrich were not; they remained curious rather than sympathetic listeners. While no longer a hunter I was a trailer and was able to understand and keenly enjoy the spirit of these hardy men of the open.

True to his word, Roosevelt called at the Ehrich's that afternoon, and no one could have been more charming, more neighborly than he. He told of our first meeting, smilingly called me "a Henry George crank," and referred to other differences which existed between us. "Differences which do not in the least interfere with our friendship," he assured Zulime. "Your husband, for example, doesn't believe in hunting, and has always stood out against my shooting," here he became quite serious—"However, I've given up shooting deer and elk. I kill only 'varmints' now."

After half an hour of lively conversation, he rose to go and as I went with him to the gate, where his carriage was waiting, he said with earnest emphasis, "I congratulate you most heartily, my dear fellow. Your wife is fine! fine!"

As Morton and Ehrich had accepted General Palmer's invitation to camp with him, we all took train for Fort Garland, a mysterious little town in Southern Colorado, near which the General was encamped. This expedition particularly pleased me for it carried me into the shadow of Sierra Blanca, one of the noblest of Colorado's peaks, and also into the edge of the Mexican settlement. It all seemed very remote and splendid to me that day.

We were met at the station by one of the General's retainers and ten minutes later found ourselves in a mountain wagon and on our way toward Old Baldy, the mountain which stands just north of Sierra Blanca, which forms the majestic southern bastion of the Crestones.

Mexican huts lined the way, and dark-skinned farmers working in the fields and about the corrals, gave evidence of the fact that this "land grant" had been, at one time, a part of Old Mexico.

"It contains nearly seven hundred thousand acres," Ehrich explained, "and is the property of General Palmer."

This statement aroused a sense of wonder in my mind. "Think of being proprietor of one-half of Sierra Blanca?" I said to Morton. "Has any individual a right to such a privilege?"

In a lovely grove on the bank of a rushing glorious stream, we found the Lord of this Demesne and his three daughters encamped, attended by a platoon of cooks, valets, maids, and hostlers. A "camp" which highly amused Sterling Morton, although he had moments of resenting its luxury. "Now this is the kind of 'roughing it' I believe in," he declared with a smile. "It is suited to elderly old parties like Ehrich and myself, but you, Garland, a youngster, a trailer—should have no part in it. It's too corrupting."

Our luncheon, which contained five courses, came on with the plenitude and precision of a meal at Glen Eyrie. The rusticity of the function was altogether confined to the benches on which we sat and the tables from which we ate—the butlering was for the most part urban.

"Why didn't Mrs. Garland come?" asked the General.

"She had an engagement or two that prevented her."

"Oh! She must come down," commanded the General. "Telegraph her at once and ask her when she can get away. I'll send my car for her."

This he did. The private Pullman, with a maid and a steward in charge, went back that night and on the second morning Zulime came down the line in lonely state.

I met her at the station, and for ten days we lived the most idyllic, yet luxurious life beside that singing stream. We rode the trails, we fished, we gathered wild flowers. Sometimes of an afternoon we visited the ranches or mining towns round about, feasting at night on turtle soup, and steak and mushrooms, drinking champagne out of tin cups with reckless disregard of camp traditions, utterly without care or responsibility—in truth we were all under military discipline!

The General was a soldier even in his recreations. Each day's program was laid out in "orders" issued in due form by the head of the expedition—and these arrangements held! No one thought of changing them. Our duty was to obey—and enjoy.

Never before in all my life had anything like this freedom from responsibility, from expense, come to me. So carefree, so beautiful was our life, that I woke each morning with a start of surprise to find its magic a reality. It was like the hospitality of oriental kings in the fairy stories of my childhood.

For four weeks we lived this incredible life of mingled luxury and mountaineering, attended by troops of servants and squadrons of horses, threading the high forests, exploring deep mines, crossing Alpine passes, and feasting on the borders of icy lakes—always with the faithful "Nomad," the General's private Pullman car, waiting in the offing ready in case of accident—and then, at last, after riding through Slumgullion Gulch back to Wagon Wheel, Zulime and I took leave of these good friends and started toward Arizona. I had not yet displayed to her the Grand CaÑon of the Colorado!

Five years before, on a stage drawn by four wild-eyed bronchos I had ridden from Flagstaff to Hance's Cabin in the glorious, exultant old-time fashion, but now a train ran from Williams to the edge of the abyss, and while I mourned over the prosaic change, I think Zulime welcomed it, and when we had set up our little tent on a point of the rim which commanded a view (toward the Southwest) of miles and miles of purple pagodas, violet towers and golden peaks we were content. Nothing could change the illimitable majesty of this view.

Day by day we watched the colorful play of sun-light and shadow along those mighty walls, and one night we camped in the deeps, a dramatic experience, for a mountain lion yowling from the cliffs gave voice to the savage grandeur of the scene. Then at last, surfeited with splendor, weary with magnificence, we turned our faces homeward. With only a stop at Laguna to watch the Indian Corn Dance, we slid down to Kansas City and at last to West Salem and home.

What a vacation it had been! Pike's Peak, Cripple Creek, Glen Eyrie, our camp beside the singing stream at Baldy, Sierra Blanca, Wagon Wheel Gap, Creede, Red Mountain, Lake City, Slumgullion, Tennessee Pass, noble dinners on the car, trail-side lunches of goose-liver and sandwiches and jam, iced watermelon and champagne in hot camps on the mesas—all these scenes and experiences came back accompanied by memories of the good talk, the cosmopolitan humor, of the Palmers and their guests.

From this royal ease, this incessant shift of scene and personality, we returned to our shabby old homestead brooding patiently beneath its maples, reflecting upon the glittering panorama which our magic lamp and flying carpet had wrought so potently to display. As I had started out to educate my wife in Western Life, it must be admitted that this summer had been singularly successful in bringing to her a knowledge of the splendors of Colorado and a perception of the varied character of its population.—Best of all she returned in perfect health and happy as a girl.

"This being married to a poor novelist isn't so bad after all," I remarked with an air of self-congratulation. "True, our rewards come without reason, but they sometimes rhyme with joy and pride."

Strange to say, I got nothing out of this summer, in a literary way, except the story which I called The Steadfast Widow Delaney, a conception which came to me on my solitary ascent of Sierra Blanca. All the beauty and drama, all the humor and contrast of the trip with the Palmers, had no direct fictional value to me. It is hard to explain why, but so it was. I did not so much as write a poem based on that gorgeous experience.


CHAPTER SIXTEEN

The White House Musicale

The Homestead on the day of our return, was not only a violent contrast to the castle in Glen Eyrie, but its eaves were dripping with water and its rooms damp and musty. It was sodden with loneliness. Father was in Dakota and mother was away never to return, and the situation would have been quite disheartening to me had it not been for Zulime who did not share my melancholy, or if she did she concealed it under that smiling stoicism which she derived from her deeply philosophic father. She pretended to be glad of the peace of our plain reality.

Life with her was not lacking in variety. From the splendors of Colorado and the luxury of private cars and palatial chambers, she now dropped, with a suddenness which should have been disconcerting, to the level of scouring pots and cooking her own meals. It was several days before we succeeded in finding a cook. "This is what it means to be the wife of an unpopular novelist," I said to her.

"I'm not complaining. It's fun," she replied.

The house was soon in order and when my brother arrived later in the week, she greeted him with the composure of a leisured hostess. In such wise she met every demand upon her.

It was Franklin's first night at home since mother went away, and I labored to cheer him with the fiction that she was "on a visit" to some of her old friends and would soon return.

The Junior as I called him, was in a serious mood for another reason. After more than twelve years of life as an actor, he had decided to quit the stage, something the player is traditionally supposed to be incapable of doing, and he had come to me for aid and encouragement. "I have a good opportunity to go into the management of a rubber plantation," he explained, "and I'd like to have you buy out my share in the Homestead in order to give me a little money to work on."

To this I agreed, although I had grave doubts of the rubber business. To have him give up the stage I considered a gain, for while he was a capable player of middle-aged character parts, I saw no lasting success ahead of him—on the contrary I imagined him getting into a more and more precarious condition. Nothing is more hopeless than an elderly actor out of a job and subject to the curt dismissals of contemptuous managers. Frank had always been gayly unconcerned about the future and he was not greatly troubled now; he was merely desirous of a fixed home and a place to vote. With the promise of my cash for his share of the Homestead, and my support in his Mexican venture, he cheered up markedly and went away almost as carefree as a boy.

In the quiet of the days which followed I worked each morning, sometimes on The Steadfast Widow Delaney, and sometimes on a revision of the novel which I had variously and from time to time called On Special Duty, and The Captain of the Gray Horse Troop. Having been accepted by Lorimer, this story was about to be printed under this latter title as a serial in the Post.

Each afternoon I saddled my Klondike horse who was in need of exercise, and galloped about over the hills for an hour or two. We were familiar figures by this time, and the farmers when they saw me leaping a pasture fence or climbing a hill, would smile (I assume that they smiled), and say, there goes that literary cuss, or words to that general effect. I took a boyish delight in showing that Ladrone would walk a log or leap a ditch at the mere touch of my heel.

Occasionally I went to LaCrosse with Zulime to visit our good friends the Eastons, and it was on one of these visits that I had my first long ride in an automobile. Incredible as it may seem now, there were very few motor cars in the county in 1901, and Easton's machine would excite laughter to-day. It was dumpy of form and noisy and uncertain of temper, but it made the trip to Winona and almost home again. It broke down helplessly in the last mile, a treachery which caused its owner the deepest chagrin, although it gave me the final touch for a humorous story of our outing, a sketch which I sold to Harper's Weekly. The editor had a fine illustration made for it, one which gave further force to my description of the terrific speed with which we whirled through the landscape. As I recall it we rose to nearly seventeen miles an hour!

As The Captain of the Gray Horse Troop, actually began to appear in The Post, I became sharply concerned with the question of preparing it for book publication. I decided to go to New York and look the ground over very carefully before making selection of another publisher.

My life in the Homestead was comfortable, almost too comfortable. It lacked stimulus. Riding my horse, gathering hickory nuts, and playing tennis or "rummy," were all very well in their way, but they left me dissatisfied, and after the cold winds began to blow and my afternoons were confined to the house, I stagnated. Like Prudden, Grinnell and other of my trailer friends, I was disposed to pitch my winter camp somewhere on Manhattan Island. The Rocky Mountains for four months in summer and the rest of the year in New York City appeared an ideal division of my life for a western novelist.

I had some reason to think this arrangement was also satisfactory to my wife. To her the Wilderness was a strange and wonderful place in which to try her powers of endurance, but the trail had none of the charms of association which it possessed for me. She was quite ready to accompany me to the city although she professed to be content with Neshonoc. She was entirely urban whereas I was an absurd mixture of pioneer and trailer, fictionist and farmer.

We left West Salem in late October and in less than three days were settled in the little hotel in Fifteenth Street where we had lived during two previous winters. My confidence in my new novel was not sufficient to warrant me in paying more than twenty dollars per week for our little apartment, and as for Zulime—she professed to wonder how I dared to pay as much as seventeen.

One by one and two by two our faithful friends called, Burroughs, Gilder, Howells, Marion and Edward MacDowell, the Pages, Juliet Tompkins—no one appeared to think ill of us because we returned to our shabby little suite. We dined at Katherine Herne's, finding James A., "away," and with Frank Norris and his wife who were (like ourselves), just beginning to feel a little more secure of a living, while from Seton and Bacheller who were passing from glory to glory, we had kindly invitations to visit their new houses, for both of them were building, Bacheller at Sound Beach and Seton at Coscob.

Seton admitted to me that he had already acquired five times the amount he had once named as the summit of his hopes, and Bacheller awed me by the quiet ease of his way of life. In the opulent presence of these men, I sang a very meek and slender song. I hated to admit my poverty, but what was the use of making any concealment?

It remains to say that neither Bacheller nor Seton expressed in the slightest degree the sense of superiority which their larger royalties might have warranted. I am quite sure they never went so far as to feel sorry for me although they very naturally rejoiced in their own triumphant progress. In some ways I envied them, but I begrudged them nothing.

It chanced that the Setons were far enough along with their building to announce a House Warming, and on New Year's Day, Zulime and I were fortunate enough to be included in the list of their guests. On the Saturday train we found Lloyd Osbourne, Richard Le Gallienne and several others whom we knew and on arrival at the new house on its rocky ledge above the lake, we found that the party also included Mary Fanton, Carl Lumholz, Emery Pottle and Gertrude Lynch.

Seton and I spent part of the afternoon fixing up a teepee which we constructed out of an old Sibley tent, while the other guests skated on the pond. What a dinner we enjoyed that night! What youthful spirits we brought to it! Afterward we sang and danced—we all danced, even Zulime danced for the first time in her life—so she said.

No one had gray hair, no one doubted the future, no one acknowledged impending cloud. We toasted the longevity of "Wyndygoul" and the continued success of its builder. We pledged eternal allegiance to our hostess, and so without a care of the future, watched the New Year dawn.

At two in the morning when I crept away to my bed, the tom-tom and the piano were both sounding out with almost undiminished vigor. It was a night to remember and I do remember it with the pleasure an old man has in the days of his early manhood—not so very early either for I was on the hither side of forty!

Upon our return to the city I found a letter from Bok with a check for eight hundred dollars in it. This was in response to a note of mine respecting an offer of seven hundred and fifty. "Better make it eight hundred," I wrote, and so, in my triumph, I led Zulime to Vantine's and there purchased for her a carved gold ring set with three rose diamonds, the handsomest present I had ever dared to buy for her. "This is to make amends for the measly little engagement ring you were forced to accept," I remarked by way of explanation.

She protested at my reckless waste of money (as she had done with regard to the brown cloak), but to no avail, and thereafter if she occasionally brought the conversation round to Oriental jewelry, I am sure she is not to be blamed. She is still wearing that ring, though she no longer finds the same girlish pleasure in displaying it.

The actual making of my serial into book form began soon after New Years, for I find records of my contract with Harper and Bros., and the arrival of bundles of proof. By the end of February the book was substantially made and ready for distribution, and a handsome book it was—to me. Whatever it had started out to be, it had ended as a fictional study of the red man in his attempt to walk the white man's road, and as a concept of his tragic outlook I still think it worth while.

The three men in control of the reorganized firm of Harper and Bros., George Harvey, Frederick Duneka and Frank Leigh, all professed a firm belief in The Captain of the Gray Horse Troop, and promised me such a boost as I had never had. This promise they set about to fulfill.

As the day of publication came on they took generous squares of space in the daily papers, and whole pages in the magazines. They astonished and somewhat daunted me by putting an almost life-size portrait on the bill boards of all the elevated roads, and then to the consternation of my wife, The Weekly published a full page reproduction of her photograph, a portrait which they had obtained from me to use, as I supposed, in the ordinary way in the literary column of the Sunday papers. I had no idea of its being a full page illustration. I was troubled and uneasy about this for a day or two, but realizing that the firm was doing its best to make my book known to the public, I could not with justice complain. In truth the use of the portrait seemed not to make any difference one way or the other. It certainly did Zulime no harm.

At my request the firm made up a very handsome special copy of the novel which I sent to President Roosevelt, with a word of explanation concerning the purpose which underlaid the writing of the tale.

Early in March the book appeared with everything in its favor. True there was opportunity for controversy in its delineation of aggressive cattlemen, but those who had so bitterly criticized my pictures of the prairie life in Main Traveled Roads, were off their guard with respect of the mountains. My reviewers quite generally accepted the novel as a truthful presentation of life on an Indian reservation in the nineties. Furthermore my sympathetic interpretation of the Army's attitude toward the red men caused the story to be quite generally commended by the officers. This surprised and delighted me, but I was especially gratified by Roosevelt's hearty praise of it. "It is your best work so far," he wrote me, "and I am in full sympathy with your position."

Requests for stories, interviews, articles and biographical notes, flowed in upon me. It really looked like a late second arrival of Hamlin Garland. Not since the excitement of putting Main Traveled Roads on the market had I been so hopeful and in the midst of my other honors came a note from the President, inviting me to visit him, and with it a card to a musicale at the White House.

Life in the East as the reader can see, was very alluring to Zulime as well as to me, and though as April came on, we both felt the call of the West, I am not sure whether we would have wrought our courage to the point of deserting our little apartment on Fifteenth Street, had it not been for the President's invitation, which was in effect a command, an honor as well as a pleasure, which we did not think of disregarding.

As I had not voted the Republican ticket and had no political standing with the Administration, this invitation was personal. It came from Roosevelt as a friend and fellow-trailer—a fact which enhanced its value to me. We began at once to plan our return to Chicago in such wise that it would include a week in Washington, which we had not visited since our wedding journey.

It must have been about this time that the Annual Meeting of the Institute took place. I recall Howells presiding with timidity and very evident embarrassment when it came to the duty of putting certain resolutions to vote. He seemed sad and old that night—indeed as I looked around the table, I was startled to find how many of the men I had considered "among the younger writers" were gray and haggard. Mabie, Page, Hopkinson Smith, Gilder and Stedman—all were older than I had remembered them. Edward MacDowell, who was sitting beside me, remarked upon the change, and I replied, "Yes, you and I are young only by contrast. To Frank Norris and Stewart White, we are already veterans."

[That was twenty years ago, and I am three score years and more, and most of those who dined with me that night are in their graves, only Page, of all the group, is left. Another generation altogether is on the stage whilst I and Stewart White are grouped together as "older men." I am seeing literary history made whether I am credited with making any of it, myself, or not. At times I have an appalling sense of the onward sweep of the years. Are they carrying us to higher grounds in fiction and in other arts, or are they descending to lower levels of motive and workmanship?]

It was glorious spring when we reached Washington, and in the glow of my momentary sense of triumph we went to one of the best hotels and enjoyed for the moment the sense of being successful and luxurious folk.

In calling on the President the following day I was a little taken aback by his frankness in speaking of my changing point of view. "You have pictured the reverse side of the pioneer," he said with a gleam of mischief in his eyes. "In your study of the Indian's case you have discovered the fact that the borderer is often the aggressor and sometimes the thief." He repeated his praise of the book and then said, "I shall make use of your knowledge of the conditions on the Western reservations. You and George Bird Grinnell know what is going on out there and I intend to use you both—unofficially."

To this I agreed, and when he gave me a card to the Secretary of the Interior and told me to take up with the Commissioner certain reforms which I had suggested, I put the card in my pocket and set about the task. It was only a small card, a visiting card, and when, in my ignorance of official life, I walked in on the Secretary with that tiny slip of pasteboard in my hand, I had no idea of its explosive power. The Secretary who was lounging at his desk like a tired and discouraged old man, did not think me important enough to warrant a rise out of his chair, until he read the card which I handed to him. After that I owned the office! That card made me the personal representative of the President—for the moment.

On the following day Roosevelt allowed me to sit in at some of the meetings in the Executive Chamber, and it was at one of these that I met for the first time the most engaging Chief of the Forestry Bureau, Gifford Pinchot. At night Zulime and I dined with William Dudley Foulke and at nine o'clock we went to the White House Musicale.

That musicale at the White House is one of the starry nights in Zulime's life, as well as in my own, for not only did we meet the President and Mrs. Roosevelt and many of the best known figures in American art, letters, politics, and statesmanship, we also heard Paderewski play as we had never heard him play before.

We were seated close to the piano and when that potent, shock-haired Pole spread his great hands above the keys I fancied something of the tiger in the lithe grace of his body, and in his face a singular and sultry solemnity was expressed. Inspired no doubt by the realization that he was playing before a mighty ruler—a ruler by the divine right of brain power,—he played with magnetic intensity. Something mysterious, something grandly moving went out from his fingers. No other living musician could, at that moment have equaled him.

For a few hours Zulime and I enjoyed the white light which beat upon two of the great personalities of that day—one the world's greatest piano player, the other the most powerful and the most popular man in all America—and when we retired to the obscurity of our hotel we were silent with satisfaction. For the moment it seemed that fortune was about to empty her golden horn at my feet. I was happily married, my latest book was a hit, and I had the friendship and the favor of the President.


CHAPTER SEVENTEEN

Signs of Change

As a matter of record, and for the benefit of young readers who may be contemplating authorship, I here set down the fact that notwithstanding my increasing royalties, my gross income for 1901 was precisely $3,100. Out of this we saved five hundred dollars. Neither my wife nor I had any great hopes of the future. Neither of us felt justified in any unusual expenditures, and as for speculation—nothing could induce me to buy a share of stock—or even a bond (gilt-edged or otherwise), for I owned a prejudice, my father's prejudice, against all forms of intangible wealth. Evidences of wealth did not appeal to me. I wanted the real thing, I wanted the earth. Nothing but land gave me the needed sense of security.

In my most exalted moments I began to dream of using my income from The Captain of the Gray Horse Troop in the purchase of more Oklahoma land. In imagination I saw myself in a wide-rimmed hat and white linen suit sitting at ease on the porch of a broad-roofed house (built in the Mexican style with a patio) looking out over my thousand acres—I had decided to have just a thousand acres, it made such a mouth-filling announcement to one's friends.

I did not go so far as to think of a life without labor (I expected to work in the North till February, then rest and ride horse-back for three months in the South), but I did hope to relieve Zulime of some of her drudgery. Now that I think back to it, I am not at all sure that my wife rejoiced over my plan to go to Weatherford to purchase another farm. It is probable that I overcame her objections by telling her that I wanted more material for my book of Indian tales; anyhow I left her in Chicago almost as soon as we arrived there, and went again to Darlington and Colony to see Major Stouch and John Seger, and to make certain observations for President Roosevelt.

Seger, unskilled as he was with the pen, could talk with humor and pictorial quality, and some of his stories had so stimulated my imagination that I was eager to have more time with him among his wards. Without precisely following his narratives I had found myself able to reproduce the spirit of them in my own diction. His ability as a sign-talker was of especial service to me for, as he signed to his visitors, he muttered aloud, for my benefit, what he was expressing in gesture, and also what the red man signed in reply. In this way I got at the psychology of the Cheyenne to a degree which I could not possibly compass through an interpreter.

While looking for farms during the day, I drew from Seger night by night, the amazing story of his career among the Southern Cheyennes. It was a rough and disjointed narrative, but it was stirring and valuable as authentic record of the Southwest. "The Red Pioneer," "Lone Wolf's Old Guard," and many more of my tales of red people were secured on this trip. Several dealing with the Blackfeet and Northern Cheyennes, like "the Faith of His Fathers" and "White Weasel" I gained from Stouch. None of them are true in the sense of being precisely the way they were told, for I took very few notes. They are rather free transcripts of the incidents which chanced to follow my liking—but they reflect the spirit of the original narratives and are bound together by one underlying motive which is to show the Indian as a human being, a neighbor. "We have had plenty of the 'wily redskin' kind of thing," I said to Stouch. "I am going to tell of the red man as you and Seger have known him, as a man of the polished stone age trying to adapt himself to steam and electricity."

It happened that plenteous rains had made Oklahoma very green and beautiful, and as I galloped about over the wide swells of the Caddo country, I was disposed to buy all the land that joined me. Imagining myself the lord of a thousand acres, I achieved a profound joy of living. It was good to glow in the sunlight, to face the sweet southern wind, and to feel once more beneath my knees the swelling muscles of a powerful horse. In a very vivid sense I relived the days when, as a lad of twelve, I rode with Burton and my sister Harriet along the prairie swells of the Cedar Valley some thirty years before. "Washitay," at such moments was not only the land of the past but the hope of the future.

My red neighbors interested me. The whole problem of their future was being worked out almost within sight of my door. Here the men of the Polished Stone Age and the men of gasoline engines and electrical telephones met and mingled in a daily adjustment which offered material of surpassing value to the novelist who could use it. Humor and pathos, tragic bitterness and religious exaltation were all within reach of my hand.

The spring nights which came to me there at Colony were of a quality quite new to me. The breeze, amiable and moist, was Southern, and the moonlight falling from the sky like a silent, all-enveloping cataract of silver, lay along the ground so mystically real that I could feel it with my hand. The air was at once tropic and Western, and this subtle blending of the North and the South, the strange and the familiar, appealed to me with such power that I wrote Zulime a statement of my belief that in becoming a part-owner in this land, I had assured for us both a happy and prosperous future. "I shall come here every spring," I declared, and in the glow of this enthusiasm, I purchased another farm of two hundred and forty acres and arranged with Seger for its management.

Alas, for my piece of mind! On my way homeward, at Reno, I encountered a simoon of most appalling power. An equatorial wind which pressed against the car and screamed at the window—a hot, unending pitiless blast withering the grain and tearing the heart out of young gardens—a storm which brought back to me the dreadful blizzard of dust which swept over our Iowa farm in the spring of '72. There was something grand as well as sorrowful in this unexpected display of desert ferocity.

My dream of a thousand-acre ranch shriveled with the plants. The prairie abandoning its youthful, buoyant air, took on a sinister and savage grandeur. To escape from the ashes of these ruined fields was now a passionate desire. The value of my land in Washitay fell almost to the vanishing point. Illinois became a green and pleasant pasture toward which I drove with gratitude and relief.

[I insert a line to say that this was only a mood. I went on with my purchase of lands till I had my thousand acres, but these acres were in scattered plots and the house with the patio and the porch was never built.]

At the Agency just before I left for the North I had hired some Cheyenne women to make for me a large council teepee which I had in mind to set up as my dwelling at Eagle's Nest Camp, where Zulime and I had agreed to spend the summer. Boyishly eager to reproduce as well as I could a Cheyenne house, I assembled all my blankets, parfleches, willow beds and other furnishings and raised my lodge on poles on the edge of the wood just inside the Camp's entrance.

It made a singularly appropriate addition to the reservation, to my thinking, at least, and I took inordinate pride in its ownership. Trim and white and graceful it stood against the forest wall, its crossed poles sprangling from its top with poetic suggestion of aboriginal life, and when, with elaborate ceremony, I laid the fuel for its first fire, calling upon our patron, Wallace Heckman, to touch a match to the tinder, I experienced a sense of satisfaction.

To my artist friends it was a "picturesque accessory"—to me it was a talisman of things passing. The smoke of the hickory faggots filling that conical roof-tree brought back to me a cloud of memories of the prairies of the Sioux, the lakes of the Chippewa, and the hills of the Cheyenne. Thin as were its walls, they shut out (for me) the commonplace present, helping me to reconstruct the world of Blackhawk and the Sitting Bull, and when I walked past it, especially at night, my mind took joy in its form, and a pleasant stir within my blood made manifest of its power.

Browne acknowledged its charm and painted a moonlight sketch of it, and Seton, who came by one day, helped me dedicate its firehole. In the light of its embers, he and I renewed our youth while smoking the beautiful Pipe of Meditation, which a young Cheyenne chief had given me in token of his friendship.

It happened that I was scheduled to give a series of lectures at the University of Chicago on The Outdoor Literature of America, and with a delightful feeling of propriety in the fact I set to work to write these addresses in my canvas lodge, surrounded by all its primitive furnishings. It made an admirable study, but at night as I lay on my willow couch, I found the moonlight so intense and the converging lines of the lodge poles so suggestive of other folk and other times that slumber was fitful. The wistful ghosts of Blackhawk and his kind seemed all about me. Not till the moon set or the shadows of the forest covered me, was I able to compose myself to sleep.

For several weeks I wrote at ease upon my theme and then, into the carefree atmosphere of my Lodge of Dreams came the melancholy news that William McClintock, my giant uncle, had been stricken by the same mysterious malady which had broken my mother's heart, and that he was lying motionless on his bed in the narrow space of his chamber. The "stroke" (so my aunt wrote) had come upon him (as upon my mother) without the slightest warning, and with no discoverable cause.

On my return to the Homestead I went at once to see him. He was sitting in my mother's wheeled chair, quite helpless, yet cheerful and confident of ultimate recovery. He had always been a man of dignity, and singularly abstemious of habit, and these qualities were strongly accentuated by his sudden helplessness. He was very gentle, very patient, and the sight of him lying there made speaking very difficult for me.

When the doctor would permit, he loved to lie in his chair on the porch of his little cottage where he could look out upon the hills, his eyes reflecting his beloved landscape like those of a dreaming cage-weary lion. Inarticulate, like my mother, he was nevertheless the poet, and never failed to respond—at least with a meaning glance—to any imaginative word in my discourse.

How much he had meant to me in all the days of my boyhood! As the master of the threshing machine forty years agone, he had filled my childish heart with worship. As the swift-footed deer trailer, the patient bee-hunter, the silent lover of the forest, he had held my regard and though he had never quite risen to the high place which my Uncle David occupied in my boyhood's worship, he had always been to me a picturesque and kindly figure. Year by year I had watched his giant form stoop, and his black beard wax thin and white, and now, here he sat almost at the end of his trail, unable to move, yet expressing a kind of elemental bravery, a philosophic patience which moved me as no words of lamentation could have done.

