"Saragossa" is the sixth volume in the brilliant series of historical novels by B. PÉrez GaldÓs, which begins with "Trafalgar" and closes with "The Battle of the Arapiles," embracing "The Court of Carlos IV," "Gerona," and "Napoleon in Chamartin." B. PÉrez GaldÓs, possibly known best in the United States as the author of "DoÑa Perfecta," may be called the Walter Scott of Spain. He is, however, truer to history than Scott, and the characters he creates move in an atmosphere of reality rather than romance. "Saragossa" is one of the most powerful, impressive, and popular of the twenty novels wherein he tells the gallant story of his native land. This tale of the second siege of the ancient Aragon city by the generals of Napoleon is a work of art, one that stirs the blood with admiration of the indomitable valor of the Spaniards; yet is it not also a document of special pleading for the world's peace? "Saragossa" ranks with Tolstoi's "War and Peace," and Zola's "La DÉbÂcle," among great dramatic war novels. Herein also are at least three of the best drawn The events leading up to the siege of Saragossa are a part of the history of Spain in her struggle for continued national existence against the encroachments of Napoleon. Although it was national warfare, each province and strong provincial city made its own individual stand. Therefore words like those quoted on a preceding page from Napier's "Peninsular War" have an especial significance. The English general's words are doubly striking when read in connection with these of GaldÓs, "Men of little sense—without any on occasion—the Spanish to-day, as ever, make a thousand blunders, stumbling and rising in the struggle of their inborn vices with the eminent qualities which they still preserve. Providence The threatened loss of her nationality was the terror which hung above Spain in the dark days of 1808. Her court was rent with factions; her royal house was divided against itself. Three parties had made dissension in the palace and among the people. One was the party of the King Carlos IV; one was that of his son, Prince Ferdinand; the third, of a most insidious power, was that of Don Manuel Godoy, whose ambitions and pretensions were supported by the queen. A corrupt court and an intriguing priesthood had promoted the troubles of Spain, causing king, prince, and favorite, each and separately, to make application to Napoleon for protection, and for the support of their various plans. The imbecility of the Spanish Bourbons at such an hour in European history was inevitable in its influence upon the Emperor of the French. His ambition grew with this new opportunity. Under the mask of operating with Spain against Portugal, Napoleon filled the Peninsula with French troops under generals like Junot and Moncey and Lannes. The Spanish king and prince were already in France, and practically in Saragossa, although situated in an admirably strong strategic position between the French border and the Spanish capital, was not occupied by the French in force at first, because the character of the Saragossans made it unwise to attempt to place a small body of foreign troops among them, and Saragossa—Zaragoza in Spanish—had no citadel. Napoleon himself could not foresee what a tremendous de The second and successful siege, with whose events this novel is occupied, continued for two long and fatal months, from the twentieth of December of that same dark year until the twenty-first of the following February. During this time of horror and of bravery, there were also laughter and song, dancing and love-making in Saragossa, and such an idyl of tenderness and passion as this story of Augustine and Mariquilla which is now offered to readers of English. M. C. S.
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