Because pens lie unused, or are but feebly wielded over the war, they would have us believe that modern literature has been found wanting. “Look,” they say, “how nobly the Greek and the Elizabethan pens rhymed the epic struggles of their ages. What a degenerate, nerveless creature is this modern pen! See how it fails when put to the touchstone of great events and the thrilling realities of war!” I think this is nonsense. The greatest pens of the past were strangers to the glamour of war. Euripides made it the subject of a dirge; Shakespeare of casual treatment; Cervantes of his irony. They were in advance of the feeling of their day about war; but now their feeling has become that of mankind at large; and the modern pen, good, bad, or indifferent, follows—longo intervallo—their prevision of war’s downfalling glory. In the words of a certain officer, war is now “damn dull, damn dirty, and damn dangerous.” The people of Britain, and no doubt of the other countries—however bravely they may fight—are fighting not because they love it, not because it is natural to them, but because—alas!—they must. This makes them the more heroic since the romance of war for them is past, belonging to cruder stages of the world’s journey.

In our consciousness to-day there is a violent divorce between our admiration for the fine deeds, the sacrifices, and heroisms of this war, and our feeling about war itself. A shadowy sense of awful waste hangs over it all in the mind of the simplest soldier as in that of the subtlest penman. It may be real that we fight for our conceptions of liberty and justice; but we feel all the time that we ought not to have had to fight, that these things should be respected of the nations; that we have grown out of such savagery; that the whole business is a kind of monstrous madness suddenly let loose on the world. Such feelings were never in the souls of ordinary men, whether soldiers or civilians, in the days of Elizabeth or Themistocles. They fought, then, as a matter of course. In those so-called heroic ages “the thrilling realities of war” were truly the realities of life and feeling. To-day they are but a long nightmare. We have discovered that man is a creature slowly, by means of thought and life and art, evolving from the animal he was into the human being he will be some day, and in that desperately slow progression sloughing off the craving for physical combat and the destruction of his fellow-man. This process does not apparently mean the loss of stoicism and courage, but rather the increase thereof, as millions in this war, after the most peaceful century in the world’s history, have proved. But we are a few paces farther on toward the fully evolved human being than were the compatriots of Themistocles or Elizabeth.

The true realities of to-day lie in peace. The great epic of our time is the expression of man’s slow emergence from the blood-loving animal he was. To that great epic the modern pen has long been consecrate, and is not likely to betray its trust.