Strange malady! He who had never met his match in stark strength could not now by the exercise of all his will, lift that limp arm from his side and as I sat beside him I recalled my last sad meeting with Major Powell, the man who first guided a canoe through the Grand CaÑon of the Colorado, and in my mind arose a conception of what these two men, each in his kind represented in the story of American pioneering. One the far-famed explorer, the other the unknown rifleman behind the plow. With William McClintock—with my father, with Major Powell, a whole world, a splendid and heroic world was passing never to return, and when I took my uncle's hand in parting I was almost certain that I should never see him again.

Once he was king of forest men.
To him a snow-capped mountain range
Was but a line, a place of mark,
A view-point on the trail. Then
He had no dread of dark,
No fear of change.
Now an uprolled rug upon the floor
Appalls his feet. His withered arm
Shakes at the menace of a door,
And every wind-waft does him harm.
God! 'Tis a piteous thing to see
This ranger of the hills confined
To the small compass of his room
Like a chained eagle on a tree,
Lax-winged and gray and blind.
Only in dreams he sees the bloom
On far hills where the red deer run.
Only in memory guides the light canoe
Or stalks the bear with dog and polished gun.
In him behold the story of the West,
The chronicle of rifleman behind the plow,
Typing the life of those who knew
No barrier but the sunset in their quest.
On his bent head and grizzled hair
Is set the crown of those who shew
New cunning to the wolf, new courage to the bear.

Another evidence of melancholy change came to me in the failing powers of Ladrone, my mountain horse, who had come through the winter very badly. I found him standing in the pasture, weak and inactive, taking no interest in the rich grasses under his feet. In the belief that exercise would do him good, I saddled him and started to ride about the square, but soon drew rein. He had not the strength to carry me!

Sadly dismounting I led him back to the stable. It was evident that he would never again career with me across the hills. Bowed and dejected he resumed his place in the paddock. Standing thus, with hanging head, he appeared to be dreaming of the days when as a part of the round-up, in the far Northwest, he had carried his master over the range and through the herd with joyous zeal. Each time I looked at him I felt a twinge of pain.

Everything I could do for him was done, every remedial measure was tried, but he grew steadily worse, and at last, I called a neighbor to my aid and said, "Oliver, my horse is very sick. I fear his days are numbered. Study him, do what you can for him, and if you find he cannot be cured, put him away. Don't tell me when it is done or how it is done—I don't want to know. You understand?"

He understood, and one morning, a few days later, as I looked in the pasture for the gray pony, he was nowhere to be seen. In the dust of the driveway, I detected the marks of his small feet. The toes of his shoes pointed toward the gate, and there were no returning foot-prints. He had gone away on the long trail which leads to the River of Darkness and The Wide Lands Beyond It.

His bridle and saddle were hanging in the barn (they are still there), silent memorials of the explorations in which he and I had played a resolute part.

Something grips me by the throat as I remember his eyes,

"Brown, clear and calm, with color down deep,
Where his brave, proud soul seemed to lie."

I recall the first days we spent together, beautiful days in the Frazer Valley, when jubilant cranes bugled from the skies, and humming birds moved in myriads along the river's banks—memories of those desperate days in the Skeena forests, amid dank and poisonous plants—of marches on the tundra along the high Stickeen Divide—all these come back. I see him crowding close to my fire, thin and weak.

I relive once more that bitter night on the wharf in Glenora when (chilled by the cold wind), he first began to cough. I am thinking of his journey on the boat with me to Wrangell; of the day when I left him there (the only horse on the coast); of my return; of our long trip to Seattle; of his trust in me as he faced the strange monsters of the city; of his long dark ride to St. Paul; of the joyous day when I opened his prison door and finding him safe and well, rode him forth to the admiration of my uncles at the county fair. A vast section of my life faded with the passing of that small gray horse. "Lost my Ladrone, gone the wild living. I dream, but my dreaming is vain."

My sense of uneasiness was deepened by another warning, a third sign of decay. One morning my father while apparently in his usual health, suddenly grew dizzy and fell and as I bent above him he gazed up at me with an expression which I had never before seen in his face, a humble, helpless, appealing look. It seemed that he was going as William had gone.

Happily I was mistaken. His indomitable soul reasserted itself. He refused to surrender. He rallied. "I'm all right," he said at last, a grim line coming back into his mouth. "It's passing off. I can move," and lifting his arm he opened and shut his hand in proof of it. "I'm better than a dozen dead men yet."

He was distinctly stronger next day, and when, looking from my window I saw him going about his work in the garden, bareheaded as was his habit, resolute and unsubdued, I was reassured, but never again did he move with the same vigor as before. For the first time he acknowledged his age.

During all these melancholy experiences so significant of the dying border, I had the comfort of my undaunted wife whose happy spirit refused to be clouded by what she recognized as merely the natural decay of the preceding generation. Her mind was set on the future, our future. She refused to yield her youthful right to happiness, and under the influence of her serene philosophy I went back to my writing, or at least to the serious consideration of another mountain theme, which was taking shape in my brain.

With a mere love-story I had never been content. For me a sociological background was necessary in order to make fiction worth while, and I was minded to base my next novel on a study of the "war" which had just taken place, at Cripple Creek, between the Free Miner, the Union Miner and the Operator or Capitalist.

The suggestion for this theme had come to me during a call on some friends in New York City, where I had been amused and somewhat embarrassed, by the ecstatic and outspoken admiration of a boy of fourteen, who was (as his mother put it) "quite crazy over miners, Indians and cowboys. His dream is to go West and illustrate your books," she had said to me.

This lad's enthusiasm for the West and his ambition to be an illustrator of western stories had started me on a tale in which a fine but rather spoiled New York girl was to be carried to Colorado by the enthusiasm of her youthful brother, and there plunged (against her will) into the warfare of mountaineers and miners, a turbulence which her beloved brother would insist on sharing. Such a girl might conceivably find herself in the storm center of a contest such as that which had taken place on Bull Hill in the late nineties.

I called this study Hesper, or the Cowboy Patrol for the reason that in "the Cripple Creek War," cattlemen had acted as outposts for the union miners, and in this fact I perceived something picturesque and new and telling, something which would give me just the imaginative impulse I required.

Some of my friendly critics were still occasionally writing to me to ask, "Why don't you give us more Main Traveled Roads stories," and it was not easy to make plain to them that I had moved away from that mood, and that my life and farm life had both greatly altered in thirty years. To repeat the tone of that book would have been false not only to my art, but to the country as well.

Furthermore, I had done that work. I had put together in Main Traveled Roads and its companion volumes a group of thirty short stories (written between 1887 and 1891), in which I had expressed all I had to say on that especial phase of western life. To attempt to recover the spirit of my youth would not only have been a failure but a bore—even to those who were urging me to the task. It was my business to keep moving—to accompany my characters as they migrated into the happier, more hopeful West. Like them I was "Campin' through, podner, just a campin' through."

As in The Captain of the Gray Horse Troop, I had dealt with the three-cornered fight of the cattlemen, the Indian, and the soldier, so now, in 1902, I returned to the mountain West, to picture another conflict, equally stirring and possessing a still finer setting and back-ground. In Hesper I was concerned with a war, in which most of the action had taken place among the clouds, on the hilltops nearly two miles above sea-level. There was something grandly pictorial in this drama; but, after writing a few chapters of it, I felt the need of revisiting the scene.

Zulime again accompanied me and as our train slid down the familiar road leading to Colorado Springs and we could see the lightning flashing among the high summits on which I had laid the scenes of my story, Zulime glowed with joy and I took on a renewed sense of power. For an hour I felt equal to my task, to be historian of the free miner seemed to me a worthy office.

The Ehrichs were again our hosts and they (as well as Russell Wray, the Editor of the Gazette) took the keenest interest in my design. From Wray and his friends I began at once to derive an understanding of the part which "Little London" (as the miners called the Springs) had taken in the war. I relied on a visit to Bull Hill and Victor to furnish the Sky-town or "Red-neck" point of view.

Wray was especially valuable to me, for he had taken part in the famous expedition of the "Yaller Legs" and his experiences as a reporter and his sense of humor had enabled him to report both sides of the controversy. He had many friends in the camp, to whom he gave me letters.

The character which interested me most, in all the warring factions, was the free miner, the prospector, the man of the trail. Him I clearly understood. He had been companion in most of my trips into the wild. He was blood brother to my father, and cousin to my heroic uncles. He represented the finest phases of pioneering. "Matt Kelley," "Rob Raymond" and "Jack Munroe," I knew and loved, and their presence in this labor war redeemed it from the sordid, uninspired struggle which such contests usually turn out to be. In my design these three characters filled heroic place.

Zulime (with no literary problems to distract her) had another easeful, idyllic summer. The Ehrichs, the Wrays and the Palmers welcomed her as an old friend, and in their companionship she rode and camped and dined in easeful leisure, but I was on the move. I visited a ranch on the plains of Eastern Colorado, joined a round-up in the Sierra Blanca country, explored the gambling-houses and mines of Cripple Creek and Victor, and spent two weeks reËxploring the White River Plateau, this time with Walter Wykoff, of Princeton. For a week or two, Wykoff, Miss Ehrich and Zulime and I camped high on the shoulder of Pike's Peak. Vast and splendid scenes of storm and sun were printed on my mind, and, while the actual writing of my novel halted, I felt certain that I was doing just the right thing. I felt sure of finishing it in the proper spirit of enthusiasm.

The trip not only enabled me to finish Hesper—it suggested several of the stories which went into They of the High Trails and gave me the plan of The Forester's Daughter. I returned to West Salem, brown as an Indian and bursting with energy, and for several weeks toiled with desperate haste to put my impressions, imaginings in form.

Each morning of those peaceful days I took to mother's room, on the sunward side of the old Homestead, and there wrought into final shape the materials I had gathered. I had only to shut my eyes to see again the clouds circling the walls of Shavano. In imagination I rode once more with Matt Kelley up Bull Hill, or, sitting opposite the chief of the Miners' Union, reËnjoyed his graphic account of the coming of the Federal troops. The bawling roar of the round-up on the meadow came back to fill my eyes with pictures of the Sierra Blanca foothills. In truth I had no need of notes. I was embarrassed with material. I threw my note-books into a drawer and forgot them.

Letters from my publishers informed me that The Captain of the Gray Horse Troop was marching on, but that they hoped I was at work on something to follow it. To this I replied:

"Yes, I am in the midst of a story which I hope will be as good as The Captain, but don't hurry me!"

Whilst I, busied with my fiction, kept to my study, Zulime was ecstatically rearranging furniture. During our absence in Colorado, father had moved to another house, relinquishing all claim on the Homestead, and for the first time in our lives my wife and I were authentic householders in full possession of every room. We had a door-bell, and our clock was our own. Our meal-times conformed to our will, and not to another's. We went to bed when we pleased, and rose when we got ready.

Zulime's joy of ownership was almost comical. Leading me from room to room she repeated, "This is our house. Don't you like our house? Isn't it fun to have it all to ourselves?"

Her rapture instructed me. I perceived that the old Homestead had not yet served its purpose. So far as my father was concerned it was a story told, a drama almost ended, but as the undivided home of my young wife it developed new meaning. Another soul was coming into being; another tenant was about to take its place beneath our roof. Small feet would soon be dancing through those silent rooms, careless of the men and women whose gray heads and gaunt limbs had been carried out over their thresholds to a final resting-place beneath the sod.

A new interest, a new phase of life, was coming to Zulime, and to me.


CHAPTER EIGHTEEN

The Old Pioneer Takes the Back Trail

In the midst of this period of hard work on Hesper, news of the death of Frank Norris came to me. Frank Norris the most valiant, the happiest, the handsomest of all my fellow craftsmen. Nothing more shocking, more insensate than the destruction of this glorious young fictionist had come to my literary circle, for he was aglow with a husband's happiness, gay with the pride of paternity, and in the full spring-tide of his powers. His going left us all poorer and took from American literature one of its strongest young writers.

The papers at once wired me for tributes, and these I gave, gladly, and later when one of the magazines paid me for an article, I used the money in the purchase of a tall clock to serve as a memorial. This time-piece stands in the hall of my city home and every time I pass it I am reminded of the fine free spirit of Frank Norris. In my small corner of the world he remains a vital memory.

All through October I wrote on my novel, but as the dark days of autumn came on, I began as usual to dwell upon my interests in the city and not even Zulime's companionship could keep me from a feeling of restlessness. I longed for literary comradeship. Theoretically my native village was an ideal place in which to write, actually it sapped me and after a few weeks depressed me. With no literary "atmosphere," damnable word, I looked away to New York for stimulus. I did not go so far as one of my friends who declined to have anything to do with his relatives simply because he did not like them, but I clearly recognized that my friends in the city meant more to me than any of my Wisconsin neighbors and it became more and more evident that to make and keep an arbitrary residence in a region which did not in itself stimulate or satisfy me, was a mistake. There was nothing to do in West Salem but write.

Above all other considerations, however, I had a feeling, perhaps it was a mistaken one,—that my powers grew in proportion as I went Eastward. In West Salem I was merely an amateur gardener, living a life which approached the vegetable,—so far as external action went. In Chicago I was a perversity, a man of mis-directed energy. In New York I was, at least respected as a writer.

In short New York allured me as London allures the writers of England, and as Paris attracts the artists of Europe. It was my literary capital. Theoretically I belonged to Wisconsin, as Hardy belonged to Wessex or Barrie to Scotland, actually my happiest home was adjacent to Madison Square. Only as I neared the publishing centers did I feel the slightest confidence in the future. This increased sense of importance may have been based upon an illusion but it was a very real emotion nevertheless.

Why should I not feel this? From my village home, from digging potatoes and doing carpenter work, I went (almost directly) to a luncheon at the White House, and the following night I attended a dinner given to Mark Twain on his sixty-seventh birthday with William Dean Howells, Thomas B. Reed, Wayne McVeagh, Brander Matthews, H. H. Rogers, George Harvey, Pierpont Morgan, Hamilton Wright Mabie and a dozen others who were leaders in their chosen work, as my table mates. Perhaps I was not deserving of these honors—I'm not urging that point—I am merely stating the facts which made my home in West Salem seem remote and lonely to me. Acknowledging myself a weak mortal I could not entirely forego the honors which the East seemed willing to bestow, and as father was in good health with a household of his own, I felt free to spend the entire winter in New York. For the first time in many years, I felt relieved of anxiety for those left behind.

New York was in the worst of its subway upheaval when we landed there, but having secured a small furnished apartment in a new but obscure hotel on Forty-seventh street, Zulime and I settled down for the winter. Our tiny three-room suite (a lovely nest for a woman) was not in the least like a home for an old trailer and corn-husker like myself. Its gas log and gimcrack mantel, its "Mission" furniture and its "new art" rugs were all of hopeless artificiality, but our sitting-room (on the quiet side of the building) received the sun, and there on the lid of a small desk I took up and carried forward the story of Hesper which my publishers had asked me to prepare for the spring trade.

Before we had time to unpack, a note came from President Roosevelt asking me to return to Washington to confer on a phase of the Indian service with which I was familiar, and I went at once—glad to be of any service—especially an unofficial service.

It was always a pleasure as well as an honor to meet Roosevelt. He was our first literary president. His esthetic interests were not only keen, but discriminating. He knew what each of us had published, and valued each of us for the particular contributions we were making to American literature. Each of us gave him something—in my case it was a knowledge of the West. Notwithstanding the multiple duties of his office, he put aside a part of each day for reading and when he read, he concentrated upon his page with such intensity that he remembered all that was important in the writing.

He knew the masters in the other arts also. If he had a problem in architecture or medaling or painting to decide, he went to Mead or St. Gaudens, or Blashfield. Under his administration the White House had resumed its fine colonial character. At his direction Mead and McKim had restored it to the noble simplicity of Madison's time. They had cleared out the business offices and removed the absurd mixture of political machinery and household furniture which had accumulated under the rule of his predecessors, most of whom (coming from small inland towns) knew nothing of any art but government, and in some cases not too much of that. On this particular visit I recall the fact that repairs were going on, for the President invited me to take luncheon with his family, and we ate in a small room on the front of the house for the reason that the dining-room was in process of being restored and the howl of the floor polisher was resounding through the hall.

It may interest the reader to know that while my wife and I occasionally lunched or dined with "the choice ones of the earth," we prudently practiced "light housekeeping" between our splendid feasts. Like a brown-bearded Santa Claus I often ran the gauntlet of the elevator boy with pockets bulging bottles of milk, hunks of cheese, hot muffins, and pats of butter, and frequently, when the weather was bad, or when some one had neglected to invite us out, we supped in our room.

Once when I entered laden in this fashion I was sharply taken aback by the presence of several belated callers, very grand ladies, and only the most skilful manoeuvering enabled me to slide into the closet and out of my overcoat without betraying my cargo. My predicament highly amused Zulime, while at the same time she inwardly trembled for fear of a smash. I mention this incident in order to reveal the reverse side of our splendid social progress. We were in no danger of becoming "spoiled" with feasting, so long as we kept to our Latin Quarter methods of lunching.

We had many notable dinners that winter, but our long anticipated visit to Mark Twain's house in Riverdale stands out above them all. We reached the house about seven o'clock, by way of an ancient hack which met us at the depot and carried us up the hill, into the yard of an old-fashioned mansion sheltered by great trees.

Mark came running lightly down the broad stairs to meet us in the hall, seemingly in excellent health, although his spirits were not at all as boyish as his step. "I'm glad to see you," he said cordially, "but you'll find the house a hospital. The girls have both been miserable and Mrs. Clemens, I'm sorry to say, is still too ill to see you. I bring her greetings to you and her apology."

Thereupon he related with invincible humor and vivid phraseology, the elaborate scheme of deception to which they had been forced during Jean's illness. Mrs. Clemens was very weak, so low that the slightest excitement—so the doctor warned us—might prove fatal; hence we were obliged to pretend that Jean was well but busy doing this or doing that, in order that her mother might not suspect the truth of the situation.

"I was protected by the doctor's orders, which forbade me from spending more than two minutes in Mrs. Clemens' room, but Clara, who was allowed to nurse her mother, was forced to enter upon a season of unveracity which taxed her imagination to the uttermost. She had to pretend that Jean was away on a visit, or that she was in town shopping or away at a dinner. Together we invented all kinds of social engagements for her and that involved the description of new gowns and a list of the guests of each entertainment. Oh, it was dreadful. Fortunately Clara had a good reputation with her mother, and was able to carry conviction, whereas I had a very hard time. I kept getting into shoal water."

He was very funny—I can only report the substance of his tale—and yet there was a tone in his voice which enabled me to understand the tragic situation. Mrs. Clemens' illness was hopeless.

All through the dinner he talked on in the same enthralling fashion, picturesque, humorous, tragic. He dealt with June bugs, alcohol, Christian Science, the Philippine outrage and a dozen other apparently unrelated subjects. He imitated a horse-fly. He swore. He quoted poetry. We laughed till our sides ached—and yet, all the while, beneath it all, he had in mind (as we had in mind)—that sweetly-patient invalid waiting upstairs for his good-night caress.

As a bitter agnostic as well as a tender humorist Mark Twain loomed larger in my horizon after that night. The warmly human side of him was revealed to me as never before, and thereafter I knew him and I felt that he knew me. That remote glance from beneath those shaggy eyebrows no longer deceived me. He was a tender and loyal husband. Later when I came to read the marvelous story of his life as related by Albert Bigelow Paine, I found a part of my intuitions recorded as facts. He was an elemental western American—with many of the faults and all of the excellencies of the border.

Meanwhile I was at work. In my diary of this date I find these words, "This is living! The sunlight floods our tiny sitting-room whose windows look out on a blue-and-white mountainous 'scape of city roofs. We have dined and the steam is singing in our gilded radiator. The noise and bustle of the city is far away.—I foresee that I shall be able to do a great deal of work on my novel."

In that last sentence I was reckoning without the effect of my wife's popularity. Invitations to luncheons, dinners, and theater parties began to pile up, and I could not ask Zulime to deny herself these pleasures, although I tried to keep my forenoons sacred to my pen. I returned to the manuscript of Hesper and succeeded in writing at least a thousand words each day; on fortunate mornings I was able to turn off a full chapter.

It was a gay and satisfying season. We met all our old friends and made many new ones, finding ourselves more and more at home in the city. We rode to grand receptions in the street cars—as usual—and while we ate our luncheons at inexpensive cafÉs, we often dined with our more prosperous fellow-craftsmen. In spite of many interruptions I managed to complete my novel. By the first of March Hesper was ready for the printer and I turned it over to Duneka.

On Zulime's birthday as I was putting the last chapter in final shape, I received a letter from father which said, "I am coming East. Meet me in Washington on the 21st." To this request there was but one answer: "I'll be there."

It was the first time that the old pioneer had taken "the back trail" since leaving Boston, nearly fifty years before, and I rejoiced in his decision. The thought of leading him into the halls of Congress and pointing out for him the orators whose doings had been so long his chief concern, was pleasureable to me. From my earliest childhood I had heard him comment on the weekly record of Congressional debates. He loved oratory. He was a hero-worshiper. With him the Capitol meant Lincoln and Grant and Blaine and Sherman. It was not a city, it was a shrine.

When he stepped from the train in Washington the following week, I was there to meet him, and for several days I led him from splendor to splendor. With me he saw Mount Vernon, the White House, Congress, the library, and his patriotism intensified as the glories of his country's capital unrolled before his eyes. He said little, only looked, and when he had harvested as much of Washington as he could carry I took him to Philadelphia, in order that he might breathe the air of Continental Hall and gaze upon its sacred Liberty Bell. His patriotism had few reservations. All these relics were of high solemnity to him.

At last as a climax we approached New York, whose glittering bays, innumerable ships and monstrous buildings awed him and saddened him. It was a picture at once incredible and familiar, resembling illustrations he had seen in the magazines, only mightier more magnificent than he had imagined any of it to be. It overwhelmed him, wearied him, disheartened him, and so it came about that the quiet dinners he took with me at my club were his most enduring pleasures, for there he rested, there he saw me at home. He acquired an understanding of my endurance of the vast and terrible town.

Up to this time the story of my doings in the East had been to him like those of characters in highly-colored romance. He had believed me (in a sense) when, in West Salem, I had spoken of meetings with Roosevelt and Howells and other famous men, and yet, till now, he had never been able to realize the fact that I belonged in New York, and that men of large affairs were actually my friends. He comprehended now (in some degree) my good fortune, and it gratified him while it daunted him. He understood why I could not live in West Salem.

If he was proud to acknowledge me as a son, I, on my part, was proud to acknowledge him as my father, for as he sat with me in the dining-room of the club or walked about the Library to examine the relics and portraits of Booth (for whom he had a passionate admiration) he was altogether admirable.

At the end of our third day, I suggested Boston. To this he replied, "No, I've had enough," and there was a tired droop in his voice. "I'm ready to go home. I'm all tired out with 'seeing things,' and besides it's time to be getting back to my garden."

To urge him to remain longer would have been a mistake. Boston would have disturbed and bewildered him. Not only would he have failed to find the city of his youth, he would have been saddened by the changes. His loss of power to remember troubled me. He retained but few of his impressions of Washington, and with sorrow I acknowledged that it no longer mattered whether he saw Boston or not. He had waited too long for his great excursion. He was old and timid and longing for rest.

As he went to his train (surfeited with strange glories, crowds and exhibitions) he repeated that his dinners with me at the club remained his keenest pleasures. In tasting a few of my comforts he understood why I loved the great city. He saw me also in an established position, and this he considered a gain. His faith in my future was now complete.

***

For years he had talked of this expedition, planned for it, calculated upon its expense, and now it was accomplished. He went back to his garden with a sense of pride, of satisfaction which he would share with his cronies as they met in Johnson's Drug Store or Anderson's Meat Market. What he said of me I do not know, but I fear he reported me as living in unimaginable luxury and consorting on terms of equality with the great ones of New York.


CHAPTER NINETEEN

New Life in the Old House

Meanwhile, Chicago rushing toward its two million mark, had not, alas! lived up to its literary promise of '94. In music, in painting, in sculpture and architecture it was no longer negligible, but each year its authors appeared more and more like a group of esthetic pioneers heroically maintaining themselves in the midst of an increasing tumult of material upbuilding.

One by one its hopeful young publishing houses had failed, and one by one its aspiring periodicals had withered in the keen wind of Eastern competition. The Dial alone held on, pathetically solitary, one might almost say alien and solitary.

Against all this misfortune even my besotted optimism could not prevail. My pioneering spirit, subdued by years of penury and rough usage, yielded more and more to the honor and the intellectual companionship which the East offered. To Fuller I privately remarked: "As soon as I can afford it I intend to establish a home in New York."

"I'd go further," he replied. "I would live in Italy if I could."

It was a very significant fact that Chicago contained in 1903 but a handful of writers, while St. Louis, Cleveland, Cincinnati, Detroit and Kansas City had fewer yet. "What is the reason for this literary sterility?" I asked of my companions. "Why should not these powerful cities produce authors? Boston, when she had less than three hundred thousands citizens had Lowell, Longfellow, Emerson and Holmes."

The answer was (and still is), "Because there are few supporters of workers in the fine arts. Western men do not think in terms of art. There are no literary periodicals in these cities to invite (and pay for) the work of the author and the illustrator, and there is moreover a tendency on the part of our builders to give the eastern sculptor, painter or architect the jobs which might be done by local men. Until Chicago has at least one magazine founded like a university, and publishing houses like Scribners and Macmillans our authors and artists must go to New York." Of course none of these answers succeeded in clearing up the mystery, but they were helpful.

Some of the writers in the Little Room were outspokenly envious of my ability to spend half my winters in the East, but Lorado Taft stoutly declared that the West inspired him, satisfied him. "Chicago suits me," he asserted, "and besides I can't afford to run away from my job. You should be the last man to admit defeat, you who have been preaching local color and local patriotism all your days."

In truth Taft was one of the few who could afford to remain in Chicago for its public supported him handsomely, but those of us who wrote had no organizations to help sustain our self-esteem. Nevertheless I permitted him to imagine my pessimism to be only a mood which, in some degree it was, for I had many noble friends in the city who invited me to dinner even if they did not read my books.

The claims of Chicago upon me had been strengthened by the presence of Professor Taft who had given up his home in Kansas and was now settled not far from his son and near the University. He had brought all his books and other treasures with intent to spend the remaining years of his life in the neighborhood of his illustrious son and his two daughters, a fact which I could not overlook in any plans for changing my own residence.

Don Carlos Taft was a singular and powerful figure, as I have already indicated, a stoic, of Oriental serenity, one who could smile in the midst of excruciating pain. With his eyes against a blank wall he was able to endlessly amuse himself by calling up the deep-laid concepts of his earlier years of study. Though affected with some obscure spinal disorder which made every movement a punishment, he concealed his suffering, no matter how intense it might be, and always answered, "Fine, fine!" when any of us asked "How are you to-day?"

He lived in Woodlawn as he had lived in Kansas, like a man in a diving bell. His capacious brain filled with "knowledges" of the days when Gladstone was king and Darwin an outlaw, had little room for the scientific theories of Bergson and his like. He remained the old-fashioned New England theologian converted to militant agnosticism.

Although at this time over seventy years of age his mind was notably clear, orderly and active, and his talk (usually a carefully constructed monologue) was stately, formal and precise. He used no slang, and retained scarcely a word of his boyhood's vernacular. The only emotional expression he permitted himself was a chuckle of glee over an intellectual misstatement or a historical bungle. Novels, theaters, music possessed no interest for him.

He had read, I believe, one or two of my books but never alluded to them, although he manifested a growing respect for my ability to earn money, and especially delighted in my faculty for living within my means. He watched the slow growth of my income with approving eyes. To him as to my father, earning money was a struggle, saving it a virtue, and wasting it a crime.

In almost every other characteristic he was my father's direct antithesis—my father, whose faith approximated that of a Sioux warrior. "I take things as they come," was one of his sayings. He was not concerned with the theories of Evolution, the Pragmatic Philosophy or any other formal system of learning or ethics. With him the present was filled with duties, the remote past or the distant future was of indifferent concern. To deal justly and to leave the world a little better than he found it, was his creed.

The one point of contact between these widely divergent pioneers was their love of Zulime, for my father was almost as fond of her as Don Carlos himself, and distinctly more expressive of his love—for Father Taft held affection to be something not quite decorous when openly declared. He never offered a caress or spoke an affectionate word so far as I know.

