However pleasant may be the scenes to which we are going, we cannot repress a feeling of sadness as we leave those with which we have been long associated, and which have become, as it were, part of our life. As the train bearing us from our home moved off from the shed, I went out to the rear platform, and stood looking at each familiar place and object as they passed, with a fond farewell upon my lips, and a desire to stamp all so indelibly upon my memory that in years to come I might remember exactly how everything appeared. As I stood As I had several matters of business to attend to in New York, I determined to take steamer from that point to Havana, instead of from Charleston, as we first thought of doing. The evening after our arrival in the metropolis being bright and sunny, I ordered an open carriage, and Carlotta and I, with little Johnnie, drove out to the Park. Ordering our coachman to let the horses go slowly, we gave ourselves up to the enjoyment of the beautiful scene. Pausing at each object of interest—here a marble statue, there a bronze, getting out at the museum, that Johnnie might see the animals, stopping on the edge of the lake, that he might feed the swans—time passed swiftly, and the sun was nearly down as we found ourselves over the terrace, the dress parade ground for the equipages of the Park. The press of vehicles here forced us to stop for a moment, and at the same instant a most superb turnout caught our attention. A pair of jet black horses, whose champing mouths almost bit their foam-flecked breasts, covered with harness that dazzled the eye with its gleaming plate, a glittering gold-mounted chariot, and a coachman and lackey in green and gold liveries! There were only two occupants—a handsome, middle-aged man, and a lady of striking yet haggard beauty. Clustering brown curls fell around her shoulders, and her hazel eyes were very bright, but her wan cheek was rouged, and the smile she wore was plainly forced and meaningless. All this we saw in a moment, and then we looked in each other’s faces, and exclaimed in one breath: ”Lulie Mayland!” Ere we could extricate ourselves from the throng of carriages and follow, their chariot was out of sight, and we could only return to our hotel in wonder and surprise. That night Carlotta and I went to the Academy of Music. Parepa was to open the season with Maritana, and the vast edifice was crowded. The curtain was down for the second act, and Carl Rosa, with his nervous baton was wafting up from the orchestra a soft, exquisite aria, when the door of a box across the circle was opened by an obsequious usher, and a gentleman in an agony of fashion bowed a tremendous satin trail, a superb white cloak, and a profusion of diamonds into the seat. Laying a harp of camelias and tube-roses in his crush hat, he assisted her in removing her cloak, and, as a cluster of brown curls fell over her bare white shoulders, we recognized again Lulie. He seemed to bend over her with pleasant words, for she frequently smiled; but oh! the look of weariness and despair that at times would flit across her face! The curtain rose and fell, Parepa sang her sweetest, and the dome reËchoed the thunders of applause, but we sat regardless of the stage, with our opera glasses fixed on the box where Lulie sat. The gentleman, too, who was with her was an object of interest to me, for I could not divest myself of the idea that I had seen him somewhere. The deep red hair, parted so exactly in the middle, the flowing side whiskers, and the foppish dress, all seemed familiar, but I could not recall them, till presently he lowered his lorgnon and stuck in his eyeglass, and then I recognized Mr. Monte. I immediately rose and left our box to go to them, but before I had gotten half around the aisle I saw them both rise from their seats and leave the house. I followed as fast as I could through the throng, and reached the pavement just in time to see them drive off in their carriage. When we returned to the hotel I rang for a directory and |