When I went to pay my daily visit to the prince, he was still in bed, and I made my way to his library, where they had placed his couch. The room in which a famous man spends the greater part of his time is always interesting. The signs of his particular tastes are everywhere; the special character of his genius reveals itself in the smallest details; and the objects surrounding him supply food for our curiosity or attract our attention. With his books and manuscripts scattered here, there, and everywhere, the Prince de Ligne gave one the impression of a general in his tent among the trophies of his victories and the weapons worn in everyday life. Abusing somewhat the licence accorded to poets, with whom ‘a beautiful disorder’ is accounted an artistic effect, the prince lived amidst a kind of litter which was not altogether devoid of gracefulness. Here, Rousseau and Montesquieu lying open beside a batch of love-letters; there, scraps of paper covered with verses close to a couple of military volumes of Archduke Charles; further on, letters just begun, and poems and works of strategy in a similarly initial condition. An admirable amalgam of the grand seigneur, the soldier, and the man of wit, the Prince de Ligne presented a type the like of which we shall not see again; now captivating the most He had a writing-desk before him when I came in. His intellect, aglow with a wholly youthful imagination, just as his heart was aglow with kindness, seemed to live against time; hence, no day ever passed without his throwing on to paper some judicious or playful, some brilliant or profound remarks, such as those with which his conversation was studded. ‘I’m going to SchÖnbrunn to-day,’ he said, ‘and I should like you to accompany me. I am performing ad honores the office of introducer to the little duke who was born a king. I only want to finish this chapter on the events of the moment, and then I am at your disposal. ‘I’m throwing my thoughts on to paper anyhow lest they should escape my memory,’ he added. ‘The grand picture we constantly have before us has the faculty of inspiring me; I fancy that amidst all these delirious joys a thought may now and again strike me which in days to come will either give pleasure or be productive of some good. Though yielding to this whirl of phantasms, I have not ceased to observe. Though an actor in the piece which is being played, I consider the whole of what is passing around me a simple kick in an ant-hill.’ Saying which he resumed writing. All of a sudden, being apparently in want of a reference of some kind, he looked up. ‘Be kind enough to give me that manuscript volume on the third shelf.’ I got up, but uncertain which volume to take, I hesitated for a moment. Thereupon he jumped out of bed and hauled himself up by the cornice of the bookcase, got hold of the book, and was back again between the sheets in less time than it takes to tell; I looking on in sheer surprise at the agility of a man of his years. ‘This, my young friend, shows that bodily agility may be attended with excellent results, and that there is nothing in life like prompt resolution. A few years before the outbreak of the Revolution, I happened to be in Paris. In the happiness of the hour, and with the carelessness of youth, I had committed a few excesses; I had, moreover, forgotten the state of my finances, and my purse was as empty of coin as my heart was full of joy and my mind of illusion. Nevertheless, I was expected in Brussels the next day to dine with the archduchess-governess of the Southern Netherlands. A total stranger in the vast city, I felt sorely embarrassed. I was on terms of intimate friendship with Prince Max, the present King of Bavaria, at that time a colonel in the French service.43 You are aware of his generous and devoted disposition. During the whole of his life he was willing to While talking, he had dressed himself. When he had finished putting on his uniform of colonel of trabans, and had hung half-a-dozen grand crosses and ribands of various orders upon his breast, he suddenly stopped. ‘If illusion could provide me to-day with its mirror,’ he said, ‘how gladly would I exchange all this splendour for the simple dress of an ensign in my Even while bantering himself in that way, there was a charm about his words of which it is difficult to convey an idea. I kept telling him that age had glided off him without leaving a mark, and that time honoured him by forgetting him. He believed my words, and his handsome face was lighted up with happiness. On going downstairs we found some of the savants who constantly worried him, and his features lost their happy expression, although he managed to dismiss the intruders with a few polite remarks, and went on his way. ‘How I detest those savants of verbosity, those gatherers of clever sayings, those walking dictionaries, whose sole stock-in-trade in the matter of genius is their memory! The best book to study is the world itself, but that book will always be a closed one to them,’ he said. In a few moments we were rumbling in the direction of SchÖnbrunn. Unfortunately, the prince’s carriage did not deserve the compliment I had just addressed to the prince himself. It was impossible to believe that the vehicle had ever been young, and its springs piteously cried out to be exchanged for a set more elastic and in keeping with the requirements of our own time. I can still picture the cumbrous, grey conveyance drawn by two bony white horses. The panels displayed the prince’s scutcheon, surmounted ‘QuÔ res cumque cadunt, semper stat linea recta.’ Behind this ancient coach stood a kind of footman, an old Turk, six feet high, a present from Prince Potemkin at the assault of IsmaËl, and who bore the name of the conquered town. The marshal, however, had the art of abridging distances, just as he had the art of supplying the scantiness of his dinner-entertainments, by his conversation. The journey of nearly an hour seemed very short, and it was with some surprise that I beheld the gates of the imperial country-seat. SchÖnbrunn, the building of which was begun by the princes of the House of Austria, was the object of Maria-Theresa’s particular affection. It was she who completed it, and, in order to accelerate the work, part of it was done by torchlight. The castle is delightfully situated on the right bank of the Wien. The majestic ensemble of its architecture proclaims it at once to be a royal residence. The gardens, nobly and most gracefully planned, interspersed with sheets of limpid water skilfully disposed, planted with trees of the most luxuriant vegetation, and studded with most precious marble and bronze statuary, harmonise most imposingly with the magnificence of the palace itself. The park is alive with deer of all kinds, the peaceful tenants of those beautiful spots, and they, as it were, seem to invite the approach of the visitors. Every day and at all hours these glades and avenues are open to the public. Numberless carriages and horsemen are constantly there. The park is surrounded by pleasaunces, the inmates of which in the milder season are the eye-witnesses of a succession of fÊtes and rejoicings. The sound of those rejoicings pierces the walls of the imperial habitation, and adds by its animation to the charms of the noble pile. A staircase leads from that room into the garden. On a wooded height stands a charming pavilion built by Maria-Theresa, and called ‘La Gloriette’; that elegant structure of fairy-like design, composed of arcades, colonnades, and trophies, bounds the vista and constitutes one of the most delightful pieces of decorative architecture. It is at the same time a palace and a triumphal arch. It is reached by a double staircase. The view from the principal drawing-room defies description: there are immense masses of green as far as the eye can reach, and at the horizon are the city of Vienna, the course of the Danube, and finally the high mountains whose outlines constitute the background of the magnificent landscape. It is difficult to imagine a more splendid panorama. The greenhouses of SchÖnbrunn are perhaps the most beautiful in Europe. They contain precious samples of the vegetation of the universe. It was there that Emperor Francis, who had a particular liking for botanical pursuits, himself attended to the rarest plants. Close to the castle there was a small railed-off plot, carefully tended, which was the garden of the son of Napoleon. It was there that the young prince cultivated the flowers which each morning he gathered into bouquets for his mother45 and his governess. While crossing the courts, which are very spacious, the prince pointed out the spot where, while Napoleon was inspecting some troops, a young fanatic attempted to kill him about the time of the battle of Wagram. If a crime of that nature is calculated to inspire anything but a feeling of indignation, that young fellow might have been pitied in virtue of the courage and fortitude he showed at the moment of his death. It was in those courts that, at the same period, Napoleon gave orders to his ordnance-officer, the Prince de Salm, to put through its drill a regiment of the Germanic Confederation, and to give the command in German. The Viennese came down in shoals, this little amenity on the part of the victor having made them forget that their capital was in the hands of the enemy. In the hall a French servant, still wearing the Napoleonic livery, came towards us. He knew the marshal, and immediately went to inform Mme. de Montesquiou of his arrival. ‘I trust we’ll not have to wait,’ said my companion, ‘for, as I have told you, I am almost like the Comte de SÉgur of SchÖnbrunn.’ He alluded to the A few moments later Mme. de Montesquiou came to apologise for being unable to introduce us immediately. ‘The little prince,’ she said, ‘is sitting for his portrait to Isabey, which is intended for the Empress Marie-Louise. As he is very fond of the marshal, the sight of him would only make him restless. I’ll see that the sitting is as short as possible.’ ‘You know what happened at my first visit?’ remarked the prince, after Mme. de Montesquiou had left us. ‘When they told the child that Marshal Prince de Ligne had come to see him, he exclaimed: “Is it one of the marshals who deserted papa? Don’t let him come in.” They had a good deal of trouble in making him understand that France is not the only country where they have marshals.’ A short while afterwards Mme. de Montesquiou took us to the apartments. When young Napoleon caught sight of the Prince de Ligne he slid off his chair, and flung himself into the arms of the old soldier. He was indeed as handsome a child as one could wish to see, and the likeness to his ancestress Maria-Theresa was positively striking. The cherub-like shape of his face, the dazzling whiteness of the skin, the eyes full of fire, and the pretty fair curls drooping on his shoulders, made up one of the most graceful models ever offered to Isabey. He was dressed in a richly embroidered uniform of hussars, and wore on his dolman the star of the Legion of Honour, ‘Bon jour, monsieur,’ said the little lad, ‘I like the French very much.’ Remembering the words of Rousseau to the effect that people do not like to be questioned, and least of all children, I stooped down and kissed him. The son of Napoleon is no more; pitiless Death cut short at twenty-two a life begun on a throne; and at the moment when the brilliant qualities of the prince His intellect was quick and precocious; all his words struck the listener by their justness. Both his memory and his faculty for acquiring knowledge were astounding; he learned German in a short time, and after that spoke it with the same ease as French. His character was firm, and his resolutions, only arrived at after serious reflection, were unshakable; his slightest movements were stamped with grace; his gestures, when he wished to emphasise his words, were already grave and solemn. His liking for the science of warfare showed itself both in his eyes and in his speech. ‘I want to be a soldier,’ he said, ‘I’ll lead the charge.’ They suggested that bayonets might oppose his progress. ‘But surely,’ was the answer, ‘I’ll have a sword to put aside the bayonets.’ His curiosity with regard to the history of his father was extreme; the Emperor, his grandfather, convinced that truth must constitute the basis of every education, and notably that of a prince, determined not to leave him in ignorance upon any subject.46 The child listened eagerly to the story of a life which, in the space of twenty years, seemed to have exceeded the measure of both belief and of history. The exuberance of his joys, his impatience at being baulked of his wishes and of all opposition to his will, were those of a child, while his intense anxiety to learn, his habitual calm and reflection, attested a more advanced age. Everything in him led to the belief in the theory of hereditary genius. His quickness of intellect showed itself in everything connected with his illustrious and ill-fated sire. On the day before our visit, the English commodore, Sir Neil Campbell, who accompanied Napoleon to Elba, was presented to his son. ‘Are you not pleased, prince, to see this gentleman, who left your father only a few days ago?’ asked Mme, de Montesquiou, presenting the officer. ‘Yes,’ was the answer, ‘I am pleased.’ Then, putting his finger to his lips, he added, ‘But we must not say so.’ The commodore took the child into his arms. ‘Your papa has told me to kiss you for him,’ he said, suiting the action to the word, after which he gently put him down. The child had a German top in his hands. He flung it down with such force as to break it to pieces. ‘Poor papa!’ he gasped, bursting into tears.47 What were the thoughts that moved him, and how, at his tender age, could he grasp the whole extent of the ambiguous and false position of the son of Napoleon being a prisoner, as it were, in the Austrian palace of SchÖnbrunn! This plucky resignation, which was the most conspicuous trait of his character, abided with him up to his last moments. When, at the age of twenty-two, undermined by a most painful malady, he was dying at that same palace of SchÖnbrunn, and beheld Death advancing slowly but surely, he, handsome, young, talented, and the offspring of a great man, talked of his impending end with those surrounding him, taking, as it were, a cruel pleasure in dispelling all the illusions of hope. We stepped up to Isabey, who had just put the finishing touches to the portrait of the young prince. It was a striking likeness, and, in common with all his works, pervaded by an exquisite grace. It was the identical picture he presented to Napoleon on the latter’s return from Elba in the following year. ‘What I like best in this portrait is its wonderful resemblance to that of Joseph II. when he was a child, which was given to me by Maria-Theresa. After all, this resemblance to a great man is a happy augury for the future.’ Then the prince complimented the painter on the perfect finish of his work, adding a few happily-chosen words on his European reputation. ‘I came to Vienna, M. le MarÉchal,’ replied Isabey, ‘with the hope of being allowed to reproduce the features of all the celebrities that are here, and without doubt I ought to have started with yours.’ ‘Assuredly, seeing that, in virtue of my age, I am the dean.’ Meanwhile, young Napoleon had gone to a corner of the room in search of a regiment of wooden Uhlans which his grand-uncle Archduke Charles had sent him a few days previously. Set in motion by a piece of simple mechanism, the troopers, stuck on movable pins, imitated every military evolution, breaking the ranks, deploying into line, forming into columns, etc. ‘Time to begin our manoeuvres, prince!’ shouted the marshal in a tone of command. Immediately the Uhlans were taken from their box and disposed in battle order. ‘Attention,’ cried the marshal, drawing his sword and assuming the attitude of a general on parade. Stolidly attentive and grave, like a Russian grenadier, the child took up his position to the right of his troop, his hand on the spring. No sooner has the word of command left the old soldier’s lips than the movement is carried out with the utmost precision. A second order meets with similarly prompt obedience; the chief and the subaltern are equally grave. To watch the charming face of the child lighting up at this mimic piece of drill, and, on the other hand, to watch the aged and illustrious relic of the wars of the past becoming animated at the child’s grave demeanour, was a sight never to be forgotten. It looked as if the one had inherited the irresistible passion of his sire for the science of warfare; as if the other, suddenly growing younger by a couple of decades, was going to recommence his glorious campaigns. It was a delicious contrast, fit to inspire the genius of our greatest painters. The grand manoeuvres were interrupted by the announcement of the empress’s coming. She liked to be alone with her son, whose education she superintended.49 No sooner were we seated in our carriage, still deeply moved by what we had seen, than the Prince de Ligne said: ‘When Vienna surrendered to Napoleon at SchÖnbrunn, when he planned his memorable campaign of Wagram there, when in those spacious courts he reviewed his victorious phalanxes in the presence of the astounded Viennese, little did he foresee that in this same palace the son of the victor and the daughter of the vanquished would be held as hostages by one whose fate was then in his hands. In my long career I have seen many instances of extraordinary glory, and nearly as many of crushing reverses, but nothing to compare to the history of which we have just witnessed a chapter.’ As we were crossing the glacis between the faubourgs and the city, we espied an open carriage, very low on its wheels. There seemed scarcely room enough in it to hold its one huge occupant. ‘Let us stop and perform our salutations,’ said the prince. ‘There goes another majesty by the grace of God and of Robinson Crusoe (Napoleon). There goes the King of WÜrtemberg. ‘Up to the present,’ he went on, ‘you have only seen royal fÊtes. To-morrow I mean to take you to an entertainment for the people. So much has been accomplished through the people that they can well afford to do something for it. I’ll see you to-morrow.’ The people’s fÊte is one of the most brilliant solemnities of Vienna. It had been eagerly looked forward to for some time. Anxious to profit by the invitation of my illustrious guide, I was at his place before midday. The Augarten is situated on the same island of the Danube as the Prater, by which it is bound on the east. The park, with its thickly-wooded retreats and clumps of trees, presented the most varied and beautiful vegetation, interspersed in all directions by magnificent avenues. The palace, due to Joseph II., is a specimen of simple and elegant architecture. An inscription over the front entrance tells the fact that this amiable prince-philosopher gave up the building for the amusement of the nation. There was an immense crowd; the weather was splendid; the stands erected for the sovereigns and the celebrities of the Congress were filled with most elegantly dressed spectators of both sexes. The Prince de Ligne preferred to mingle with the crowd, and I was glad of it. The Austrian veterans, to the number of four thousand, had been invited to the fÊte. To the strains of military music they marched past the stand of the sovereigns, and afterwards took possession of a number of spacious tents, set apart for their special use. There were military sports at frequent intervals throughout the day. They opened with foot races, after which came races with small Eastern horses, after the manner of the Barbary horses that contest for speed in the Corso in Rome. In an open-air circus, the trick-riders and acrobats of Bach, who are the rivals of Franconi and Astley of London, performed all kinds of exercises on foot and on horseback. Further on, the Turnplatz was occupied by young men who, to the delight of the spectators, went through a series of gymnastics. To the left of the palace, on a magnificent greensward, there stood a pole a hundred feet high, surmounted by a huge wooden bird with outspread wings. It served as a target to a company of Tyrolese archers, experts with the cross-bow. The prize was a beautiful Finally, an enormous balloon rose in the air. The aeronaut’s name was Kraskowitz, and he proved a worthy emulator of Garnerin and Blanchard, for a short time after his ascent he soared majestically above the crowd, waving a number of flags of the various nations whose representatives had forgathered in Vienna. An hour later, the aeronaut, after a unique view of a splendid scene, came gently down in the island of Lobau, the spot connected with one of the remarkable military feats of modern history. Then there was an interruption of the games. Sixteen large tables were spread on a vast lawn, the four thousand veterans sat down to a profusely served repast, while from several bandstands, decorated with standards and panoplies of war, there uprose the strains of military symphonies. In another part of the park, four elegantly decorated tents in which companies of Bohemians, Hungarians, Austrians, and Tyrolese respectively, in the picturesque dresses of their countries, performed national dances to the sound of their own particular instruments, diversified by their patriotic songs. The sovereigns during the whole of the time wandered about, unescorted, taking stock of everything, and chatting familiarly with the veterans, many of whose faces were absolutely riddled with scars. There was something patriarchal in their thus mingling with the crowd, which eyed them curiously, respectfully following them everywhere. When night fell, a hundred thousand lamps converted the Augarten into a blaze of light, and then there were magnificent fireworks in front of the palace. The principal pieces represented the monuments of Milan, Berlin, and St. Petersburg. There was an immense crowd in the avenues of the Augarten, but at no moment was order disturbed in the slightest. At the termination of the fireworks, the sovereigns strolled through the streets, and were everywhere hailed with unanimous cheers. Then the entire Court repaired to the theatre of the Carinthian Gate to witness the performance of the ballet Flore et ZÉphire. All the palaces, mansions, and private dwellings were most brilliantly illuminated; and ‘transparencies,’ bearing enthusiastic mottoes, had not been spared. Dancing and music went on throughout the whole of the night; it was, in fact, an uninterrupted scene of magnificence and happiness. Joy prevailed everywhere, a joy due less perhaps to the fÊte that had been offered to the people than to the hope of a durable peace, the price of which had been paid by many years of constant sacrifices. |