There was something pathetic in his situation in these days. Full of learning and eager to share it with youth he could find no one willing to listen to him—not even his children. In the midst of a vast city he was sadly solitary. None of his children appeared interested in his allusions to Hammurabi or Charlemagne, on the contrary, monologues of any kind were taboo in the artistic circles where Lorado reigned. We was too busy, we were all too busy with our small plans and daily struggles, to take any interest in Locke or Gibbon or Hume, therefore the ageing philosopher sat forlornly among his faded, musty books, dreaming his days away on some abstruse ethical problem, or carving with his patient knife some quaintly ornate piece of furniture, while my own father (at the opposite pole of life) weeded his garden, read the daily paper or played cinch with the men at the village drugstore.

Nevertheless, with full knowledge of these fundamental divergencies in the lives of our sires, I urged Zulime to invite Professor Taft to spend a few weeks in West Salem. "He and father will disagree, but the one is a philosopher accustomed to pioneer types and the other a man of reason and I am willing to risk their coming together if you are."

Don Carlos seemed pleased by this invitation and promised to come "one of these days."

Our return to Wisconsin in April was a return to winter. On looking from our car windows at dawn, we found the ground white with snow, and flakes of frost driving through the budding branches of the trees. Every bird was mute, as if with horror and the tender amber-and-green leaves of the maples shone through the rime with a singular and pathetic beauty.

Happily this was only a cold wave. Toward noon the sun came out, the icy cover sank into the earth and the robins began to sing again as if to reassure themselves as well as us.

We came back to the Homestead now with a full sense of our proprietorship. It was entirely ours and it was waiting for us. Father was at the gate, it is true, but he was there this time merely as care-taker, as supervisor of the garden—our garden.

His greeting of Zulime had a deeper note of tenderness than he had ever used hitherto, for he was aware of our hope, and shared our joyous expectancy. "I'm glad you've come," he said simply. "I hate to see the house standing here cold and empty. It don't seem natural or right."

His first act was to lead us out to the garden where orderly beds of springing vegetables testified to his care. "I didn't do anything about the flowers," he confessed rather shamefacedly. "I'm no good at that kind of work."

As the days went by I discovered that father's heart clung to the old place. He loved to spend his days upon it. He was comfortable in his own little cottage, but it seemed too small and too "slick" for him. He liked our trees and lawn and barn, and I was glad to have him continue his supervision of them. They gave him something to think about, something to do. The curse of the "tired farmers" of the village was their enforced idleness. There was almost nothing for them to exercise upon.

He spent most of each day tinkering around the barn, overseeing the garden or resting on the back porch where mother used to sit and look out on the valley. On Sunday he came in to supper, and afterward called for "The Sweet Story of Old" and "The Palace of the King." He listened in silence, a blur in his dreaming eyes, for the past returned on the wings of these songs.

Nobly considerate in his attitude toward Zulime he seemed to understand, perfectly, her almost childish joy in the possession of a nest of her own. He never came to a meal without invitation, though he was seldom without the invitation, for Zulime was fond of him and had only one point of contention with him: "I wish you wouldn't wear your working clothes about the street," she said—and artfully added, "You are so handsome when you are in your Sunday suit, I wish you would wear it all the time."

He smiled with pleasure, but replied: "I'd look fine hoeing potatoes in my Sunday suit, wouldn't I!" Nevertheless he was mindful of her request and always came to dinner in, at worst, his second best.

Each day the gardens about us took on charm. The plum and cherry trees flung out banners of bloom and later the apple trees flowered in pink-and-white radiance. Wonder-working sap seemed to spout into the air through every minute branch. Showers of rain alternated with vivid sunshine, and through the air, heavy with perfume, the mourning dove sang with sad insistence as if to remind us of the impermanency of May's ineffable loveliness. Butterflies suddenly appeared in the grass, and the bees toiled like harvesters, so eager, so busy that they tumbled over one another in their haste. Nature was at her sweetest and loveliest, and in the midst of it walked my young wife, in quiet anticipation of motherhood.

Commonplace to others our rude homestead grew in beauty and significance to us. Day by day we sat on our front porch, and watched the clouds of blossoms thicken. If we walked in our garden we felt the creative loam throbbing beneath our feet. Each bird seemed as proud of the place as we. Each insect was in a transport of activity.

Into the radiant white of the cherry blossoms, impetuous green shoots (new generations) appeared as if in feverish haste, unwilling to await the passing of the flowers. The hills to the south were soaring bubbles of exquisite green vapor dashed with amber and pink and red. Each morning the shade of the maple trees deepened, and on the lawn the dandelions opened, sowing with pieces of gold the velvet of the sward. The songs of the robin, the catbird and the thrush became more confident, more prolix until, at last, the drab and angular little village was transfigured into celestial beauty by the heavenly light and melody of completed spring.

In a certain sense here was the wealth I had been struggling to secure. Here were—seemingly—all the elements of man's content, a broad roof, a generous garden, spreading trees, blossoming shrubs, a familiar horizon line, a lovely wife—and the promise of a child!

Truly, I should have been happy, and in my sour, big-fisted way I was happy. I tried, honestly, to grasp and hold the ecstasy which these days offered. I who had lived for twelve years on railway trains, in camp, on horse-back or in wretched little city hotels, was now a portly householder, a pampered husband and a prospective parent. And yet—such is my perverse temperament—I could not overlook the fact that this tranquil village like thousands of others scattered over the West, was but a half-way house, a pleasant hospital into which many of the crippled, worn-out and white-haired farmers and their wives had come to rest for a little while on their way to the grave.

As I walked the shaded street, perceiving these veterans of the hoe and plow, digging feebly in the earth of their small gardens, or sitting a-dream on the narrow porches of their tiny cottages my joy was embittered. Age, age was everywhere. Here in the midst of the flowering trees the men of the Middle Border were withering into dust.

In the city one does not come into anything like this close relationship with a dying generation. The tragedy is obscured. Here Zulime and I, young and strong, were living in the midst of an almost universal senility and decay. There was no escape from these grim facts.

Looked at from a distance there was comfort in the thought of these pioneers, released from the grind of their farm routine, dozing at ease beneath the maple trees, but closely studied they became sorrowful. I knew too much about them. Several of them had been my father's companions in those glorious days in fifty-five. Yonder white-haired invalid, sitting in the sun silently watching his bees, had been a famous pilot on the river, and that bushy-haired giant, halting by on a stick, was the wreck of a mighty hunter. The wives of these men equally worn, equally rheumatic and even more querulous, had been the rosy, laughing, dancing companions of Isabel McClintock in the days when Richard Garland came a-courting. All, all were camping in lonely cottages while their sons and daughters, in distant cities or far-off mountain valleys, adventuring in their turn, were taking up the discipline and the duties of a new border, a new world.

As a novelist I could not fail to observe these melancholy features of a life which on its surface seemed idyllic. In New York, in Chicago I was concerned mainly with happy, busy people of my own age or younger,—here I was brought into close contact daily—almost hourly—with the passing of my father's generation and, also, I was made aware of the coming in of an alien, uninspiring race. The farms of the Dudleys, the McKinleys, the Coburns were being taken by the Smeckpeffers, the Heffelfingers, and the Bergmans! Already the pages of the village newspaper were peppered with such names, and a powerful Congregation was building a German church on the site of the old-time Methodist meeting house of my boyhood. My strain was dying out—a new and to my mind less admirable America was coming on.

As June deepened my father (who realized something of the changes going on) proposed a trip to the town in Iowa near which we had lived for twelve years, and to this I consented, feeling that this visit could not safely be postponed another year.

He had never been back to our prairie farm in Mitchell County since leaving it, over twenty years before, and now (with money and leisure) he was eager to go, and as my old Seminary associates had asked me to speak at their Commencement, we rode away one lovely June day up along the Mississippi to Winona, thence by way of a winding coulee, to the level lands, and so across to Mitchell County, our old home. The railroad, which was new to us, ran across Dry Run prairie within half a mile of our school-house, but so flat and monotonous did the whole country now appear, we could not distinguish any familiar landmarks. The "hills" along the creek were barely noticeable from the car, and all the farm-steads were hidden by groves of trees. We passed our former home without recognizing it!

Osage, we soon discovered, was almost as much of an asylum for the aged as West Salem. It, too, was filled with worn-out farmers, men with whom my father had subdued the sod in the early days. Osmond Button, William Frazer, Oliver Cole, David Babcock were all living "in town" on narrow village lots, "taking it easy" as they called it, but they were by no means as contented as they seemed to the casual onlooker. Freed from the hard daily demands of the farm, many of them acknowledged a sense of uselessness, a fear of decay.

As fast as they learned of our presence, scores of loyal friends swarmed about us expressing a sincere regard for my father, and a kind of wondering respect for me. Some of them clung to my father's hand as though in hope of recovering through him some gleam of the beauty, some part of the magic of the brave days gone—days when the land was new and they were young. "You must come home with me," each man insisted, "the women folks all want to see you."

Twenty years had wrought great changes in the men as well as in the county, and my father was bewildered and saddened by the tale. One by one he called the names of those who had been his one-time friends and neighbors. Some were dead, others had moved away—only one or two remained where he had left them, and it was in the hope of seeing these men and at the same time to visit the farm and school-house on Dry Run, and the church at Burr Oak, that I hired a carriage and drove my father out along the well-remembered lane to the north and east—I say "well-remembered" although the growth of the trees and the presence of new buildings made its appeal mixed and unsatisfactory to us both.

We found our house almost hid in the trees which we had planted on the bare prairie thirty years before. As we stood in the yard I spoke of the silver wedding which took place there. The yard was attractive but the house (infested by the family of a poor renter) was repulsive. The upstairs chamber in which I had slept for so many years presented a filthy clutter of chicken feathers, cast-off furniture and musty clothing. Our stay was short.

Strangers were in all of the other houses along the way—we found but two of our former neighbors at home, and the farther we drove the more melancholy we both became.

One of the places which I wished especially to revisit was the school-house at Burr Oak, the room which had been our social center in the early eighties. In it we had listened to church service in summer, and there in winter our Grange Suppers and Friday Lyceums had been held. It was there, too, that I had worshiped at the shrine of Hattie's girlish beauty, when as a shock-haired lad I forgot, for a day, the loneliness of my prairie home.

Alas! the tall oaks which in those days had given dignity and charm to the yard had all been cut down, and the building, once glorified by the waving shadows of the leaves, now stood bare as a bone beside the road. An alien lived where Betty once reigned, and the white cottage from which Agnes was wont to issue in her exquisite Sunday frock, was untenanted and falling into decay.

How lovely those girls had seemed to me as I watched them approach, walking so daintily the path beside the fence! What rich, alluring color flamed in Bettie's cheek, what fire flashed in Aggie's dark and roguish eyes!

To a stranger, Burr Oak—my Burr Oak—even in Seventy-two was only a pleasant meeting place of prairie lanes on the margin of a forest, but to me it had been a temple of magic. I had but to shut my eyes to desolating changes, turning my vision inward, in order to see myself (a stocky awkward boy in a Sunday suit with a torturing collar) standing on the porch waiting to see those white-clad maidens pass into the vestibule.

Too shy in those days to meet their eyes, too worshipful to ever hope for word or smile, I remained their silent adorer. Here and now I set down the tribute which I could not then express:

O maids to whom I never spoke, to whom
My dreaming ran in lonely field,
Because of you I saw the bloom
Of Maytime more abundantly revealed.
From you each bud new magic caught.
When you were near, my skies
Were brighter, for your beauty brought
A poet's rapture to my eyes.
Men tell me you are bent and gray,
And worn with toil and pain;
And so I pray the Wheel of Chance
May never set us face to face again.
Better that I should think of you
As you then were, strong and sweet,
Walking your joyous sunlit way
Between the wheat and roses of the lane—
Pass on, O weary women of today—
Remain forever 'mid the roses and the wheat,
O girls with laughing lips and dancing feet!

That ride and the people I met closed a gate for me. I accomplished a painful relinquishment. That noon-day sun divided my past from my present as with the stroke of a flaming sword. Up to this moment I had retained, in formless fashion, a belief that I could some time and somehow reach out and regain, at least in part, the substance of the life I had once lived here in this scene. Now I confessed that not only was my youth gone but that the friends and the place of my youth had vanished. My heart, wrung with a measureless regret filled my throat with pain, and as I looked in my father's face I perceived that he, too, was feeling the force of Time's inexorable decree.

We started homeward in silence, speaking only now and then when some object made itself recognizable to us.

"I shall never ride this lane again," I said as we were nearing the town. "It has been a sad experience. The world of my boyhood—the world we both knew—is utterly gone. It exists only in your memory and mine. I want to get away—back to Zulime and the present."

"I'm ready to go," replied my father. "I thought I'd enjoy visiting the old place and seeing old neighbors, but I haven't. It's all too melancholy. I'm ready to go back to the LaCrosse Valley and stay there what little time I've got left to me."

That night, at the Seminary, I met the Alumni and spoke to them on some subject connected with the early history of the school, and in doing so I obtained once again a perception of the barrier which had risen between my classmates and myself. They were not only serious, they were piteously solemn. No one laughed, no one took a light and airy view of life. Once or twice I tried to jest or ventured a humorous remark, but these attempts to lighten the gloom were met with chilling silence. No one whispered or smiled or turned aside. It was like a prayer meeting in the face of famine.

Part of this was due no doubt to their habit of listening to sermons, but some of it arose I am sure from a feeling of poignant regret similar to that which burdened my own heart. As usual in such reunions the absent ones were named and the faces of the dead recalled. In all our songs the rustling of withered leaves could be heard. All felt the pitiless march of time and I respected them for their perception of life's essential enigma.

After the "Services" were finished, several of the women came up to me and introduced themselves. One handsome gray-haired woman said: "I am Rosa Clinton," and it shocked me to be unable to find in her the girl I once knew. Another matron whom I recognized at once, retained something inescapably girlish in both face and voice. It hurt me to detect in her withered lips the quaint twist which had once been so charming to me—but then she undoubtedly discovered in me equally distressing reminders of decay.

Not all my philosophy could prevent me from falling into profound melancholy. I went back to my hotel thinking of these men and women as they were when, as a youth of twenty, I trod with them the worn plank walks beneath the magical murmuring maple trees. The bitter facts of their lives gave rise to question. What was it all about? What was the value of their efforts or my own? Has the life of man any more significance than that of an insect?

Just before leaving for the train next day we called on Osmond Button, who clung to my father with piteous intensity. "Stay another day," he pleaded, but father would not listen to any postponement.

This old neighbor went to the train with us, knowing full well that he and my father would never meet again.

Thus it happened—curiously, yet most naturally—that the last man we saw as we left Osage was our first neighbor on Dry Run prairie in the autumn of Seventy-one.

From this melancholy review of the bent forms of ancient friends and neighbors, dreaming of the past, I returned to my wife, who was concerned entirely with the future. What had she to do with elderly folk? Life to her was sweet and promiseful. Intently toiling over the adornment of tiny caps, socks and gowns, joyful as a girl of seven making dresses for a doll, she insisted on displaying to me all of that lilliputian wardrobe. A dozen times each day she called on me to admire this or that garment, and I was greatly relieved to find that the growing wonder of the experience through which she was about to pass, prevented her from giving way to fear of it. Over me, at times, an icy shadow fell. Suppose—suppose——!

One night she dreamed that a babe had come to us, and that the nurse had carelessly allowed it to chill and die, but I had no such disturbing premonitions. Contrary to the statements of sentimental novelists and poets I almost never dreamed of my wife. I more often dreamed of Howells or Roosevelt or some of my editorial friends, indeed I often had highly technical literary dreams wherein I prepared manuscripts for the press or composed speeches or poems, and sometimes my mother or Jessie came back to me—but Zulime had never up to this time entered my sleep.

One afternoon during this period of waiting and just after I had finished the writing of Hesper we joined our good friends the Eastons on an excursion up the Mississippi on their house-boat, a glorious outing which I mention because it was the farthest removed from my boyhood life on Dry Run prairie whose scenes had just been vividly brought to mind.

Here was the flawless poetry of recreation, the perfection of travel. To sit in a reclining chair on the screened-in forward deck of a beautiful boat, what time it was being propelled by some invisible silent machinery, up a shining river, reflecting wooded bluffs, was like taking flight on the magic carpet of my boyhood's story book. The purple head-lands projecting majestically into the still flood took on once more the poetry and the mystery of the prehistoric. One by one those royal pyramids ordered and adorned themselves for our inspection while the narrow valleys opening their gates, displayed all their tranquil pastoral charm.

Our meals, delicately cooked and perfectly served, appeared as if by conjury, on a table in the dining-room amidships, and as we ate we watched the glory deepen on the clouds, while the waters, soundless as oil, rolled past our open doors. It was all a passage to the Land of the Lotos to me. How had I, whose youth had been so full of penury and toil, earned a share in such leisure, such luxury? Was it right for me to give myself up to the enjoyment of it? For Zulime's sake I rejoiced in it, knowing that her days were long with waiting and suspense.

Without knowing much of the bitter anguish of the ordeal, I held maternity to be (as the great poets had taught me to hold it) a noble heroism. "If mankind is worth continuing on this earth," I had written, "then the mother is entitled to the highest honor, the tenderest care. Science should do its best to lessen her pain, to make her birth-bed honorable."

In spite of my wife's brave smile I sensed in her a subconscious dread of what was coming, and this anxiety I shared so fully that I ceased to write and gave all my time to her. Together we walked the garden or drove about the country in the low-hung, easy-riding old surrey, tracing the wooded ways we loved the best, or climbing to where a wide view of the valley offered. I understood her laughing stoicism much better now, and it no longer deceived me. She made light of her own fears in order that I might not worry. The fact that she was past her first youth was my torment, for I had read that the danger increased with every year beyond twenty-five and the thought that we might never ride these lanes again came into my mind and would not be exorcised. At such moments as I could snatch I worked on a series of lectures which I was scheduled to deliver at the University of Chicago—lectures on Edwin Booth which brought back my Boston days.

At last the dreaded day came!—I shall not dwell upon the long hours of the mother's pain, or on the sleepless anxiety of my household, for I have no desire to relive them. I would rather make statement of my relief and gratitude when after many, many hours of suffering, Edward Evans of LaCrosse, a scientific, deft and powerful surgeon, came to the mother's rescue. He was a master—the man who knew!

At last the time came when I was permitted to take my wife—lovely as a Madonna—out into the sunshine, and, as she sat holding Mary Isabel in her arms, she gathered to herself an ecstasy of relief, a joy of life which atoned, in part, for the inescapable sufferings of maternity.

He saved both mother and child, and when the nurse laid in my arms a little babe, who looked up at me with grave, accusing blue eyes,—the eyes of her mother,—I wondered whether society had a right to put any woman to this cruel test—whether the race was worth maintaining at such a price.

Our loyal friend, Mary Easton (mother of five children), who was present to help us through our stern trial, assured me that maternity had its joys as well as its agonies, and after she had peered into the face of my small daughter she remarked to me with a delightful note of admiration, "Why, she is already a person!"

So indeed she was. Her head, large and shapely and her eyes wide, dark and curiously reflective, were like her mother's. True, she hadn't much nose, but her hair was abundant and her fingers exquisite. She lay in my big paws with what seemed to me to be tranquil confidence, and though her legs were comically rudimentary, her glance manifested an unassailable dignity. My father insisted she resembled her grandmother.

******

At last came the blessed day when the nurse permitted me to wheel the convalescent out upon the porch. The morning was lovely, with just a hint of autumn in its coolness, and to Zulime it was heavenly sweet, for it seemed that she had emerged from a long dark night of agony and doubt.

As she sat with the babe in her lap looking over the familiar hills, she was more beautiful than she had ever been before. She was a being glorified.

Later in the day, as the sun was going down in a welter of gold and crimson, she came out again and in its splendor I chose to read the promise of a noble future for Mary Isabel. It gave me joy to know that she had taken up her life beneath the same roof and almost in the same room in which Isabel Garland had laid her burden down.

Yes, the Homestead had a new claimant. In the midst of my father's decaying world a new and vigorous life had miraculously appeared. Beneath the moldering leaves of the leaning oaks a tender yet tenacious shoot was springing from the soil.


CHAPTER TWENTY

Mary Isabel's Chimney

No one who reads the lives of writers attentively can fail of perceiving the periods of depression—almost of despair—into which we are all liable to fall—days when nothing that we have done seems worth while—moods of groping indecision during which we groan and most unworthily complain. I am no exception. For several months after the publication of Hesper I experienced a despairing emptiness, a sense of unworthiness, a feeling of weakness which I am certain made me a burden to my long-suffering wife.

"What shall I do now?" I asked myself.

From my standpoint as a novelist of The Great Northwest, there remained another subject of study, the red man—The Sioux and the Algonquin loomed large in the prairie landscape. They were, in fact, quite as significant in the history of the border as the pioneer himself, for they were his antagonists. Not content with using the Indian as an actor in stories like The Captain of the Gray Horse Troop, I had done something more direct and worthy through a manuscript which I called The Silent Eaters, a story in which I tried to put the Sitting Bull's case as one of his partisans might have depicted it. I had failed for lack of detailed knowledge, and the manuscript lay in my desk untouched.

It was in this period of doubt and disheartenment that I turned to my little daughter with gratitude and a deep sense of the mystery of her coming. The never-ending surprise of her presence filled me with delight. Like billions of other Daddies I forgot my worries as I looked into her tranquil eyes. To protect and educate her seemed at the moment my chiefest care.

During the mother's period of convalescence I acted—in my hours of leisure—as nurse-maid quite indifferent to the smiles of spectators, who made question of my method. I became an expert in holding the babe so that her spine should not be over-taxed, and I think she liked to feel the grip of my big fingers. That she appreciated the lullabies I sang to her I am certain, for even my Aunt Deborah was forced to admit that my control of my daughter's slumber period was remarkably efficient.

The coming of this child changed the universe for me. She brought into my life a new element, a new consideration. The insoluble mystery of sex, the heroism of maternity, the measureless wrongs of womankind and the selfish cruelty of man rose into my thinking with such power that I began to write of them, although they had held but academic interest hitherto. With that tiny woman in my arms I looked into the faces of my fellow men with a sudden realization that the world as it stands to-day is essentially a male world—a world in which the female is but a subservient partner. "It is changing, but it will still be a man's world when you are grown," I said to Mary Isabel.

My devotion, my slavery to this ten-pound daughter greatly amused my friends and neighbors. To see "the grim Klondiker," in meek attendance on a midget sovereign was highly diverting—so I was told by Mary Easton, and I rather think she was right. However, I was undisturbed so long as Mary Isabel did not complain.

She was happy with me. She rode unnumbered joyous miles upon my left elbow and cantered away into dreamland by way of the ancient walnut rocker in which her grandmother had been wont to sit and dream. Deep in her baby brain-cells I planted vague memories of "Down the River," "Over the Hills in Legions," and "Nellie Wildwood," for I sang to her almost every evening of her infant life.

"Rock-a-bye, baby, thy cradle is green.
Papa's a nobleman—mother's a queen,"

was one of her most admired lullabys. It was a marvelous time for me—the happiest I had known since boyhood. Not even my days of courtship have greater charm to me now.

The old soldier was almost as completely subordinated as I. Several times each day he came into the house to say, "Well, how is my granddaughter getting on?" and upon seeing her, invariably remarked, "She's the very image of Belle,"—and indeed she did resemble my mother. He expressed the wish which was alive in my own heart, when he said, "If only Belle could have lived to see her granddaughter."

My new daughter was all important, but the new book could not be neglected. Hesper was scheduled for publication in October and copy must go to the printer in August, therefore I was forced to leave my wife and babe and go East to attend to the proof-reading and other matters incidental to the birth of another novel. Some lectures in Chicago and Chautauqua took up nearly two weeks of my time and when I arrived in New York, huge bundles of galley-proof were awaiting me.

My publishers were confident that the new book would equal The Captain of the Gray Horse Troop in popularity, but I was less sanguine. For several weeks I toiled on this job, and at last on the eleventh of September, a day of sweltering heat, I got away on the evening train for the West. In spite of my poverty and notwithstanding the tender age of my daughter, I had decided to fetch my family to New York.

On November tenth, we found ourselves settled in a small apartment overlooking Morningside Park, which seemed a very desirable playground for Mary Isabel.

Relying on my books (which were selling with gratifying persistency) we permitted ourselves a seven-room apartment with a full-sized kitchen and a maid—whom we had brought on from West Salem. We even went so far as to give dinner parties to such of our friends as could be trusted to overlook our lack of plate, and to remain kindly unobservant of the fact that Dora, the baby's nurse, doubled as waitress after cooking the steak.

In this unassuming fashion we fed the Hernes, the Severances, and other of our most valued friends who devoured the puddings which Zulime "tossed up," with a gusto highly flattering to her skill, while the sight of me as baby-tender proved singularly amusing—to some of our guests. It will be seen that we were not cutting entirely loose from the principles of economy in which we had been so carefully schooled—our hospitalities had very distinct (enforced) limits.

Our wedding anniversary came while we were getting settled and my present to Zulime that year was a set of silver which I had purchased with the check for an article called "A Pioneer Wife"—the paper which I had written as a memorial to my mother. In explanation of the fact that all these silver pieces bore the initials I. G., I said, "You are to think of them as a gift from my mother. Imagine that I gave them to her long ago, and that they now come to you, from her, as heirlooms. Let us call them 'The family silver' and hand them down to Mary Isabel in her turn."

Zulime, who always rose to a sentiment of this kind, gratefully accepted this vicarious inheritance and thereafter I was pleased to observe that whenever Mary Isabel wished to break a plate she invariably reached for one of her grandmother's solid silver spoons—they were so much more effective than the plated ones!

Christmas came to us this year with new and tender significance, for "Santy Claus" (who found us at home in New York, rejoicing in our first baby) brought to us our first tree, and the conjunction of these happy events produced in my wife almost perfect happiness. Furthermore, Mary Isabel achieved her first laugh. I am sure of this fact, for I put it down in my notebook, with these words, "She has a lovely smile and a chuckle like her grandmother's. She robs us of solitude, and system, and order, but our world would now be desolate without her." Only when I thought of what her grandfather was missing did I have a sense of regret.

At our feast our daughter sat in the high chair which Katherine Herne had given her, and looked upon the tiny, decorated tree with eyes of rapture, deep, dark-blue eyes in which a seraphic light shone. Her life was beginning far, very far, from the bleak prairie lands in which her Daddy's winter holidays had been spent, and while the silver spoon in her mouth was not of my giving, the one with which she bruised her chair-arm, was veritably one of my rewards.

In order to continue my practice as an Author, I managed to sandwich the writing of an occasional article between spells of minding the baby—and working on club committees. I recall going to Princeton to tell Henry Van Dyke's Club about "The Joys of the Trail," and it pleased me to be introduced as a "Representative of the West." West Point received me in this capacity, and I also read at one of Lounsbury's "Smokers" at Yale, but I was kept from any undue self-congratulation by recognition of the fact that my income was still considerably below the standard of a railway engineer—as perhaps it should be. My "arriving" was always in an accommodation train fifty minutes late.

Evidence of my literary success, if you look at it that way, may have lain in an invitation to dine at Andrew Carnegie's, but a suspicion that I was being patronized made me hesitate. It was only after I learned that Burroughs and Gilder were going that I decided to accept, although I could not see why the ironmaster should include me in his list. I had never met him and was not eager for his recognition.

The guests (nearly all known to me) were most distinguished and it was pleasant to meet with them, even in this palace. We marched into the dining-room keeping step to the music of a bagpipe. The speaking which followed the dinner was admirable. Hamilton Wright Mabie and John Finley were especially adroit and graceful, and Carnegie, who had been furnished with elaborate notes by his secretary, introduced his speakers with tact and humor, although it was evident that in some cases he would have been helpless without his literary furnishing—to which in my case he referred with especial care.

He was an amazement to me. I could not imagine him in the rÔle of "Iron King," on the contrary he appeared more like a genial Scotch school-master, one genuinely interested in learning. Had it not been for his air of labored appreciation, and the glamour of his enormous wealth, the dinner would have been wholly enjoyable.

One charming human touch saved the situation. The tablecloth (a magnificent piece of linen) was worked here and there with silken reproductions of the signatures of former distinguished guests. "Mrs. Carnegie," our host explained, "works these signatures into the cloth with her own hands." Each of us was given a soft pencil and requested to add his name.

It happened that Gilder, Seton, Burroughs and myself went away together, and the doorman showed a mild surprise in the fact that no carriage awaited us. Gilder with comic intonation said, "Some of you fellows ought to have saved this situation by ordering a cab."

"As the only man with a stovepipe hat the job was yours," I retorted.

This struck the rest of the party as funny. In truth, each of us except Gilder wore some sort of soft hat, and all together we formed a sinister group. "I don't care what Andrew thinks of us," Gilder explained, "but I hate to have his butler get such a low conception of American authorship." On this point we all agreed—and took the Madison Avenue street car.

Meanwhile, I was secretly dreaming of getting rich myself.

Every American, with a dollar to spare, at some time in his life takes a shot at a gold mine. It comes early in some lives and late in others, but it comes! In my case it came after the publication of Hesper just as I was verging on forty-five, and was the result of my brother's connections in Mexico. Impatient of getting money by growing trees he had resigned his position on a rubber farm and was digging gold in Northern Mexico.

Our mine, situated about twenty miles from Camacho, was at the usual critical stage where more capital is needed, therefore in April I persuaded Irving Bacheller and Archer Brown to go down with me and take a look at the property. Of course I had a lump of ore to show them—and it was beautiful!

I recall that when this sample came to me by express, I had my first and only conviction that my financial worries were over. Even Zulime was impressed with my brother's smelter reports which gave the proportion of gold to the ton, precisely set down in bold black figures. All we had to do was to ship a sufficient number of car lots for the year and our income would rival that of Carnegie's.

We decided to break up our little home, and while I went to Mexico, Zulime planned to visit Chicago and await my return. I was loth to dismantle our apartment, and when at the station I said good-by to my little daughter and her mother, I was almost persuaded that nothing was worth the pain of parting from that small shining face and those seeking, clinging hands. She had grown deep into my heart during those winter months.

I felt very poor and lonely as I went to my bed at the club that first night after our separation, and when next day Bacheller invited me out to his new home at Sound Beach, I gratefully accepted, although I was in the middle of getting a new book through the press—a job which my publishers had urged upon me against my better judgment. I felt that I was being hurried.

Bacheller, highly prosperous, was living at this time in a handsome waterside bungalow, with a big sitting-room in which a generous fire glowed. It happened that he was entertaining General Henderson of Iowa, and when in some way it developed that we were all famous singers, a spirited contest arose as to which of us could beat the others. Henderson sang Scotch lyrics very well, and Bacheller was full of tunes from his North Country, whilst I—well if I didn't keep my whiffletree off the wheel, it was not for lack of effort. I sang "Maggie" and "Lily Dale" and "Rosalie the Prairie Flower," all of which made a powerful impression on Henderson; but it was not till I sang "The Rolling Stone," that I fully countered. Irving asked me to repeat this song, but I refused. "You might catch the tune," I explained.

The general's face shone with pleasure but a wistful cadence was in his voice. "Your tunes carry me back to my boyhood," he said, "I heard my mother sing some of them."

He was near the end of his life, although none of us realized it that night, and we all went our ways in the glow of a tender friendship—a friendship deepened by this reminiscent song. Three days later Bacheller and I were entering Mexico on our way to my mine.

Although Bacheller declined to go into partnership with me we had a gorgeous trip, and that was the main object so far as the other fellows were concerned, and as I wrote an article on the caverns of Cacawamilpa which paid my expenses I was content.

In returning to the North by way of El Paso and the Rock Island road, I encountered a sandstorm, whose ferocity dimmed the memory of the one in which my father's wheat was uprooted. It was frightful. From this I passed almost at once to the bloom, the green serenity, and the abundance of my native valley. It was a kind of paradise by contrast to the South-west and to take my little daughter to my bosom, to look into her eyes, to feel her little palms patting my cheeks, was a pleasure such as I had never expected to own. Every father who reads this line will understand me when I declare that she had "developed wonderfully" in the month of my absence. To me every change in my first born was thrilling—and a little sad—for the fairy of to-day was continually displacing the fairy of yesterday.

Believing that this had ended my travels for the summer, I began to work on a novel which should depict the life of a girl, condemned against her will to be a spiritualistic medium,—forced by her parents to serve as a "connecting wire between the world of matter and the world of spirit."

This theme, which lay outside my plan to depict the West, had long demanded to be written, and I now set about it with vigor. As a matter of fact, I knew a great deal about mediums, for at one time I had been a member of the Council of the American Psychical Society, and as a special committee on slate writing and other psychical phenomena had conducted many experiments. I had in my mind (and in my notebooks) a mass of material which formed the background of my story, The Tyranny of the Dark. It made a creditable serial and a fairly successful book, but it will probably not count as largely in my record as "Martha's Fireplace," a short story which I wrote at about the same time. I do not regret having done this novel, because at the moment it seemed very much worth while, but I was fully aware, even then, that it had a much narrower appeal than either Hesper or The Captain of the Gray Horse Troop.

In the midst of my work on this book our good friends, Mary and Fred Easton, invited us to go with them, in their houseboat, on a trip to the World's Fair in St. Louis. Mrs. Easton offered to take Mary Isabel and her nurse into her own lovely home during our absence, and as Zulime needed the outing we joined the party.

It was a beautiful experience, a kind of dream journey, luxurious, effortless, silent and suggestive,—suggestive of the great river as it was in the time of Dubuque. Sometimes for an hour or more we lost sight of the railway, and the primitive loneliness of the stream awed and humbled us.

For ten days we sailed in such luxury as I had never known before; and when we reached home again it was the splendor of the stream and not the marvels of the Fair which had permanently enriched me. I have forgotten almost every feature of the exhibition, but the sunset light falling athwart the valleys and lighting the sand-bars into burning gold fills my memory to this day.

Here I must make another confession. Up to this time our big living-room had no fireplace. I had thrown out bay-windows, tacked on porches, and constructed bathrooms; but the most vital of all the requisites of a homestead was still lacking. We had no hearth and no outside chimney.

A fireplace was one of the possessions which I really envied my friends. I had never said, "I wish I had Bacheller's house," but I longed to duplicate his fireplace.

Like most of my generation in the West I had been raised beside a stove, with only one early memory of a fireplace, that in my Uncle David's home, in the glow of which, nearly forty years before, I had lain one Thanksgiving night to hear him play the violin—a memory of sweetest quality to me even now. Zulime's childhood had been almost equally bare. She had hung her Christmas stockings before a radiator, as I had strung mine on the wall, behind the kitchen stove. Now suddenly with a small daughter to think of, we both began to long for a fireplace with a desire which led at last toward action—on my part, Zulime was hesitant.

"As our stay in the Old Homestead comes always during the summer, it seems a wilful extravagance to put our hard-earned dollars into an improvement which a renter would consider a nuisance," she argued.

"Nevertheless I'm going to build a fireplace," I replied.

"You mustn't think of it," she protested.

"Consider what a comfort it would be on a rainy day in June," I rejoined. "Think what it would do for the baby on dark mornings."

This had its effect, but even then she would not agree to have it built.

Another deterrent lay in the inexperience of our carpenters and masons, not one of whom had even built a chimney. Everybody had fireplaces in pioneer days, in the days of the Kentucky rifle, the broad-axe and the tallow-dip; but as the era of frame houses came on, the arches had been walled up, and iron stoves of varying ugliness had taken their places. In all the country-side (outside of LaCrosse) there was not a hearthstone of the old-fashioned kind, and though some of the workmen remembered them, not one of them could tell how they were constructed, and the idea of an outside chimney was comically absurd.

All these forces working against me had, thus far, prevented me from experimenting, and perhaps even now the towering base-burner would have remained our family shrine had not Mary Isabel put in a wordless plea. Less than four hundred days old, she was, nevertheless wise in fireplaces. She had begun to burble in the light of the Severances' hearth in Minnesota, and her eyes had reflected the flame and shadow of a noble open fire in Katharine Herne's homestead on Peconic Bay. Her cheeks had reddened like apples in the glory of that hickory flame, and when she came to our small apartment in New York City she had seemed surprised and sadly disappointed by the gas pipes and asbestos mat, which made up a hollow show under a gimcrack mantel. Now here, in her own home, was she to remain without the witchery of crackling flame?

As the cold winds of September began to blow my resolution was taken. "That fireplace must be built. My daughter shall not be cheated of beamed ceilings and the glory of the blazing log."

Zulime, in alarm, again cried out as mother used to do: "Consider the expense!"

"Hang the expense! Consider the comfort, the beauty of the embers. Think of Mary Isabel with her eyes reflecting their light. Imagine the old soldier sitting on the hearth holding his granddaughter——"

She smiled in timorous surrender. "I can see you are bound to do it," she said, "but where can it be built?"

Alas! there was only one available space, a narrow wall between the two west windows. "We'll cut the windows down, or move them," I said, with calm resolution.

"I hate a little fireplace," protested Zulime.

"It can't be huge," I admitted, "but it can be real. It can be as deep as we want it."

Having decided upon the enterprise I hurried forth to engage the hands to do the work. I could not endure a day's delay.

The first carpenter with whom I spoke knew nothing about such things. The next one had helped to put in one small "hard-coal, wall pocket," and the third man had seen fireplaces in Norway, but remembered little about their construction. After studying Zulime's sketch of what we wanted, he gloomily remarked, "I don't believe I can make that thing gee."

Zulime was disheartened by all this, but Mary Isabel climbed to my knee as if to say, "Boppa, where is my fireplace?"

My courage returned. "It shall be built if I have to import a mason from Chicago," I declared, and returned to the campaign.

"Can't you build a thing like this?" I asked a plasterer, showing him a magazine picture of a fireplace.

He studied it with care, turning it from side to side. "A rough pile o' brick like that?"

"Just like that."

"Common red brick?"

"Yes, just the kind you use for outside walls."

"If you'll get a carpenter to lay it out maybe I can do it," he answered, but would fix no date for beginning the work.

Three days later when I met him on the street he looked a little shame-faced. "I hoped you'd forgot about that fireplace," he said. "I don't know about that job. I don't just see my way to it. However, if you'll stand by and take all the responsibility, I'll try it."

"When can you come?"

"To-morrow," he said.

"I'll expect you."

I hastened home. I climbed to the top of the old chimney, hammer in hand, and began the work of demolition.

The whole household became involved in the campaign. While the gardener and my father chipped the mortar from the bricks which I threw down, Zulime drew another plan for the arch and the hearth, and Mary Isabel sat on the lawn, and shouted at her busy father, high in the sky.

A most distressing clutter developed. The carpenters attacked the house like savage animals, chipping and chiseling till they opened a huge gap from window to window, filling the room with mortar, dust and flies. Zulime was especially appalled by the flies.

"I didn't know you had to slash into the house like that," she said. "It's like murder."

Our neighbors hitherto vastly entertained by our urban eccentricities expressed an intense interest in our plan for an open fire. "Do you expect it to heat the house?" asked Mrs. Dutcher, and Aunt Maria said: "An open fire is nice to look at, but expensive to keep going."

Sam McKinley heartily applauded. "I'm glad to hear you're going back to the old-fashioned fireplace. They were good things to sit by. I'd like one myself, but I never'd get my wife to consent. She says they are too much trouble to keep in order."

At last the mason came, and together he and I laid out the ground plan of the structure. By means of bricks disposed on the lawn I indicated the size of the box, and then, while the carpenter crawled out through the crevasse in the side of the house, we laid a deep foundation of stone. We had just brought the base to the level of the sill when—the annual County Fair broke out!

All work ceased. The workmen went to the ball game and to the cattle show and to the races, leaving our living-room open to the elements, and our lawn desolate with plaster.

For three days we suffered this mutilation. At last the master mason returned, but without his tender. "No matter," I said to him. "I can mix mortar and sand," and I did. I also carried brick, splashing myself with lime and skinning my hands,—but the chimney grew!

Painfully, with some doubt and hesitancy, but with assuring skill, Otto laid the actual firebox, and when the dark-red, delightfully rude piers of the arch began to rise from the floor within the room, the entire family gathered to admire the structure and to cheer the workmen on their way.

The little inequalities which came into the brickwork delighted us. These "accidentals" as the painters say were quite as we wished them to be. Privately, our bricklayer considered us—"Crazy." The idea of putting common rough brick on the inside of a house!

The library floor was splotched with mortar, the dining-room was cold and buzzing with impertinent flies, but what of that—the tower of brick was climbing.

The mason called insatiably for more brick, more mortar, and the chimney (the only outside chimney in Hamilton township) rose grandly, alarmingly above the roof—whilst I gained a reputation for princely expenditure which it will take me a long time to live down.

Suddenly discovering that we had no fire-clay for the lining of the firebox, I ordered it by express (another ruinous extravagance), and the work went on. It was almost done when a cold rain began, driving the workmen indoors.

Zulime fairly ached with eagerness to have an end of the mess, and the mason catching the spirit of our unrest worked on in the rain. One by one the bricks slipped into place.

"Oh, how beautiful the fire would be on a day like this!" exclaimed Zulime. "Do you think it will ever be finished? I can't believe it. It's all a dream. It won't draw—or something. It's too good to be true."

"It will be done to-night—and it will draw," I stoutly replied.

At noon, the inside being done, Otto went outside to complete the top, toiling heroically in the drizzle.

At last, for the fourth time we cleaned the room of all but a few chips of the sill, which I intended to use for our first blaze. Then, at my command, Zulime took one end of the thick, rough mantel and together we swung it into place above the arch. Our fireplace was complete! Breathlessly we waited the signal to apply the match.

At five o'clock the mason from the chimney top cheerily called, "Let 'er go!"

Striking a match I handed it to Zulime. She touched it to the shavings. Our chimney took life. It drew! It roared!!

Pulling the curtains close, to shut out the waning daylight, we drew our chairs about our hearth whereon the golden firelight was playing. We forgot our troubles, and Mary Isabel pointing her pink, inch-long forefinger at it, laughed with glee. Never again would she sit above a black hole in the floor to warm her toes.

Out of the corners of the room the mystic ancestral shadows leapt, to play for her sake upon the walls. "She will now acquire the poet's fund of sweet subconscious memories," I declared. "The color of all New England home-life is in that fire. Centuries of history are involved in its flickering shadows. We have put ourselves in touch with our Anglo-Saxon ancestors at last."

"It already looks as ancient as the house," Zulime remarked, and so indeed it did, for its rude inner walls had blackened almost instantly, and its rough, broad, brick hearth fitted harmoniously into the brown floor. The thick plank mantle (stained a smoky-green) seemed already clouded with age. Its expression was perfect—to us, and when father "happened in" and drawing his armchair forward took Mary Isabel in his arms, the firelight playing over his gray hair and on the chubby cheeks of the child, he made a picture immemorial in its suggestion, typifying all the hearths and all the grandsires and fair-skinned babes of New England history.

The old soldier and pioneer loved to take the children on his knees and bask in the light of the fire. At such times he made a picture which typed forth to me all the chimney corners and all the Anglo-Saxon grandsires for a thousand years. In him I saw the past. In them I forecast the future. In him an era was dying, in them Life renewed her swiftly passing web.

The old soldier and pioneer loved to take the children on his knees and bask in the light of the fire. At such times he made a picture which typed forth to me all the chimney corners and all the Anglo-Saxon grandsires for a thousand years. In him I saw the past. In them I forecast the future. In him an era was dying, in them Life renewed her swiftly passing web.

The grim old house had a soul. It was now in the fullest sense a hearth and a home. Oh, Mother and David, were you with us at that moment? Did you look upon us from the dusky corners, adding your faint voices to the chorus of our songs? I hope so. I try to believe so.

That night when Mary Isabel was asleep and I sat alone beside the hearth, another and widely different magic came from those embers. Their tongues of flame, subtly interfused with smoke, called back to memory the many camp-fires I had builded beside the streams, beneath the pines of the mountain west.

Each of my tenting places drew near. At one moment, far in the Skeena Valley, I sat watching the brave fire beat back the darkness and the rain—hearing a glacial river roaring from the night. At another I was encamped in the shelter of a mighty cliff, listening in awe while along its lofty shelves the lions prowled and in the cedars, amid the ruins of prehistoric cities, the wind chanted a solemn rune filled with the voices of those whose bones had long since been mingled with the dust.

Oh, the good days on the trail!
I cannot lose you—I will not!
Here in the amber of my song
I hold you.
Here where neither time nor change
Can do you wrong.
I sweep you together,
The harvest of a continent. The gold
Of a thousand days of quest.
So, when I am old,
Like a chained eagle I can sit
And dream and dream
Of splendid spaces,
The gleam of rivers,
And the smell of prairie flowers.
So, when I have quite forgot
The heritage of books, I still shall know
The splendor of the mountains, and the glow
Of sunset on the vanished plain.


CHAPTER TWENTY-ONE

The Fairy World of Childhood

One night just before leaving for the city, I invited a few of my father's old cronies to come in and criticize my new chimney. They all came,—Lottridge, Stevens, Shane, Johnson, McKinley, all the men who meant the most to my sire, and as they took seats about the glowing hearth, the most matter-of-fact of them warmed to its poetic associations, and the sternest of them softened in face and tone beneath its magic light.

Each began by saying, "An open fire is nice to sit by, but not much good as a means of heating the house," and having made this concession to the practical, they each and all passed to minute and loving descriptions of just the kind of fireplaces their people used to have back in Connecticut or Maine or Vermont. Stevens described the ancestral oven, Lottridge told of the family hob and crane, and throughout all this talk a note of wistful tenderness ran. They were stirred to their depths and yet concealed it. Not one had the courage to build such a chimney but every man of them covertly longed for it, dimly perceiving its value as an altar of memory, unconsciously acknowledging its poignant youthful associations. The beauty of vanished faces, the forms of the buried past drew near, and in the golden light of reminiscent dream, each grizzled head took on a softer, nobler outline. The prosaic was forgot. The poetry of their lives was restored.

Father was at his best, hospitable, reminiscent, jocund. His pride in me was expressed in his faith in my ability to keep this fire going.

"Hamlin don't mind a little expense like this chimney," he said. "He put it in just to amuse the baby,—so he says and I believe him. He can afford it—so I'm not saying a word, in fact I like an open fire so well I'm thinking of putting one into my own house."

To this several replied by saying, "We'd have a riot in our house if we put in such an extravagance." Others declared, "It's all a question of dirt. Our wives would never stand the ashes."

We had provided apples and nuts, doughnuts, cider and other characteristic refreshments of the older day, but alas! most of our guests no longer took coffee at night, and only one or two had teeth for popcorn or stomach for doughnuts. As a feast our evening was a failure.

"I used to eat anything at any time," Lottridge explained, "probably that is the reason why I can't do it now. In those days we didn't know anything about 'calories' or 'balanced rations.' We et what was set before us and darn glad to get it."

Shane with quiet humor recalled the days when buckwheat cakes and sausages swimming in pork fat and covered with maple syrup, formed his notion of a good breakfast. "Just one such meal would finish me now," he added with a rueful smile.

These were the men who had been the tireless reapers, the skilled wood-choppers, the husky threshers of the olden time, and as they talked, each of them reverting to significant events in those heroic days, I sobered with a sense of irreparable loss. Pathos and humor mingled in their talk of those far days!

Shane said, "Remember the time I 'bushed' you over in Dunlap's meadow?" To this my father scornfully replied, "You bushed me! I can see you, now, sitting there under that oak tree mopping your red face. I had you 'petered' before ten o'clock."

It all came back as they talked,—that buoyant world of the reaper and the binder, when harvesting was a kind of Homeric game in which, with rake and scythe, these lusty young sons of the East contended for supremacy in the field. "None of us had an extra dollar," explained Stevens, "but each of us had what was better, good health and a faith in the future. Not one of us had any intention of growing old."

"Old! There weren't any old people in those days," asserted Lottridge.

Along about the middle of the evening they all turned in on a game of "Rummy," finding in cards a welcome relief from the unexpressed torment of the contrast between their decrepit, hopeless present and the glowing, glorious past.

My departure on a lecture trip at ten o'clock disturbed their game only for a moment, and as I rode away I contrasted the noble sanity and the high courage of those white-haired veterans of the Border, with the attitude of certain types of city men I knew. Facing death at something less than arm's length, my father and his fellows nevertheless remained wholesomely interested in life. None of them were pious, some of them were not even religious, but they all had a sturdy faith in the essential justice of the universe. They were still playing the game as best they knew.

Like Eugene Ware they could say—

"Standing by life's river, deep and broad,
I take my chances, ignorant but unawed."

As I sat among my fellow members at the Club, three days later, I again recalled my father and his group. Here, too, I was in the Zone of Age. A. M. Palmer, a feeble and melancholy old man, came in and wandered about with none to do him reverence, and St. Gaudens, who was in the city for medical treatment, shared his dry toast and his cereal coffee with me of a morning. George Warner, who kept a cheerful countenance, admitted that he did so by effort. "I don't like the thought of leaving this good old earth," he confessed one afternoon. "It gives me a pang every time I consider it." None of these men faced death with finer courage than my sire.

As I had a good deal of free time in the afternoon, and as I also had a room at the Club, I saw much of St. Gaudens. We really became acquainted. One morning as we met at breakfast he replied to my question with a groan and a mild cuss word: "Worse, thank you! I've just been to Washington, and on the train last night I ate ice-cream for dinner. I knew I'd regret it, but ice-cream is my weakness." He was at once humorous and savage for, as he explained, "the doctor will not let me work and there is nothing for me to do but sit around the Club library and read or write letters."

He wrote almost as many letters as I did, and so we often faced each other across a desk in the writing room. Sometimes he spoke of President Roosevelt who was employing him on the new designs for our coins, sometimes he alluded to the work awaiting him in his studio. Oh! how homesick we both were! Perhaps he felt the near approach of the hour when his cunning hand must drop its tool. I know the thought came to me, creating a tenderer feeling toward him. I saw him in a sorrowful light. He drew nearer to me, seeming more like a friend and neighbor.

I have said that I had a good deal of time on my hands, and so it seemed to me then and yet during this trip I visited many of my friends, prepared The Tyranny of the Dark for serial publication, attended a dinner to Henry James, was one of the Guests of Honor at the Camp Fire Club and acted as teller (with Hopkinson Smith) in the election which founded the American Academy of Arts and Letters—a fairly full program as I look back upon it, but I had a great many hours to spend in writing to Zulime and in dreaming about Mary Isabel. In spite of all my noble companions, my dinners, speeches and honors I was longing for my little daughter and her fireplace, and at last I put aside all invitations and took the westward trail, counting the hours which intervened between my laggard coach and home.

At times I realized the danger which lay in building so much of my content on the life of one small creature, but for the most part I rejoiced in the fact that she was in my world, even though I had a growing sense of its illusory and generally unsatisfactory character. I found comfort in the knowledge that billions of other men had preceded me and billions more would follow me, and that the only real things in my world were the human relationships. To make my wife and child happy, to leave the world a little better than I found it, these formed my creed.

It was cold, crisp, clear winter when I returned to West Salem and the village again suggested a Christmas card illustration as I walked up the street. The snow cried out under my shoe soles with shrill familiar squeal, carrying me back to the radiant mornings in Iowa when I trod the boardwalks of Osage on my way to the Seminary Chapel, my books under my arm and the courage of youth in my heart. Now a wife and daughter awaited me.

A fire was crackling in the new chimney, and in the light of it, at her mother's feet, sat Mary Isabel. In a moment New York and Chicago were remote, almost mythic places. With my child in my arms, listening to Zulime's gossip of the town wherein the simple old-fashioned joys of life still persisted with wholesome effect, I asked myself, "Why struggle? Why travel, when your wife, your babe, and your hearthstone are here?"

"Once I threatened the world with fire,
And thrust my fist in the face of wrong,
Making my heart a sounding lyre—
Accusing the rulers of earth in song.
Now, counting the world of creeds well lost
And recking the greatest book no prize—
Withdrawn from the press and free from the cost
Of fame and war—in my baby's eyes—
In the touch of her tiny, slender palm,
I find the ease of a warrior's calm."

Calm! Did I say calm? It was the calm of abject slavery. At command of that minute despot I began to toil frenziedly. At her word I read over and over, and over once again, the Rhymes of Mother Goose and the Tales of Peter Wabbitt. The Tin Tan Book was her litany, and Red Riding Hood her sweet terror. Her interest in books was insatiate. She loved all verses, all melodies, even those whose words were wholly beyond her understanding, and her rapt eyes, deep and dark, as my mother's had been, gave me such happiness that to write of it fills me with a pang of regret—for that baby is now a woman.

It will not avail my reader to say, "You were but re-enacting the experiences of innumerable other daddies," for this was my child, these were my home and my fire. Without a shred of shame I rejoiced in my subjection then, as I long to recover its contentment now. Life for me was fulfilled. I was doing that which nature and the world required.

Here enters an incongruous fact,—something which I must record with the particularity it deserves. My wife who was accounted a genius, was in truth amazingly "clever" with brush and pencil. Not only had she spent five years in Paris, she had enjoyed several other years of study with her sculptor brother. She could model, she could paint and she could draw,—but—to whom did Mary Isabel turn when she wanted a picture? To her artist mother? Not at all! To me,—to her corn-husker daddy—of course. I was her artist as well as her reader.

To her my hand was a wonder-worker. She was always pleased with what I did. Hour after hour I drew (in amazing outlines) dogs and cows and pigs (pictographs as primitive as those which line the walls of cave dwellings in Arizona) on which she gazed in ecstasy, silent till she suddenly discovered that this effigy meant a cow, then she cried out, "tee dee moomo!" with a joy which afforded me more satisfaction than any acceptance of a story on the part of an editor had ever conveyed. Each scrawl was to her a fresh revelation of the omniscience, the magic of her father—therefore I drew and drew while her recreant mother sat on the other side of the fire and watched us, a wicked smile of amusement—and relief—on her lips.

My daughter was preternaturally interested in magazines,—that is to say she was (at a very early age) vitally concerned with the advertising columns, and forced me to spend a great deal of time turning the pages while she discovered and admired the images of shoes, chairs, tables and babies,—especially babies. It rejoiced her to discover in a book the portrait of a desk which was actually standing in the room, and in matching the fact with the artistic reproduction of the fact, she was, no doubt, laying the foundation of an esthetic appreciation of the universe, but I suffered. Only when she was hungry or sleepy did she permit me, her art instructor, to take a vacation.

In the peaceful intervals when she was in her bed, her mother and I discussed the question, "Where shall we make our winter home?"

My plan to take another apartment in New York seemed of a reckless extravagance to Zulime, who argued for Chicago, and in the end we compromised—on Chicago—where her father and brother and sister lived. November found us settled in a furnished apartment on Jackson Park Avenue, and our Christmas tree was set up there instead of in the Homestead, which was the natural place for it.

Another phase of being Daddy now set in. To me, as a father, the City by the Lake assumed a new and terrifying aspect. Its dirt, its chill winds, its smoke appeared a pitiless league of forces assaulting the tender form of my daughter. My interest in civic reforms augmented. The problems of street cleaning and sanitary milk delivery approached me from an entirely different angle. My sense of social justice was quickened.

In other ways I admitted a change. Something had gone out of my world, or rather something unexpected had come into it. I was no longer whole-hearted in my enjoyment of my Club. My study hours were no longer sacred. My cherub daughter allured. Sometimes as I was dozing in my sleeping car, I heard her chirping voice, "Bappa, come here. I need you." The memory of her small soft body, her trusting eyes, the arch of her brows, made me impatient of my lecture tours. She was my incentive, my chief reason for living and working, and from each of my predatory sorties, I returned to her with a thankfulness which was almost maudlin—in Fuller's eyes. To have her joyous face lifted to mine, to hear her clear voice repeating my mother's songs, restored my faith in the logic of human life. True she interrupted my work and divided my interest, but she also defended me from bitterness and kept me from a darkening outlook on the future. My right to have her could be questioned but my care of her, now that I had her, was a joyous task.

It would not be quite honest in me if I did not admit that this intensity of interest in my daughter took away something from my attitude as a husband, just as Zulime's mother love affected her relationship to me. A new law was at work in both our cases, and I do not question its necessity or its direction. Three is a larger number than two, and if the third number brings something unforeseen into the problem it must be accepted. Mary Isabel strengthened the bond between Zulime and myself, but it altered its character. Whatever it lost in one way it gained in another.

Dear little daughter, how she possessed me! Each day she presented some new trait, some new accomplishment. She had begun to understand that Daddy was a writer and that he must not be disturbed during the morning, but in spite of her best resolutions she often tip-toed to my door to inquire brightly, "Poppie, can I come in? Don't you want me?" Of course I wanted her, and so frequently my work gave place to a romp with her. In the afternoons I often took her for a walk or to coast on her new sled rejoicing in the picture she made in her red cloak and hood.

In her presence my somber conceptions of life were forgotten. Joyous and vital, knowing nothing of my worries, she comforted me. She was no longer the "baby" she was "Wenona," my first born, and in spirit we were comrades. More and more she absorbed my thought. "Poppie, I love you better than anything," she often said, and the music of her voice misted my eyes and put a lump into my throat.

When summer came and we went back to the Homestead, I taught her to drive Old Smoker, Uncle William's horse. Under my direction she studied the birds and animals. In city and country alike we came together at nightfall, to read or sing or "play circus." I sang to her all the songs my mother had taught me, I danced with her as she grew older, with Zulime playing the tunes for us, "Money Musk" and "The Campbells are Coming." As we walked the streets the trusting cling of her tiny fingers was inexpressibly sweet.

"Poppie, I'm so happy!" she often said to me after she was three, and the ecstasy which showed in her big blue eyes scared me with its intensity for I knew all too well that it could not last. This was her magical time. She was enraptured of the wind and sky and the grass. Every fact in nature was a revelation to her.

"Why, Poppie? What does it? What was that noise?" The dandelions, the dead bird, a snake—these were miracles to her—as they once were to me. She believed in fairies with devotional fervor and I did nothing to shake her faith, on the contrary I would gladly have shared her credence if I could.

Once as we were entering a deep, dark wood, she cautioned me to walk very softly and to speak in a whisper in order that we might catch the Forest Folk at play, and as we trod a specially beautiful forest aisle she cried out, "I saw one, Poppie! Didn't you see that little shining thing?"

I could only say, "Yes, it must have been a fairy." I would not destroy her illusion.

She inhabited a world of ineffable beauty, a universe in which minute exquisite winged creatures flashed like flakes of fire, through dusky places. She heard their small faint voices in the whisper of the leaves, and every broad toadstool was to her a resting place for weary elfin messengers hurrying on some mission for their queen. Her own imaginings, like her favorite books, were all of magic wands, golden garments and crystal palaces. Sceptered kings, and jeweled princesses trailing robes of satin were the chief actors in her dreams.

I am aware that many educators consider such reading foolish and harmful, but I care nothing for wire-drawn pedagogic theories. That I did nothing to mar the mystical beauty of the world in which my daughter then dwelt, is my present satisfaction, and I shamelessly acknowledge that I experienced keen pangs of regret as her tender illusions, one after another faded into the chill white light of later day. Without actually deceiving her, I permitted her to believe that I too, heard the wondrous voices of Titania and her elves in convention behind the rose bush, or the whispers of gnomes hiding among the cornrows.

Good republican that I was, I listened without reproof to her adoring fealty to Kings and Queens. Her love of Knights and tournaments was openly fostered at my hand. "If she should die out of this, her glorious imaginary world, she shall die happy," was my thought, "and if she lives to look back upon it with a woman's eyes, she shall remember it as a shining world in which her Daddy was a rough but kindly councillor, a mortal of whom no fairy need have fear."

The circus was my daughter's royal tournament, an assemblage of all the kings and queens, knights and fairies of her story books. She hated the clowns but the parade of the warriors and their sovereign exalted her. The helmeted spearmen, the lithe charioteers, the hooded drivers sitting astride the heads of vast elephants were characters of the Arabian Nights, passing veritably before her eyes. The winged dancers of the spectacle came straight from the castle of Queen Mab, the pale acrobats were brothers to Hector and Achilles.

As she watched them pass she gripped my hand as if to keep touch with reality, her little heart swollen with almost intolerable delight. "It makes me shiver," she whispered, and I understood.

As the last horseman of the procession was passing, she asked faintly—"Will it come again, Poppie?"

"Yes, it will come once more," I replied, recalling my own sense of loss when the Grand Entry was over.

As the queen, haughty of glance, superb in her robe of silver once more neared us, indolently swaying to the movement of the elephant, who bore his housings of purple and gold with stately solemnity, my daughter's tiny body quivered with ecstasy and her beautiful eyes dilated with an intensity of admiration, of worship which made me sad as well as happy, and then just as the resplendent princess was passing for the last time, Mary Isabel rose in her place and waving a kiss to her liege lady cried out in tones of poignant love and despair, "Good-by, dear Queen!" and I, holding her tender palpitant figure in my arms, heard in that slender silver-sweet cry the lament of childhood, childhood whose dreams were passing never to return.

Chicago did not offer much by way of magnificence but Mary Isabel made the most of what we took her to see. The gold room of the hotel was a part of her imaginary kingdom, conceivably the home of royalty. Standing timidly at the door, she surveyed the golden chairs, the gorgeous ceiling and the deep-toned pictures with a gaze which absorbed every detail. At last she whispered, "Is this the Queen's room?"

"Yes," I replied. "If the Queen should come to Chicago she would live here," and I comforted myself by saying, "You shall have your hour of wonder and romance, even at the expense of a prevarication."

With a sigh she turned away, or rather permitted me to lead her away. "I'm glad I saw it," she said. "Will the Queen ever come to Chicago again?"

"Yes, next spring she will come again," I answered, thus feeding her illusion without a moment's hesitation or a particle of remorse.

Her love of royal robes, gold chariots and Queens' houses did not prevent her from listening with deep delight while I read Jock Johnstone, the Tinkler Lad, or sang O'er the Hills In Legions, Boys. She loved most of the songs I was accustomed to sing but certain of the lines vaguely distressed her. She could not endure the pathos of Nellie Gray.

"Oh, my poor Nellie Gray
They have taken you away
And I'll never see my darling any more"

put her into deepest anguish.

"Why did they take her away?" she sobbed. "Didn't they ever see her any more?"

Only after I explained that they met "down the river" and were very happy ever afterward, would she permit me to finish the ballad. She was similarly troubled by the words,

"I can hear the children calling
I can see their sad tears falling."

"Why are the children calling?" she demanded.

She had a curious horror of anything abnormal. Once I took her to see "Alice in Wonderland" thinking that this would be an enchanting experience for her. Not only was it intolerably repellent to her, it was terrifying, and when the bodies of the characters suddenly lengthened, she sought refuge under the seat. All deformities, grotesqueries were to her horrible, appalling. She refused to look at the actors and at last I took her away.

One afternoon as we were in the garden together she called to me. "Poppie, see the dead birdie!"

On looking I saw a little dead song sparrow. "It's been here all the night and all the day, Poppie. It fell out of the tree when Eddie shooted it. Put it up in the tree again, Poppie."

She seemed to think that if it were put back into its home it would go on living and singing. I don't know why this should have moved me as it did, but it blurred my eyes for a moment. My little daughter was face to face with the great mystery.

O those magical days! Knowing all too well that they could not last and that to lose any part of them was to be forever cheated, I gave my time to her. Over and over again as I met her deep serene glance, I asked (as other parents have done), "Whence came you? From what dusky night rose your starry eyes? Out of what unillumined void flowered your fairy face? Can it be, as some have said, that you are only an automaton, a physical reaction?"

She was the future, my father the past. Birth and death, equally inexplicable, were expressed to me in these two beings, so vital to me, so dependent upon me, and beside me, suffering, joying with me, walked the mother with unfaltering steps.

I was in the midst of a novel at this time, another story of Colorado, which I called Money Magic, and without doubt all this distraction and travel weakened it, although Howells spoke well of it. "It is one of your best books," he said, when we next met.

[Mary Isabel reads the book at intervals and places it next to Hesper and The Captain of the Gray Horse Troop.]

Marriage, paternity, householding, during these years unquestionably put the brakes on my work as a writer, but I had no desire to return to bachelorhood. Undoubtedly I had lost something, but I had gained more. As a human being I was enriched beyond my deserving by a wife and a child.

Perhaps I would have gone farther and mounted higher as a selfish solitary bachelor, but that did not trouble me then, and does not now. Concerned with the problem of providing a comfortable winter home for my family, and happy in maintaining the old house in West Salem as a monument to the memory of my mother, I wrote, committed carpentry and lectured.

My frequent absences from home soon made a deep impression on my daughter's mind, and whenever she was naughty I had but to say, "If you do that again Papa will go away to New York," and she would instantly say, "I'm doodie now papa, I'm doodie——" and yet my mention of going to New York could not have been altogether a punishment for I always brought to her some toy or book. Nothing afforded me keener joy than the moment when I showed her the presents I had brought.

The fact that she loved to have her heavy-handed old Daddy near her, was a kind of miracle, a concession for which I could not be too grateful.

"You shall have a happy childhood," I vowed, "no matter what comes later, you shall remember these days with unalloyed delight. They shall be your heaven, your fairyland."

Each month I set down in my diary some new phrase, some development, some significant event in her life, and when she found this out she loved to have me read what she had said, "When I was a little baby." She listened gravely, contrasting her ignorance at two with her wisdom at five. "Was I cute, Daddy? Did you like me then?" she would ask.

She early learned the meaning of Decoration Day, which she called "Flag Day," and took pride in the fact that her grand-sire was a soldier. Each year she called for her flag and asked to be taken to the cemetery to see the decorations and to hear the bugles blow above the graves, and I always complied; although to me, each year, a more poignant pathos quavered in the wailing cadence of "Lights out," and the passing of the veterans, thinning so rapidly—was like the march of men toward their open graves.

Happily my daughter did not realize any part of this tragic concept. For her it was natural that a soldier should be old and bent. Waving her little flag and shouting with silver-sweet voice she saluted with vague admiration those who were about to die—an age about to die—and in her eyes flamed the spirit of her grand-sire, the love of country which will carry the Republic through every storm no matter from which quarter the wind may spring.

So far as I could, I taught her to take up the traditions which were about to slip from the hands of Richard Garland and his sons, "She shall be our representative, the custodian of our faith."

For four years she remained our only child, and yet I can not say that she was either spoiled or exacting, on the contrary she was a constant, joyous pupil and a lovely appealing teacher. Through her I rediscovered the wonder of the sunrise and the stars. In the study of her face the lost beauty of the rainbow returned to me, in her presence I felt once more the mystic charm of dusk. I reaccepted the universe, putting aside the measureless horror of its recorded wars. I grew strangely selfish. My interests narrowed to my own country, my own home, to my fireside. Counting upon the world well lost, I built upon my daughter's love.

That my wife was equally happy in her parentage was obvious for at times she treated Mary Isabel as if she were a doll, spending many hours of many days designing dainty gowns and hoods for her delight. She could hardly be separated from the child, even for a night and it was in her battles with croup and other nocturnal enemies that her maternal love was tested to the full. I do not assume to know what she felt as a wife, but of her devotion as a mother I am able to write with certainty. On her fell the burden of those hours of sickness in the city, and when the time came for us to go back to the birds and trees of our beloved valley she rejoiced as openly as her daughter. "Now we shall be free of colds and fever," she said.

Entirely subject to my daughter, who regarded me as a wonder-working giant, I paid tribute to her in song, in story, and in frankincense and myrrh. Led by her trusting little hand I re-discovered the haunts of fairies and explored once more the land beneath the rainbow.

For the most part this was true. For several summers our daughter lived and throve at her birthplace, free of pain and in idyllic security—and then suddenly, one September day, like the chill shadow from an Autumn stormcloud, misfortune fell upon us. Our daughter became sick, how sick I did not realize until on the eighth day as I took her in my arms I discovered in her a horrifying weakness. Her little body, thinned with fever, hung so laxly, so lightly on my knee that my blood chilled with sudden terror.

With a conviction that I dared not even admit to myself, I put her back into her mother's keeping and hurried to the telephone. In ten minutes I had called to her aid the best medical men of the region. Especially did I appeal to Doctor Evans, who had helped to bring her into the world. "You must come," I said to him. "It is life or death."

He came, swiftly, but in a few moments after his arrival he gravely announced the dreadful truth. "Your child is in the last stages of diphtheria. I will do what I can for her but she should have had the antitoxin five days ago."

For forty-eight hours our baby's life was despaired of, yet fought for by a heroic nurse who refused to leave her for a single hour.

Oh, the suspense, the agony of those days and nights, when her mother and I, helpless to serve, were shut away from her, not even permitted to look at her. We could do nothing—nothing but wait through the interminable hours, tortured by the thought that she might be calling for us. During one entire dreadful night we writhed under one doctor's sentence, "The child can not live," and in these hours I discovered that it is the sweetest love that casts the blackest shadow. My joy in my daughter was an agony of fear and remorse—why had I not acted sooner?

As I imagined my world without that radiant face, that bird-like voice, I fell into black despair. My only hope was in the nurse, who refused to give her up. I could not talk or write or think of any other thing. The child's sufferings filled my mind with an intolerable ache of apprehension. I had possessed her only a few years and yet she was already woven into the innermost fibers of my heart.

That night, which I dare not dwell upon, put my youth definitely behind me. When the blessed word came that she would live, and I was permitted to look upon her small wasted face, I was a care-worn middle-aged man—willing to give up any part of my life to win that tiny sufferer back to health and happiness.

Pitiful little Mary Isabel, pale wraith of my sturdy comrade! When she lifted her beseeching eyes to me and faintly, fleetingly smiled—unable to even whisper my name, I, forbidden to speak, could only touch her cheek with my lips and leave her alone with her devoted nurse—for, so weak was she that a breath might have blown her away, back into the endless shadow and silence of the grave.

At that moment I asked myself, "What right have men and women to bring exquisite souls like this into a world of disease and death? Why maintain the race? What purpose is subserved by keeping the endless chain of human misery lengthening on?"

In times like these I was weaker than my wife. I grant her marvelous fortitude, sustained by something which I did not possess and could not acquire. She met every crisis. I leaned upon her serenity, her courage, her faith in the future which was in no sense a religious creed. It was only a womanly inheritance, something which came down the long line of her maternal Anglo-Saxon ancestors.

At last the day came when the nurse permitted me to take my daughter again in my arms and carry her out to the easy chair before the fire. The moment was perfect. The veil of snow falling without, the leaping firelight on the hearth, and the presence of my wife and father, united to fill me with happiness. I became the fond optimist again—the world was not so black—our year was worthy of Thanksgiving after all.

Nevertheless I was aware that a bitter ineradicable dusk had gathered in the corners and crannies of the old house. Something depressing, repellent, was in the air. My sense of joy, my feeling of comfort in its seclusion were gone.

"Never again will this be a restful home for you or for me," I declared to my daughter. "Its shadow is now an enemy, its isolation a menace." To my wife I said, "Let us go back to the city where the highest type of medical science is at the end of the telephone wire."

She consented, and taking the child in my arms, I left the village with no intention of ever returning to it. The fire on my family altar seemed dead, never again to be rekindled.


CHAPTER TWENTY-TWO

The Old Soldier Gains a New Granddaughter

For nearly two years I did not even see the Homestead. My aversion to it remained almost a hatred. The memory of those desolate weeks of quarantine when my little daughter suffered all the agonies of death, still lingered over its walls, a poisonous shadow which time alone could remove. "I shall never live in it again," I repeated to my friends, and when some one wanted to rent it for the summer I consented—with a twinge of pain I must confess, for to open it to strangers even for a few weeks seemed an act of disloyalty to the memory of my mother.

Meanwhile I remained a moderately happy and very busy citizen of Chicago. Not content with esthetic conditions and in the belief that my home for years to come must be somewhere in the city's confines, I had resolved to establish a Club which should be (like the Players in New York) a meeting place for artists and writers, a rallying point for Midland Arts. Feeling very keenly the lack of such a rendezvous I said to Lorado, "I believe the time has come when a successful literary and artistic club can be established and maintained."

The more I pondered on the situation, the greater the discrepancy between the Chicago of my day and the Boston of my father's day became. "Why was it that the Boston of 1860, a city of three hundred thousand people, should have been so productive of great writers, while this vast inland metropolis of over two million of people remains almost negligible in the world of Art and Letters?"

Fuller, who refused, characteristically, to endorse my plan, was openly discouraging. To him the town was a pestilential slough in which he, at any rate, was inextricably mired, and though he was not quite so definite with me, he said to others, "Garland's idea is sure to fail."

Clarkson, Browne and Taft, however, heartily joined my committee, and the "Cliff Dwellers," a union of workers in the fine arts, resulted. As president of the organization, I set to work on plans for housing the club, and for months I was absorbed in this work.

On the eighteenth of June, 1908, in the midst of my work on the club affairs, another daughter was born to us, a vigorous and shapely babe, with delicate limbs, gray eyes, and a lively disposition, and while my wife, who came through this ordeal much better than before, was debating a choice of names for her, Mary Isabel gravely announced that she had decided to call her sister "Marjorie Christmas," for the reason, as she explained, that these were the nicest names she knew. Trusting first born!—she did not realize the difference which this new-found playmate was about to make in her life, and her joy in being permitted to hold the tiny stranger in her arms was pathetic.

My own attitude toward "Marjorie Christmas" was not indifferent but I did not receive her with the same intensity of interest with which I had welcomed my first child. Her place was not waiting for her as was the case of Mary Isabel. She was a lovely infant and perhaps I would have taken her to my arms with keen paternal pride had it not been for the realization that in doing so I was neglecting her sister whose comradeship with me had been so close (so full of exquisite moments) that it could not be transferred to another daughter, no matter how alluring. A second child is—a second child.

To further complicate our problem, Constance (as we finally called her), passed under the care of a nursemaid, and for two years I had very little to do with her. I seldom sang this child to sleep as I had done countless times with Mary Isabel. She did not ride on the crook of my elbow, or climb on my back, or look at picture books with me, until she was nearly three years old. We regained her, but we could not regain the hours of companionship we had sacrificed. This experience enables me to understand the unhappiness which comes to so many homes, in which the children are only boarders, foundlings in the care of nurses and governesses. My poverty, my small dwelling have given me the most precious memories of my daughters in their childish innocence.

[Connie, who is now as tall as her mother and signs her drawings "Constance Hamlin Garland" is looking over my shoulder at this moment with a sly smile. It has long been known to her that she was, for several years, very much "in the discard" but she does not hold it against me. She knows that it would be hard for me to make a choice between my two jewels to-day—I allude to them as mine because I am writing this book. My wife has a different angle of vision concerning them.]

My father came down from West Salem to see this second granddaughter, and on the whole, approved of her, although his tenderest interest, like mine, remained with Mary Isabel, who was now old enough to walk and talk with him. To watch her trotting along the street with that white-haired warrior, her small hand linked with his, was to gain a deeply moving sense of the continuity of life. How slender the link between the generations appears in such a case!

Nothing, not even the birth of a new grandchild, could divert my father from his accustomed round of city sight-seeing. As in other times, so now he again demanded to be shown the Stockyards, the Wheat Pit, the Masonic Temple and Lincoln Park. I groaned but I consented.

It happened that Ira Morris, one of the owners of the Stockyards, was an acquaintance, and the courtesy and attentions which were shown us gave the old farmer immense satisfaction—and when he found that Frank Logan, of "Logan & Bryan," (a Commission firm to which he had been wont to send his wheat) was also my friend, he began to find in my Chicago life certain compensating particulars, especially as in his presence I assumed a prosperity I did not possess.

On paper I sounded fairly well. I was one of the vice-presidents of the National Institute of Arts and Letters. I had a "Town house" as well as a "country place," and under cover of the fact that very few of my friends had ever inspected both properties, I was able in some degree to camouflage my situation. In the city I alluded casually to "my Wisconsin Homestead," and when in West Salem I referred with quiet affluence to "my residence in Woodlawn." Explaining that it was a three story house I passed lightly over the fact that it was only eighteen feet wide! Similarly, in speaking of "our country home" I did not explain to all my friends that it was merely an ugly old farmhouse on the edge of a commonplace village. I stated the truth in each case but not the whole truth.

If my city friend, Charles Hutchinson, imagined me spending my summers in a noble mansion on the bank of a shining river it was not my duty to shock him by declaring that there was no water in sight and that my garden was only a truck patch. On the other hand, if my neighbors in West Salem thought of me as living in a handsome brick mansion in Chicago, and writing my stories in a spacious study walled with books, I was not obliged to undeceive them.

Fuller, alas! knew all the facts in both cases, and so did Ernest Seton, who had visited us in the country as well as in our city home. Fuller not only knew the ins and outs of my houses; he was also aware that my royalties were dwindling and that my wife was forced to get along with one servant and that we used the street cars habitually.

Being president of the Cliff Dwellers was an honor, but the distinction carried with it something of the responsibility of a hotel-keeper as well as the duties of a lecture agent, for one of our methods in building up attendance at the Club, was to announce special luncheons in honor of distinguished visitors from abroad, and the task of arranging these meetings fell usually to me. In truth, the activities of the club took a large part of my time and carried a serious distraction from my work, but I welcomed the diversion, and was more content in my Chicago residence than I had been for several years.

Whenever I spoke to Zulime of my failure as a money-getter she loyally declared herself rich in what I had given her, although she still rode to grand dinners in the elevated trains, carrying her slippers in a bag. It was her patient industry, her cheerful acceptance of endless household drudgery which kept me clear of self-conceit. I began to suspect that I would never be able to furnish her with a better home than that which we already owned, and this suspicion sometimes robbed me of rest.

This may seem to some of my readers an unworthy admission on the part of a man of letters but it is a perfectly natural and in a sense, logical result of my close associations with several of the most successful writers and artists of my day. It was inevitable that while contrasting my home with theirs, I should occasionally fall into moods of self-disparagement, almost of despair.

To see my wife (whom everybody admired) wearing thread-bare cloaks and home-made gowns, to watch her making the best of our crowded little dining-room with its pitiful furniture and its sparse silver, were constant humiliations, an accusation which embittered me especially as I saw no prospect of ever providing anything more worthy of her care.

For a woman of taste, wearing made-over gowns is a very real hardship, but Zulime bore her deprivations with heroic cheerfulness, taking a never-failing delight in our narrow home. She made our table a notable meeting place, for, if we had few dollars we owned many friends who found their way to us, and often from our commonplace little portal we plodded away in the rain or snow to dine in the stately palaces of the rich,—kings of commerce and finance.

Apparently we were everywhere welcome, and that this was due almost entirely to the winning personality of my wife, I freely acknowledge. That she had scores of devoted admirers was only too evident, for the telephone bell rang almost continuously of a morning. Always ready to give her time, her skill and her abounding sympathy to those who made piteous demands upon her, she permitted these incessant telephone interruptions, although I charged her with being foolishly prodigal in this regard. If she felt resentful of the narrow walls in which I had confined her, she did not complain.

Whatever my wife's state of mind may have been these were restless years for me. As an officer of several organizations and as lecturer, I was traveling much of the time, mostly on the trail between New York City and Chicago. Even when at home I had only three morning hours for writing—but that was not the worst of it. My convictions concerning my literary mission were in process of disintegration.

My children, my manifold duties as theatrical up-lifter and club promoter, together with a swift letting down of my mental and physical powers, caused me to question the value of all my writing. I went so far as to say, "As a writer I have failed. Perhaps I can be of service as a citizen," with my Oklahoma farms bringing in a small annual income, the scrape of my pen became a weariness.

That I was passing from robust manhood to middle age was also evident to me and I didn't like that. I resented deepening wrinkles, whitening hairs and the sense of weariness which came over me at the end of my morning's work. My power of concentration was lessening. Noises irritated me and little things distracted me. I could no longer bend to my desk for five hours in complete absorption. How my wife endured me during those years I can not explain. The chirp of my babies' voices, the ring of the telephone, the rattle of the garbage cart, the whistle of the postman—each annoyance chopped into my composition, and as my afternoons and evenings had no value in a literary way, I was often completely defeated for the day. Altogether and inevitably my work as a fictionist sank into an unimportant place. I was on the down-grade, that was evident. Writing was a tiresome habit. I was in a rut and longing to get out—to be forced out.

The annual dinner of the Institute of Arts and Letters that year was not cheering. With the loss of four members, Stedman, Aldrich, MacDowell and St. Gaudens, I realized as never before the swift changes at work in American letters. It was my duty and my privilege to speak that night in memory of MacDowell who had so often been my seat-mate, and as I looked around that small circle of familiar faces, a scene of loss, a perception of decay came over me like a keen wind from out a desolate landscape. On every head the snows had thickened, on every face a shadow rested. All—all were hastening to be history.

******

From that circle of my elders in the East, I returned to my children in the West with a sense of returning to the future. The radiant joy of Mary Isabel's face as I displayed her presents, a ring and a story book, restored me to something like a normal faith in the world. "Wead to me, wead to me!" was now her insistent plea, and putting aside all other concerns I turned the pages of her new book, realizing that to her the universe was still a great and never-ending fairy tale, and her Daddy a wonder-working magician, an amiable ogre. Her eager voice, her raptured attention enabled me to recover, for a moment, a wholesome faith and joy in my world—a world which was growing gray and wan and cold with terrifying swiftness.

"Your childhood shall be as happy as my powers will permit," I vowed once again as I looked into her uplifted face. "You shall have only pleasant memories of me," and in this spirit I gave her the best of myself. I taught her to read, I told her stories which linked her mind with that of her pioneer grandmother, filling her brain with traditions of the middle border. Dear little daughter, her daddy was veritably a nobleman, her mother a queen—in those days!

My wife says that for ten years I was always either on the point of going somewhere, or just returning, and as I turn the pages of my diaries, I find this to be true, but also I find frequent mention of meetings with John Burroughs, Bacheller, Gilder, Alexander, Madame Modjeska, William Vaughn Moody and many others of my friends distinguished in the arts.

All my publishing interests and most of my literary friends were in New York (my support came from there), hence my frequent coming and going. Whether this constant change, these sudden and violent contrasts in my way of life strengthened my fictional faculty or weakened it, I can not say, but I do know that as the head of a family I found concentrated effort increasingly difficult and at times very nearly impossible. Constance was ailing for a year, and was a source of care, of pain to me, as to her mother. At times, many times, her sufferings filled me with a passionate pity, a sense of rage, of helplessness. Indeed both children were subject to throat and lung disorders, especially when in the city.

Oh, those cruel coughing spells, those nights of burning fever, those alarming hours of stupor or of terrifying delirium! "Can science find no check upon these recurrent forms of disease?" I demanded of our doctor. "Must humanity forever suffer the agonies of diphtheria and pneumonia? If so why bring children into the world?"

We always knew when these disorders had set in, we knew all the signs but no medicine availed to stop their progress. Each attack ran its course in spite of nurse and drug whilst I raged helplessly and Zulime grew hollow-eyed with anxious midnight vigil. Death was a never-absent hovering shadow when those bitter winter winds were blowing, and realizing this I came to hate the great desolate city in which we lived, and to long with the most passionate ardor for the coming of April's sun.

One of the first signs of spring (so far as Mary Isabel was concerned) was the opening of the "White City," a pleasure park near us, and the second event quite as conclusive and much more exciting was the coming of the circus. These were the red letter days in her vernal calendar, and were inescapable outings, for her memory was tenacious. Each May she demanded to be taken to the "Fite City" and later "the Kings and Queens" and "the fairies" of the circus claimed her worship. Together we saw these glorious sights, which filled her little soul with rapture.

For two years my estrangement from the old Homestead was complete, but when one April day I found myself passing it on my way to St. Paul, I was constrained to stop off just to see how my father and the garden were coming on.

This was late April, and the day warm, windless and musical with sounds of spring. The maples and the elms had adorned themselves with most bewitching greens, the dandelions beckoned from sunny banks, and through the radiant mist, the nesting birds were calling. In a flood, all the ancient witchery of the valley, all of the Homestead's loveliest associations came back to soften my mood, to regain my love. Wrought upon by the ever-returning youth of the world—a world to which my daughters were akin, I relented, "We will come back. Cruel as some of its memories are, this is home, I belong here, and so does Mary Isabel."

The sunlight streaming into my mother's chamber lay like a fairy carpet on the floor, waiting for the dancing feet of her grandchildren. Her spirit filled the room, calling to me, consoling me, convincing me.

All day I worked at trimming vines, and planting flowers while the robins chuckled from the lawn, and the maples expanded overhead. How spacious and wide and safe the yard appeared, a natural playground for the use of children.

And so it came about that on June seventeenth, just before Constance's second birthday, Mary Isabel and I took the night train for West Salem, leaving Zulime and the nurse to follow next morning. Greatly excited at the prospect of going to sleep on the cars my daughter went to her bed. "I kick for joy," she said, her eyes shining with elfin delight.

She loved the "little house" as she called her berth, and for an hour she lay peering out at the moon. "It follows us!" she cried out in pleased surprise.

"Yes, it is a kindly moon. It will keep right along overhead all the way to West Salem. But you must go to sleep now. I shall call you early in the morning to meet Grandfather."

She was a reasonable soul, entirely confident of my care, and so, putting her head on my arm, she went away to dreamland. At such times my literary ambitions and failures were of no account. [To wish myself back there with that tiny form beside me is folly—but I do—I do!]

In the cool lusciousness of the June morning we met Grandpa, and as we entered the gate of the Homestead (which Mary Isabel only dimly remembered), I said, "This is your home, daughter, you belong here."

"Can I pick the flowers? Can I walk on the grass?" she asked quickly.

"Yes, pick all you want. You can roll on the grass if you wish."

Too excited to eat any breakfast, she ran from posy bed to posy bed, and from tree to tree, indefatigable as a bee or humming-bird. At five in the afternoon Zulime and Constance came.

In the weeks which followed I renewed my childhood. To Mary Isabel as to me at her age, the cornfield was a vast mysterious forest, and the rainbow an overpowering miracle.

"Don't they have rainbows in the city?" she asked one evening as we were watching a glorious arch fade out of the sky above the hills.

"Not such big beautiful double ones," I replied. "They haven't room for them in the city."

She took the same delight in the flame and flare of the Fourth of July which I once owned. She loved to walk in the fields. Snakes, bugs, worms and spiders enthralled her. Each hour brought its vivid message, its wonder and its delight, and when now and again she was allowed to explore the garden with me at night, the murk and the stars, and the stealthily moving winds in the corn, scared, awed her. At such moments the universe was a delicious mystery. Keeping close hold upon my hand she whispered with excitement, "What was that, Poppie? What was that noise? Was it a gnome?"

For her I built a "House" high in the big maple, and there she often climbed, spending many happy hours singing to her dollies or conning over her picture books. Her face shone down upon me radiant with life's ecstasy. Baby Constance was to her a toy, a doll, I was her companion, her playmate. The garden seemed fashioned for her uses, and whenever I saw her among the flowers or sitting on the lawn, I forgot my writing, realizing that these were golden days for me as well as for her,—days that would pass like waves of light across the wheat.

Together with Zulime I received the house back into my affection. Once more I thought of it as something permanent, a sure refuge in time of trouble. It gave us both a comforting sense of security to know that we could, at need, come back to it and live in comfort. With no hope of attaining a larger income, saving money was earning money for us both. In this spirit I put in another bathroom, and enlarged the dining-room—doing much of the work with my own hands.

Nothing could be more idyllic than our daily routine that summer. Our diversions, dependent on a love of odorous fields, colorful hills and fruitful vines, were of arcadian content. Our wealth expressed in nuts and apples and berries was ample. With Mary Isabel I assumed that wild grapes were enormously important articles of food. "Without them we might grow hungry this winter," I warned her. In this spirit we harvested, intent as chipmunks.

After the nurse left us the two children slept together on an upstairs screened-in porch, and every night, just before they went to sleep, it was my habit to visit them. Lying down between them with a small head on each arm, I told them stories or answered the questions which were suggested by the trees and the sky. "What are stars? What makes the moon spotted? What does iron come from? How do people make wall paper?" and many others equally elemental. It was a tender hour for me and a delicious one for them.

Gradually as they grew older, they fell into the habit of saying, "Now tell us about when you were a little boy," and so I was led to freshen up on A Son of the Middle Border, which I had begun to rewrite. They could never get enough of these reminiscences and when, at nine o'clock, I said, "Daughties, you must go to sleep," they pleaded for "Just one more," and from this interest I derived a foolish hope that the book, if it should ever get published, would be successful.

It was sweet to hear those soft voices demanding an explanation of the universe whose wonders they were rediscovering in their turn. Every changing season, every expanding leaf was magical to them. A bat skittering about the chimney, the rustle of a breeze in the maples, were of sinister significance requiring explanation, and when at last I went away and they began to softly sing their wistful little evening prayer, one which Mary Isabel had composed, life seemed worthwhile even to me. I forgot the irrevocable past and confronted old age with composure.

Meanwhile my father's mind was becoming more and more reminiscent. His stories once so vivid and so full of detail had narrowed down to a few familiar phrases. "Just then Sherman and his staff came riding along," or "When I was camped on the upper waters of the Wisconsin." His memory was failing and so was his sense of hearing. He seldom quoted from a book, but he still cited Blaine's speeches or referred to Lincoln's anecdotes, and certain of Grant's phrases were often on his lips. In all his interests he remained objective, concerned with the world of action not with the library, and while he made no effort to talk down to Mary Isabel, he contrived to win her adoration, perhaps because she detected in his voice his adoring love for her. In the mist of his glance was the tender worship of youth on the part of age.

Always of a Sunday we sang for him and sometimes Uncle Frank, the last of the McClintocks, gray haired and lean and bent, came in with his fiddle and played while the children danced in the light of our fire, so lithe, so happy, so fairy-like in their loveliness that he and Lorette sat in silence, a silence which was at once tender and tragic. There was something alien as well as marvelous in the dramatic movements of those small forms.

Witnessing such scenes, moved by something elemental in their decay, I continued to brood over the manuscript which was to be a kind of autobiography, the blended story of the vicissitudes of the Garlands and the McClintocks. At times I worked upon it to the exclusion of all else, and when I read a part of the tale to Mary Isabel and found that she understood it and liked it, I was heartened.

Consider this! I now had a daughter to whom I could read my manuscript! Where did that personality come from? Was her soul merely the automatic reaction of a material organism against a material environment? Was her spirit dependent on the life of its little body or could it live on independent of the flesh? Acknowledging the benumbing, hopeless mystery of it all, I continued to live for my children, finding in them my comfort and my justification.

I have never known anything more perfect than some of those mid-August days when on some woodland slope, we gathered the luscious musky fruit of wild blackberry vines and at our camp fire broiled our steak and made our coffee for our evening, open-air meal.

There were no flies, no mosquitoes, no snakes, and the hillsides were abloom with luscious shining berries, berries so ripe they fell into our hands with the slightest touch, and so tender that they melted in our mouths. The wind filled with the odor of yellowing corn, and the smell of nuts and leaves, carried our songs to the mist-filled valley below us, and the children playing on the smooth sward found our world a paradise.

As the cool dusk began to cover the farms below us, we sang "Juanita" and "Kentucky Home" and told our last stories while the children lay at our feet, silent with rapture as I used to be, in similar circumstances, forty years before.

And then when the fire had died down and sleepy babies were ready to turn their faces bedward, we drove slowly down the winding lane to the dust-covered bridge, past the small cemetery where mother was sleeping, back to where the broad-roofed old house was waiting for us like some huge, faithful creature yearning to receive us once again beneath its wings. It was commonplace to our neighbors and without special significance to the world, but to my children it was noble and beautiful and poetic—it was home.


CHAPTER TWENTY-THREE

"Cavanagh" and the "Winds of Destiny"

No doubt the reader has come to the conclusion, at this point, that my habits as an author were not in the least like those of Burroughs or Howells. There has never been anything cloistered about my life, on the contrary my study has always been a point of departure rather than a cell of meditation. From Elm Street, from the Homestead, I frequently darted away to the plains or the Rocky Mountains, keenly aware of the fact that the miner and cattleman, the trapper and the trailer were being pushed into ever remoter valleys by the men of the hoe and the spade, and that the customs and habits which the mountaineer had established were about to pass, precisely as the blossoming prairies had long since been broken and fenced and made commonplace by the plow.

That the destruction of the eagle and the mountain lion marked another stage of that remorseless march which is called civilization I fully recognized and—in a certain sense—approved, although the raising of billions of hens and pigs admittedly useful, was not to me an inspiring employment of human energy. The long-horn white-faced steer was more picturesque than a "Mooly" cow.

Doubtless a dairyman is a more valuable citizen in the long run than a prospector or miner, but he does not so easily appeal to the imagination. To wade irrigating ditches, hoe in hand, is not incompatible with the noblest manhood, but it is none the less true that men riding the trail or exploring ledges of quartz are more alluring characters to the novelist—at least that was the way I felt in 1909 when I began to shape another book concerning the great drama which was going on in the forests of the High Country.

For more than fifteen years, while trailing among the mountains of Colorado, Montana and Wyoming, I had seen the Forest Service, under Gifford Pinchot's leadership, gradually getting into effect. I had seen the silver miner disappear and the army of forest rangers grow from a handful of hardy cowboys and "lonesome men" into a disciplined force of over two thousand young foresters who represented in some degree the science and the patriotism of their chief.

As in Hesper and The Captain of the Gray Horse Troop I had attempted to depict certain types of the red men, miners and ranchers. I now began to study the mountain vedettes from the point of view of the Forest Ranger, a federal officer who represented our newly acquired ideals of Conservation, and whose duty it was to act as custodian of the National Forests. I decided to write a novel which should, in some degree, delineate the heroic side of this warden's solitary life as I had seen it and shared it in a half-dozen forests in Colorado, Wyoming and Montana.

In this writing I put myself at the opposite pole from the scenes of The Shadow World, a study of psychic phenomena with which I had been deeply involved for a year or more. From dark cabinets in murky seance chambers, from contact with morbid, death-fearing, light-avoiding residents of crowded apartments, I now found myself riding once again ten thousand feet above sea level with men who "took chances" almost every hour of their lives—not from any reckless defiance of death but merely by way of duty, men who lived alone and rode alone, men in whose ears the mountain streams as they fell from the white silences of the snows, uttered songs of exultation. In the presence of these hardy trailers the doings of darkened seance rooms seemed morbid, if not actually insane.

The stark heroism of these forest guards, their loyalty to a far-off chieftain (whom they knew only by name) appealed to me with increasing power. Their problem became my problem. More than this they kindled my admiration, for many of them possessed the cowboy's masterful skill with bronchos, his deft handling of rope and gun and the grace which had made him the most admired figure in our literature,—but in addition to all this, they had something finer, something which the cowboy often lacked. At their best they manifested the loyalty of soldiers. Heedful of the Federal Government, they strove to dispense justice over the lands which had been allotted to their care, and their flags—the Stars and Stripes—as I came upon them fluttering from the peaks of their cabins were to me the guidons of a new and valiant skirmish line. They were of the Border in a new and noble sense. In short the Federal Ranger was a hero made to my hand.

Not all the soldiers in the service were of this large mold, I admit, but many of those I had met did possess precisely the qualities I have outlined. Ready, cheerful, undaunted in the face of danger, some of them had the capacity for lonely action which rendered them as admirable in their way as any of the long line of frontiersmen who had made the winning of the West an epic of singular hardihood. To fight cold and snow and loneliness during long months, with no one looking on, calls for stern resolution. Such work is directly antithetic to that of the city fireman who goes to his duties with a crowd looking on. The ranger has only his own conscience as spectator. For many weeks he does not even see his supervisor.

To the writing of Cavanagh I came, therefore, in the spirit of one who had discovered not only a new hero but the reverse side of the squatter's shield. Just as in my studies for The Captain of the Gray Horse Troop, I had come upon the seamy side of the cattleman's activity, so now I perceived that many of the men who had settled on the national forests were merely adventurers trying to get something for nothing. To filch Uncle Sam's gold, to pasture on his grass, to dig his coal and seize his water-power—these were the real designs of the claim-holders, while the ranger was in effect a federal policeman, the guardian of a domain whose wealth was the heritage of us all. He was the prophet of a new order, the evangel of a new faith.

The actual composition of Cavanagh began as I was riding the glorious trails around Cloud Peak in the Big Horn Mountains of northern Wyoming in the summer of 1908, one of the most beautiful of all my outings, for while the Big Horns are low and tame compared to the Wind River Range, yet the play of their lights and shadows, their clouds, and their mist was as romantic as anything I had ever encountered.

I recall riding alone down the eastern slope one afternoon, while prodigious rivers of cloud—white as wool and soundless as light—descended the caÑon on my right and spread above the foothills, forming a level sea out of which the high dark peaks rose like rocky islands. This flood came so swiftly, flowed so marvelously and enveloped my world so silently that the granite ledges appeared to melt beneath my horse's feet.

At times the vapor closed densely round me, shutting out even the rocks of the trail and as I cautiously descended, I almost bumped astonished steers whose heads burst from the mist as if through a covered hoop. The high granite crags on the opposite side of the ravine took on the shapes of ruined castles seated on sloping shores by foaming seas, their smooth lawns reaching to the foam.

At one point, as I came out upon a ledge which overlooked the valley, I perceived my horse's shadow floating on the phantom ocean far below me, a dark equestrian statue encircled with a triple-ringed halo of fire. In all my mountain experiences I had never seen anything so marvelous.

At another time while riding up the trail, I perceived above my head a far-stretching roof of seamless cloud. As I rose, coming closer and closer to it, it seemed a ceiling just above my reach, then my head merged in it. A kind of dry mist surrounded me—and for ten or fifteen minutes I mounted through this luminous, strangely shrouding, all pervasive, mountain cloud. My horse, feeling his way with cautious care, steadily mounted and soon we burst out into the clear sunlight above. While still the mist curled about my horse's hoofs, I looked across a shoreless ocean with only Cloud Peak and its granite crags looming above its surface.

I describe these two spectacular effects out of many others merely to suggest the splendors which inspired me, and which, as I imagined, enriched the daily walk of the forest guard. "To get into my story some part of this glory, my hero must be something of a nature lover—as many rangers are," I argued, and this was true. Before a man will consent to ride the lonely road which leads to his cabin high in the forest, he must not only have a heart which thrills to the wonder of the lonely places, he must be self-sufficing and fearless. I rode with several such men and out of my experiences with them I composed the character of Ross Cavanagh.

The actual writing of this novel was begun on my forty-ninth birthday at my desk in the old Homestead, and I started off with enthusiasm notwithstanding the fact that Fuller, who was visiting me at the time, expressed only a tepid interest in my "theme." "Why concern yourself with forestry?" he asked. "No one wants to read about the ranger and his problems. Grapple with Chicago—or New York. That's the only way to do a 'best seller.'"

Henry always amused me but never so much as when tolerating rural joys. He was the exact opposite of my Cavanagh. Everything pastoral wearied him or irritated him. The "yelping" of the robins, the "drone" of the katydids, the "eternal twitter" of the sparrows infuriated him. The "accursed roosters" unseasonably wakened him in the morning, the "silly cackle" of the chickens prevented him from writing. Flowers bored him and the weather was always too cold or too hot, too damp or too dusty. Butterflies filled him with pessimistic forebodings of generations of cabbage worms. Moths suggested ruined coat collars—only at night, before our fire, with nature safely and firmly shut out, did he regain his customary and charming humor.

He belonged to the brick pavement, the electric-car line. He did not mind being awakened by the "twitter" of a milk cart. The "yelp" of the ice man, the snort of a six o'clock switch engine and the "cackle" of a laundry wagon formed for him a pleasant morning symphony. The clatter of an elevated train was with him the normal accompaniment of dawn, but the poetry of the pastoral—well, it didn't exist, that's all—except in "maudlin verses of lying sentimentalists." "I'm like George Ade's clerk: I never enjoy my vacation till I get back to the city."

To all such diatribes Zulime and I gave delighted ear. We rejoiced in his comment, for we did not believe a word of it, it was all a part of Henry's delightful perversity.

For six consecutive weeks I bent to the work of writing my novel undisturbed. A peaceful season which I shall long remember, for almost every afternoon, when the weather permitted, we joined the Dudleys and McKees and drove to some lovely spot on the river bank or sought out some half-hidden spring at the far end of a coulee and there, while the children picked nuts or apples and the women read magazines or stitched, George Dudley and I lighted our fire and broiled our steak. Nothing could be simpler, homelier, more wholesome, than this life, and I was able to do nearly half my story before a return to Chicago became necessary.

Practically all of the spring months of 1910 were given to revising and proof-reading Cavanagh, Forest Ranger, which had genuinely interested me and which should have been as important in my scheme of delineating the West as The Captain of the Gray Horse Troop, but it wasn't. It was too controversial, and besides I did not give it time enough. I should have taken another year to it—but I didn't. I permitted myself to be hurried by Duneka, who was (like most publishers) enslaved to a program. By April it was off my hands.

After the last page of this proof was returned to the printer a sense of weakness, of age, a feeling altogether new to me, led me to say to Fuller, "I shall never do another book. I have finished what I started out to do, I have pictured certain broad phases of the West as I know it, and I'm done. I am out of commission."

Fuller, who had been of this mood for several years, was not content to have me assume a despairing attitude. "You're just tired, that's all," he insisted. "You'll come to a new theme soon."

Movement is swift on the Border. Nothing endures for more than a generation. No family really takes root. Every man is on his way. Cities come and builders go. Unfinished edifices are left behind in order that something new and grander may be started. Some other field is better than the one we are reaping. I do not condemn this, I believe in it. It is America's genius. We are all experimenters, pioneers, progressives.

For years I had in mind to write a book to be called The Winds of Destiny, in which I should take up one by one the differing careers of my classmates and friends who had found our little prairie town too narrow and too poor to afford them fullest action. I never got to it, but from time to time I found some new material for it—material which, alas! I can not now find imagination enough to vitalize.

For example: One morning during a stay in New York, I found among my letters a note from an almost forgotten school-fellow, inviting me to dine with himself and wife at the Ritzdorf. The name on this note-head developed on the negative plate of my memory, the picture of two shock-headed, slender-legged schoolboys pacing solemnly, regularly, morning after morning, into the campus of the Seminary in Osage, Iowa. Their arms were always laden with books, their big brows bulging with thought. Invariably marching side by side like a faithful team of horses, turning aside neither to fight nor to play, they provoked laughter.

They were the sons of a farmer (a man of small means, who lived a mile or two from the village), and although they were familiar figures in the school they could hardly be said to be a part of it. Their poverty, their homespun trousers which were usually too short and too tight, and their poverty together with a natural shyness, kept them out of school affairs, although they were always at the top of their classes. To me they were worthy—though a bit grotesque.

My letter of invitation was from the younger of these boys, and having accepted his invitation, I was a bit in doubt as to what I should wear, for he had written, "with Mrs. Roberts and myself," and something in the tone of the letter had decided me to play safe. I put on evening dress, and it was well I did, for Ben met me in irreproachable dinner coat and presented his wife, a handsome and beautifully gowned woman, quite in the manner of a city-bred host. No one looking at us as we sat at our flower-decked table would have imagined that he or I had ever been plow-boys of the Middle Border.

As the dinner went on I lost all my conviction that the preternaturally solemn, heavy-footed lad of 1880 was in any way connected with this rich middle-aged inventor, but then he was probably having the same difficulty relating me with the beardless senior of 1881.

On the surface our dinner was a pleasant and rather conventional meeting, and yet the more it is dwelt upon the more significant it becomes. Starting from almost the same point, with somewhat similar handicaps, we two had "arrived," though at widely separated goals. Each of our courses was characteristically American, and each was in demonstration—for the millionth time—of the magic power of the open lands.

In the free air of the Middle Border, this man's genius for inventing had full power of expansion, and in result he was in possession of a fortune, whilst I, in my literary way, had won what my kindest critics called success—by another kind of service. My position though less secure and far less remunerative, was none the less honorable—that I shall insist on saying even though I must admit that in the eyes of my Seminary classmates the inventor made the handsomer showing. As the owner of a patent bringing in many thousands of dollars per year in royalty he had certain very definite claims to respect which I lacked. My home in contrast with his would have seemed very humble. Measured by material things, his imagination had proved enormously more potent than mine.

This meeting not only led me to re-value my own achievement, it brought up to me with peculiar pathos the career of another classmate, my comrade Burton Babcock, whom I (in 1898) had left standing on the bank of the Stickeen River in Alaska. He, too, was characteristically American. He had carried out his plan. After leading his pack train across the divide to the upper waters of the Yukon, he had built a raft and floated down the Hotalinqua. He had been frozen in, and had spent the winter in a windowless hut in the deep snow of an arctic landscape—and when, after incredible hardships, he had reached the Klondike, he had found himself almost as far from a gold claim as ever. All the mines were monopolized.

For the next four years he had alternately worked for wages and prospected for himself. One year he had "mushed" in the Copper River Country and later in the Tanana. In these explorations he went alone, and once he sledged far within the Arctic circle with only two dogs to keep him company. He became one of the most daring and persistent prospectors and yet he had always been just a little too late. He had never shared in any of the big strikes.

At last, after five years of this disheartening life, he had succeeded in breaking away from the fatal lure of the North. Returning to Anacortes on Puget Sound, he had taken up the threads of his life at the point where he had dropped them, to meet me, at Ashcroft, in '98, and on my little daughter's wrist was a bracelet, a string of nuggets, which represented all that he had been able to win from the desolate North.

He left his youth in Alaska. He was an old and broken man when he landed in Seattle, a silent, gray and introspective philosopher. Seeking out the cabin he had built on the Skagit River, he resumed his residence there, solitary and somber. In winter he cooked for a nearby lumber camp, in summer he served as watchman for an electric power company, patient, faithful, brooding over his books, austere, taciturn, mystical.

He read much on occult subjects, and corresponded ceaselessly with a certain school of esoteric philosophy, reaching at last a lofty serenity which approached content. He wrote me that the men of the lumber camp spoke of him as a "queer old cuss," but that disturbed him not at all. To me, however, he uttered his mind freely, and as I followed him thus, in imagination, remembering him as he once was, my graceful companion on the bright Iowa prairie, my sense of something futile in his whole life was deepened into pain.

His letters contained no complaint. He dwelt mainly upon his trips into the forest (occasional vacations from repulsive labor), but I was able to infer from a word here and there, his detestation of the coarse jests and senseless arguments of his "Siwash" companions. His philosophy prevented repining; but he could not entirely conceal his moods of loneliness, of defeat.

My heart ached as I thought of him, wearing his life away in the solitude of the forest, or in waiting on a crowd of unthinking lumber jacks, but I could do little to aid him. I had sent him books and loaned him money whenever he would accept it (which was seldom), and I had offered each year to bring him back to the Middle West and put him on a farm; but to all these suggestions he continued to repeat, "I can't bring myself to it. I can't return, a defeated explorer."

Like my uncle David, he preferred to walk the path he had chosen, no matter to what depth it might descend.

Not long after this meeting with Ben and while I was still absorbed in youthful memories, dreaming of my prairie comrades, a letter came to me from Blanche Babcock, telling me that her brother Burton, my boyhood chum, my companion on The Long Trail to the Yukon, had crossed the Wide Dark River, and with this news, a sense of heavy loss darkened my day. It was as if a part, and no small part, of my life had slipped away from me, irrecoverably, into a soundless abyss.

For more than forty years this singular soul had been a subject of my care (at times he had been closer to me than my own brother), and now he had vanished from the tangible realities of his mountain home into the unmapped region whose blind trails we had so often manfully discussed.

By all the laws which his family recognized, his life was a failure. To Ben Roberts he was a derelict—and yet to me a kind of elemental dignity lay in the attitude he had maintained when surrounded by coarse and ignorant workmen. He remained unmoved, uncontaminated. His mind inhabited a calm inner region beyond the reach of any coarse word or mocking phrase. Growing ever more mystical as he grew older he had gone his lonely way bent and gray and silent, a student of the forest and the stream. So far as I know he never uttered a bitter or despairing word, and when the final great boundary river confronted him he entered it with the same courage with which he ferried the Yukon or crossed the ice fields of Iskoot.

It happened that on the day this news came to me one of my Chicago friends sent their beautiful motor car to fetch Zulime and me to the opera, and as the children saw us in our evening dress, they cried out, "Oh papa, mama is a queen and you look like a king!" Thus it happened that I rode away in a luxury which I had not earned at the very moment when my faithful trail-mate, after toiling all his life, was passing to his grave wifeless, childless and unknown.

"I wish I could have shared just a little of my good fortune with him," I said to Zulime, who really was as stately as a queen. But the best of all my possessions I would not, could not, share with any one—I mean the adoration of my little daughters to whom I possessed the majesty of an emperor.

"Here his trail ends. Here by the landing I wait the
same oar—the slow, silent one.
We each go alone—no man with another,
Each into the gloom of the swift, black flood.
Burt, it is hard, but here we must sever.
The gray boatman waits, and you—you go first.
All is dark over there where the dim boat is rocking,
But that is no matter—no trailer need fear,
For clearly we're told, the powers which lead us,
Will govern the game till the end of the day.
Good-by!—Here the trail ends!"

***

Christmas came this year with special significance. Two pairs of eager eyes now peered at all bundles which came into the house. The faith and love and eager hope of my daughters made amends for the world's lack of interest in my writings. They and their mother were my wealth, their love compensated me for the slender dribble of my royalties.

"Our Christmas shall be as happy as that of any millionaire," was the thought which actuated me in the purchase and decoration of our tree. Wealth was highly desirable, but absurd as it may seem I had no desire to change places with any merchant or banker. The foolish notion that something historical in my work made it worth while, supported me in my toil. It was a hazy kind of comfort, I will concede, but I wrapped myself in it, and stole away out into the street to buy and sneak a Christmas tree up the back stairs. It was a noble tree, warranted to reach the ceiling of our library.

Father came down from Wisconsin and Franklin came up from Oklahoma to help me decorate it, and when, on Christmas morning, they both rose with me, and went down to light the candles, they were almost as gleeful as I. Mary Isabel was awake and piping from the top of the stairs, "Is it time, papa? Can we come now, papa?" and at last when the tower of glory was alight I called back, "Yes, now you may all come."

Slowly she descended step by step, clinging to her mother, who was carrying Constance. Very slowly the procession approached, for the little voluptuary in front was loath as well as eager—avid to enjoy yet hesitating to devour. Suddenly she saw, and into her face flamed an expression of wonder, of awe, of adoration, a look such as a cherub angel might wear while confronting The Great White Throne, a kind of rapture, humble yet exultant.

Silently she crept toward the center of the room, turning her eyes from this and to that unearthly splendor, yet always bringing them back to rest upon the faces of the dollies, sitting so still and so radiant beneath the glittering boughs. At last with a little gasping cry of joy she seized the largest and most splendid of these wondrous beings and clasped it to her breast, while Constance sat silent with her awe.

Their Christmas was complete. Another shining mark had been set in the upward slope of their happy march! Nothing, not even Death himself, can rob me of that precious memory.


CHAPTER TWENTY-FOUR

The Old Homestead Suffers Disaster

The summer of 1912, so stormy in a political sense was singularly serene and happy for us. The old house had been received back into favor. It was beloved by us all but especially was it dear to my children. To Mary Isabel it possessed a value which it could not have to any of us, for it was her birth-place and she knew every stick and stone of it. To her it had all the glamor of a childhood home in summer time.

On Sunday, October 6, we began to plan our return to the city, and as we sat about our fire that night the big room never looked so warm, so homelike, so permanent. The deep fireplace was ablaze with light, and the walls packed with books and hung with pictures spoke of a realized ideal. On the tall settee (which I had built myself), lay a richly-colored balletta Navajo blanket, one that I had bought of a Flathead Indian in St. Ignatius. Others from Zuni and Ganado covered the floor. Over the piano "Apple Blossom Time," a wedding present from John Ennecking glowed like a jewel in the light of the quaint electric candles which had been set in the sockets of hammered brass sconces. In short, the place had the mellow charm of a completed home, and I said to Zulime "There isn't much more to do to it. It is rude and queer, a mixture of Paris, Boston, and the Wild West; but it belongs to us." It was in truth a union of what we both represented, including our poverty, for it was all cheap and humble.

My father, white-haired, eighty-two years of age was living with us again, basking in the light of our fire and smiling at his grandchildren, who with lithe limbs and sweet young voices were singing and circling before him. I was glad to have him back in mother's room, and to him and to those who were to be his care-takers for the winter I gravely repeated, "I want everything kept just as it is. I want to feel that we can come back to it at any time and find every object in place, including the fire."

To which father replied, "I don't want to change it. It suits me."

The children, darting out of the music-room (which was the "dressing-room" of their stage), swung their Japanese lanterns, enacting once again their pretty little play, and then our guests rose two by two and went away. Zulime led the march to bed, the lights were turned out and the clear, crisp, odorous October night closed over our scene.

As I was about to leave the low-ceiled library, I took another look at it saying to myself, "It seems absurd to abandon this roomy, human habitation for a cramped little dwelling on a city lot." But with a sense of what the city offered by way of compensation, I climbed the old-fashioned, crooked, narrow stairway to my bed in the chamber over the music-room, content to say good-by for the winter....

It was dusky dawn when I awoke, with a sense of alarm, unable to tell what had awakened me. For several seconds I lay in confusion and vague suspense. Then a cry, a strange cry—a woman's scream—arose, followed by a rush of feet. Other cries, and the shrieks of children succeeded close, one upon the other.

My first thought was, "Constance has fallen." I sprang from my bed and was standing in the middle of the room when I heard Zulime cross the floor beneath me, and a moment later she called up the stairway, "Hamlin, Fan has set the house on fire!"

My heart was gripped as if by an icy hand for I knew how inflammable the whole building was, and without stopping to put on coat or slippers, I ran swiftly down the stairs. As I entered the sitting-room so silent, so peaceful, so undisturbed, it seemed that my alarm was only a part of a dream till the sobbing of my daughters and my wife's voice at the telephone calling for help, convinced me of the frightful reality. I heard, too, the ominous crackling of flames in the kitchen.

Pushing open the swinging door I confronted a wall of smoke. One-half of the floor was already consumed, and along the linoleum a sharply-defined line of fire told that it rose from burning oil—and yet I could not quite believe it, even then. It was like a scene in a motion picture play.

My first thought was to check, to hold back the flames, till help came. The garden hose was lying out under a tree (I had put it there the day before) and with desperate haste I hurried to attach it to the water pipes. I saw father in the yard, but he uttered no word. We were each thinking the same thought—"The old homestead is doomed. Our life here is ended."

The hose was heavy and sanely perverse, and it seemed an age before I had the water turned on. Catching up the nozzle I approached the kitchen door. The thin stream had no effect, and the heat was so intense I could not face it. Throwing down the hose I reËntered the house.

The children, hysterical with fright, were just leaving by the east door and Zulime was upstairs. Opening the front door I stepped out upon the porch to call for help. The beauty of the morning, its stillness, its serenity, its odorous opulence, struck upon my senses with a kind of ironic benignancy, as if to say, "Why agonize over so small a thing?"

I shouted "Fire!" and my voice went ringing far up the street. I cried out again, a third time, a fourth, but no one answered, no one appeared, and behind me the crackling roar of the flames increased. In despair I turned back into the sitting-room.

It had been arranged between Zulime and myself that in case of fire (once the children were safe), she was to secure the silverware and her jewelry whilst I flew to collect my manuscripts.

With this thought in my mind, and believing that I had but a few minutes in which to work, I ran up the stairs to my study and began gathering such of my manuscripts as had no duplicates. As I thought of the hundreds of letters from my literary friends, of the many family records, of the innumerable notes, pictures, keepsakes, souvenirs and mementoes which had been assembling there for a quarter of a century, I became confused, indecisive. It was so hard to choose. At last I caught up a sheaf of unpublished stories which filled one drawer, and beating off the screen of the north window threw the manuscripts out upon the grass.

A neighbor's wife, quick to understand the meaning of my anxiety about these sheets, ran to her home across the way and bringing a valise, began to stuff them into it. Having cleared my desk of its most valuable papers I hurried to my dressing-room to secure shoes and trousers; but by this time the hall was full of the most nauseating smoke. The fire having swept entirely through the library, was burning the front porch. My escape by way of the stairway was cut off. Blinded and gasping I gave up the search for clothes and turned back into my study.

I was not in the least scared; on the contrary, I was filled with a kind of fatalistic rage. In imagination I saw the old house, with all that it meant to me, in ruins. I saw the great elms and maples scorched, dead, the tall black locust burned to a ship's mast. As I peered from the window, a neighbor called earnestly, "You'd better get off there; the whole house is going."

From the window I could see the villagers rapidly assembling, and not knowing how far advanced the flames might be I yielded to the advice of my friend, and swinging myself from the window dropped to the ground.

My next care was for the children. I could hear them crying frantically for "papa!" and I hurried to where they stood cowering in the door of the barn. "O, papa, put it out. I don't want it to burn. Put it out!" moaned Mary Isabel with passionate intensity.

Her faith in her father had an infinite pathos at the moment. She loved the house. It was a part of her very brain and blood. To have it burn was a kind of outrage. Little Connie, five years old, with chattering teeth, joined her pleading cry, "Can't you put it out, papa?" she asked piteously.

"No," I answered sadly. "Papa can not put it out. Nobody can. You must say good-by to our dear old home."

Wrapping a quilt about her I started across the road toward my neighbor's porch. The yard was full of my fellow-citizens, and young men were heroically dragging out smoking furniture from the lower floor, while over in the Sander's yard piles of books, bedding and furniture were accumulating. It was all curiously familiar and typical.

In the full belief that the homestead would soon be a heap of charcoal, we took the children back into our friend's dining-room. "Pull down the curtain," entreated Zulime, "we don't want to see the old place go."

Helpless for lack of street clothing, with my children on my knees, I sat in silence, noting the flickering glare of the light on the walls, and hearing the shouts of the firemen and the sound of their axes.

Huldah, our neighbor's daughter, entered. "They're checking it!" she exclaimed. "It is under control."

This seemed incredible, but it was confirmed by George Dudley, who came in bringing my shoes and a suit of my clothing.

When at last I was fully clothed and could go out into the street I was amazed to find a part of the house standing. Most of the east wing seemed quite untouched, except of smoke and water. The west wing and front porch were in black disarray, but the roof held its place and the trees seemed scarcely scorched. A few firemen, among them the village plumber, the young banker, and a dentist, were on guard, watchfully intent that the flames should not break out again. The sun was rising gloriously over the hills. The fire, my fire, was over.

No doubt this event appeared most trivial to the travelers in a passing train. From the car windows it was only a column of smoke in the edge of a small village. Our disaster offered, indeed, only a mild sensation to the occupants of an early automobile party, but to my father, to Zulime and to the children, it was a desolate and appalling ruin. They had grown to love this old house foolishly, illogically, for it was neither beautiful nor historic, nor spacious. It was only a commonplace frame cottage, inwrought with memories and associations, but it was home—all we had.

The yard was piled with furniture, half-burned, soaked and malodorous, but none of my manuscripts were in sight. I had expected to find them scattered like feathers across the garden or trampled into the muddy sward. In reply to my question my friend Dudley replied, "They're all safe. I had the boys carry them down in blankets. You'll find them in the barn."

As I moved about silently, studying the ruins, the kindliest of my neighbors said, "You'll have to entirely rebuild." And to this a carpenter, a skilled and honest workman, agreed. "The cheapest thing to do is to tear it all down and start from the foundation."

Slowly, minutely, I studied the ruin. Surely here was gruesome change! Black, ill-smelling, smoking debris lay where our pretty dining-room had been. The library with all my best books (many of them autographed) was equally desolate, heaped with steaming, charred masses of tables, chairs, rugs and fallen plaster. I thought of it as it had been the night before, with the soft lights of the candles falling upon my children dancing with swinging lanterns. I recalled Ennecking's radiant spring painting, and Steele's "Bloom of the Grape," which glowed above the mantle, and my heart almost failed me—"Is this the end of my life in Wisconsin?"

For twenty years this little village had been the place of my family altar, not because it was remarkable in any way, but because since 1850 it had been the habitat of my mother's people and because it was filled with my father's pioneer friends. "Is it worth while to rebuild?" I asked myself. For the time I lost direction. I had no plan.

The sight of my white-haired father wandering about the yard, dazed, bewildered, his eyes filled with a look of despair at last decided me. Realizing that this was his true home; that no other roof could have the same appeal, and he could not be transplanted, I resolved to cover his head; to make it possible for him to live out his few remaining years under this roof with his granddaughters. "For his sake and the children's sake," I announced to Zulime, "I shall begin at once to clear away and restore. Before the winter comes you shall all be back in the old House. Perhaps we can eat our Thanksgiving dinner in the restored dining-room."

Whether she fully shared my desire to rebuild or whether she believed in my ability to carry out my plan so quickly I can not say. In such matters she was not decisive—she rested on my stubborn will.

The day came on—glorious, odorous, golden—but we saw little of its beauty. Engaged in digging the family silver out of the embers, and collecting my scattered books and papers I had no time to look at the sky. Occasionally, as I looked up from my work I saw my little daughters playing with childish intentness among the fallen leaves in my neighbor's yard, and in mistaken confidence I remarked what a blessing it is that childhood can so easily forget disaster.

I did not realize then, nor till many months after, how profound the shock had been to them. For years after the event they started at every unusual sound and woke at night screaming of fire.

All that day and all the days of the week which followed they played with the same singular insect-like absorption and at last I began to get some notion of their horror. They refused to enter the yard. "I don't want to see it," Mary Isabel wailed. Then she asked, "Will it ever be home for us again?"

"Yes," I answered with final determination. "I'll put it back just as it was before the fire came. It shall be nicer than ever when I am done."

Before night I had engaged a crew of men to clear away. Thereafter I lived like a man in a tunnel. I saw almost nothing of the opulent, golden sunshine, nothing of the exquisite foliage, nothing of the far hills, purple with Indian summer haze. Busily sorting my burned books or spreading out my treasured rugs, I toiled as long as light lasted. There were a few pleasant surprises. From one charred frame the face of Frank Norris, miraculously fresh and handsome and smiling, looked out through smoked and broken glass. In one corner of the sideboard (decorated by Thompson-Seton), a part of the silver bearing my mother's initials lay quite unharmed, though all of the pieces on the top were melted into a flat mass of bullion. Autographed books from Howells, Riley, Gilbert Parker, Conan Doyle, Arnold Bennett, fell to pieces in my hand, or showed so deep a stain of smoke as to make their rebinding impossible. My best Navajo rug, a fine example of the ancient weaving, was a frail cinder on the back of the charred settee, and a Hopi ceremonial dress which hung upon the wall was a blackened shred.

All these things had small money value, and to many men, would have represented no interest whatsoever, but to me they were precious. They were a part of my life. To burn them was to char a section of my brain. Pitiful possessions! Worthless rags! And yet they were the best I could show after thirty years of labor with the pen!

My father's condition troubled me most. To have him rendered homeless at eighty-two with winter coming on seemed to me an intolerable cruelty, and so with a driving haste I set to work with my own hands to clear away and restore. Wielding the wrecking bar and the spade each day, I toiled like a hired man—even after the carpenters were gone at night I scraped paint and shoveled rubbish.

Let no one pity me! A curious pleasure came with all this, for it seemed to advance the reconstruction with double swiftness.

At the end of the week I sent my wife and the children back to their city home, and thereafter I had but one interest, one diversion—to plan and execute my rebuilding. To close the walls, to make the rooms secure against wind and rain was imperative.

The insurance inspector came pleasantly to the rescue, and with a small balance in the bank I hired roofers, plumbers, carpenters, masons, till the street resounded with their clamor. In a week I had the rooms cleared, the doors and windows closed, and my father living in one corner of the house, whilst I camped down in my study. Water-soaked, ill-smelling, but inhabitable, the old house again possessed a light and a hearth.

"The children and their grandsire shall eat Thanksgiving dinner in the rebuilt dining-room," was my secret sentimental resolution. "To do that will turn a wail into a song—a disaster into a poem."

All very foolish, you say. No doubt, but it interested me and I was of an age when very few things interested me vitally. With clothing black as soot, with hands brown with stain and skinned and swollen and feverish, I kept to my job without regard to Sundays or the ordinary hours of labor. I was not seeking sympathy,—I was renewing my youth. I was both artist and workman. My muscles hardened, my palms broadened, my appetite became prodigious. I lost all fear of indigestion and ate anything which my friend Dudley was good enough to provide. I even drank coffee at every opportunity, and went so far as to eat doughnuts and pancakes at breakfast! To be deliciously hungry as of old was heartening.

The weather continued merciful. Each day the sun rose red and genial, and at noon the warm haze of Indian summer trailed along the hills—though I had little time in which to enjoy it. Each sunset marked a new stanza in my poem, a completed phrase, a recovered figure. "Our small affairs have shut out the light of the sun," I said to father, "the political situation has lost all interest for me."

Bare, clean and sweet, the library and music-room at last were ready for furniture. All these must be replaced. A hurried trip to the city, three days of determined shopping with Zulime, and a stream of new goods (necessary to refurnish), began to set toward the threshold. The draymen plied busily between the station and the gate.

By November first my father and I were camping in the library and cooking our own food in the dining-room. We rose each day before dawn and ate our bacon and coffee while yet the stars twinkled in the west, and both of us were reminded of the frosty mornings on our Iowa farm, when we used to eat by candle-light in order to husk corn by starlight. My hands felt as they used to feel when, worn by the rasping husks, they burned with fever. Heavy as hams, they refused to hold a pen, and my mind refused to compose even letters—but the pen was not needed. "My poem is composed of wood and steel," I remarked to Dudley.

At last the yard was cleared of its charred rubbish, the porch restored to its old foundation, and the new metal roof, broad-spreading and hospitable, gleamed like snow in dusk and dawn, and from the uncurtained windows our relighted lamps called to the world that the Garland household was about to reassemble and the author permitted himself to straighten up. Changing to my city garments I took the train for Chicago, promising to bring the children with me when our Thanksgiving turkey was fatted for the fire.

My daughters listened eagerly to my tale of the new house, but expressed a fear of sleeping in it. This fear I determined to expel.

On the Saturday before Thanksgiving I rejoined my workmen, finding the house in a worse state of disarray than when I had last seen it. The floors were littered with dust and shavings, and in the dining-room my father, deeply discouraged, was gloomily cooking his breakfast on an oil stove set in the middle of the floor. "It'll take another month to finish the job," he said.

"Oh, no it won't," I replied. "It won't take a week."

Fortunately the stain on the floor was dry and with the aid of two good men I finished the woodwork and beat the rugs. In a couple of days the lower house was livable.

On Wednesday at five o'clock I went to the train, leaving the electric lights all ablaze and the fire snapping in the chimney. It looked amazingly comfortable, restored, settled, and I was confident the children would respond to its cheer.

"Is it all made new?" they asked wistfully.

"Wait and see!" I confidently replied.

The night was cold and dark but as they neared the old house its windows winked a cheery welcome. "Why, it looks just as it used to!" exclaimed Mary Isabel.

"There are lights in our room!" exclaimed Constance.

"Run ahead, and knock," I urged.

She hung back. "I'm afraid," she said.

"So am I," echoed Connie.

The new metal roof gleaming like frost interested them as they entered the gate.

"Why, the porch is all here!" shouted Constance.

"But the screens are off," commented Mary Isabel.

"Knock!" I commanded.

Reaching up to the shining old brass knocker she banged it sharply.

The house awoke! White-haired old father came to the door and, first of all, the children sprang to his arms.

Then as they looked around they shouted with joy. "Why, it's just as it was—only nicer," was their verdict.

While Zulime looked keenly and smilingly around, Connie ran from settee to bookcase. "Everything is here—our books, the fireplace."

"Isn't it wonderful!" Mary Isabel exclaimed.

After greeting father Zulime surveyed the result of my six weeks' toil with critical but approving eyes. "I like it. It's much better than I expected. It is wonderful. But we must have new curtains for the windows," she added, with the housewife's attention to details.

The children danced through the brilliantly lighted rooms, but declined to go into the dining-room or to open the door to the kitchen which they remembered only as a mass of black embers and steaming ashes. I did not urge them to do so. On the contrary, I gathered them round me on the restored hearth and talked of the Thanksgiving dinner of the morrow.

As the hour for bedtime came Connie's eyes grew big and dark, and every small unusual sound startled her. Daddy's presence at last reassured them both and they went to sleep and, with only one or two restless intervals, slumbered till daylight.

Two of our neighbors—two capable women, came in next morning to help, and in a few hours the windows were curtained, the linen laid out and the turkey in the oven. Under Zulime's hands the rooms bloomed into homeliness. The kitchen things fell into orderly array. Pictures took their places on the walls, little knick-knacks which had been brought from the city were set on the mantels and bookcases, and when our guests arrived they each and all exclaimed, "No one would ever know you'd had a fire!"

At one o'clock the cooks, the children and Zulime all agreed that the fowl was ready for the carver and so we all assembled in the new and larger dining-room. No formal Thanksgiving was spoken, but vaguely forming in my mind was a poem which should express our joy and gratitude. My brother's seat was empty and so were those of other loved ones, but we did not dwell upon these sad things. I was living, working and planning now for the vivid souls of my daughters whose glowing cheeks and laughing eyes repaid me for all my toil. For them I had rebuilt this house—for them and their grandsire—whose trail was almost at its end. How happy he was in their presence! They, too, were happy because they were young, the sun was shining and their home was magically restored.

The happiest time of all was at night, when the evening shadows closed round the friendly walls, and the trees sighed in the chill wind—for beside the fire we gathered, the Garlands and McClintocks, in the good old fashion, while our neighbors came in to congratulate and rejoice. All the black terror of the dismantled house, all the toil and worry of the months which lay between, were forgotten as the children, without a care, sang and danced in the light of our new and broadened hearth.

That night as my daughters, "dressed up" as princesses, danced like fairies in the light of our restored and broadened hearth, I forgot all the toil, all the disheartenment which the burning of the house had brought upon me. To them the re-built homestead was only another evidence of their Daddy's magic power. His lamp was not less potent than Aladdin's.

That night as my daughters, "dressed up" as princesses, danced like fairies in the light of our restored and broadened hearth, I forgot all the toil, all the disheartenment which the burning of the house had brought upon me. To them the re-built homestead was only another evidence of their Daddy's magic power. His lamp was not less potent than Aladdin's.


CHAPTER TWENTY-FIVE

Darkness Just Before the Dawn

In going back over the records of the years 1912 and 1913, I can see that my life was lacking in "drive." It is true I wrote two fairly successful novels which were well spoken of by my reviewers and in addition I continued to conduct the Cliff Dwellers' Club and to act as one of the Vice Presidents of the National Institute of Arts and Letters, but I was very far from a feeling of satisfaction with my position. My life seemed dwindling into futility. I was in physical pain much of the time and tortured by a fear of the future.

Naturally and inevitably the burden of my increasing discontent, worse health, fell with sad reiteration upon my wife, who was not only called upon to endure poverty, but to bear with a sick and disheartened husband. The bravery of her smile served to increase my sense of unworthiness. Her very sweetness, her cheerful acceptance of never-ending household drudgery, was an accusation.

She no longer touched brush or clay, although I strongly urged her to sketch or model the children. She had no time, even if she had retained the will, to continue her work as an artist. With a faculty for entertaining handsomely and largely, with hosts of friends who would have clustered about her with loyal admiration, she remained the mistress of a narrow home and one more or less incompetent housemaid. All these considerations added to my sense of weakness and made the particular manuscript upon which I was spending most of my time, a piece of selfish folly.

For ten years I had been working, from time to time, on an autobiographical manuscript which I had called by various names, but which had finally solidified into A Son of the Middle Border. Even in my days of deepest discouragement I turned most of my energy to its revision. In the belief that it was my final story and with small hope of its finding favor in any form, I toiled away, year after year, finding in the aroused memories of my youthful world a respite from the dull grind of my present.

My duties as head of the Cliff Dwellers and as Secretary of The Theater Society tended to keep me in Chicago. My lecture engagements became fewer and I dropped out or Eastern Club life, retaining only long distance connection with the world of Arts and Letters. In losing touch with my fellows something vital had gone out of me.

In spite of all my former protestations, the city began to take on the color of Henry Fuller's pessimism. My youthful faith in Chicago's future as a great literary center had faded into middle-aged doubt. One by one its writers were slipping away to Manhattan. The Midland seemed farther away from publishers than ever, "The current is all against us," declared Fuller.

As a man of fifty-two I found myself more and more discordant with my surroundings. With sadness I conceded that not in my time would any marked change for the better take place. "Such as Chicago now is, so it will remain during my life," I admitted to Fuller.

"Yes, if it doesn't get worse," was his sad reply.

I would have put my Woodlawn house on sale in 1912 had it not been for my father's instant protest. "Don't take Zulime and the children so far away," he pleaded. "If you move to New York I shall never see any of you again. Stay where you are. Wait till I am 'mustered out'—it won't be long now."

There was no resisting this appeal. With a profound sense of what Zulime and the children meant to him, I gave up all thought of going East and settled back into my groove. "We will remain where we are so long as father lives," I declared to my friends.

My wife, who had perceived with alarm my growing discontent with Chicago, was greatly relieved by this decision. To her the thought of migration even to the North Side was disturbing, for it would break her close connection with the circle whose center was in her brother's studio. I am not seeking to excuse my recreancy to The Middle West; I am merely stating it as a phase of literary history, for my case is undoubtedly typical of many other writers who turned their faces eastward.

The plain truth is I had reached an age where I no longer cared to pioneer even in a literary sense. Desirous of the acceptances proper to a writer with gray hair and a string of creditable books, I wished to go where honor waited. I craved a place as a man of letters. That my powers were deteriorating in the well-worn rut of my life in Woodlawn I knew too well, and my need of contact with my fellow craftsmen in the East sharpened. The support and inspiration which come naturally to authors in contact with their kind were being denied me. Age was bringing me no "harvest home." In short, at the very time when I should have been most honored, most recompensed, in my work, I found myself living meanly in a mean street and going about like a man of mean concerns, having little influence on my art or among my fellows.

That Chicago was still on the border in a literary sense was sharply emphasized when the National Institute of Arts and Letters decided (after much debate), to hold its Annual Meeting for 1913 in the midland metropolis. "It is a long way out to Chicago," its Secretary wrote, "and I don't know how many members we can assemble, but I think we shall be able to bring twenty-five at least. You have been appointed chairman of the Committee of Arrangements, with full powers to go ahead."

The honor and responsibility of this appointment spurred me to action. I decided to accept and make the meeting a literary milestone in western history. My first thought was to make the Cliff Dwellers' Club the host of the occasion, but on further consideration, I reckoned that the City's welcome would have greater weight if all its literary and artistic forces could be in some way combined. To bring this about I directed letters to the heads of seventeen clubs and educational organizations, asking them to meet with me and form a joint Reception Committee.

This they did, and in a most harmonious session elected Hobart Chatfield-Taylor chairman. To this Committee I then said, "If we are to have any considerable number of our distinguished eastern authors and artists at this dinner we must make it very easy for them to travel. We should have a special train for them or at least special sleeping cars so that they can come as if in a moving club."

In this plan I had instant support. The sturdy group of men who had been so ready to aid me in building up the Cliff Dwellers (men like Hutchinson, Logan, Glessner, Ryerson, Aldis, and Heckmen), all took vital interest in the arrangements for the reception and dinner. The necessary funds were immediately subscribed, and my report to the Institute Council created a fine feeling of enthusiasm in the ranks of both organizations. The success of the meeting was assured. Some of the oldest members wrote, "It is a long way out there but we are coming."

The press of the city responded generously and some of its editors perceived and stated the historical significance of this pilgrimage of poets, artists, and historians to "the sparsely settled Border of Esthetic Culture." A trainload of men who painted, sculptured and composed, men who were entirely concerned with the critical or esthetic side of life, an academy of arts and letters rolling westward, was a new and wondrous phase of national exploration. The invasion was also capable of comic interpretation and a few graceless wags did allude to it as "a missionary expedition to Darkest Illinois."

To Fuller, to Chatfield-Taylor and to me, this joke was not altogether pleasant. We knew all too well the feeling of some of the writers who were coming. Several of them were seeing "the West" for the first time in their lives, others had not been in Chicago since the World's Fair in '93. All were conscious of the effort involved in reaching the arid and unknown frontier.

The entire Middle West had only ten resident members of the Institute although a large proportion of its membership was drawn from the Southern and Central Western States, "All trails lead to New York and there are no returning footsteps," commented Fuller. "Once a writer or painter or illustrator pulls his stakes and sets out for Manhattan, Chicago sees him no more."

All this was disheartening to those of us who, twenty years before, had visioned Chicago as a shining center of American art, but we went forward with our preparations, hoping that a fairly representative delegation could be induced to come.

Some thirty-five arrived safely, and the Dinner of Welcome in Sculpture Hall not only set a milestone in the progress of the city, but was in itself a beautiful and distinctive event.

The whole panorama of western settlement and its city building unrolled before me, as Charles L. Hutchinson, President of the Art Institute, rose in his place, and in the name of the most aspiring of Chicago's men and women, welcomed the members of the American Academy and the National Institute as representatives of American Art and American Literature. Once again and for the moment our city became a capital in something like the character of Boston a generation before. This conception was illusory, of course, but we permitted ourselves the illusion and accepted the praise which our visitors showered upon us with a belief that we had gained, at last, a recognized place in the Nation's esthetic history.

During the weeks of preparation for this event I had been happy and content, but a few days later, after the clubs had fallen back to their normal humdrum level I acknowledged with a sense of hopeless weariness that our huge city had a long way to go before it could equal the small Boston of Emerson, Lowell, Holmes, and Howells. My desire to rejoin my fellows in New York was intensified. "As there is only one London for England so there is only one New York for America."

All through the autumn of 1913 I ground away at my story of the Middle Border, conscious of the fact that—in a commercial sense—I was wasting my time, for several of my editorial friends had assured me of that fact—but each morning as I climbed to my study I forgot my drab surroundings. Closing the door of the bitter present and turning my back on the stormy future I relived my audacious youth and dreamed of the brave days of old.

Thanksgiving Day in West Salem was misty, dark and still, but the children—bless their shining faces—regarded it as just the right kind of weather for our festival. They were up early and running of errands for their mother who was chief cook. Our only guests were three lonely old women, and it gave me a pang of pity for the children who were forced thus to tolerate a group of gray-heads to whom life was a closing, mournful dirge. Happily, my daughters had the flame of invincible youth in their blood and danced and sang as if the world were new and wholly beautiful, which it was, to them.

Dear little daughters! They didn't know that Daddy was worried about his future and theirs, and no sooner were we back in our Chicago home than they began to look away toward Christmas. "Poppie!"—Mary Isabel would repeat—"only three weeks till—you know what! Remember!"

I remembered. Once again their stockings were stuffed to the hem, and their tree, a marvel of light, touched the ceiling with its pliant tip on which sparkled a golden star. To them I was still a wonder-worker. For a week I put aside my dark musings and rejoiced with them in their fairy world.

Now it chanced that the University Club of Pittsburg had booked me for a lecture early in January and in taking account of this, I planned to invade Manhattan once again, in a desperate attempt to dispose of my rewritten Son of the Middle Border, and to offer, also, one or two short stories which I had lately put into clean copy. Humbly, sadly, unwillingly I left my home that cold, bleak, dirty day, staggering under the weight of my valises, for I was not in good health and my mood was irresolute.

Change was in my world and change of an ominous kind was in my brain. Subjects which once interested me had lost their savor, and several tales in which I had put my best effort had failed to meet my own approval and had been thrown aside. No mechanic, no clerk, would have envied me as I boarded a filthy street car on my way to the Englewood station. That I had reached a fork in my trail was all too evident. The things for which I had labored all my days were as ashes in my hand. I walked with a stoop and the bag containing my manuscript dragged at my shoulder like a fifty-pound weight as I painfully climbed the steps leading to the waiting-room of the grimy, noisy, train station. I was a million miles from being a "distinguished man of letters" at that moment, and with a sense of my poverty and declining health, took a seat in the crowded day coach and rode all day in gloomy silence. At noon I dined on a sandwich. Dollars looked as large as dinner plates that day. "Your only way to earn money is to save it," I accused myself.

At the University Club in Pittsburg I recovered slightly. The lecture having been announced to take place in the dining-room could not be staged till nine o'clock—a fact which worried me for I had arranged to take the night train for the East—and this alarm, this fear of losing my train led me to begin by address while my audience was assembling, and my hurried utterance led to weariness on the part of my hearers. My performance was a failure, and to complete my disheartenment I reached the station about five minutes after the last eastern train had pulled out.

Dismayed by this mishap, I took a seat in a corner and darkly ruminated. "What shall I do now? Shall I go back to Chicago? Or shall I go on?"

Decision was in reality taken out of my hands by the baggageman who said in response to inquiry, "I put your trunk on the 8:40 train. It is well on its way to New York."

Accepting this as a mandate to go on, I returned to my room in the University Club and went to bed, but not to sleep. For hours I tossed and turned in self-questioning, self-accusing fury.

"What a fool you have been to waste years of labor on a book which nobody wants and which has put you—temporarily at least—out of conceit with fiction. Why go on? Why spend more time and money on a vain attempt to dispose of this manuscript?"

Falling asleep at last, I regained a part of my courage, and at breakfast a faint glow of hope crept into my thinking. At nine o'clock I took the day train and in silence rode for nearly twelve hours, retracing the thirty years which lay between my first view of Manhattan and this my hundredth reËntrance. With no thrill of excitement I crossed the ferry and having registered at a small hotel on Thirty-fourth Street, went to bed at nine o'clock completely worn out with my journey.

A long night's sleep and a pot of delicious coffee for breakfast put so much sunshine into my world that I set out for Franklin Square with a gambler's countenance, resolute to conceal my dismay from my friends and especially from my publisher. There was something in the very air of Broadway which generated confidence.

Harpers' editors were genial, respectful, but by no means enthusiastic concerning my autobiographic manuscript, although I assured Duneka that I had vastly improved it since he had read it a year before.

"That may be," he granted, "but it is not fiction and nothing serializes but fiction. We'll be glad to schedule it as a book, but I don't see any place for it in our magazine." And then—more to get rid of me than for any other reason, he added, "You might see Collier's. Mark Sullivan is the editor up there now; it might be that he could use something of yours."

Duneka's indifference even more than his shunting my precious manuscript into the street brought back my cloud of doubt, for it indicated a loss of faith in me. To him I was a squeezed lemon. Nevertheless I took his hint. Sullivan, I knew and liked, and while I had small hope of interesting him in The Middle Border, I did think he might buy one or two of my short stories.

The Collier's plant humming with speed, prosperous and commercial, was not reassuring to me, but I kept on through the maze until I reached Sullivan's handsome room, where I was given an easy chair and told to wait, "the editor will see you in a few minutes."

Alert, kindly, cordial, Mark greeted me and taking a seat, fixed his keen blue, kindly eyes upon me. "I'm glad to see you," he said, and I believed he meant it. He went on, "This is the psychological moment for us both. I am looking for American material and I want something of yours. What have you to show me?"

Thus encouraged I told him of A Son of the Middle Border.

He was interested. "Where is the manuscript? Is it complete?"

"It is. I have it with me at the hotel."

"Send it down to me," he said quickly, "I'll read it and give you a verdict at once."

In an illogical glow of hope I hastened to fetch the manuscript, and in less than two hours it was in his hands.

I speak of my hope as "illogical" for if the literary monthly of my own publishers could not find a place for it, how could I reasonably expect a hustling, bustling popular weekly like Collier's to use it?

Nevertheless something in Sullivan's voice and manner restored my confidence, and when I called on the editor of the Century I was able to assume the tone of successful authorship. The closer I got to my market the more assured I became. I counted for something in New York. My thirty years of effort were remembered in my favor.

On Tuesday Sullivan, who had been called to the West, wired me from Chicago that A Son of the Middle Border would make an admirable serial and that his assistants would take the matter up with me. "I predict a great success for it."

That night I sent a message to my wife in which I exultantly said, "Rejoice! I've sold The Middle Border to Collier's Weekly. Our troubles are over for a year at least."

Two days later Collier's took a short story at four hundred dollars and the Century gave me three hundred for an article on James A. Herne, and when I boarded the train for Chicago the following week I was not only four thousand dollars better off than when I came—I had regained my faith in the future. My task was clearly outlined. For the seventh time I set to work revising A Son of the Middle Border, preparing it for serial publication.

My father, who knew that I had been writing upon this story for years, stared at me in silent amazement when I told him of its sale. That the editor of a great periodical should be interested in a record of the migrations and failures of the McClintocks and Garlands was incredible. Nevertheless he was eager to see it in print—and when in March the first installment appeared, he read it with absorbed attention and mixed emotions. "Aren't you a little hard on me?" he asked with a light in his eyes which was half-humorous, half-resentful.

"I don't think so, Father," I replied. "You must admit you were a stern disciplinarian in those days."

"Well maybe I was—but I didn't realize it."

My first understanding of the depths this serial sounded came to me in the letters which were written to the editor by those who could not find words in which to express their longing for the bright world gone—the world when they were young and glad. "You have written my life," each one said—and by this they meant that the facts of my family history, and my own emotional experiences were so nearly theirs that my lines awoke an almost intolerable regret in their hearts—an ache which is in my own heart to-day—the world-old hunger of the gray-haired man dwelling upon the hope and illusions of youth.

These responses which indicated a wider and more lasting effect than I had hoped to produce, led me to plan for the publication of the book close on the heels of the concluding installment of the serial but in this I was disappointed. The Mexican war suddenly thrust new and tremendously exciting news articles into the magazine, separating and delaying the printing of my story. Had it not been for the loyalty of Mark Sullivan it would have been completely side-tracked, but he would not have it so; on the contrary he began to talk with me about printing six more installments, and this necessarily put off the question of finding a publisher for the book.

Nevertheless I returned to my desk in the expectation that the Mexican excitement was only a flurry and that the magazine would be able to complete the publication of the manuscript within the year. My harvest was not destroyed; it was only delayed.


CHAPTER TWENTY-SIX

A Spray of Wild Roses

Although for several years my wife and children had spent four months of each year in West Salem, and notwithstanding the fact that my father was free to come down to visit us at any time, I suffered a feeling of uneasiness (almost of guilt), whenever I thought of him camping alone for the larger part of the year in that big, silent house. His love for the children and for Zulime made every day of his lonely life a reproach to me, and yet there seemed no way in which I could justly grant him more of our time. The welfare of my wife and the education of the children must be considered.

He was nearing his eighty-fourth birthday, and a realization that every week in which he did not see his granddaughters was an irreparable loss, gave me uneasiness. It was a comfort to think of him sitting in an easy chair in the blaze of a fireplace which he loved and found a solace and yet he was a lonely old man—that could not be denied. He made no complaint in his short infrequent letters although as spring came on he once or twice asked, "Why don't you come up? The best place for the children is on the lawn under the maples."

In one note to me he said, "My old legs are giving out. I don't enjoy walking any more. I don't stand the work of the garden as well as I did last year. You'd better come up and help me put in the seed."

This confession produced in me a keen pang. He who had marched so tirelessly under the lead of Grant and Thomas; he who had fearlessly cruised the pine forests of Wisconsin, and joyously explored the prairies of Iowa and Minnesota, was now uncertain of his footing. Alarmed more than I cared to confess, I hurried up to help him, and to tell him of the success of The Middle Border, which was in truth as much his story as mine.

The air was thick with bird songs as I walked up the street, for it was late April, and I came upon him at work in the garden, bareheaded as usual, his white hair gleaming in the sunlight like a silver crown.

Outwardly serene, without a trace of bitterness in his voice, he spoke of his growing weakness. "Oh, the old machine is wearing out, that's all." Aware of his decline he accepted it as something in the natural course of human life and was content.

Several of his comrades had dropped away during the winter and he was aware that all of his generation were nearing their end. "There's only one more migration left for us," he said composedly, yet with a note of regret. Not on the strength of any particular religious creed but by reason of a manly faith in the universe he faced death. He was a kind of primitive warrior, who, having lived honorably, was prepared to meet what was to come. "I've no complaint to make," he said, "I've had a long life and on the whole a happy life. I'm ready for the bugle."

This was the faith of a pathfinder, a philosophy born of the open spaces, courage generated by the sun and the wind. "I find it hard to keep warm on dark days," he explained. "I guess my old heart is getting tired," and as he spoke I thought of the strain which that brave heart had undergone in its eighty years of action, on the battlefield, along the river, in the logging camps, and throughout all the stern, unceasing years of labor on the farm. His tireless energy and his indomitable spirit came back, filling my mind with pictures of his swift and graceful use of axe and scythe, and when I spoke of the early days, he found it difficult to reply—they were so beautiful in retrospect.

The next day was Sunday, and Sunday afternoon was for him a period of musing, an hour of dream, and as night began to fall he turned to me and with familiar accent called out, "Come, Hamlin, sing some of the songs your mother used to love," and I complied, although I could play but a crude accompaniment to my voice. First of all I sang "Rise and Shine" and "The Sweet Story of Old" in acknowledgment of the Sabbath, then passed to "The Old Musician and His Harp," ending with "When You and I Were Young, Maggie," in which I discerned a darker significance—a deeper pathos than ever before. It had now a personal, poignant application.

Tears misted his eyes as I uttered the line, "But now we are aged and gray, Maggie, the trials of life are nearly done," and at the close he was silent with emotion. He, too, was aged and gray, his trials of life nearly done, and the one who had been his solace and his stay had passed beyond recall.

To me, came the insistent thought, "Soon he must go to join Mother in the little plot under the pines beyond Neshonoc." In spite of my philosophy, I imagined their reunion somehow, somewhere.

Tender and sweet were the scenes which the words of my songs evoked—pictures which had nothing to do with the music except by association, forms and faces of far-off days, of Dry Run Prairie and its neighbors, and of the still farther and dimmer and more magical experiences of Green's Coulee, before the call to war.

I sang the song my uncle Bailey loved. A song which took him back to his boyhood's home in Maine.

"The river's running just the same,
The willows on its side
Are larger than they were, dear Tom,
The stream appears less wide,
And stooping down to take a drink,
Dear Heart, I started so,
To see how sadly I was changed
Since forty years ago!"

His songs, his friends, his thoughts were all of the past except when they dwelt on his grandchildren—and they, after six months' absence, were shadowy, fairy-like forms in his memory. He found it difficult to recall them precisely. He longed for them but his longing was for something vaguely bright and cheerful and tender. David and William and Susan and Belle were much more vividly real to him than Constance or Mary Isabel.

******

On Monday morning he was up early. "Now let's get to work," he said. "I can't hoe as I used to do, and the weeds are getting the start of me." To him the garden was a battlefield, a contest with purslane and he hated to be worsted.

"Don't worry about the garden," I said. "It is not very important. What does it matter if the 'pussley' does cover the ground?"

He would not have this. "It matters a good deal," he replied with hot resentment, "and it won't happen so long as I can stand up and shove a hoe."

To relieve his anxiety and to be sure that he did not overwork, I hired Uncle Frank McClintock to come down for two or three days a week to help kill the weeds. "The crop is not important to me," I said to him privately, "but it is important that you should keep a close watch on Father while I am away. He is getting feeble and forgetful. See him every day, and wire me if he is in need of anything. I must go back to the city for a few weeks. If you need me send word and I'll come at once."

He understood, and I went away feeling more at ease. I relied on Uncle Frank's interest in him.

Now, it chanced that just before the date of our return to the Homestead, Lily Morris, wife of the newly-appointed ambassador to Sweden, invited my wife and children to accompany her on a trip to the Big Horn Mountains and we were all torn between opposing duties and desires.

Eager to see "Papa's Mountains," yet loath to lose anything of dear old West Salem, Mary Isabel was pathetically perplexed. Connie was all for West Salem but Zulime who knew the charm of the West decided to go, and again I visited Father to tell him the news and to explain that we would all be with him in August. The fear of disappointing him was the only cloud on the happy prospect.

With a feeling of guilt I met him with the news of our change of plan, softening the blow as best I could. He bore it composedly, though sadly, while I explained that I could not possibly have shown the children the mountains of my own accord. "I have some lectures in Colorado," I explained, "but I shall not be gone long."

"I had counted on seeing Zulime and the children next week," was all he said.

Just before my return to the city, he sent for a team, and together we drove down to the little Neshonoc burying ground. "I want to inspect your mother's grave," he explained.

On the way, as we were passing a clump of wild roses, he asked me to stop and cut some of them. "Your mother was fond of wild roses," he said, "I'd like to put a handful on her grave."

The penetrating odor of those exquisite blooms brought to my mind vistas of the glorious sunlit, odorous prairies of Iowa, and to gather and put into his hand a spray of them, was like taking part in a poem—a poignant threnody of age, for he received them in silence, and held them with tender care, his mind far away in the past.

Silently we entered the gate of the burial ground, and slowly approached the mound under which my mother's body rested, and as I studied the thin form and bending head of my intrepid sire, I realized that he was in very truth treading the edge of his own grave. My eyes grew dim with tears and my throat ached with a sense of impending loss, and a pity for him which I could conceal only by looking away at the hills.

Nevertheless, he was calmer than I. "Here is where I want to lie," he said quietly and stooping, softly spread his sprays of roses above the mound. "She loved all the prairie flowers," he said, "but she specially liked wild roses. I always used to bring them to her from the fields. We had oceans of them in Dakota in those days."

It was a commonplace little burial ground with a few trees and here and there a bed of lilies or phlox, yet it had charm. It was a sunny and friendly place, a silent acre whose name and history went back to the beginning of the first white settlement in the valley. On its monuments were chiseled the familiar names of pioneers, and it was characteristic of the time and deeply characteristic of the McClintocks, to be told, by my father, that in some way the exact location of my grandmother's grave had been lost and that no stone marked the spot where my grandfather was buried.

We wandered around among the graves for half an hour while Father spoke of the men and women whose names were on the low and leaning stones. "They were American," he said. "These German neighbors of ours are all right in their way, but it isn't our way. They are good citizens as far as they know how to be, but they don't think in our words. Soon there won't be any of the old families left. My world is just about gone, and so I don't mind going myself, only I want to go quick. I don't want to be bedridden for months as Vance McKinley was. If I could have my wish, I'd go out like a candle in a puff of wind,—and I believe that's the way I shall go."

It was a radiant June afternoon and as we drove back along the familiar lane toward the hills softened by the mist, we looked away over a valley throbbing with life and rich with the shining abundance of growing grain—a rich and peaceful and lovely valley to me—but how much more it all meant to my father! Every hill had its memories, every turn in the road opened a vista into the past. The mill, the covered bridge, the lonely pine by the river's bank,—all, all spoke to him of those he had loved and lost.

With guilty reluctance I confessed that the return of the children had again been postponed. "Mrs. Morris cannot tell just when she will return—I fear not before the first of September. It is a wonderful opportunity for the children to see the mountains. I could not afford to take them on such a trip—much as I should like to do so—and there is no telling when such another opportunity will offer. Mary Isabel is just at the right age to remember all she sees and a summer in the mountains will mean much to her in after life. Even Constance will be profoundly changed by it. Zulime is sorry to disappoint you but she feels that it would be wrong to refuse such an opportunity."

He made no complaint, offered no further opposition, he only said gently and sadly, "Don't let them stay away too long. I want them here part of the summer. I miss them terribly—and you must remember my time on earth is nearly ended."

"We shall all be here in August," I assured him, "and I may return late in July."

This was the twelfth of June and as I left the house for the train the picture of that lonely, white-haired man, sitting at the window, took away all the anticipation of pleasure with which our expedition had filled my mind. I was minded to decline the wondrous opportunity and send the children to the old Homestead and their grandsire.


CHAPTER TWENTY-SEVEN

A Soldier of the Union Mustered Out

On my return to Chicago, I made good report of Father's condition and said nothing of his forebodings, for I wanted Zulime to start on her vacation in entire freedom from care. Had it not been for my lecture engagements I might not have gone with them, but as certain dates were fixed, I bought tickets for myself on the same train which Mrs. Morris had taken, and announced my intention to travel with the party at least as far as Sheridan. "I want to watch the children's faces and hear their words of delight when they see the mountains," I explained to Mrs. Morris. "My lectures at the Colorado Normal School do not begin till the second week in July—so that I can be with you part of the time."

My decision gave the final touch to the children's happiness. They liked their shaggy father—I don't know why, but they did—and during the days of preparation their voices were filled with bird-like music. They were palpitant with joy.

On the day appointed the Morris automobile called for us and took us to the train, and when the children found that they were to travel in a private pullman and that the stateroom was to be their own little house they were transported with pride. Thereafter they knew nothing of heat or dust or weariness. Their meals came regularly, and they went to bed in their berths with warbles of satisfaction.

The plains of the second day's travel absorbed them. The prairie dogs, the herds of cattle, the cactus blooms all came in for joyous recognition. They had read about them: now here they were in actuality. "Are those the mountains?" asked Mary Isabel as we came in sight of the buttes of Eastern Wyoming. "No, only hills," I replied.

Then, at last, came the Big Horns deep blue and lined with snow. Mary Isabel's eyes expanded with awe. "Oh, they are so much finer than I expected them to be," she said, and from that moment, she gave them her adoration. They were papa's mountains and hence not to be feared. "Are we really going up there?" she asked. "Yes," I replied pointing out Cloud Peak, "we shall go up almost directly toward that highest mountain of all."

At a camp just above Big Horn City we spent a month of just the sort of riding, trailing and camping which I was eager to have my children know, and in a few days under my instruction, they both learned to sit a horse in fearless confidence. Mary Isabel, who was eleven, accompanied me on a ride to Cloud Peak Lake, a matter of twenty miles over a rough trail, and came into camp almost unwearied. She was a chip of the old block in this regard, and as I listened to her cheery voice and looked down into her shining face I was a picture of shameless parental pride. For several weeks I was able to remain with them and then at last set forth for Colorado on my lecture tour.

Meanwhile, unsuspected by Americans, colossal armies were secretly mobilizing in Europe, and on August first, whilst we were on our way home, the sound of cannon proclaimed to the world the end of one era and the beginning of another. Germany announced to the rulers of the Eastern Hemisphere that she intended to dominate not merely the land but the seas, and in my quiet hotel in a Colorado college town this proclamation found amazed readers. I, for one, could not believe it—even after my return to Chicago in August, while the papers were shouting "War! War!" I remained unconvinced. Germany's program seemed monstrous, impossible.

The children and their mother arrived two days later and to Zulime I said "Father is patiently waiting for us and in the present state of things West Salem seems a haven, of rest. We must go to him at once." She was willing and on August six, two days after England declared war, the old soldier met us, looking thin and white but so happy in our coming that his health seemed miraculously restored.

With joyous outcry the children sprang to his embrace and Zulime kissed him with such sincerity of regard that he gave her a convulsive hug. "Oh, but I'm glad to see you!" he exclaimed while tears of joy glistened on his cheeks.

"Well, Father, what do you think about the European situation?" I asked.

"I don't know what to think," he gravely answered. "It starts in like a big war, the biggest the world has ever seen. If you can believe what the papers say, the Germans have decided to eat up France."

Although physically weaker, he was mentally alert and read his Tribune with a kind of religious zeal. The vastness of the German armies, the enormous weight and power of their cannons, and especially the tremendous problem of their commissariat staggered his imagination. "I don't see how they are going to maintain all those troops," he repeated. "How can they shelter and clothe and feed three million men?"

To him, one of Sherman's soldiers, who had lived for days on parched corn stolen from the feedboxes of the mules, the description of wheeled ovens, and hot soup wagons appeared mere fiction. Although appalled by the rush of the Prussian line, he was confident that the Allies would check the invasion. Sharply resenting the half-veiled pro-Germanism of some of his neighbors, he declared hotly: "They claim to be loyal to America, but they are hoping the Kaiser will win. I will not trade with such men."

How far away it all seemed on those lovely nights when with my daughters beside me I lay on their broad bed out on the upper porch and heard the crickets sleepily chirping and the wind playing with the leaves in the maples. To Connie's sensitive ears the rustle suggested stealthy feet and passing wings—but to me came visions of endless rivers of helmeted soldiers flowing steadily remorselessly through Belgium, and Mary Isabel said, "Papa, don't you think of going to war. I won't let you."

"They wouldn't take me anyway," I replied, "I'm too old. You needn't worry."

I could not conceal from myself the fact that my father's work was almost done. That he was failing was sorrowfully evident. He weeded the garden no more. Content to sit in a chair on the back porch or to lie in a hammock under the maples, he spent long hours with me or with Zulime, recalling the battles of the Civil War, or relating incidents of the early history of the valley.

He still went to his club each night after supper, but the walk was getting to be more and more of a task, and he rejoiced when we found time to organize a game of cinch at home. This we very often did, and sometimes, even in the middle of the afternoon I called him in to play with me; for with a great deal of time on his hands he was restless. "I can't read all the time," he said, "and most of the fellows are busy during the middle of the day."

Each morning regular as the clock he went to the post-office to get his paper, and at lunch he was ready to discuss the news of the battles which had taken place. After his meal he went for a little work in the garden, for his hatred of weeds was bitter. He could not endure to have them overrun his crops. They were his Huns, his menacing invaders.

In this fashion he approached his eighty-fourth birthday. His manner was tranquil, but I knew that he was a little troubled by some outstanding notes which he had signed in order to purchase a house for my brother in Oklahoma, and to cure this I bought up these papers, canceled them and put them under his breakfast plate. "I want him to start his eighty-fifth year absolutely clear of debt," I said to Zulime.

He was much affected by the discovery of these papers. It pleased him to think that I had the money to spare. It was another evidence of my prosperity.

Nearly half of A Son of the Middle Border had now been printed and while he had read it he was shy about discussing it. Something almost sacred colored the pictures which my story called up. Its songs and sayings vibrated deep, searching the foundation chords of his life. They told of a bright world vanished, a landscape so beautiful that it hurt to have some parts of it revealed to aliens—and yet he was glad of it and talked of it to his comrades.

Zulime made a birthday cake for him and the children decorated it, and when Mary Isabel brought it in with all its candles lighted, and we lifted our triumphant song, he was overwhelmed with happiness and pride.

"I never had a birthday cake or a birthday celebration before in all my life," he said, and we hardly knew whether to laugh or to cry at that confession.

We ended the day by singing for him—that was the best of it all; for both the children could now join with me in voicing the tunes which he loved. They knew his enthusiasms and were already faithful heirs of his traditions. Singers of the future, they loved to hear him recount the past.

All through the month of September as we walked our peaceful way in Wisconsin the Germans were pounding at the gates of Paris. It comforts me at this moment to recall how peaceful my father was. He heard of the war only as of a far-off storm. He had us all, all but Franklin, and there was no bitterness in his voice as he spoke of his increasing uselessness. "I'm only a passenger now," he said. "I've finished my work."

As the Interstate Fair came on, he quietly engaged a neighbor to take us all down to La Crosse in an automobile. "This is my treat," he said, and knowing how much it meant to him I gladly accepted. With a fine sense of being up-to-date he reverted to the early days as we went whirling down the turnpike, and told tales of hauling hay and grain over these long hills. He pointed out the trail and spoke of its mud and sand. "It took us six hours then. Now, see, it's just like a city street."

He was greatly pleased to find an aËroplane flying above the grounds as we drew near. "They say the Germans are making use of these machines for scouting—and they are building others to fight with. I can't understand how they make a ton of iron fly."

Once inside the gates we let him play the host. He bought candy for the children, paid for our dinners at the restaurant and took us to the side-shows. It wearied him, however, and about three o'clock he said "Let's go home by way of Onalaska. I want to visit the cemetery and see if Father's lot is properly cared for." It seemed a rather melancholy finish to our day, but I agreed and as we were crossing the sandy stretch of road over which I limped as a child, I remarked "How short the distance seems." He smiled like a conqueror, "This is next thing to flying," he said.

This lonely little burial ground, hardly more impressive than the one at Neshonoc, contained the graves of all the Garlands who had lived in that region. "There is a place here for me," he said, "but I want you to put me in Neshonoc beside your mother."

On the way home he recovered his cheerfulness with an almost boyish resiliency. The flight of the car up the long hill which used to be such a terror to his sweating team, gave a satisfaction which broke out in speech. "It beats all how a motor can spin right along up a grade like this—and the flies can't sting it either," he added in remembering the tortured cattle of the past. When I told him of an invitation to attend a "Home Coming of Iowa Authors" which I was considering, he expressed his pleasure and urged me to accept. Des Moines was a real city to him. It possessed the glamour of a capital and to have me claimed by the State of Iowa pleased him more than any recognition in New York.

The following day he watched while the carpenter and I worked at putting my study into shape. Ever since the fire two years before its ceiling had needed repair, and even now I was but half-hearted in its restoration. As I looked around the square, bare, ugly room and thought of the spacious libraries of Longfellow, Lowell and Holmes, I realized my almost hopeless situation. I was only a literary camper after all. My life was not here—it couldn't be here so far from all that makes a writer's life worth while. "Soon for the sake of the children I must take them from this pleasant rut," I said to Zulime. "It is true an author can make himself felt from any place, but why do it at a disadvantage? If it were not for Father, I would establish our winter home in New York, which has the effect of increasing my power as well as my happiness."

On the twentieth of October Father called me to his room. "I'm getting near the end of my trail," he said, "and I want to talk to you about my will. I want you two boys to share equally in all I've got and I'd like to have you keep this property just as it is, then you'll be safe, you'll always have a home. I'm ready to go—any time, only I don't like to leave the children—" His voice failed him for a moment, then he added, "I know I can't last long."

Though refusing to take a serious view of his premonition I realized that his hold on life was loosening and I answered, "Your wishes shall be carried out."

He did not feel like going up to the club that night, and so we played cards with him. Wilson Irvine, a landscape painter, who was visiting us chose Constance as a partner against Mary Isabel and her grandsire. Luck was all in Constance's favor, she and Irvine won, much to the veteran's chagrin. "You little witch," he said, "what do you mean by beating your granddad?" He was very proud of her skill, for she was only six years old.

To end the evening to his liking, we all united in singing some old war songs and he went away to his bed in better spirits than he had shown for a week or more.

He was at the breakfast table with me next morning, but seemed not quite awake. He replied when I spoke to him, but not alertly, not as he should, and a few minutes later rose with effort. This disturbed me a little, but a few minutes later he left the house as if to do some work at the barn, and I went to my writing with a feeling that he was quite all right.

It was a glorious October morning and from my desk as I looked into the yard I could see him standing in the gate, waiting for the man and team. He appeared perfectly well and exhibited his customary impatience with dilatory workmen. He was standing alertly erect with the sunshine falling over him and the poise of his head expressed his characteristic energy. He made a handsome figure. My eyes fell again to my manuscript and I was deep in my imaginary world when I heard the voice of my uncle Frank calling to me up the stairs:

"Hamlin! Come quick. Something has happened. Come, quick, quick!"

There was a note in his voice which sent a chill through my blood, and my first glance into his eyes told me that he had looked upon the elemental. "Your father is lying out on the floor of the barn. I'm afraid he's gone!"

He was right. There on the rough planking of the carriage way lay the old pioneer, motionless, just as he had fallen not five minutes before. The hat upon his head and his right hand in his pocket told that he had fallen while standing in the door waiting for the drayman. His eyes were closed as if in sleep, and no sign of injury could be seen.

Kneeling by his side I laid my hand on his breast. It was still! His heart invincible through so many years had ceased to beat. His breath was gone and his empty left hand, gracefully lax, lay at his side. The veteran pioneer had passed to that farther West from whose vague savannahs no adventurer has ever returned.

"He must have died on his feet," said my uncle gravely, tenderly.

"Yes, he went the way he wished to go," I replied with a painful stress in my throat.

Together we took him up and bore him to the house, and placed him on the couch whereon he had been wont to rest during the day.

I moved like a man in a dream. It was all incredible, benumbing. Tenderly I disposed his head on its pillow and drew his hands across his breast. "Here is the end of a good man," I said. "Another soldier of the Union mustered out."

His hands, strong, yet singularly refined, appealed to me with poignant suggestion. What stern tasks they had accomplished. What brave deeds they had dared. In spite of the hazards of battle, notwithstanding the perils of the forests, the raft, the river, after all the hardships of the farm, they remained unscarred and shapely. The evidence of good blood was in their slender whiteness. Honorable, skilful, indefatigable hands,—now forever at rest.

My uncle slipped away to notify the coroner, leaving me there, alone, with the still and silent form, which had been a dominant figure in my world. For more than half a century those gray eyes and stern lips had influenced my daily life. In spite of my growing authority, in spite of his age he had been a force to reckon with up to the very moment of his death. He was not a person to be ignored. All his mistakes, his weaknesses, faded from my mind, I remembered only his heroic side. His dignity, his manly grace were never more apparent than now as he lay quietly, as though taking his midday rest.

A breath of pathos rose from the open book upon his table. His hat, his shoes, his gloves all spoke of his unconquerable energy. I thought of the many impatient words I had spoken to him, and they would have filled me with a wave of remorse had I not known that our last day together had been one of perfect understanding. His final night with us had been entirely happy, and he had gone away as he had wished to go, in the manner of a warrior killed in action. His unbending soul had kept his body upright to the end.

All that day I went about the house with my children like one whose world had suddenly begun to crumble. The head of my house was gone. Over and over again I stole softly into his room unable to think of him as utterly cold and still.

For seventy years he had faced the open lands. Starting from the hills of Maine when a lad, he had kept moving, each time farther west, farther from his native valley. His life, measured by the inventions he had witnessed, the progress he had shared, covered an enormous span.

"He died like a soldier," I said to the awed children, "and he shall have the funeral of a soldier. We will not mourn, and we will not whisper or walk tip-toe in the presence of his body."

In this spirit we called his friends together. In place of flowers we covered his coffin with the folds of a flag, and when his few remaining comrades came to take a last look at him, my wife and I greeted them cordially in ordinary voice as if they had come to spend an evening with him and with us.

My final look at him in the casket filled my mind with love and admiration. His snowy hair and beard, his fair skin and shapely features, as well as a certain firm sweetness in the line of his lips raised him to a grave dignity which made me proud of him. Representing an era in American settlement as he did I rejoiced that nothing but the noblest lines of his epic career were written on his face.

This is my consolation. His last days were spent in calm content with his granddaughters to delight and comfort him. In their young lives his spirit is going forward. They remember and love him as the serene, white-haired veteran of many battles who taught them to revere the banner he so passionately adored.

The art career which Zulime Taft abandoned (against my wish) after our marriage, is now being taken up by her daughter Constance who, at fourteen, signs herself C. Hamlin Garland, Artist.

The art career which Zulime Taft abandoned (against my wish) after our marriage, is now being taken up by her daughter Constance who, at fourteen, signs herself C. Hamlin Garland, Artist.


                                                                                                                                                                                                                                                                                                           

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